Music in the Film: Notes for a Morphology

Author(s): Paolo Milano

Reviewed work(s):

Source: 

The Journal of Aesthetics and Art Criticism, Vol. 1, No. 1 (Spring, 1941), pp. II+89-94

Published by: 

Wiley-Blackwell

 on behalf of 

The American Society for Aesthetics

Stable URL: 

http://www.jstor.org/stable/426747

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Document Outline

• Article Contents
  • p. 89
  • p. 90
  • p. 91
  • p. 92
  • p. 93
  • p. 94
  • p. II
• Issue Table of Contents
  • The Journal of Aesthetics and Art Criticism, Vol. 1, No. 1 (Spring, 1941), pp. I-II+1-134
    • Front Matter [pp. I-I]
    • Knowledge and Control in the Field of Aesthetics [pp. 1-12]
    • The Symbolic Values of Art Structure [pp. 13-22]
    • Aesthetic Experience in the Light of Current Psychology [pp. 23-33]
    • The Aesthetic Idea of Impressionism [pp. 34-45]
    • Some Aspects of St. Augustine's Philosophy of Beauty [pp. 46-51]
    • Il Faut être de son Temps [pp. 52-65]
    • The System of the Arts [pp. 66-79]
    • The Relativity of Form in Art [pp. 80-88]
    • Music in the Film: Notes for a Morphology [pp. II+89-94]
    • The Function and Value of Aesthetics [pp. 95-105]
    • Mind and Medium in the Modern Dance [pp. 106-129]
    • Book Reviews
      • Review: untitled [pp. 130-131]
      • Review: untitled [p. 131]
      • Review: untitled [p. 132]
      • Review: untitled [p. 133]
      • Review: untitled [p. 133]
      • Review: untitled [p. 134]
      • Review: untitled [p. 134]