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Sonata XXI con tre violini

G.Gabrieli (c.1555-1612)

Canto primo

Canto secondo

Canto terzo

Basse se piace &

Basso per l'organo

   

 

   

  

 

  



  

5



  

            

      

       

      

         

    



    

9

     

                   

 

 

 



 

12

 

   

    

               

     

         

         

 

 

 

    

 

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15

 

    

     

  

 

    

     

 

   

19

 

    

  

 

   

       

 

    

24

      

 

 

    

   

27

 

      

           

 

 

     

       

   

 

 

     

 

 

2

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30

     

  

           

 

  

    

           

    

34

 



      

       

 

 

  

     

 

 

 

 

     

38

    

  

 

             

    

    

    

     

42

 

   

     

   

                   

    

     

    

     

     

3

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45

 

       

       

 

           

   

                  

         

       

   

   

  

49

 

       

    

   

                  

    

  

       

   

 

 

52

 

    

   

               

  

   

    

   

      

    

     

    

    

    

   

 

  

55

 

     

    

               

     

 

    

   

 

 

     

    

4

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58

 

        

 

       

   

        

         

       

    

            

      

 

 

 

62

  

    

    

    

   

            

  

    

    

  

       

    

   

  

65

 

   

            

    

   

      

 





     

    

    

   

 

68

  

        

  

 

        



  

 

         



 

  

 

 

5