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My 160 Memorable Games

1

C82

Fischer,Robert James
Stevens,W

Oklahoma City

1956

 1.e4  e5  2.¤f3  ¤c6  3.¥b5  a6  4.¥a4  ¤f6  5.0-0
 ¤xe4  6.d4  b5  7.¥b3  d5  8.dxe5  ¥e6  9.c3  ¥c5
 10.¤bd2  0-0  11.¥c2  ¤xf2  12.¦xf2  ¥xf2+
 13.¢xf2  f6  14.exf6  £xf6  15.¢g1  ¦ae8  16.¤f1
 ¤e5  17.¤e3  ¤xf3+  18.£xf3  £xf3  19.gxf3  ¦xf3
 20.¥d1  ¦f7

½-½

B92

Dale,Ruth
Fischer,Robert James

US Open

1956

 1.e4  c5  2.¤f3  d6  3.d4  cxd4  4.¤xd4  ¤f6
 5.¤c3  a6  6.¥e2  e5  7.¤f3  ¥e7  8.0-0  0-0  9.h3
 ¤bd7  10.¦e1  b5  11.a4

Provoking an advance he

isn't ready to meet.

 b4  12.¤d5  ¤xd5  13.£xd5

 £c7  14.£b3

White can't take the rook because of

14.. .Nb6, but the queen is still misplaced and
exposed on b3. It was best to retreat to d1 and
suffer quietly.

 ¤c5

 15.£xb4

 d5

 16.exd5

Now White loses by force. Black would have a
huge edge after 16 Qc3 d4 17 Qd2 Nxe4, but no
immediate win.

 e4  17.¤d2  ¤d3  18.£xe4  ¤xe1

 19.d6  ¥xd6  20.£xa8  ¥b7  21.£xf8+  ¢xf8
 22.¢f1  ¤xc2  23.¦b1  ¤d4  24.¥d3  ¥b4

0-1

A07

Fischer,Robert James
Lapiken

US Open

1956

 1.¤f3  ¤f6  2.g3  d5  3.¥g2  ¥f5  4.0-0  e6  5.d3
 c6  6.¤bd2  ¤a6  7.a3

White deci des to play on

the queenside rather than the normal 7 Qe1, 8 e4
and kingside play.

 ¤c5  8.c4  b5

Creating a

weakness on c6, which White exploits immediately.

 9.¤d4  £d7  10.¤xf5  exf5  11.¤b3  h6  12.¥e3
 ¤e6

 13.¤d4

Once again White attacks both c6

and f5. Now Black should play 13...Nxd4 14 Bxd4
Be7 and try to defend b5 and d5.

 g6

Trading the

weak pawn on f5 for an entire weak diagonal
a1-h8.

 14.£b3  ¦b8

This loses, but he had to drop

something. His best chance was 14...Bg7.

 15.¤xc6

 £xc6  16.cxd5  ¤c5

Black must have counted on

this, but White has another double attack coming.

 17.£c3  £d6  18.¥xc5  £xc5  19.£xf6

1-0

D97

Byrne,Robert E
Fischer,Robert James

USA-ch

1956

24: Security of the King

 1.¤f3  ¤f6  2.c4  g6  3.¤c3  ¥g7  4.d4  0-0  5.¥f4
 d5  6.£b3  dxc4  7.£xc4  c6  8.e4  ¤bd7

commonsense development

 9.¦d1  ¤b6  10.£c5

 ¥g4  11.¥g5  [ 11.¥e2  ¤fd7  12.£a3  ¥xf3  13.¥xf3
 e5  14.dxe5

 £e8

Black would have attained a

good game

 11...¤a4!!

This is a World Champion

type move (never miss a tactical opportunity
Bradley!!)

 12.£a3  [ 12.¤xa4  ¤xe4  13.£xe7

 ( 13.£c1  £a5+  14.¤c3  ¥xf3  15.gxf3  ¤xg5

removing the guard

)

 13...£xe7  14.¥xe7  ¦fe8 ]

 12...¤xc3  13.bxc3  ¤xe4  14.¥xe7  £b6  15.¥c4
 [ 15.¥xf8  ¥xf8  16.£b3  ¤xc3!©

Pinning tactic

]

 15...¤xc3!  16.¥c5  [ 16.£xc3  ¦fe8

all these pins

based on the central King

 16...¦fe8+

 17.¢f1

 ¥e6!!

Once in a lifetime move ... The uncommonly

b e a u t i f u l   p o i n t   o f   t h e   c o m b i n a t i o n

 18.¥xb6

 [ 18.£xc3  £xc5!

pins

 19.dxc5  ¥xc3 ;  18.¥xe6

smothered mate ... again based on the exposed
King

 £b5+  19.¢g1  ¤e2+  20.¢f1  ¤g3+  21.¢g1

 £f1+  22.¦xf1  ¤e2# ]  18...¥xc4+  19.¢g1  ¤e2+
 20.¢f1  ¤xd4+

free pawn

 21.¢g1  ¤e2+  22.¢f1

 ¤c3+  23.¢g1  axb6  24.£b4  ¦a4  25.£xb6  ¤xd1

The issue of the game is settled. For the Queen
Black has two Bishops and a Rook, not to mention
the White pawns which are going to fall like
ripeapples

 26.h3  ¦xa2  27.¢h2  ¤xf2  28.¦e1

 ¦xe1  29.£d8+  ¥f8  30.¤xe1  ¥d5  31.¤f3  ¤e4
 32.£b8  b5  33.h4  h5  34.¤e5  ¢g7  35.¢g1
 ¥c5+  36.¢f1  ¤g3+  37.¢e1  ¥b4+ 
 [ 37...¦e2+

Loh

 38.¢d1  ¥b3+  39.¢c1  ¥e3+  40.¢b1  ¥a2+

 41.¢a1  ¥d4# ]  38.¢d1  ¥b3+  39.¢c1  ¤e2+
 40.¢b1  ¤c3+  41.¢c1  ¦c2#

0-1

B32

Fischer,Robert James
Vine,K

Manhattan CC Ch5657, sf, section 2

1956

Estratégia - Carlos Alejandro Martinez - Aula 05
V a r i a n t e   0 4   L u t a   d o   B   b o m   c o n t r a   o   B   m a u
Posições diversas # 11

 1.e4  c5  2.¤f3  ¤c6  3.d4

 cxd4  4.¤xd4  d5  5.¥b5  dxe4  6.¤xc6  £xd1+
 7.¢xd1  a6  8.¥a4  ¥d7  9.¤c3  ¥xc6  10.¥xc6+
 bxc6  11.¤xe4  e6  12.¢e2  ¦d8  13.¥e3  ¤f6
 14.¤xf6+  gxf6  15.¦hd1²  ¥e7  16.c4  e5  17.g4
 h5!  18.h3  hxg4  19.hxg4  ¦h4  20.¢f3 
 [ 20.¦xd8+
 ¥xd8  21.¦g1  f5  22.gxf5

 ¦xc4= ]  20...¥d6

 21.b3?!  [

Era superior

 21.¥b6!  ¦d7  22.¢g3  ¦h8

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My 160 Memorable Games

2

 23.c5  ¥b8

e depois de

 24.¢f3

as brancas teríam

um final com probabilidades de vitória.

 21...¢e7

 22.¦d2?!

 [

Era interessante

 22.¦h1!?

 ¦xh1

 23.¦xh1  ¦g8!  24.¦h6  ¢e6²

com posição algo

melhor para as brancas.

 22...¥c7?  [ 22...¦g8!

 23.¦ad1  ¥b8  24.¦d7+  ¢e6= ]  23.¦xd8  ¥xd8
 24.b4 
 [

Era melhor

 24.¦d1  ¥c7  25.¢g3  ¦h8

 26.f4!  ¥d6  27.f5

com vantagem para as brancas.

]

 24...¢e6=

Com equilibrio.

 25.a4  f5  26.gxf5+

 ¢xf5  27.b5

'#'

 axb5  28.cxb5  cxb5  29.a5?!

 [ 29.axb5!  ¦b4  30.¦a8  e4+!  31.¢g2!

 ( 31.¢e2?

 ¦b2+  32.¢d1  ¥g5  33.¦a7  f6³ )

 31...¥g5  32.¥xg5

 ¢xg5  33.¦b8  ¢f4

as negras ficam algo melhor.

]

 29...¥g5  [ 29...¥f6!  30.¢e2  ¥g5  31.¥xg5  ¢xg5
 32.a6  ¦h8  33.a7  ¦a8  34.¢d3  ¢f4  35.¢c3  e4
 36.¢b4  ¢f3  37.¦a2  f5= ] 30.¥b6  ¥f4  31.a6  e4+
 32.¢e2  ¦h8  33.a7  ¦a8  34.¦a5  ¢e6  35.¦xb5
 ¥d6  36.¢e3  ¥e5+-

Tablas.

 [

Embora com

 36...f5

 37.¢d4  ¥f4  38.¢c4+-  ¥d6  39.¦b1  ¦c8+
 40.¢b5  f4  41.¢a6  ¦f8  42.¢b7+-

as brancas

poderíam alcançar a vitoria.

;  36...¥e5?  37.¢xe4

 f5+  38.¢e3  ¦c8  39.¦a5  ¦a8  40.¢d3  ¥h2
 41.¢c4  ¥d6  42.¢b5+- ]

½-½

B30

Fischer,Robert James
Sherwin,James

Sicilian Defense, 33 moves. The 14 year old Bobby
Fischer capitalizes on a few inaccuracies and
builds up a strong attack. Sherwin finds several
ingenious moves but fails to avert defeat against
Fischer's exact play. Fischer was world champion
f r o m   1 9 7 2 - 1 9 7 5 .

 1.e4

Fischer almost always

began with this move.

 c5

The Sicilian Defense.

 2.¤f3

Developing.

 e6  3.d3

More usual is 3. d4.

White's move leads to a closed game called the
King's Indian Reversed.

 ¤c6

A good developing

move.

 4.g3

To place the bishop on g2 where it will

reinforce the pawn on e4 and put pressure on d5.

 ¤f6  5.¥g2  ¥e7  6.0-0  0-0  7.¤bd2

This is better

than Nc3 which would prevent White from moving a
p a w n   t o   c 3 .

 ¦b8

This allows the b pawn to move

forward without fear that White's bishop on g2 will
threaten the rook. Black is planning a queenside
counterattack to White's coming kingside attack.

 8.¦e1

Placing the rook in the center and leaving f1

available for the knight which often, from there,
goes to e3 or even to g4 via h2.

 d6

This is more

passive than the more usual d5.

 9.c3

Preparing to

play d4.

 b6

9... b5 would have given Black better

chances.

 10.d4

White now has a strong positon in

the center.

 £c7?

In a few moves White will have

threats based on playing Bf4 and attacking both the
queen and the rook.

 11.e5!

The center pawns are

on the move. Black's best is now 11. .. dxe5 12.
dxe5 Nd7 although Black's position would be
cramped and his pieces would be in each other's
way.

 ¤d5  12.exd6  ¥xd6  13.¤e4

If 13... Be7

then 14. c4 Nf6 15. Bf4. If 13... cxd4 then 14. Nxd6
Qxd6 15. c4 Nf6 16. Bf4.

 c4

This is the only move

to avoid the loss of material. However, it takes the
pressure off of White's center leaving him free to
conduct a kingside attack. Black has no prospects
for a counterattack in the center or for a queenside
attack.

 14.¤xd6  £xd6  15.¤g5

Beginning the

kingside attack. Although it weakens his kingside, it
turns out that Black should have played 15... h6
here.

 ¤ce7

Bringing the knight to the defense of

the kingside.

 16.£c2

Threatening Qxh7#.

 ¤g6

 17.h4

Threatening h5 and the knight can't move

because of the mate threat.

 ¤f6

 18.¤xh7!

A stunning surprise. If 18... Kxh7 then 19. Bf4
winning the rook on b8.

 ¤xh7

 19.h5

To drive

a w a y   t h e   k n i g h t   a n d   t h e n   p l a y   B f 4 .

 ¤h4!

Black finds an ingenious way to counterattack.

 20.¥f4  £d8

If now 21. Bxb8? then 21... Nxg2 22.

Kxg2 Bb7+ 23. Kg1 Qxb8 and Black would have a
bishop and knight for a rook and would be in a
strong position.

 21.gxh4

 ¦b7!

Helping in the

defense and tempting White to play 22. Bxb7 so
that after 22... Bxb7 White would have no piece to
defend his white squares. Black's queen and
bishop would be very dangerous on the a8-h1
diagonal.

 22.h6!

Continuing e attack on the king.

The best defense is now 22... g6 but White would
still have a far superior position.

 £xh4?  23.hxg7

 ¢xg7  24.¦e4

Threatening 25. Be5+ winning the

queen.

 £h5  25.¦e3

Threatening 26. Rh3 Qg6 (Or

26... Qa5 27. Qxh7+) 27. Rg3 pinning and winning
the queen.

 f5

Blocking the White queen's attack on

h7.

 26.¦h3  £e8  27.¥e5+

If 25... Kg8 26. Rg3+

Kf7 27. Rg7#. 25... Kg6 loses to 26. Qd2.

 ¤f6

 28.£d2

Threatening 29. Qh6+ Kg8 30. Qh8+ Kf7

31. Qxf6+ Kg8 32. Rh8#.

 ¢f7  29.£g5

If 29... Ke7

then 30. Rh7+ Rf7 31. Qxf6+

 £e7  30.¥xf6  £xf6

 31.¦h7+  ¢e8  32.£xf6

If 32... Rxf6 then 33. Bxb7

Bxb7 34. Rxb7 and White is a rook ahead.

 ¦xh7

 33.¥c6+

and Black resigned. His position is clearly

hopeless. If 33... Bd7 then 34. Qxe6+

1-0

B93

Elo,Arpad
Fischer,Robert James

Milwaukee

1957

 1.e4

 c5

The interesting point of this game is the

ending, so you might want to advance to move 37.

 2.¤f3  d6  3.d4  cxd4  4.¤xd4  ¤f6  5.¤c3  a6  6.f4
 e5  7.¤f3  £c7  8.¥d3  ¤bd7  9.0-0  b5  10.£e1

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My 160 Memorable Games

3

 ¥b7  11.a3  g6  12.£h4  ¥g7  13.g4  exf4  14.¥xf4
 0-0  15.£g3  ¤e5  16.¤xe5  dxe5  17.¥xe5  £c5+
 18.¦f2  ¤h5  19.¥d6  £xc3  20.bxc3  ¤xg3
 21.¥xf8  ¦xf8  22.hxg3  ¥xc3  23.¦b1  ¥d4  24.a4
 ¥c8  25.axb5  axb5  26.¦xb5  ¥xg4  27.¢g2  ¥xf2
 28.¢xf2  ¥e6  29.¦c5  ¢g7  30.¢f3  ¢f6  31.¢f4
 ¦a8  32.g4  h6  33.g5+  hxg5+  34.¦xg5  ¦h8
 35.¦g2  g5+  36.¢f3  ¦h3+  37.¦g3  ¦xg3+
 38.¢xg3

We have reached a pure bishop

endgame where Black has a good bishop and
White has a bad bishop, hemmed in by the pawns
a t   c 2   a n d   e 4 .

 ¢e5

In any endgame, the king

should play an active role. Here it infiltrates on the
dark squares.

 39.c3

White prevents the Black king

from reaching d4.

 ¥d7  40.¥c4  f6

On the dark

squares the pawns are immune to attack from the
enemy bishop.

 41.¥d5

The bishop now protects

t h e   p a w n   f r o m   a   m o r e   a c t i v e   p o s i t i o n .

 ¥e8

The bishop circles to a new post from which it can
attack the pawn.

 42.c4

White hopes this pawn will

just march down the board. In fact, all this does is
weaken d4.

 ¢d4  43.¢g4  ¥g6

The White king

cannot get across the central line, and, since the
pawns are safe, White is in a passive position.

 44.¢f3  ¥h5+  45.¢f2  ¥d1

The idea is that the

White king is cut off from the other forces. Now the
c-pawn is doomed.

 46.¢g3  ¥e2  47.c5  ¢xc5

 48.¥e6  ¢d4  49.¥f5

The White forces are better

coordinated, but the game is lost.

 ¢e3

Here White

resigned, since Bf3 follows and the remaining pawn
falls.

0-1

D35

Euwe,Max (Machgielis)
Fischer,Robert James

New York New York m  Rd: 1

1957

The b1-h7 Diagonal

 1.d4  ¤f6  2.c4  e6  3.¤c3  d5

 4.cxd5  exd5  5.¥g5  ¥b4  6.e3  h6  7.¥h4  c5
 8.¥d3  ¤c6  9.¤ge2  cxd4  10.exd4  0-0  11.0-0
 ¥e6  12.¥c2  ¥e7  13.¤f4  £b6  14.¥xf6  ¥xf6
 15.£d3

 ¦fd8

 [ 15...g6

technique sacrifice

 16.¤xg6  fxg6  17.£xg6+  ¥g7  18.£xe6+ ] 16.¦ae1
 ¤b4

 [ 16...--

 17.£h7+

 ¢f8

 18.¤fxd5

winning material

;  16...£xd4

 17.£h7+

 ¢f8

 18.¦xe6+-

f o r k   t a c t i c s

;

 16...g6

 17.¦xe6

removing the guard

 17.£h7+

 ¢f8

 18.a3!

The Bishop has done his duty on the diagonal and
can now be spared

 ¤xc2  19.¤cxd5!

tactically

opening a file

 ¦xd5  20.¤xd5

1-0

B88

Fischer,Robert James
Cardoso,Radolfo Tan

New York m4

1957

Estratégia - Carlos Alejandro Martinez - Aula 05
V a r i a n t e   0 4   L u t a   d o   B   b o m   c o n t r a   o   B   m a u
Posições diversas # 10

 1.e4  c5  2.¤f3  d6  3.d4

 cxd4  4.¤xd4  ¤f6  5.¤c3  a6  6.¥c4  e6  7.0-0
 ¥d7  8.¥b3  ¤c6  9.¥e3  ¥e7  10.f4  £c7  11.f5
 ¤xd4  12.¥xd4  b5  13.a3  e5  14.¥e3  ¥c6
 15.¤d5  ¤xd5  16.¥xd5  ¥xd5  17.£xd5  ¦c8
 18.c3  £c4  19.£b7  £c6  20.£xc6+  ¦xc6  21.a4
 ¢d7  22.axb5  axb5  23.¦a7+  ¦c7  24.¦fa1  ¦b8
 25.¢f2  ¦bb7  26.¦xb7  ¦xb7  27.¢e2  ¥d8
 28.¢d3  h6  29.¦a8  h5  30.b4  ¥e7  31.¦g8  ¥f6
 32.¦f8  ¢c6  33.c4  ¦d7  34.¦a8  bxc4+  35.¢xc4
 ¦c7  36.¦a7  ¦xa7  37.¥xa7  ¥d8  38.¥e3  f6
 39.b5+  ¢d7  40.¢d5  ¥a5  41.¥a7  ¥b4  42.¥b8
 ¥c5  43.g3  ¢e7  44.¢c6  g6  45.fxg6  f5
 46.¥xd6+

As negras abandonam.

 [

Se

 46.¥xd6+

 ¥xd6  47.g7  ¢f7  48.g8£+  ¢xg8  49.¢xd6  fxe4
 50.b6+-

ganhando.]

]

1-0

C70

Fischer,Robert James
Walker,Robert

San Francisco ch-jr

1957

 1.e4  e5  2.¤f3  ¤c6  3.¥b5  a6  4.¥a4  b5  5.¥b3
 ¤a5  6.0-0  ¤xb3  7.axb3  d6  8.d4  f6  9.¤h4  ¤e7
 10.¤c3  ¥e6  11.¥e3  g5  12.£f3  ¥g7  13.dxe5
 dxe5  14.¤f5  ¥xf5  15.exf5  0-0  16.¦fd1  £c8
 17.¥c5  ¤xf5  18.¥xf8  ¥xf8  19.¤d5  ¢g7  20.g4

1-0

B35

Fischer,Robert James
Reshevsky,Samuel Herman

US Championship

12.1958

Sicilian, Accelerated Fianchetto, Modern Variation
with Bc4

 1.e4  c5  2.¤f3  ¤c6  3.d4  cxd4  4.¤xd4

 g6  5.¥e3  ¤f6  6.¤c3  ¥g7  7.¥c4  0-0  [ 7...£a5!=

would have been much better.

 8.¥b3

 ¤a5?

A   w e l l - k n o w n   m i s t a k e   -   a   R u s s i a n   c h e s s
magazine had recently given the following moves,
known to Fischer, but not to Reshevsky!

 [ 8...d6

 9.f3  A)  9...¤xd4  10.¥xd4²  ¥e6  11.£d2  £a5
 12.0-0-0  b5

 ( 12...a6  13.h4  b5  14.¢b1  ¦fc8

 15.¦he1  ¥xb3  16.cxb3  b4  17.¤d5  ¤xd5
 18.¥xg7  ¤c3+  19.bxc3  bxc3  20.¥xc3  ¦xc3
 21.¦e3  ¦ac8  22.¦xc3  £xc3  23.£xc3  ¦xc3
 24.¦c1  ¦e3  25.¦c7  a5  26.¢b2  ¢f8  27.¦c3  ¦e1

background image

My 160 Memorable Games

4

 28.¦c1  ¦e3  29.¦c8+  ¢g7  30.¦c3  ¦e1  31.a3
 ¢f6  32.b4  axb4  33.axb4  ¢e6  34.b5  ¦e2+
 35.¦c2  ¦xc2+  36.¢xc2  d5  37.exd5+  ¢xd5
 38.¢b3  e5  39.¢b4  f5  40.b6  ¢c6  41.¢c4

1-0 Tal,M-Portisch,L/Oberhausen 1961/EU-chT
(41)

)

 13.¢b1  b4  14.¤d5  ¥xd5  15.exd5  £b5

 16.¦he1  a5  17.£e2  £xe2™  18.¦xe2  a4  19.¥c4
 ¦fc8  20.¥b5  ¦a5  21.¥xf6

 ( 21.¥c6?  ¤xd5

 22.¥xg7  ¦xc6 )

 21...¥xf6  22.¥c6  a3  23.b3  ¢f8

 24.c4±  bxc3?+-  25.¢c2  ¦a7

 ( 25...¦b8  26.¦e4 )

 26.b4

 e6

 ( ¹26...¦b8

/\ 27... Rb6

;  26...e5

/\ 27... Bd8

)

 27.b5  exd5  28.b6  ¦e7

 ( 28...¦a6?

 29.¥b7!+- ; 28...¦xc6  29.bxa7  ¦a6  30.¦xd5  ¦xa7
 31.¦xd6+- )

 29.¦xe7  ¢xe7

 ( 29...¥xe7  30.b7  ¦b8

 31.¦xd5+- )

 30.¦e1+  ¥e5

 ( 30...¢f8  31.b7  ¦b8

 32.¦e8++- ;  30...¢d8??  31.¦e8# )

 31.b7  ¦b8

 32.f4  ¢e6  33.fxe5  dxe5  34.¦b1  ¢d6  35.¦b6  d4
 36.¦a6  f5  37.¦a8  ¢c7  38.¥d5  e4  39.¦xa3  e3
 40.¢d3  g5  41.¢xd4

1-0 Tal,M-Larsen,B/Zuerich

1959/MCL/[Bulletin] (41)

 B)  9...¤a5  10.g4  ¤xb3

 11.axb3  a6  12.£d2  ¥d7  13.h4  h5  14.gxh5
 ¤xh5  15.0-0-0  a5  16.¥h6  e6  17.¥xg7  ¢xg7
 18.¤de2  ¦a6  19.e5  d5  20.¦dg1  ¦h8  21.¤f4
 ¢f8  22.¤xh5  ¦xh5  23.¦g5  ¦h8  24.£f4  ¢e8
 25.h5  £b6  26.¢b1  £b4  27.£f6  £f8  28.¦hg1
 ¦h6  29.hxg6  fxg6  30.£xf8+  ¢xf8  31.¦xg6  ¦xg6
 32.¦xg6  ¦a8  33.¦f6+  ¢e7  34.f4  ¦g8  35.¢c1
 ¦g2  36.¦h6  ¦f2  37.¦f6  b5  38.¤d1  ¦e2  39.¤c3
 ¦f2  40.¤d1  ¦e2  41.c3  ¥e8  42.¦h6  b4  43.¦h7+
 ¢f8  44.¦h8+  ¢e7  45.¦h7+  ¥f7  46.¦g7  ¢f8
 47.¦g3  ¦e1  48.¢d2  ¦f1  49.¢e2  ¦xf4  50.¤f2
 bxc3  51.bxc3  a4

1/2-1/2 Mednis,E-Palmason,G/

Reykjavik 1957/EXT 99 (51)

]

 9.e5!±

 ¤e8?

Breaking communications between the Queen and
Rook.

 [ 9...¤xb3  10.exf6  ¤xa1  11.fxg7  ¢xg7

 12.£xa1± ]  10.¥xf7+!!

1-0 Humburg,H-Mandel,W/

Kiel 1965/EXT 2004 (10)

 ¢xf7

The 15-year-old

Fischer has found the fatal flaw in Reshevsky's
position.

 [ 10...¦xf7

 11.¤e6 ]

 11.¤e6

1-0 Bastrikov,G-Shamkovich,L/Sochi 1958/EXT 99
(11)

 dxe6  [ 11...¢xe6?  12.£d5+  ¢f5  13.g4+

'1-0 Valenti,G-Scharrer,P/Arco 2000/EXT 2001
(13)'

 ¢xg4  14.¦g1+  ¢h4

 ( 14...¢h5  15.£g2

1-0 Palac,M-Ostojic,P/Belgrade 1988/CBM 10
(15)

)

 15.¥g5+  ¢h5  16.£d1+  ¦f3  17.£xf3# ]

 12.£xd8+-

The rest is child's play...

 ¤c6

 [ 12...¤c4  13.¥g5  ¥xe5  14.£xe7+  ¢g8  15.£c5
 ¤ed6  16.f4  b6  17.£f2  ¤xb2  18.fxe5  ¦xf2
 19.¢xf2  ¤f7  20.¥f6  ¥a6  21.¦ab1  ¤c4  22.¦he1
 ¦c8  23.¦b3  ¦c5  24.¥e7  ¦c6  25.¥f6  ¤a5
 26.¦a3  ¥b7  27.¦b1  ¥c8  28.¤e2  ¦xc2  29.¦c3
 ¦xc3  30.¤xc3  ¤c4  31.¦e1  ¥d7  32.¦e2  g5
 33.¤e4  h6  34.¤d2  ¤a5  35.g4  ¤c6  36.¦e4  ¢f8
 37.¤f3  ¤e7  38.¥xe7+  ¢xe7  39.¦c4  ¤d8
 40.¢e3  ¤c6  41.¦c1  ¥e8  42.h3  ¢d7  43.¦h1
 ¤b4  44.¤d4  ¢e7  45.h4  a5  46.hxg5  hxg5
 47.¦h7+  ¥f7  48.a3  ¤d5+  49.¢d2  ¤f4  50.¤f3

 ¤g6  51.¤xg5  ¤xe5  52.¤xf7  ¤xf7  53.g5  ¢f8
 54.g6  ¤e5  55.¦b7  ¤xg6  56.¦xb6  ¢e7  57.¦a6
 ¤e5  58.¢c3  ¢d7  59.¢d4  ¤f3+  60.¢c5  e5
 61.¢d5  ¢c7  62.¦xa5  ¤d2  63.¦c5+  ¢b6  64.¦c2
 ¤f3  65.¦b2+  ¢a5  66.¦b8  ¢a4  67.¦a8+  ¢b3
 68.¢c5  e4  69.a4

1-0 Kuprejanov,G-Fuderer,A/

Zagreb 1964/EXT 2001 (69)

 13.£d2  [ 13.£d1

 ¤xe5  14.£e2  ¥d7  15.¥d4  ¤c6  16.¥xg7  ¢xg7
 17.0-0  ¤c7  18.¦ad1  ¥e8  19.¦fe1  ¦f5  20.£g4
 ¥f7  21.¦d7  ¦c8  22.£g3  e5  23.¤e4  ¤e6
 24.¦xb7  ¤f4  25.£c3  ¥d5  26.f3  ¢f8  27.£c5  ¦e8
 28.¦d7  ¥xe4  29.fxe4  ¦f6  30.c3  ¢g7  31.b4  ¦ef8
 32.¦dd1  a6  33.a4  ¦e6  34.b5  axb5  35.axb5  ¤d8
 36.¦d7  ¤f7  37.b6  ¤d6  38.£c7  ¤c8  39.b7  ¦ef6
 40.¦dd1

1-0 Homuth,W-Kurzynsky,M/Germany

1999/EXT 2003 (40)

] 13...¥xe5  14.0-0  [ 14.0-0-0

 ¤d6  15.£e2  ¥f6  16.h4  e5  17.¤d5  ¤f5  18.¤c7
 ¦b8  19.g4  ¤d6  20.¤d5  ¤e8  21.h5  g5  22.h6
 ¦g8  23.¦h5  ¥e6  24.f3  ¦g6  25.¤c3  ¤d6  26.¥c5
 ¤d4  27.£f2  ¤6b5  28.¤e4  b6  29.¥xd4  ¤xd4
 30.c3  ¦c8  31.¢b1  ¤b5  32.£e3  ¦cg8  33.¦d2
 ¤c7  34.£e2  ¦c8  35.£d1  ¦gg8  36.¦d3  ¤a6
 37.b4  ¤b8  38.£c1  ¥c4  39.¦d2  ¦g6  40.¢b2
 ¦e8  41.£d1  ¦gg8  42.£c2  ¦g6  43.£a4  a6
 44.£d1  ¦gg8  45.£g1  b5  46.£e3  ¦g6  47.¤xg5+
 ¢g8  48.¤e4  ¥f7  49.¦h1  ¥h8  50.¦hd1  ¤c6
 51.g5  a5  52.£c5  axb4  53.cxb4  ¤d4  54.£c3  ¦f8
 55.¦f2  ¥d5  56.£e3  ¦c6  57.¦c1  ¦a6  58.a3  ¥c4
 59.¦g1  ¥f7  60.¤c3  ¦fa8  61.¤e4  ¤b3  62.g6
 hxg6  63.h7+  ¢f8  64.¦d1  ¤d4  65.¤c5  ¦d6
 66.£e4  ¥d5  67.£h4  ¢e8  68.¤e4  ¦da6  69.¦d3
 ¥c4  70.¦c3  ¤e2  71.¦e3  ¤d4  72.£g4  ¤f5
 73.¦c3  ¦d8  74.£g1  ¤d4  75.£h2  ¦da8  76.£g2
 ¤f5  77.¦d2  ¤d4  78.¤c5  ¦d6  79.¤b7  ¦da6
 80.¤a5  ¥d5  81.£f1  ¦f6  82.£c1  ¥e6  83.¦f2  e4
 84.£e3

 ¦xf3

 85.¦xf3

 exf3

 86.£e4

 ¦d8

 87.£xg6+  ¢d7  88.¦d3  f2  89.£g2  ¦f8  90.£c6+
 ¢d8  91.¤b7#

1-0 Toma,K-Baklanova,T/Warsaw

2001/CBM 82 ext (91)

 14...¤d6  15.¥f4  ¤c4

 16.£e2  ¥xf4  17.£xc4  ¢g7  18.¤e4  ¥c7
 19.¤c5  ¦f6  20.c3  e5  21.¦ad1  ¤d8  22.¤d7
 ¦c6  23.£h4  ¦e6  24.¤c5  ¦f6  25.¤e4  ¦f4
 26.£xe7+  ¦f7  27.£a3  ¤c6  28.¤d6  ¥xd6
 29.¦xd6  ¥f5  30.b4  ¦ff8  31.b5  ¤d8  32.¦d5  ¤f7
 33.¦c5  a6  34.b6  ¥e4  35.¦e1  ¥c6  36.¦xc6
 bxc6  37.b7  ¦ab8  38.£xa6  ¤d8  39.¦b1  ¦f7
 40.h3  ¦fxb7  41.¦xb7+  ¦xb7  42.£a8

And Black

finally gave up.

1-0

background image

My 160 Memorable Games

5

B98

Gligoric,Svetozar
Fischer,Robert James

Portoroz Interzonal

1958

 1.e4  c5  2.¤f3  d6  3.d4  cxd4  4.¤xd4  ¤f6
 5.¤c3  a6  6.¥g5  e6  7.f4  ¥e7  8.£f3  h6  9.¥h4
 g5  10.fxg5  ¤fd7 
 [ 10...¤h7  11.¥g3  hxg5
 12.0-0-0  ¤f8  13.¥e2  ¤g6  14.¦hf1 ]  11.¤xe6
 fxe6  12.£h5+  ¢f8  13.¥b5  ¦h7!N  14.£g6  ¦f7
 15.£xh6+  ¢g8  16.£g6+  ¦g7  17.£xe6+  ¢h8
 18.¥xd7  ¤xd7  19.0-0-0  ¤e5  20.£d5  ¥g4
 21.¦df1  ¥xg5+  22.¥xg5  £xg5+  23.¢b1  £e7
 24.£d2  ¥e6  25.g3  ¦d8  26.¦f4  £g5  27.£f2
 ¢g8  28.¦d1  ¦f7  29.b3  £e7  30.£d4  ¤g6
 31.¦xf7  £xf7  32.£e3

½-½

B77

Fischer,Robert James
Larsen,Bent

Portoroz izt, IV

1958

Minhas 60 Melhores Partidas, por Bobby Fischer #
2 Aniquilando o dragão Defesa Siciliana, Variante
do Dragão, Ataque Iugoslavo Embora a Siciliana
em geral, seja a melhor defesa ativa à disposição
das pretas, muito do valor já foi tirado da outrora
prestigiada Variante do Dragão. Este é um dos
jogos-chave que contribuíram para minar a
reputação desta variante. Num louvável esforço
para criar novas complicações. Larsen afasta-se
da teoria no décimo quinto lance, o que se mostra
desastroso, já que seu contra-ataque jamais
c o n s e g u e   s e r   d e s e n c a d e a d o .   M e c â n i c a   e
r o t i n e i r a m e n t e ,   F i s c h e r   a b r e   a   c o l u n a   " h " ,
s a c r i f i c a n d o   p r i m e i r o   u m   p e ã o   e   d e p o i s   a
qualidade, como prenúncio do inevitável desfecho.
Os comentários são tão instrutivos e lúcidos
quanto o texto, que constitui uma aula objetiva
sobre como montar um ataque contra o rei em
fianqueto.

 1.e4  c5  2.¤f3  d6  3.d4  cxd4  4.¤xd4

 ¤f6  5.¤c3  g6

Larsen era um dos renitentes e se

recusava, até recentemente, a abandonar a
V a r i a n t e   D r a g ã o .   O   a t a q u e   d a s   b r a n c a s
desenvolve-se quase espontaneamente. Até
jogadores fracos derrotam Grandes Mestres que
usam essa variante. Certa vez, folheei vários
números do "Shakhmatny Bulletin", quando o
Ataque Iugoslavo estava em seus primórdios, e
verifiquei que a proporção era de nove vitórias em
dez, a favor das brancas. As pretas conseguirão
reforçar a variante? Só o tempo dirá.

 6.¥e3  ¥g7

 [ 6...¤g4?

perderia também para

 7.¥b5+  ¤c6

 ( 7...¥d7?  8.£xg4+- ; 7...¤d7?  8.£xg4+- )

 8.¤xc6

 bxc6  9.¥xc6+  ¥d7  10.¥d4!  ¥xc6  11.¥xh8+- ]

 7.f3  0-0  8.£d2  ¤c6  9.¥c4

[Ver também o livro

"The Sicilian Dragon Yougoslav 9.Bc4", Laszlo
S a p i   a n d   A t t i l a   S c h n e i d e r ]

 [

Este refinamento

substitui o antigo

 9.0-0-0

A idéia é evitar ...d5.

]

 9...¤xd4

O modo pelo qual as pretas pretendem

atingir o equilíbrio não está claro.

 [

Digna de

menção é a tentativa de Donald Byrne:

 9...a5!?

A resposta mais enérgica seria

 10.g4!

e se

 ¤e5

 11.¥e2

 d5?

 12.g5!+-

ganhando um peão.

]

 10.¥xd4  ¥e6  11.¥b3  £a5  12.0-0-0  b5  [

Após

 12...¥xb3

 13.cxb3!‚

as pretas não conseguem

desenvolver nenhum ataque contra essa peculiar
configuração de peões. É verdade que as brancas
estariam perdidas em um final de rei e peões, mas
as pretas normalmente levam o mate muito antes.
Como disse Tarrasch: "Antes do final, os deuses
colocaram o meio jogo..."

 13.¢b1  b4  14.¤d5

 [

Mais fraco seria

 14.¤e2?  ¥xb3  15.cxb3  ¦fd8 ]

 14...¥xd5  [

Má opção seria

 14...¤xd5  15.¥xg7

 ¢xg7  16.exd5  ¥d7  17.¦de1±

' uetin,A-Kortschnoj,

V/UY -ch/1953/' Suetin,A-Kortschnoj,V/URS-ch/
1953/ com nítida superioridade.

]

 15.¥xd5

 [

Mais forte seria

 15.exd5!  £b5  16.¦he1  a5

 17.£e2!±

'Tal,M-Larsen,B ZPrich 1959' Tal,M-

Larsen,B Zürich 1959, variante na qual as brancas
abandonam o ataque e buscam pressionar na
coluna "e"

 15...¦ac8?

Lance decisivo da derrota.

 [

Após a partida, Larsen esclareceu que estava

jogando para vencer e, por isso, rejeitou forçar o
empate com

 15...¤xd5  16.¥xg7

 ( 16.exd5  £xd5

 17.£xb4÷

mantendo vivo o jogo.

)

 16...¤c3+

 17.bxc3

 ( 17.¥xc3  bxc3  18.£xc3  £xc3  19.bxc3

 ¦fc8=

torna inútil o peão a mais das brancas

)

 17...¦ab8!  18.cxb4  £xb4+!  19.£xb4  ¦xb4+
 20.¥b2  ¦fb8= ] 16.¥b3!

Ele não teria outra chance

com o bispo! Senti que a partida estava ganha, se
eu não a jogasse fora. Já havia vencido dúzias de
jogos amistosos em posições análogas, tanto que
havia estabelecido uma "regra científica": abria a
coluna h, e pam! ... pam! .. . mate!

 ¦c7

Essa perda

de tempo é infelizmente necessária, caso as pretas
p r e t e n d a m   a v a n ç a r   s e u   P a 7 .

 [ 16...£b5?

s e r i a   r e f u t a d o   c o m

 17.¥xa7 ]

 17.h4

 £b5

Agora as pretas ameaçam revidar com ...a5 e ...
a4.

 [

Não há maneira satisfatória de impedir o

ataque das brancas. Se

 17...h5

 18.g4!

 hxg4

 ( 18...¦fc8  19.¦dg1  hxg4  20.h5!  gxh5  21.fxg4
 ¤xe4  22.£f4  e5  23.£xe4  exd4  24.gxh5  ¢h8
 25.h6  ¥f6  26.¦g7!+-

'+-' venceria

)

 19.h5!  gxh5

 ( 19...¤xh5

 20.¥xg7

 ¢xg7

 21.fxg4

 ¤f6

 22.£h6++- )

 20.fxg4  ¤xe4

 ( 20...hxg4  21.¦dg1

 e5  22.¥e3  ¦d8  23.¥h6+- ;  20...¤xg4  21.¦dg1
 ¥xd4  22.¦xg4+  hxg4  23.£h6+-

conduziria ao

mate

)

 21.£e3  ¤f6

 ( 21...¥xd4  22.£xe4  ¥g7

 23.¦xh5+- )

 22.gxh5  e5  23.h6+-

as brancas

ganhariam.

] 18.h5!

Não há necessidade de perder

tempo com o antiquado g4.

 ¦fc8  [

Com

 18...gxh5

background image

My 160 Memorable Games

6

 19.g4!  hxg4  20.fxg4  ¤xe4  21.£h2  ¤g5  22.¥xg7
 ¢xg7  23.¦d5  ¦c5  24.£h6+  ¢g8  25.¦xg5+  ¦xg5
 26.£xh7# ]  19.hxg6  hxg6  20.g4  [

Evitando o

sôfrego

 20.¥xf6?

 ¥xf6

 21.£h6

 e6!=

'=!' (ameaçando ... Qe5) com o que as pretas
defendem tudo.

 20...a5

As pretas, agora, só

precisam de mais um lance para desencadear
seucontra-ataqu e. Mas por um fio a batalha foi
p e r d i d a   . . .

 21.g5

 ¤h5

 [

Vasiukov,E sugere

 21...¤e8

como possível defesa

 22.¥xg7  ¤xg7

 ( 22...¢xg7?  23.£h2+- )

 23.¦h6!  e6

 (

Se

 23...a4

 24.£h2  ¤h5  25.¦xg6++- )

 24.£h2  ¤h5  25.¥xe6!

 fxe6

 (

Se

 25...£xg5  26.¦xg6+!  £xg6  27.¥xc8+-

ameaçando Rg1

)

 26.¦xg6+  ¤g7  27.¦h1+- ;

 21...a4?  22.gxf6  axb3  23.fxg7!  bxc2+  24.£xc2!
 e5  25.£h2+-

e ganha

 22.¦xh5!

Fine comentou:

"Em posições assim, as combinações são tão
naturais quanto um sorriso de criança" ...

 gxh5

 [ 22...¥xd4  23.£xd4  gxh5  24.g6  £e5

 ( 24...e6

 25.£xd6 )

 25.gxf7+  ¢h7

 ( 25...¢f8  26.£xe5  dxe5

 27.¦g1

 e6

 28.¥xe6

 ¢e7

 29.¥xc8

 ¦xc8

 30.¦g5+-

ganha

)

 26.£d3+-

'/\ f3-f4' /\ f3-f4 seria

decisivo.

 23.g6  e5  [ 23...e6  24.gxf7+  ¢xf7

 ( 24...¦xf7  25.¥xe6 )

 25.¥xg7  ¢xg7  26.¦g1+

 ¢h7  27.£g2  £e5  28.£g6+  ¢h8  29.¦g5  ¦g7
 30.¦xh5+  ¢g8  31.¥xe6+  ¢f8  32.¦f5+  ¢e7
 33.¦f7++-

venceria.

 24.gxf7+  ¢f8  25.¥e3  d5!

Uma desesperada tentativa de libertação.

 [ 25...a4

 26.£xd6+  ¦e7  27.£d8+!  ¦xd8  28.¦xd8+  ¦e8
 29.¥c5+

+-

 £xc5  30.¦xe8# ; 25...¦d8  26.¥h6+- ]

 26.exd5!  [

Não

 26.¥xd5?  ¦xc2! ]  26...¦xf7  [

Com

 26...a4  27.d6!  axb3  28.dxc7+-

ganharia.

 27.d6

 ¦f6  [

Com

 27...¦d7

as brancas podem recuperar a

q u a l i d a d e   c o m

 28.¥e6+-

 (

ou tentar um pouco

mais com

 28.¥h6‚ ;  28.¥h6‚ )

;

E com

 27...¦xf3

 28.d7+-  --

ameaçando

 …29.£d6# ]  28.¥g5  £b7

 [

Ou

 28...£d7

 29.£d5!

 £f7

 (

se

 29...¦f7

 30.¥e7+! )

 30.¥xf6+-

ganhando material.

 29.¥xf6

 ¥xf6  30.d7  ¦d8?

Um erro

 31.£d6+!

As pretas

a b a n d o n a m .

 [ ¹31.£h6+

forçaria mate em três

lances.

 ¢e7

 ( 31...¥g7  32.£d6# )

 32.£h7+  ¢f8

 ( 32...¥g7  33.£xg7# )

 33.£f7# ;  31.£d6+!  ¢g7

 32.¦g1+  ¢h7  33.£xf6  £xd7  34.£g6+  ¢h8
 35.£xh5+  £h7  36.£xe5+  £g7  37.£xg7# ]

1-0

D58

Petrosian,Tigran
Fischer,Robert James

Bled/Beograd ct

1959

 1.d4  d5  2.¤f3  e6  3.c4  ¥e7  4.¤c3  ¤f6  5.¥g5
 h6  6.¥h4  0-0  7.e3  b6  8.¥d3  ¥b7  9.0-0  ¤bd7
 10.¦c1  c5  11.£e2  dxc4  12.¥xc4  ¤e4  13.¥g3
 ¤xg3  14.hxg3  £c7  15.¦fd1  ¦ad8  16.d5  exd5
 17.¤xd5  ¥xd5  18.¦xd5  ¥f6  19.¦cd1  ¤e5  20.b3

 ¤xc4  21.bxc4  £c6  22.e4  £e6  23.£c2  ¦xd5
 24.cxd5  £d6  25.£a4  ¦a8  26.¦e1  ¥e5  27.£a6
 £c7  28.£c4  g5  29.¤h2  £d7  30.¤f3  £d6

½-½

E93

Tal,Mihail Nekhemye
Fischer,Robert James

Candidates' tournament

1959

When Tal won the Soviet championship, Moscow
1 9 5 7 ,   a   s t a r   w a s   b o r n .   H i s   a t t a c k i n g   a n d
speculative style won the hearts of chess fans
worldwide. The 'Magician of Riga' seemed to
ridicule the laws of classical chess in his wild
adventures. Actually, his games had a sound
positional basis. He also played the endgame
accurately. Sometimes incredible fireworks set the
board on fire. He qualified for the interzonal by
winning the next championship, Riga 1958, and got
in the candidates' tournament by winning Portoroz
1958. The candidates' match tournament was
played in four cycles of seven rounds during the
next year. Two cycles took place in Bled. The
Casino was the playing hall and Toplice the hotel.

 1.d4  ¤f6  2.c4  g6  3.¤c3  ¥g7  4.e4  d6  5.¥e2
 0-0  6.¤f3  e5  7.d5  ¤bd7  8.¥g5  h6  9.¥h4  a6!?
 10.¤d2

 £e8!?

Fischer prepares an attack in a

remarkable way. Tal reacts quietly.

 11.0-0

 ¤h7

 12.b4  ¤g5  13.f3  f5  14.¥f2  £e7  15.¦c1  ¤f6
 16.c5  ¥d7  17.£c2  ¤h5  18.b5!?

Tal stirs up the

game. The move surprised Fischer.

 [

Equality

keeps

 18.cxd6  cxd6  19.¤c4  fxe4  20.fxe4  ¤f4

 21.¥e3! ]  18...fxe4!  [

Tal rejects

 18...dxc5

due to

 19.bxa6  b6  20.¤c4 ]  19.¤dxe4  ¤xe4  20.fxe4
 ¤f4  21.c6  £g5  22.¥f3  bxc6  23.dxc6  ¥g4
 24.¥xg4  £xg4  25.¥e3  axb5  26.¥xf4  exf4
 27.¤xb5  ¦f7 
 [

An attack starts

 27...f3!

(Tal).

]

 28.£c4

 ¦c8

 29.¦f3

 ¥e5?

 30.¦cf1?

 [

Both players miss the combination

 30.h3!

 £g5

 31.£e6

 ¦b8  32.¤xc7!  ¦b2  33.£e8+  ¦f8

 34.£xf8+ ]  30...¢g7  31.a4  ¦a8  32.¢h1  £g5?
 [

Correct is

 32...£h5 ]  33.g3!

Tal counterattacks

b r i l l i a n t l y .

 ¦af8

 34.gxf4

 ¥xf4

 [ 34...¦xf4

 35.¤xc7! ]  35.¤d4!  £h4  36.¦xf4  ¦xf4  37.¤e6+
 ¢h8  38.£d4+  ¦8f6  39.¤xf4  ¢h7  40.e5  dxe5
 41.£d7+

1-0

background image

My 160 Memorable Games

7

B45

Fischer,Robert James
Bolbochan,Jacobo

Mar del Plata

1959

Estratégia - Carlos Alejandro Martinez - Aula 05
V a r i a n t e   0 4   L u t a   d o   B   b o m   c o n t r a   o   B   m a u
Posições diversas # 14

 1.e4  c5  2.¤f3  ¤c6  3.d4

 cxd4  4.¤xd4  ¤f6  5.¤c3  e6  6.¤db5  ¥b4  7.a3
 ¥xc3+  8.¤xc3  d5  9.¥d3  dxe4  10.¤xe4  ¤xe4
 11.¥xe4  £xd1+  12.¢xd1  ¥d7  13.¥e3  f5
 14.¥f3  e5  15.b4  0-0-0  16.¢c1  ¤d4  17.¥xd4
 exd4  18.¦e1  ¦he8  19.¢d2  ¥b5  20.¦xe8  ¦xe8
 21.a4  ¥c4  22.¦c1  ¢b8  23.c3  dxc3+  24.¦xc3
 ¥f7  25.a5  ¦e7  26.¦e3  ¦d7+  27.¦d3  ¦e7
 28.¦d8+

 ¢c7=

 29.¦h8

 h6

 30.¢c3

 a6?

 [ 30...¥e8 ] 31.¢d4  ¥e8  32.¦f8  ¥d7  33.h4  ¥c8
 34.¥d5  ¥d7  35.f4  g6  36.¦f6  ¥e8  37.¥e6  ¥c6
 38.g3  ¦g7  39.¢e5  ¥e8  40.¥d5  h5  41.¦b6

'#'

 ¢c8  42.¥e6+  ¢c7  43.¢f6  ¦h7  44.¥d5  ¢c8
 45.¦e6  ¢d8  46.¦d6+  ¢c7  47.¦b6  ¢c8  48.¥g8
 ¦c7  49.¥e6+  ¢b8  50.¦d6

1-0

B41

Fischer,Robert James
Rossetto,Hector

Mar del Plata

1959

Minhas 60 Melhores Partidas, por Bobby Fischer #
5 Obrigação ingrata Esta partida demonstra
dramaticamente o significado da expressão alemã
zugzwang. Impossibilitado de obter, tanto no início
como até à metade da partida, qualquer vantagem
explorável, Fischer lança-se a um final também
pouco promissor. Consegue, porém, depois do
lance 19.Nd5, trocar um bispo por um cavalo. Em
continuação, realiza uma manobra insólita de torre,
ao longo da terceira linha, objetivando ganhar
espaço para incursões no território adversário.
Rosseto inconscientemente colabora, colocando-
se em situação difícil; embora a partida pareça
igual, qualquer movimento de Rossetto romperá o
equilíbrio, apressando seu próprio fim. Isso é
" Z U G Z W A N G " ,   e   R o s s e t t o   a c e r t a d a m e n t e
abandona.

 1.e4  c5  2.¤f3  e6  3.d4  cxd4  4.¤xd4

 a6  5.c4  £c7  [

Melhor seria

 5...¤f6  6.¤c3  ¥b4=

teoricamente igualando a posição das pretas.

]

 6.¤c3  ¤f6  7.¥d3

'?'

 [

Posicionamento errado do

bispo; o certo seria

 7.a3!

e se

 ¤c6

 (

prevenindo ...

Bb4, obrigaria definitivamente as pretas a tomarem
um espécie de formação de SCHEVENINGEN,
deixando-as desesperadamente inibidas. Em
s i t u a ç ã o   i d ê n t i c a ,   a   p a r t i d a   S p i e l m a n n , R -
Tartakover,S prosseguiu:

 7...¥e7

 8.¥e2

 0-0

 9.0-0  d6  10.¥e3  ¤bd7  11.¦c1  b6  12.b4!  ¥b7

 13.f3  ¦ac8  14.£e1  £b8  15.£f2±

com uma ótima

posição para as brancas. (do livro More Chess
Questions Aswered)

)

 8.¥e3

etc. se

 ¤e5  9.¥e2!

 ¤xc4?  10.¥xc4  £xc4  11.¦c1+-

ganharia.

]

 7...¤c6

 8.¥e3

 ¤xd4

'?'

 [

Em vez de tentar

simplificar, as pretas deviam ter usado a jogada
mais agressiva

 8...¤e5!  9.¦c1

 (

ou então

 9.¥e2

 ¤xc4  10.¥xc4  £xc4  11.¦c1  £b4  12.0-0  d6

e se

 13.¤b3?  ¤xe4!  14.a3  ¤xc3-+

etc.

;

nunca

 9.0-0  ¤eg4! )

 9...¤fg4!

com vantagem.

 9.¥xd4

 ¥c5  10.¥c2  d6  11.0-0  ¥d7  12.¤a4

'Forçando

uma série de trocas que dariam as brancas uma
pequenina vantagem'

 ¥xd4

 13.£xd4

 ¦d8

 14.¦fd1  0-0  15.¦ac1  [

Com

 15.£xd6  £xd6

 16.¦xd6  ¥xa4  17.¦xd8  ¦xd8  18.¥xa4  ¤xe4=

igual

] 15...£a5  [ 15...b5?  16.cxb5  axb5  17.¤c3±

e o peão de b5 seria fraco.

 (

não

 17.e5?  dxe5

 18.¥xh7+  ¤xh7-+ )

;  15...¥c6!?=

seria sólido mas

preso.

 16.£b6  £xb6  [

Duvidoso seria

 16...£e5

 17.¦xd6  ¤g4  18.g3  £h5  19.h4± ]  17.¤xb6  ¥c6
 18.f3

 ¤d7

'!' 'As pretas esperavam, com esse

lance, sair do perigo. '

 19.¤d5

'!' 'Uma resposta

inesperada que lança as pretas em injustificável
confusão. #'

 [

Mas com

 19.¤xd7  ¦xd7  20.¦d2

 ¦fd8

 21.¦cd1

 ¢f8=

tudo igualmente se

normalizaria.

;

Ou

 19.¤a4  ¤e5  20.¥b3  g5!=

equilibraria a situação.

 19...¥xd5  [

Surpreendido,

Rossetto não consegue encontrar a resposta mais
adequada:

 19...¤e5!  20.¤e7+

 (

se

 20.¤e3  g5! )

 20...¢h8  21.¤xc6  bxc6  22.¥a4  g5!=

seguido de

Kg7-f6-e7, igual.

;

também conveniente seria

 19...exd5  20.exd5  ¤e5  21.dxc6  bxc6  22.b3  c5
 23.¥e4  ¦fe8= ]  20.exd5  e5  [

Mais seguro seria

 20...¤e5  21.¥e4  b6=

 (

não

 21...f5  22.dxe6! )

]

 21.b4

'Manobrando para abrir a grande sortida em

c5.'

 g6  [

Com

 21...a5  22.a3  axb4  23.axb4  ¦a8

 24.¥f5!±

sustentaria a vantagem.

 22.¥a4  b6

 [

Com

 22...¤b6  23.¥b3

seguido de Pc5.

 23.¦d3

 f5

'?' 'Alheio ao perigo! '

 [

A melhor defesa seria

 23...a5  24.a3

 (

depois de

 24.¥xd7  ¦xd7  25.bxa5

 bxa5  26.c5

 dxc5

 27.¦xc5

 a4=

as pretas

sustentariam o jogo

)

 24...f5²

tornando difícil o

progresso das brancas. As pretas nunca deverão
permitir Pc5 sem obrigar as brancas a conceder a
troca do bispo pelo cavalo.

 24.¦a3

'!' 'A ameaça é

simplesmente 25.Bxd7. O velado e aparentemente
insignificante ataque sobre o Pa6 é um meio de
forçar as pretas a abandonarem a proteção da
posição c5.'

 ¤b8

'[]' 'Forçado!'

 [ 24...¤f6  25.¥c6+-

ganharia um peão.

;

A outra alternativa seria

 24...a5

 25.bxa5  bxa5  26.¥c6!  ¤c5

 (

em

 26...¤b8

 27.¥b5! ;

ou então

 26...¤b6

 27.¦b1!  ¤xc4?

 28.¦c3  ¤d2  29.¦b2+-

imobilizando o cavalo

)

 27.¦xa5+-

devendo as brancas vencer.

 25.c5

'!'

 bxc5  [

Com

 25...b5  26.¥b3  ¦f7  27.c6  ¦c7

 28.¦a5!  ¢f7  29.a4  bxa4  30.¦xa4  ¢e7  31.¥c4+-

eliminaria o Pa6.

 26.bxc5  dxc5  27.¦xc5  ¢g7

background image

My 160 Memorable Games

8

 [

Com

 27...¤d7  28.¦c7  ¤f6

 29.¥b3  ¢h8

 30.¦xa6

 ¤xd5

 31.¥xd5

 ¦xd5

 32.¦aa7+-

venceria. Com a entrada da artilharia pesada, as
pretas entram em colapso.

;

se

 27...¦c8

a resposta

 28.¦ac3ƒ

manteria a pressão

 28.¦b3  ¦f7  29.d6

'!'

 ¤d7

'O peão está obviamente imune. As pretas

tratam, portanto, de reativar o cavalo.'

 30.¦c7  ¤f8

 [

Também sem esperança seria

 30...¤f6  31.¦bb7

 ¦xc7  32.dxc7  ¦c8  33.¥b3  ¤e8  34.¦b8  ¤d6
 35.¦xc8  ¤xc8  36.¥e6+-

etc.

 31.¦bb7  ¦xc7

 32.dxc7

 ¦c8

 33.¥b3

'!' 'As pretas estão

c o m p l e t a m e n t e   i m o b i l i z a d a s ,   r e d u z i d a s   a
movimentos de peões.'

 a5  34.a4  h6  35.h3  g5

 36.g4  fxg4  37.hxg4

'As pretas abandonam. #

Zugzwang! As pretas ficaram sem possibilidade de
movimentar satisfatoriamente os peões. '

 [ 37.hxg4

Se jogassem

 ¢f6

o lance

 (

Se

 37...¤g6  38.¥e6+-

daria a vitória as brancas, assim como qualquer
movimento de torre, a saber:

;  37...¦e8

respondido

com

 38.c8£++-

possibilitando fazer uma dama e,

conseqüentemente, mate!

)

 38.¦b8+-

ganharia

uma peça.

]

1-0

B92

Pilnik,Herman
Fischer,Robert James

Mar del Plata

1959

Minhas 60 Melhores Partidas, por Bobby Fischer #
4 Tato e tática A presença na Argentina de Pilnik,
Najdorf e Eliskases, que lá resolveram permanecer
após participarem das Olimpíadas de Xadrez de
Buenos Aires de 1939, provocou um renascimento
enxadrístico, atestado pelo torneio anual de Mar
del Plata, o qual, ainda que pouco sedutor em
prêmios, proporciona boas férias e atrai os
melhores enxadristas do mundo. Fischer empatou
com Ivkov, apenas meio ponto atrás de Pachman e
Najdorf, num poderoso grupo de quinze. Após uma
despretensiosa abertura, por ambos contendores,
e um jogo intermediário que, à exceção de 26...
bxa3, pode ser considerado pouco mais que
rotineiro, Fischer conduz o jogo para um final igual.
E n t ã o ,   e l e   e   P i l n i k   c o m e ç a r a m   a   i n v e n t a r
complicações e o último dá um passo em falso,
que Fischer aproveita para obter um peão central
passado. Desse ponto em diante, embora Pilnik
faça tudo para evitar o inevitável, Fischer não
comete sequer um engano.

 1.e4  c5  2.¤f3  d6

 3.d4  cxd4  4.¤xd4  ¤f6  5.¤c3  a6  6.¥e2  [

Para

 6.h3

ver jogos, 35, 40 e 43; Fischer,R-Bolbochan,J

Stockholm izt 1962 Fischer,R-Najdorf,M Varna ol
1962 Fischer,R-Reshevsky,S ch-USA 1962.

;

Para

 6.¥c4

ver jogos 17, 55 e 58; Fischer,R-Tal,M

Beograd ct 1959 Fischer,R-Bednarski,J Habana ol

1966 Fischer, R-Geller,E Skopje 1967.

]

 6...e5

 7.¤b3  ¥e7  [

Para

 7...¥e6

ver jogo 42; Unzicker,

W-Fischer,R Varna ol 1962.

 8.0-0  [ 8.¥g5  0-0!

 ( 8...¤bd7  9.a4!± )

 9.¤d2  ¤xe4!

'Unzicker,W-

Fischer,R Varna ol 1962'

 10.¥xe7  ¤xc3  11.¥xd8

 ¤xd1  12.¥e7  ¦e8  13.¤c4  ¤xb2!  14.¤b6  ¦xe7
 15.¤xa8

 ¤a4

 16.0-0-0

 ¦d7!²

Fischer,R-

Ghitescu,T Leipzig ol 1960 com melhor jogo.

]

 8...0-0  9.¥e3  ¥e6  10.f3  [ 10.a4  £c7  11.a5
 ¤bd7  12.¤d5  ¤xd5  13.exd5  ¥f5  14.c4  ¥g6
 15.¢h1  ¦ac8  16.£d2  £d8  17.¦ac1  h6  18.f4
 exf4  19.¥xf4  ¥g5=

com igualdade, Smyslov,V-

Gligoric,S Habana 1962

]

 10...£c7

 [ 10...d5

 11.exd5  ¤xd5  12.¤xd5  £xd5  13.£xd5  ¥xd5
 14.¦fd1!²

com ligeira vantagem no final.

 11.£e1

Este sistema, outrora popular, nada proporciona às
brancas, pois não impede o desenvolvimento das
pretas, nem a expansão da sua ala da dama.

 ¤bd7  12.¦d1  [ 12.a4  d5!= ]  12...b5  13.¦d2
 [ 13.a3

 ¤b6

 14.¥xb6!

 £xb6+=

Fischer,R-

Ghitescu,T Leipzig ol 1960 com jogo igual.

]

 13...¤b6  [ 13...b4  14.¤d5  ¤xd5  15.exd5  ¥f5
 16.£f2

 a5³

>< c2 'com bom jogo contra o Pc2

branco, atrasado.'

] 14.£f2?

Descuido.

 [ 14.¥xb6™

seria indispensável.

] 14...¦ab8?

~~ 'Pensei que se

ele não tinha tomado o N no lance anterior, não o
faria agora; por isso, procurei consolidar um pouco
mais a posição e conservar a opção de mover o N
para a4 ou c4.

 [ 14...¤c4  15.¥xc4  bxc4  16.¥b6

 ( 16.¤a1  ¦ab8  17.¦b1  ¦b7µ

seria forte

;  16.¤c1

 ¦ab8  17.¤a4  c3!³  18.bxc3?  £c6  19.¤b6  ¥d8-+

X c2

)

 16...£c8  17.¤a5?

deixa as brancas com

problemas. Por exemplo:

 ¤d7!  18.¤d5

 ( 18.¥e3?

 ¥d8  19.¤d5  ¥xd5  20.¦xd5  ¤f6-+

ganhando no

mínimo qualidade

)

 18...¥xd5  19.¦xd5

 ( 19.exd5

 ¤xb6  20.£xb6  ¥d8  21.£b4  ¦b8  22.£a3  ¥xa5
 23.£xa5

 ¦xb2-+ )

 19...¦b8!µ

ganhando pelo

menos um peão.

 15.¥xb6!

Pilnik apressa-se a

c o r r i g i r   s u a   o m i s s ã o .

 [ 15.¤a5?

 d5!µ

Stahlberg,G

 15...¦xb6  16.¤d5  ¤xd5  17.exd5

 ¥d7  18.f4  ¥f6  [ 18...f5  19.c3  ¥f6  20.fxe5  dxe5

 ( 20...¥xe5  21.¤d4 )

 21.¤c5=

com igualdade.

]

 19.c3  ¦bb8  20.fxe5  ¥xe5  [ 20...dxe5  21.d6ƒ ]
 21.¤d4  g6  22.a3  [ ¹22.¥f3  b4  23.cxb4  ¦xb4
 24.¤c6=

com equilíbrio.

]

 22...a5

 23.¢h1

 [ ¹23.¥f3

é novamente melhor. As brancas

começam a baquear.

 23...b4  24.cxb4  [ 24.axb4

 axb4  25.c4  b3!ƒ

conservam a iniciativa.

] 24...axb4

 25.¦c2  [

Stahlberg,G

 25.¥f3  bxa3  26.bxa3  ¦a8µ

apresentam seus problemas.

 25...£b6  26.¤c6

Essa é a posição que as brancas procuravam; o
empate agora parece certo.

 bxa3!³

 27.£xb6

 [ 27.¤xb8?  £xf2  28.¦xf2  a2  29.¦f1

 ( 29.¦c1

 ¥xb2 )

 29...¥f5  30.¦cc1  ¦xb8-+

> ganharia.

;

 27.bxa3³

também seria adequado

 27...¦xb6

 28.bxa3  ¦a8  29.¤xe5?³

Isso dá às pretas um

forte Pe passado.

 [ ¹29.¦a2  ¦b2  30.¦xb2  ¥xb2

background image

My 160 Memorable Games

9

 31.¥b5!

'>'

 ¦xa3

senão a4

 32.¤e7+

 ¢f8

 33.¤xg6+

'com empate em perspectiva. Com'

 A) 

 33...¢e8  34.¦e1+!

 ( 34.¥xd7+  ¢xd7  35.¦xf7+

 ¢d8-+

ganharia uma peça

)

 34...¢d8  35.¥xd7

 fxg6=

c o m   i g u a l d a d e .

 ( 35...¢xd7

 36.¤f8+

/\ Sxh7

)

 B)  33...hxg6  34.¥xd7=

^- produziria um

final de bispos de cores opostas

] 29...dxe5  30.¦c3

 [ 30.¦c7  ¦d6  31.¥b5?!

seria refutado por

 ¥xb5

 32.¦fxf7  ¦c8!-+ ;  30.¦a2  ¦a5  31.¥c4

 ( 31.¦d1

 ¥a4-+ )

 31...¦c5-+

> e o Pd cairia.

;  30.¦a1

 ¦xa3-+ ]  30...¦b2!  31.¦c7

Desesperadamente

debatendo-se por um jogo de reação.

 [ 31.¥c4

 ¢g7  32.d6  f5  33.¥d5  ¦a6-+

/\ Rxd6; também

ganharia o Pd6.

;  31.¥f3  f5  32.¦c7  ¥b5  33.¦e1

 e4-+

arrasaria o jogo das brancas.

 31...¥f5

'#'

 32.g4  [ 32.¥c4  ¦c2  33.d6  ¦xc4!  34.¦xc4  ¥d3
 35.¦fc1  ¥xc4  36.¦xc4  ¦xa3  37.¢g1  ¢g7!-+

' e   a s   p r e t a s   l o g o   t o m a r i a m   o   P d ,   v e n c e n d o
f a c i l m e n t e .

 32...¥e4+  33.¥f3  ¥d3  34.d6

 [ 34.¦e1  e4!  35.¥g2

 ( 35.¥xe4  ¦e8-+ )

 35...¦d8

 36.¦c5  ¢g7!  37.¢g1

 ( 37.g5  h6  38.h4  hxg5

 39.hxg5  ¦h8+  40.¢g1  ¦h5!-+

ganharia

)

 37...f5

 38.gxf5  gxf5

'e os dois peões do centro passados

centrais deveriam vencer se'

 39.d6

 ¢f6!-+ ]

 34...¦d8

 35.¦e1

 ¦xd6

 [

Najdorf,M

 35...e4!

 36.¥xe4  ¦b1!  37.¦xb1  ¥xe4+  38.¢g1  ¥xb1-+

vencendo.

]

 36.¦xe5

Caindo na armadilha.

 [ 36.¦e7  ¦f6

 37.¥d5

 e4

 38.¥xe4

 ¥xe4+

 39.¦7xe4  ¦ff2-+

ganharia.

 36...¦f6!  37.¦e3™

Forçado.

 [ 37.¥g2  ¦b1+-+ ]  37...¦xf3!  38.¦xf3

 ¥e4  39.¦cxf7  ¦f2  40.¦f8+  ¢g7

As brancas

a b a n d o n a r a m .

 [ 40...¢g7

 A)  41.¦8f4

 ¥d5-+

 ( 41...¥xf3+  42.¢g1  ¦g2+  43.¢f1  ¥c6  44.¦c4
 ¥b5!-+

também ganharia

)

 B)  41.¦8f7+  ¢h6-+

venceria.

]

0-1

B11

Fischer,Robert James
Petrosian,Tigran V

YUG ct Bled/Zagreb/Belgrade

1959

 1.e4

. . Fischer, Ragozin

 c6  2.¤c3  d5  3.¤f3  ¥g4

 [ 3...dxe4  4.¤xe4  ¥f5?  5.¤g3  ¥g6

 ( 5...¥g4

 6.h3 )

 6.h4  h6  7.¤e5  ¥h7  8.£h5  g6  9.¥c4!  e6

 10.£e2±

'ameaçando Nxf7 e as pretas ficam com

um jogo terrível.'

;  3...¤f6  4.e5  ¤e4  5.¤e2!  £b6

 6.d4  c5  7.dxc5  £xc5  8.¤ed4  ¤c6  9.¥b5  a6
 10.¥xc6+  bxc6  11.0-0  £b6  12.e6!  fxe6  13.¥f4±

Fischer,R-Olafsson,F/Belgrade ct/1959/ 1-0/ 'é
bom para as brancas, Fischer,R-Olafsson,F/
Belgrade ct/1959/1-0/' 'Fischer,R-Olafsson,F/
Belgrade ct/1959/1-0/'

 4.h3

 ¥xf3

 [ 4...¥h5

 5.exd5  cxd5  6.¥b5+  ¤c6  7.g4  ¥g6  8.¤e5  ¦c8
 9.d4  e6  10.h4

 ( ¹10.£e2! ;

certo seria

 10.£e2!

para impedir ... Pf6

;  10.£e2! )

 10...f6  11.¤xg6

 hxg6  12.£d3  ¢f7  13.h5  gxh5  14.gxh5  ¤ge7=

Fischer,R-Smyslov,V/Bled ct/ 1959/ '=' 'igual,
Fischer,R-Smyslov,V/Bled ct/1959/' '=' 'Fischer,R-
Smyslov,V/ Bled ct/1959/'

 5.£xf3  ¤f6

'#'

 [ 5...e6

 6.d4  dxe4  7.¤xe4  £xd4  8.¥d3N

'dá as brancas

uma boa linha de ataque em troca do peão'

;

 5...dxe4

 6.¤xe4

 ¤d7

 7.¤g5!?

 ( ¹7.d4 ;

melhor seria simplesmente

 7.d4 ;  7.d4 )

 7...¤gf6

 8.£b3  e6  9.£xb7  ¤d5!µ

Fischer,R-Cardoso,R

Portoroz izt 1958 'As pretas ficam com boa
situação, Fischer,R-Cardoso,R Portoroz izt 1958'
'Fischer,R-Cardoso,R Portoroz izt 1958'

]

 6.d3

 [ 6.d4  dxe4  7.¤xe4!?

 ( 7.£e3  ¤bd7  8.¤xe4

 ¤xe4  9.£xe4  ¤f6  10.£d3  £d5!=

Fischer,R-

Keres,P Bled 1961 '=!' 'é igual, Fischer,R-Keres,P
Bled 1961' '=!' 'Fischer,R-Keres,P Bled 1961'

)

 7...£xd4  8.¥d3  ¤bd7µ

'ameaçando ... Ne5'

;  6.e5

 ¤fd7  7.e6?

 ( 7.£g3  e6  8.¥e2

Spassky,B-

Reshko/Leningrad/1961/

)

 7...fxe6  8.d4  e5!µ ; 6.g3

 dxe4  7.¤xe4  ¤xe4  8.£xe4  £d5!  9.£xd5  cxd5
 10.¥g2  e6=

Suetin,A '=' 'daria as pretas um final

equilibrado, Suetin,A' '=' 'Suetin,A'

 11.c4

 ¤c6

 12.cxd5  ¤b4! ]  6...e6  7.g3  [ 7.¥d2 ;  7.a3  ¥c5
 8.¥e2  0-0  9.0-0  ¤bd7=

Fischer,R-Larsen,B/

Zuerich/1959/ '=' 'com bom jogo para as pretas,
Fischer,R-Larsen,B/Zuerich/1959/' '=' 'Fischer,R-
Larsen,B/Zuerich/1959/'

;

Uma tentativa recente é

 7.¥d2

seguido de 0-0-0.

;  7.¥d2 ]  7...¥b4  8.¥d2

 [ 8.¥g2?  d4  9.a3  £a5-+ ]  8...d4  [ 8...£b6
 9.0-0-0  d4  10.¤e2± ]  9.¤b1  ¥xd2+  [ 9...£b6
 10.b3  ¤bd7  11.¥g2  a5  12.a3  ¥xd2+

 ( 12...¥e7?!

Fischer,R-Keres,P Bled ct 1959 0-1

;

o retraimento

 12...¥e7?!

parece ilógico, embora eu tenha sido

derrotado por Keres, com ele, Fischer, R-Keres,P
Bled ct 1959 0-1

;  12...¥e7?!

Fischer,R-Keres,P

Bled ct 1959 0-1

)

 13.¤xd2  £c5  14.£d1  h5

 15.h4!±

Fischer,R-Benko,P/Belgrade ct/1959/1-0

'com vantagem, Fischer,R-Benko,P/ Belgrade ct/
1959/1-0. Petrosian, aparentemente, não queria
envolver-se com esta linha, a despeito de seu
conterrâneo Tal acusar-me de "mau julgamento"
por promover as brancas nesse ponto.' 'Fischer,R-
Benko,P/Belgrade ct/1959/1-0'

 10.¤xd2

 e5

 11.¥g2  c5  12.0-0  ¤c6  13.£e2

'#'

 £e7  [ 13...g5

 A)  14.f4  gxf4  15.gxf4  £e7  16.¤c4  ¤d7  17.£g4

+/-; Smagin,V '"com vantagem", mas depois de' '+/-
; Smagin,V'

 0-0-0  18.fxe5  ¢b8³

>< e5 'as pretas

consseguem plantar um cavalo em e5 de onde não
pode ser desalojado' '>< e5'

;

 B)  14.c3!

 £e7

 15.¤f3  h6  16.cxd4!  exd4

 ( 16...¤xd4  17.¤xd4

 cxd4  18.¦ac1 ;  16...cxd4  17.h4  ¦g8  18.hxg5
 hxg5  19.¦fc1  0-0-0  20.b4!  ¢b8  21.b5  ¤a5
 22.£d2±

'ganhando um peão'

)

 17.e5!  0-0-0

 18.¦fe1²

'Agora, a diagonal do bispo está liberada

e as pretas não podem bloquear sua casa e5, tal
como em nossa primeira partida.'

 C)  14.¤f3?  h6

 15.h4  ¦g8  16.a3  £e7  17.hxg5  hxg5  18.£d2

background image

My 160 Memorable Games

10

 ¤d7  19.c3  0-0-0  20.cxd4  exd4µ

Fischer,R-

Petrosian,T Bled ct 1959 0-1

;  13...0-0  14.f4  ¢h8

 15.f5  ¤g8  16.g4ƒ  f6

'as brancas ficam com uma

situação difícil de ultrapassar, conservando, porém,
a iniciativa. O desenrolar do jogo indica que
Petrosian pretende efetuar o grande roque sem
tentar impedir Pf4.'

 14.f4  0-0-0  15.a3  ¤e8

 [ 15...¤d7  16.b4  f6

e se

 17.¤c4  b5 ] 16.b4  cxb4

'#'

 [ 16...f6  17.b5

 ( 17.bxc5  £xc5  18.fxe5  ¤xe5 )

 17...¤a5  18.¤b3  ¤xb3  19.cxb3  ¢b8  20.a4=

'=' '='

 17.¤c4?

'As pretas agora podem consolidar

sua posição. '

 [ 17.fxe5!  A)  17...bxa3  18.¤c4  ¦f8

 19.¦xa3±

se

 b5  20.£g4+! ; B)  17...¤xe5  18.axb4

 ¢b8  19.¤f3  f6  20.£f2!  ¤xf3+

 ( 20...£xb4

 21.¤xe5  fxe5  22.£f7

'penetra'

)

 21.£xf3  ¤d6

 ( 21...£xb4  22.e5! )

 22.¦a5  a6  23.£f4  ¦he8

 24.¦d5± ;  C)  17...¢b8  18.axb4  ¤xb4

 ( 18...¤xe5

 19.¤f3 )

 19.¤c4  ¤c6

 ( 19...¤c7  20.¤d6!  ¦hf8

 21.¦fb1  ¤ca6  22.£d2  £xe5  23.¤xb7!  ¢xb7
 24.¦xa6!+-

'vence'

)

 20.£f3  ¦f8  21.e6!  £xe6

 22.e5!+-

/\ Rfb1 -> 'seguido de Rfb1 e as brancas

têm um ataque para vencer' '/\ Rfb1 ->'

;

 D) 

 17...£xe5  18.¦xf7  £xg3  19.e5!  £e3+  20.£xe3
 dxe3  21.¤c4± ]  17...f6!  [ 17...bxa3  18.fxe5 ]
 18.fxe5  fxe5  19.axb4  ¤c7

'As pretas querem

assegurar um bloqueio na ala da Q. O Pb4 não
pode escapar.'

 [ 19...£xb4!?

Ragozin

;  19...£xb4!?

Ragozin

 20.¤a5  ¤b5!µ  [ 20...¤xb4

Ragozin

 21.¦fb1  ¤ca6  22.£d2  b6  23.¤c4‚ ]  21.¤xc6
 bxc6  22.¦f2  g6 
 [ 22...£xb4  23.£g4+  ¦d7  24.¦f7
 ¦hd8  25.£xg7

'recupera o peão.'

;  ¹22...¦hf8

Ragozin

;  ¹22...¦hf8

Ragozin

;  22...¦hf8

Ragozin

]

 23.h4  ¢b7  [ 23...¦hf8! ;

Seria normalmente de

esperar que Petrosian procurasse simplificar para
garantir um final vitorioso

 23...¦hf8!

seria forte.

;

 23...¦hf8! ]  24.h5  £xb4

'Realmente arriscado.

Estava muito surpreso por ele permitir-me tantos
contragolpes.'

 [ 24...¦hf8! ;  24...gxh5  25.£xh5

 ¦hf8  26.¦f5! ;  24...¦hf8!

é ainda certo.

;  24...¦hf8! ]

 25.¦f7+  ¢b6  [ 25...¢b8  26.£f2  ¦hf8  27.c4!  ¤c7

 ( 27...dxc3?  28.¦axa7  ¦xf7  29.£b6++- )

 28.£f6±

'com boa partida.'

 26.£f2!  a5  [ 26...¦hf8  27.c4!

 ¤c3  28.¦axa7+-

'ganha.'

; 26...£c5

Ragozin

 27.c4

 dxc3?  28.¦a6+! ; 26...£c3

Ragozin

 27.¦a4 ] 27.c4

 ¤c3

'?' '#Ainda subestimando o perigo. '

 [ ¹27...¤d6 ;

M a i s   s e g u r o   s e r i a

 27...¤d6 ;

 27...¤d6 ]  28.¦f1?  [ 28.£f6!  A)  28...¦hf8  29.¦f1!
 ¦xf7  30.£xd8+!  ¦c7  31.¦f7+-

'vence'

 B) 

 28...£c5  29.£g7!  ¢a6

 ( 29...a4  30.¦a7! ; 29...¦a8

 30.¦b7+  ¢a6  31.£c7  ¦hc8  32.¦b5!+-

'ganha'

;

 29...¦dg8

 30.¦b7+

 ¢a6

 31.£c7

 ¦c8

 32.¦xa5+!+- )

 30.¦a7+!  £xa7  31.¦xa5+  ¢xa5

 32.£xa7+

 ¢b4

 33.£b6+

 ¢a3

 34.c5ƒ

'e o Pc branco torna-se perigoso'

 C)  28...£d6

Ragozin

 29.£g7

 ¦dg8?

 30.¦b7+

 ¢c5

 31.¦xa5++- ; D)  28...¦df8  29.£xe5  ¦xf7  30.£xh8
 £c5  31.e5±

'torna a situaçã o das pretas difícil por

causa de seu rei descoberto e do Pe passado das
brancas.'

 28...a4

'Ainda jogando com negligente

d e s c a s o !   '

 [ ¹28...£d6 ;

Mais seguro seria

 28...£d6 ;  28...£d6 ]  29.£f6  £c5  [ ¹29...£d6!

Ragozin

 30.£g7  ¦dg8!  31.¦b7+  ¢c5  32.£f7  ¦f8

 33.£g7  ¦hg8  34.£xh7  ¦h8  35.£xg6  £xg6
 36.hxg6  ¤e2# ]  30.¦xh7!

'Decidi então começar a

jogar para ganhar. '

 [ 30.£g7  ¦dg8!  31.¦b7+  ¢a6

 32.£c7  ¦c8  33.£g7  ¦cg8=

'=!' 'empata com

xeque perpétuo sobre a dama.' '='

]

 30...¦df8!

'Forçando o que parece ser um final favorável.'

 31.£xg6  ¦xf1+  [ 31...¦xh7!

Ragozin

 32.£xh7  a3!

 ( 32...¦xf1+

game

;  32...¦xf1+

game

;  32...¦xf1+

game

)

 33.£g7  ¤e2+  34.¢h2  ¦xf1  35.¥xf1  a2

 36.£g8  a1£  37.£b8+=

'=' '='

 32.¥xf1  ¦xh7

 33.£xh7

 a3

'Petrosian estava contando com a

velocidade de seu peão.'

 34.h6  a2  35.£g8  a1£

 36.h7

'#'

 £d6?  [ ¹36...¤e2+!  37.¢f2  ¤xg3!

'com o que as brancas só teriam o recurso do
xeque perpétuo com'

 38.£b8+=

'=' '='

 37.h8£

 £a7

 38.g4

 ¢c5!

'Uma boa tentativa final.

Curiosamente, o rei estaria mais seguro no campo
branco onde tem a proteção do agrupamento de
peões'

 39.£f8?

 [ ¹39.£h2!  £f6

 ( 39...£a1

 40.£g7 ;  39...£a2?  40.£xa2  ¤xa2  41.£a8!+-

'ganha uma peça'

;  39...£ae7  40.£a8‚ )

 40.g5 ]

 39...£ae7!

'Forçado, defendendo-se da ameaça

de Qxe5+.'

 [ 39...£xf8  40.£xf8+  ¢b6  41.£b4+

 ¢a6

 ( 41...¢c7

 42.£e7+ )

 42.£a3+

 ¢b7

 43.£xa7+  ¢xa7  44.g5+-

'e faz dama.'

 40.£a8

' P e n s e i   q u e   f o s s e   o   f i m ,   a s   d u a s   d a m a s
a p r o x i m a n d o - s e   p a r a   o   g o l p e   m o r t a l . '

 ¢b4!

 41.£h2

 ¢b3!

'Escorregadio como enguia!# As

b r a n c a s   f a z e m   u m   l a n c e   s e c r e t o ;   t u d o   f i c a
fantasticamente complicado!'

 42.£a1

'Após o jogo

um espectador perguntou a Petrosian se ele sabia
que 42.c5 daria a vitória às brancas. Petrosian,
(não sabendo qual o meu lance secreto) tendo
analisado a situação durante horas, respondeu:
"não sei".'

 [ 42.c5  £xc5

 ( 42...£g6  43.¥e2!  £gg5

 44.¥d1+! )

 43.£g8+  ¢a3  44.£c2  £b4  45.£a8+

 £a4

 ( 45...¤a4?  46.£c1+  ¢a2  47.£g8+  £b3

 48.£c2+!-+

'ganha'

)

 46.£cxa4+  ¤xa4  47.£xc6±

Ragozin '"com boas possibilidades de vitória", mas
despois de' 'Ragozin'

 ¤c3!=

Fischer '=!' 'é possível

as pretas empatarem.' '=!' 'Fischer'

]

 42...£a3

'Único lance capaz de evitar o mate em b2.'

 43.£xa3+  ¢xa3  44.£h6

/\g4-g5-g6-g7-g8Q

'Agora as brancas devem tentar vencer com Pg4' '/
\g4-g5-g6-g7 -g8Q'

 £f7!  45.¢g2  [ 45.£xc6

 ¤d1! ] 45...¢b3

/\Nd1

 [ 45...¤d1  46.£c1+  ¤b2+-

'ficando o cavalo fora de jogo. A seqüência renova
a ameaça de ... Nd1.'

 46.£d2  £h7!  47.¢g3

"An gross oversight, but probably best anyway."
Fischer 'Tremendo equívoco, mas provavelmente o
melhor a fazer. As brancas não podem mais
vencer.' '"An gross oversight, but probably best

background image

My 160 Memorable Games

11

anyway." Fischer'

 [ 47.g5  £h4© ]  47...£xe4!

'#'

 48.£f2?

'Eu estava algo abalado por ter deixado

de ver o último lance de Petrosian!'

 [ 48.dxe4?

 ¤xe4+  49.¢h4  ¤xd2  50.g5  ¤xf1  51.g6  d3-+

'ganharia'

; 48.£d1+?  ¤xd1  49.dxe4  ¤e3  50.¥e2

 ¤xc4  51.g5  ¤d6  52.g6  ¤e8-+

'e as pretas

ganhariam novamente.'

; 48.£xc3+?  dxc3  49.dxe4

 c2-+

' g a n h a r i a '

;  ¹48.g5!÷ ;

A resposta certa,

portanto, seria

 48.g5!÷

e com árdua luta.

; 48.g5!÷ ]

 48...£h1!µ

Petrosian accepte d the offered draw.

"After having fought so hard for the draw, however,
Petrosian was obviously unprepared to readjust his
frame of mind and start playsing for a win." Fischer
' O f e r e c i   o   e m p a t e   r e c e o s o   d e   q u e   e l e   n ã o
aceitasse, porque certamente as pretas têm a
vantagem.' 'Petrosian accepted the offered draw.
"After having fought so hard for thedraw, however,
Petrosian was obviously unprepared to readjust his
frame ofmind and start playsing for a win." Fis'

 [ 48...£h1!  49.g5

 ( 49.¥g2

 £h6µ )

 49...e4!µ

'Depois de lutar tão duramente pelo empate,
obviamente Petrosian não estava preparado
mentalmente para reiniciar a luta em busca da
vitória e portanto... Empate'

]

½-½

B99

Walther,Edgar
Fischer,Robert James

Zuerich

1959

Partidas Decisivas - Un siglo de ajedrez magistral,
Ludèk Pachman Victory in the Balance Minhas 60
Melhores Partidas, por Bobby Fischer # 9 Do prato
à boca... Aqui, jogando contra um mestre menor
europeu, Fischer aparenta estar batido depois de
dezessete lances, admitindo que estava pronto a
abandonar no lance 36. Não obstante, consegue
um empate miraculoso, com dois peões a menos.
De vez em quando, Walther se confunde e permite
a Fischer prolongar a luta e encontrar uma saída
no lance 54. O que torna memorável esta partida é
o exemplo que ela dá de como um grande-mestre
se redime, depois de começar a partida como um
principiante e de como um adversário mais fraco,
depois de magistralmente construir uma situação
vitoriosa, quase sempre perde por falta de técnica
para desferir o golpe final. Conforme disse
Capablanca, "o bom jogador sempre tem sorte".

 1.e4  c5  2.¤f3  d6  3.d4  cxd4  4.¤xd4  ¤f6
 5.¤c3  a6  6.¥g5  e6  7.f4  ¥e7 
 [ 7...£b6  8.£d2
 £xb2  9.¦b1  £a3÷

[Fischer=:F] que tentei com

sucesso posteriormente em minha carreira.

 8.£f3

 ¤bd7  [

Mais exato seria

 ¹8...£c7

para impedir 9.

Bc4.

]

 9.0-0-0

Der Partiezug gibt Schwarz

G e l e g e n h e i t   s e i n e   u n g e n a u e

Zugreihenfolgeauszugleich en.

 [ 9.¥c4

 A) 

 9...£c7?  10.¥xe6!  fxe6  11.¤xe6  £b6  12.¤xg7+
 ¢f7

 ( 12...¢f8  13.¤f5

mit vernichtendem Angriff

)

 13.¤f5+-

-> com um ataque esmagador

 B) 

 9...0-0  10.0-0-0÷

[F] O texto dá oportunidade às

pretas de corrigir seus erros iniciais.

]

 9...£c7

 10.¥d3  [

Para

 10.¥e2

ver partida 14. Keres,P-

Fischer,R/Bled ct/1959

;

Para

 10.g4

ver partidas 12

e 15. Gligoric,S-Fischer,R/Beograd ct/1959 /
Smyslov,V-Fischer,R/Beograd ct/1959

]

 10...b5

 11.¥xf6

Sem objetivo.

 [

M e l h o r   s e r i a

 ¹11.a3 ]

 11...¤xf6

 [ 11...¥xf6?

 12.¥xb5!

 axb5

 13.¤dxb5+-

[Euwe=E] [F/E] ganham

;

[E]

 11...gxf6

 12.£h5 ]  12.¦he1  [

[F]

 ¹12.a3

é necessário.

;

 12.e5  ¥b7  13.£g3  dxe5  14.fxe5  ¤d7  15.¦he1
 0-0-0!µ

Paoli,E-Tolusch,A/Balatonfuered/1958

]

 12...¥b7

Wie ich später (Smyslov-Fischer, 1959)

lernte, sollte Schwarz zu b4!, gefolgt von Lb7 und
d6-d5, greifen, sobald er dazu Gelegenheit hat.

 [ ¹12...b4!

/\ Bb7, d6-d5 [F]

;

Como eu aprendi (ver

partida 15), as pretas devem aproveitar-se de

 12...b4!

seguido de

 13.--  ¥b7

e ... d6-d5 assim

que surgir oportunidade.

;  12...b4!

/\ Bb7, d6-d5 F

]

 13.¢b1

 [

A r r i s c a n d o   r e p e t i r - m e ,

 ¹13.a3

é   o b r i g a t ó r i o .

]

 13...¦c8?

Este lance é

desvantajoso para as pretas pois as fazem perder
a opção do grande roque.

 [ ¹13...b4

 14.¤ce2

 ( 14.¤a4  ¤d7=

/\ 15.f5 e5 E

)

 14...g6!  15.g4  e5

 16.¤b3  d5  17.¤d2  0-0ƒ

[F] com a iniciativa.

]

 14.g4

 [ ¹14.a3

ainda seria correto. Ambos

sofremos com a idéia fixa de que ... b4 não era
exeqüível.

 14...¤d7  [ ¹14...b4  15.¤a4  d5

E

 ( 15...¤d7 )

 15.g5  ¤b6?  [ 15...b4!  16.¤ce2

 ( 16.¤d5!  exd5

 17.exd5

 g6

E

)

 16...¤c5÷

[F] ainda mantém a luta.

 16.f5!  e5  [ 16...b4?

 17.fxe6!+-

F

;

 16...¥xg5?

 17.¥xb5+!

 ¢e7

 ( 17...axb5  18.¤dxb5  £c6  19.¤xd6+ )

 18.fxe6

 fxe6

 19.¤xe6!

[F] Mas eu ainda achava que as

pretas estavam bem; entretanto, o lance seguinte
de Walther rapidamente desfez essa impressão.

 ¢xe6  20.£f5+  ¢e7  21.£xg5+

+-

;  16...exf5

 17.¤d5  ¤xd5  18.exd5  0-0  19.¤xf5  ¥xg5
 20.¦g1+-

E

 17.f6!  gxf6  [ 17...exd4  18.¤d5!+-

F/E

 18.gxf6  ¥f8  19.¤d5!+-

[F] As pretas estão

em má situação.

 ¤xd5  [ 19...£c5?  20.¤b3  £c6

 21.¤a5+-

E

;  19...£d8  20.¤e6!  fxe6  21.£h5+

 ¢d7  22.£f7+  ¢c6  23.¤b4+  ¢c5  24.£xb7  ¢xb4
 25.a3+  ¢c5  26.b4+  ¢d4  27.¥f1+  ¢c3  28.¦e3#

[E]

; 19...¥xd5  20.exd5

>< c6 E

 20.exd5  ¢d8

'#'

 21.¤c6+!‚

Investimento sensato. A tomada do

peão é insignificante, comparada com a abertura
d a s   l i n h a s   c e n t r a i s   c o n t r a   o   r e i   p r e t o .

 ¥xc6

 22.dxc6  £xc6  23.¥e4  £b6  [ 23...£c7  24.¥f5

/\ 25.Re5 E

 24.£h5

/\ 25.Qe5, 25.Qf7 E

 [ 24.¥f5

 ¦c5?

 25.£a8++-

E

 24...¢c7

 25.¥f5!

F

 [ ¹25.£xf7+

 ¢b8

 26.£d5+-

E

]

 25...¦d8

 26.£xf7+  ¢b8  27.£e6

/\ 28.Re5 E

 £c7  28.¦e3!

background image

My 160 Memorable Games

12

 ¥h6  [ ¹28...h5

E

 29.¦c3  £b7  [ 29...¦he8

 30.£d5  £b7  31.¦c6‚

E

 30.f7

Muito eficiente.

 [ 30.¦xd6??  £h1+

F/E

 30...¥g7  [ ¹30...¥f8

E

]

 31.¦cd3  [ 31.¦g3  ¥f8  32.¦g8  ¥e7  33.¦xh8  ¦xh8
 34.¥e4  £a7  35.a4!

/\ 36.Rd6

 ¦d8  36.axb5  axb5

 37.£d5+-

E

 31...¥f8  32.£xe5!+-

Deveria ser

decisivo. "Qualquer semelhança com xadrez é
mera coincidência". (Fischer)

 dxe5

 33.¦xd8+

 ¢a7  34.¦1d7  h5  35.¦xb7+  ¢xb7  36.c3  ¢c7

Normalmente o jogo terminaria aqui, mas eu queria
ver o que ele faria a seguir.

 37.¦a8?!

[F] Caminho

errado.

 [

Com

 37.¦e8!+-

as pretas abandonariam,

[Fischer]

 h4  38.h3  ¢d6  39.¢c2  ¦h5  40.¥g4

 ¦h8  41.¢d3  ¢d5  42.¥f3+  ¢d6  43.¢e4+-

E

]

 37...¢d6!  [ 37...¥g7??  38.¦xh8  ¥xh8  39.f8£+- ;
 37...¢b7?  38.¦e8! ]  38.¦xa6+  [

Eu ainda estava

p e n s a n d o   e m   d e s i s t i r   d e p o i s   d e

 38.¦e8!+-

As pretas não tinham como se mover; as brancas
simplesmente de deslocar seu rei para e4, o que
criaria uma situação de zugzwang.

]

 38...¢e7

 39.¦e6+  [ 39.¦a7+  ¢f6  40.¥d3+-

F

 39...¢xf7

 40.¦xe5

 b4

adjourned A partida foi suspensa.

Estranhamente comecei a sentir que a situação
tinha boas perspectivas de ser contornada.

 41.cxb4  ¥xb4  42.h3  ¢f6  43.¦b5  ¥d6  44.¥e4
 [ 44.a4  ¦b8!  45.¦d5  ¥e5„

F

;  ¹44.¥d3

E

]

 44...¦e8

Minha primeira ameaça em toda a partida

 45.¦f5+  ¢g7  46.¥f3  ¦e1+  47.¢c2  ¦f1!  48.¦d5
 [

[ F ]   A   a m e a ç a   s e r i a

 48.--

 ¦f2+

 49.¢b1

 ( 49.¢b3?  ¢g6-+

ganharia uma peça

)

 49...¦f1+

com empate.

 48...¦f2+  49.¦d2  [ 49.¢b1  ¥a3!

 50.bxa3  ¦xf3  51.¦xh5  ¦xa3+-

[F] seria também

sem esperança para as pretas.

]

 49...¦xd2+

 [ 49...¦xf3

 50.¦xd6

 ¦xh3

 51.a4+-

etc. [F]

]

 50.¢xd2  h4  51.¢d3  ¢f6  52.¢c4  ¢e7  53.¢b5
 ¢d7

 54.a4?=

A tese em que se apoia a defesa

d a s   p r e t a s   n e s t a   s i t u a ç ã o   é   a   s e g u i n t e :
conseguindo as pretas trocar o B pelos peões, as
brancas ficam com o "bispo errado" para o peão h,
coroar na casa preta h8.

 [ 54.b4!  ¢c7  55.¢a5

 ¢b8  56.b5  ¥a3

 ( 56...¢a7  57.b6+ )

 57.b6

 ( 57.¢a4?  ¥c5  58.¢a5  ¢a7= )

 57...¢c8  58.¢a6

 ¢b8  59.¥g2!

e as pretas ficariam em zugzwang.

 ¢c8

 ( 59...¥c5  60.a4 )

 60.¢a7  ¥c5

 ( 60...¥d6

 61.a4 )

 61.a4+-

Fontana etc.

 54...¢c7  55.b4

 ¢b8

 56.a5

 ¢a7

 57.¢c4

 ¥g3

 58.¢b3

Hier gibt Wade, O'Connell "The Games of Robert J.
Fischer" eine falsche Zug- folge (und Zügeanzahl!)
an (siehe Variante 58.Kb3).

 [

Accoring to Fischer is

this the played move:

 58.b5  ¥f2  59.¥e2

 ( 59.b6+

é neutralizado por

 ¥xb6! )

 59...¥e3  60.¢b3  ¥d2

 ( 60...¥f2

também empataria

;  60...¥f2

remisiert

auch

)

 61.b6+  ¢b7  62.¢a4  ¢c6  63.¥b5+  ¢c5

Empate. Os peões brancos estão bloqueados.

 (

Com

 63...¢c5  64.b7  ¥f4  65.a6  ¢b6= )

]

 58...¥e1  59.¢a4  ¥d2  60.¥h5  ¥e1  61.b5  ¥f2!
 62.¥e2 
 [ 62.b6+  ¥xb6  63.axb6+  ¢xb6= ] 62...¥e3

 63.¢b3

 ¥d2

 64.b6+  ¢b7

 65.¢a4

 ¢c6!

 66.¥b5+  ¢c5  67.¥e8  [ 67.b7  ¥f4  68.a6  ¢b6= ]
 67...¥e1

½-½

C87

Fischer,Robert James
Gligoric,Svetozar

Candidates Tournament

07.10.1959

 1.e4  e5  2.¤f3  ¤c6  3.¥b5  a6  4.¥a4  d6  5.c3
 ¤f6  6.0-0  ¥e7  7.d4  ¥d7  8.¤bd2  0-0  9.¦e1
 ¦e8  10.a3  ¥f8  11.b4  d5  12.¥b3  ¥g4  13.h3
 ¥h5 
 [ 13...¥xf3  14.¤xf3  ¤xe4  15.¦xe4  dxe4
 16.¤g5 ]  14.dxe5  ¤xe5  15.g4  ¤xf3+  [ 15...¥g6
 16.¤xe5  ¦xe5  17.f4 ]  16.¤xf3  dxe4  [ 16...¥g6
 17.e5 ] 17.gxh5  exf3  18.¦xe8  £xe8  [ 18...£xd1+
 19.¥xd1  ¦xe8 ]  19.£xf3  £e1+  20.¢g2  ¦e8
 [ 20...h6 ]  21.h6  c6  22.¥c2  £e2  23.£xe2  ¦xe2
 24.¥d1  ¦e8  25.¥e3  ¤d5  26.¥d2  gxh6  27.c4
 ¥g7  28.¦c1  ¤c7  29.¥e3  ¤e6  30.c5  ¤d4
 31.¥g4  f5  32.¥h5  ¦e4  33.¦d1  ¢f8  34.¦d3  ¢e7
 35.¥d1  ¤e6  36.¢f3 
 [ 36.¢f3  ¤d4+  37.¢g3  ¤e6
 38.¢f3  ¤d4+  39.¢g2  ¤e6  40.¢f3= ]

½-½

B99

Gligoric,Svetozar
Fischer,Robert James

Candidates Tournament

22.10.1959

 1.e4  c5  2.¤f3  d6  3.d4  cxd4  4.¤xd4  ¤f6
 5.¤c3  a6  6.¥g5  e6  7.f4  ¥e7  8.£f3  £c7
 9.0-0-0  ¤bd7  10.g4  b5  11.¥xf6 
 [ 11.¥g2  ¥b7
 12.¦he1  b4  13.¤d5!?  exd5  14.exd5  ¢f8  15.¤f5
 ¦e8

Bernstein,S-Fischer,R ch-USA 1957 0-1

]

 11...gxf6!?

''!?' Bulletin. '

 [ 11...¤xf6

Walther,E-

Fischer,R Zürich 1959

 12.g5  ¤d7  13.a3  ¥b7

 ( 13...¤c5  14.h4  ¥d7  15.f5³ )

 14.¥h3

 ( 14.¦g1  g6

 15.¥h3  ¤c5  16.£e3  £b6µ ; 14.h4  0-0-0  15.¥h3
 ¢b8-+ )

 14...0-0-0

 15.f5

 ( 15.¥xe6

 fxe6

 16.¤xe6  £c4  17.¤d5  ¥xd5  18.exd5  ¢b7  19.b3
 £c8  20.¦d3÷ )

 15...¥xg5+  16.¢b1  e5  17.¤dxb5

 axb5  18.¤xb5  £c5  19.¤xd6+  ¢b8  20.¤xf7

Gligoric-Fischer/Bled 1959 (20)

 ( 20.£b3

 £b6

 21.£xb6  ¤xb6  22.¤xf7³ )

;  11...¥xf6  12.¥xb5! ]

 12.f5  [ 12.¥g2  ¥b7  13.¦he1  0-0-0

'N'

 14.a3

 ¤b6=

Gligoric,S-Fischer,R Zürich 1959

;  12.a3

 ¥b7

 ( 12...¦b8÷ )

 13.f5  e5  14.¤de2  ¤b6

'N'

 15.¤d5

 ( 15.h4  b4 )

 15...¥xd5  16.exd5  ¦c8

 17.¤c3  ¤c4

 18.¥xc4

 bxc4

 19.¢b1

 ¦b8

 20.¢a2±

Mednis,E-Fischer,R/USA-ch/1959/

;

 12.¥d3  ¥b7  13.¢b1  ¤c5  14.f5  b4  15.¤ce2  d5
 16.fxe6  dxe4  17.exf7+  ¢f8  18.¥xe4  ¥xe4
 19.£xe4  ¤xe4  20.¤e6+  ¢xf7  21.¤xc7  ¦a7=

background image

My 160 Memorable Games

13

Padevsky,N-Evans,L Habana ol 1966

;  12.h4  b4

 13.¤ce2  ¥b7  14.¤g3  d5N ]  12...¤e5  [ 12...b4
 13.fxe6  bxc3

 ( 13...¤e5  14.¤d5! )

 14.exd7+  ¥xd7

 15.e5±

Smagin,V

 13.£h3

 0-0!

''!' Bulletin. '

 [ 13...¥d7  14.g5!

''!' Bulletin. '

 fxg5

 ( 14...exf5

 15.¤d5 ;  14...b4  15.fxe6  fxe6  16.gxf6  bxc3
 17.fxe7÷ )

 15.fxe6

 fxe6

 16.¤xe6+- ;  13...b4

 14.¤ce2  exf5  15.¤xf5  ¥xf5  16.gxf5³ ]  14.¤ce2
 [ 14.£h6  ¢h8  15.g5

!, +- Smagin,V

 ¦g8!  16.g6

 ( 16.gxf6  ¤g4µ )

 16...fxg6  17.¤xe6

 ( 17.fxe6

 ¥b7 )

 17...¥xe6  18.fxe6  ¦ac8  19.£d2

 ( 19.a3  d5!

 20.exd5  ¥xa3 )

 19...¤c4  20.¥xc4

 ( 20.£d4  £a5 )

 20...£xc4  21.£d5  ¦ge8µ

/\ Bf8; b5-b4

;  14.g5!?

 b4?

 ( 14...fxg5!  15.fxe6  fxe6  16.¤xe6  £d7

 17.¤d5  £xe6  18.£xe6+  ¥xe6  19.¤xe7+  ¢f7
 20.¤f5=

Kholmov,R

)

 15.gxf6  ¥xf6  16.¦g1+  ¢h8

 17.£h6  £e7  18.¤c6!!  ¤xc6  19.e5!!

Kholmov,R-

Bronstein,D ch-URS 1964 1-0

]

 14...¢h8

 [ 14...£b7 ;  14...¥d7  15.¤f4  £c8  16.£h6  ¢h8
 17.¤h5  ¦g8  18.¤xf6  ¦g7  19.¥e2  £d8  20.g5± ]
 15.¤f4  ¦g8  16.¦g1  [ 16.¥e2

Gligoric,S

 £b7

 17.fxe6  fxe6 ;  16.fxe6  fxe6  17.¤dxe6  ¥xe6

 ( 17...£a5 ;  17...£b7 )

 18.¤xe6  £c8= ]  16...d5!

''!' Bulletin. '

 [ 16...£b7

'!'

 17.¦e1  £b6! ]  17.fxe6

 [ 17.exd5?

 exf5! ]

 17...dxe4

 18.¤d5

 £c5

 19.¤xe7  [ 19.exf7  ¤xf7  20.¤xe7  £xe7= ; 19.¤f5!

''!' Bulletin. '

 A)  19...£xg1

 20.¤fxe7

 ¥xe6

 ( 20...£xg4  21.£xg4  ¦xg4  22.¤c7  ¦b8  23.¦d8+
 ¢g7  24.¤f5+  ¢g6  25.e7+- )

 21.¤xg8

 ( 21.¤xf6

 ¦g7 )

 21...¥xg4  22.£h6  ¥xd1  23.¤gxf6  £g6

 24.£xg6  hxg6  25.¢xd1

+/- / +- '+/- / +-. Gligoric-

Fischer/Bled 1959 (25)'

 B)  19...¥d8

 20.£h6!

 ( 20.¦g3  fxe6 ;  20.e7  ¥xf5  21.exd8£  ¦axd8 )

 20...¦g6  21.¤f4!  ¤d3+  22.¦xd3+- ]  19...£xe7
 20.¤f5 
 [ 20.£e3  ¥b7  21.exf7  £xf7 ]  20...£xe6
 21.£h6 
 [ 21.¦d6?  £xa2  22.£h6  £a1+

 ( 22...¥xf5

 23.£xf6+  ¦g7  24.¦d8+= )

 23.¢d2  ¤f3+  24.¢e3

 ( 24.¢e2??  £e1# ; 24.¢c3?  £a5+  25.¢b3  £a4+
 26.¢c3  b4+  27.¢c4  ¥e6+-+ )

 24...£xb2!-+ ]

 21...¥d7!  [ 21...¤xg4?  22.¦xg4  ¦xg4  23.¦d8+
 ¦g8

 24.£g7# ]

 22.¦d6

 [ 22.¢b1

 ¤xg4 ]

 22...¤xg4!

 23.¦xg4™

 [ 23.¦xe6?

 ¤xh6-+ ]

 23...£xf5  24.¦xg8+?  [ ¹24.¦f4  £g5  25.£xf6+
 £xf6  26.¦dxf6  e3!  27.¦xf7  ¦g1!  28.¦xd7  e2
 29.¦d1!  exd1£+  30.¢xd1  ¢g7  31.¢e1  ¦f8
 32.¦xf8  ¢xf8  33.¢f2= ]  24...¦xg8?  [ 24...¢xg8!
 25.¦xf6

 £e5-+

 26.¦xa6?

 ¦xa6

 27.£xa6

 £f4+-+ ]  25.¦xf6  £d5

'>='

 26.¦d6

'='

 £f5

 [ 26...£b7?

 27.£f6+

 ¦g7

 28.£d8+

 ¦g8

 29.£xd7+- ]  27.¦f6  £g5+  [ ¹27...£d5  28.¦d6= ]
 28.£xg5  ¦xg5  29.¦xf7  ¥g4  30.¢d2  ¥f3
 31.¢e3  ¦g1  32.¥h3

'!'

 [ 32.¢f2?  ¦h1 ]  32...¦e1+

 33.¢f4  ¥d1  34.¢e5!  [ 34.¦e7  ¥xc2  35.¥f5= ]
 34...e3  35.¥f5  ¦g1

'>='

 36.¦xh7+  ¢g8  37.¦c7

 ¥g4?  [ ¹37...e2  38.¢f6  ¢h8

'='

 39.¦h7+  ¢g8

 40.¦c7  ¢h8= ] 38.¥xg4  ¦xg4  39.¦c3  e2  40.¦e3
 ¦g2

 [ 40...¦g7?

 41.¢d4 ]

 41.¢d4

 e1£!

 [ 41...¦xh2?  42.¢d3+- ]  42.¦xe1  ¦xc2  43.¦b1
 ¢f7! 
 [ 43...¦xh2?  44.¢c5+- ]  44.a3  ¢e6  45.b3
 [ 45.h4  ¢d6= ]  45...¦xh2  46.¢c5  ¢d7  47.¢b6
 ¦a2  48.¢xa6  ¦xa3+  49.¢b7 
 [ 49.¢xb5  ¢c7= ]
 49...¢d6  [ ¹49...b4  50.¦d1+

 ( 50.¢b6  ¢c8= )

 50...¢e6  51.¦d3  ¢e5  52.¢b6  ¢e4  53.¦h3  ¢d4
 54.¢b5  ¦a8  55.¢xb4  ¦b8+  56.¢a5  ¦a8+
 57.¢b6  ¦b8+  58.¢c6

 ( 58.¢a6  ¢c5= )

 58...¦b4

 59.¦g3  ¦b8= ]  50.¢b6  ¢d7  51.b4  ¦h3  52.¦c1
 ¦h8? 
 [ ¹52...¦h5  53.¦c5  ¦xc5  54.¢xc5  ¢c7
 55.¢xb5  ¢b7= ]  53.¢xb5?

 [ 53.¦c7+!

 ¢d6

 ( 53...¢d8

 54.¦c5

 ¢d7

 55.¢b7!

 ¢d6

 56.¦xb5+- )

 54.¦c6+  ¢d7

 ( 54...¢d5  55.¢xb5

 ¦b8+

 56.¦b6+- )

 55.¢xb5

 ¦b8+

 ( 55...¦h4

 56.¦c1  ¦h8  57.¢a6+- )

 56.¦b6  ¦h8  57.¦b7+

 ¢c8  58.¢a6  ¦h6+  59.¢a7+- ] 53...¦b8+  54.¢a4
 ¦a8+  55.¢b3  ¦c8  56.¦xc8  ¢xc8  57.¢c4  ¢b8!
 [ 57...¢b8!  58.¢c5

 ( 58.¢d5  ¢b7= )

 58...¢c7

 59.¢b5  ¢b7= ]

½-½

E51

Ghitescu,Theodor
Fischer,Robert James

Leipzig

1960

 1.d4  ¤f6  2.c4  e6  3.¤c3  ¥b4  4.e3  0-0  5.¥d3
 d5  6.¤f3  ¤c6

Black forsakes the traditional ...c5

break and plays for ...e5 instead.

 7.0-0

 dxc4

 8.¥xc4

 ¥d6

 9.¥b5

 e5

 10.¥xc6

 exd4

This zwishenzug saves a pawn unless White wants
to play 11 cxb7 Bxb7, when all Black's pieces are
pointed at his king.

 11.exd4  bxc6  12.¥g5  ¦e8

 13.£d3  c5

Opening up the a8-h1 diagonal for his

bishop and eliminating the weakness on c6, as well
as allowing White to play...

 14.dxc5  ¥xh2+

0-1

B13

Fischer,Robert James
Euwe,Max (Machgielis)

Leipzig Olympiad

1960

 1.e4  c6  2.d4  d5  3.exd5  cxd5  4.c4  ¤f6  5.¤c3
 ¤c6  6.¤f3  ¥g4  7.cxd5  ¤xd5  8.£b3  ¥xf3
 9.gxf3  e6  10.£xb7  ¤xd4  11.¥b5+  ¤xb5
 12.£c6+  ¢e7  13.£xb5  ¤xc3

13...Qd7 14.Nxd5+

Qxd5 and Black has nothing to worry about.

 14.bxc3

 £d7

Black should have created some

space for the king with 14...f6.

 15.¦b1

 ¦d8

Another mistake. The a-pawn needs the support of
the rook.

 16.¥e3  £xb5  17.¦xb5  ¦d7  18.¢e2

18.Ra5 Rb7 19.Rxa7 Rxa7 20.Bxa7 Kd7 21.Kd2
Bd6 with the threat of Ra8.

 f6

 19.¦d1

 ¦xd1

 20.¢xd1  ¢d7  21.¦b8

The threat is Bc5, exploiting

background image

My 160 Memorable Games

14

the pin on the back rank.

 ¢c6

 22.¥xa7

 g5

The only way Black can get his pieces into play is
by moving the bishop to g7.

 23.a4  ¥g7  24.¦b6+

 ¢d5  25.¦b7  ¥f8  26.¦b8  ¥g7  27.¦b5+  ¢c6
 28.¦b6+  ¢d5

It is not clear why Fischer repeated

the position. Probably he had not worked out the
sinning moves yet.

 29.a5  f5  30.¥b8  ¦c8  31.a6

 ¦xc3  32.¦b5+  ¢c4  33.¦b7  ¥d4  34.¦c7+  ¢d3
 35.¦xc3+  ¢xc3

It looks as though Black is about

to enter a long period of suffering after 36.a7. But
then Black will sacrifice the bishop for the pawn.
There is a better move. Do you see it?

 36.¥e5

1-0

E70

Letelier
Fischer,Robert James

Leipzig Olympiad

1960

 1.d4  ¤f6  2.c4  g6  3.¤c3  ¥g7  4.e4  0-0  5.e5

This advance has disappeared completely from the
tournament scene. White is overextending his
center, and Black will be able to strike back easily.

 ¤e8  6.f4  d6  7.¥e3  c5

Black moves quickly to

undermine White's center.

 8.dxc5  ¤c6  9.cxd6

 exd6  10.¤e4  ¥f5  11.¤g3

11.Nxd6 Nxd6 12.exd6

Bxb2 13.Nf3 Re8!

 ¥e6  12.¤f3  £c7  13.£b1

White's queenside ambitions are unrealistic, but it
was time for the queen to leave the d-file anyway.
The dual purpose is to support the advance of the f-
pawn, but this has a tactical flaw.

 dxe5  14.f5  e4

 15.fxe6  exf3  16.gxf3  f5

This is much stronger

than grabbing the weak pawn at e6. Black has now
secured the initiative.

 17.f4  ¤f6  18.¥e2  ¦fe8

 19.¢f2  ¦xe6  20.¦e1  ¦ae8

The pressure on the

e-file and the active position of the minor pieces
g i v e   B l a c k   a   c l e a r ,   a n d   p e r h a p s   d e c i s i v e
advantage.

 21.¥f3  ¦xe3  22.¦xe3  ¦xe3  23.¢xe3

Now Fischer provides an aesthetic conclusion to
the game. Can you figure it out?

 £xf4+

and White

resigned, faced with checkmate. For example:

 24.¢f2

24.Kxf4 Bh6++

 ¤g4+  25.¢g2  ¤e3+

 26.¢f2  ¤d4  27.£h1  ¤g4+  28.¢f1  ¤xf3

and the end comes quickly.

0-1

C17

Fischer,Robert James
Tal,Mihail Nekhemye

Leipzig ol

1960

French Defence, Winawer Variation

 1.e4  e6

A surprising decision, as Tal had usually

played VERY poorly with the French Defense.  But

Tal - and his trainer, Koblentz - decided Fischer
was not  'at ease'  playing the White side of these
l i n e s .   T h e r e f o r e   t h e y   d e c i d e d   i t   w o u l d   b e   a
reasonable try against Bobby.

 2.d4  d5  3.¤c3

F i s c h e r   a l m o s t   a l w a y s   p l a y e d   t h i s   m o v e   . . .
especially in his younger days.

 ¥b4

The Winawer

System. (Invented by one of the better masters who
ever lived. Most young players today cannot even
tell you who Winawer was or when he lived.)  The
Winawer is both the main line, and probably the
best and most solid choice for Black at this point.

 4.e5  c5  [ 4...¤e7  5.a3  ¥xc3+  6.bxc3  b6  7.£g4
 ¤g6  8.¥g5  £d7  9.h4  h6  10.¥d2  h5  11.£f3
 £a4  12.¥d3  ¥a6  13.g4  hxg4  14.£xg4  ¥xd3
 15.cxd3  ¤c6  16.£g5  ¤ce7  17.h5  ¤f5  18.¤e2
 ¤ge7  19.¤g3  0-0-0  20.£g4  ¦df8  21.¦h3  ¢b8
 22.¥g5  £c2  23.¦c1  £b2  24.a4  £a3  25.£d1
 ¤xg3  26.fxg3  ¤c6  27.h6  gxh6  28.¥f6  ¦hg8
 29.¢f2  ¦g6  30.£c2  ¦fg8  31.¦b1  £f8  32.a5
 ¤xa5  33.£a4  ¢a8  34.¦b5  £e8  35.c4  ¤c6
 36.£a1  dxc4  37.dxc4  £d7  38.c5  £xd4+
 39.£xd4  ¤xd4  40.¦b4  ¤f5  41.c6  ¦g4  42.¦xg4
 ¦xg4  43.¦h1  a5  44.¦g1  a4  45.¦d1  ¦d4  46.¦g1
 ¦d2+  47.¢f3  ¦d3+  48.¢f4  ¦xg3  49.¦c1  ¦d3
 50.¢g4  a3  51.¦a1  b5  52.¦b1  a2

0-1 Fischer,R-

Ivkov,B/Santiago 1959/MCD (52)

;  4...b6

 5.a3

 ¥xc3+  6.bxc3  £d7  7.£g4  f5  8.£g3  ¥a6  9.¥xa6
 ¤xa6  10.¤e2  0-0-0  11.a4  ¢b7  12.0-0  £f7
 13.c4  ¤e7  14.¥g5  dxc4  15.£c3  ¤d5  16.£xc4
 ¦a8  17.¥d2  f4  18.¦a3  g5  19.a5  c6  20.axb6
 axb6  21.£b3  ¤ac7  22.c4  ¦xa3  23.£xa3  ¦a8
 24.£b3  ¤e7  25.¤c3  £f5  26.£b4  ¤c8  27.¤a4
 f3  28.¤c5+  ¢b8  29.¤d7+  ¢b7  30.£b3  £g4
 31.¤c5+  ¢b8  32.g3  £xd4  33.¥e3  £a1  34.¦b1
 ¦a3  35.¤d7+  ¢b7  36.£d1  £a2  37.¤xb6  ¤xb6
 38.¦xb6+  ¢c8  39.£xf3  £xc4  40.£f8+  ¢d7
 41.£xa3

1-0 Fischer,R-Bisguier,A/New York 1957/

MCD (41)

 5.a3  ¥a5!?

This line was considered

very, very, VERY risky ... at the time this game was
actually played. It was actually one of the original
ideas of Winawer, but he later stopped playing it
entirely. (After a few reversals.)  The move  5...Ba5
was later picked up and revived by a whole
generation of young Soviet players in the 1930's
and the 1940's. But it was Botvinnik who really
forged this line into a coherent and viable system.
He used it in Soviet Championship tournaments,
and even at the World Championship level. (This
line did not do very well against Smyslov, who
began to show its seamier side.) But after several
losses, especially a noteworthy loss to Unzicker at
an earlier Olympiad, opening theory had branded
this whole line as being completely unsound.  Tal
had done much work with these lines in preparation
for his matches with Botvinnik. I guess he decided
that he did not want all that material to go
forever unused!

 [

The main line today is

 5...¥xc3+

background image

My 160 Memorable Games

15

 6.bxc3²  ¤e7  7.¤f3  ¥d7  8.a4  £a5  9.£d2  ¤bc6
 10.¥d3  c4  11.¥e2  f6

 ( 11...0-0-0  12.¥a3  f6

 13.0-0²

( K e r e s   6 9 )

)

 12.¥a3

 ( 12.0-0  0-0!?

(Ivkov)

)

 12...¤g6?!

 ( ¹12...0-0-0 )

 13.0-0!  0-0-0

 14.¥d6

 ( 14.¦fe1  fxe5  15.dxe5  ¤gxe5  16.¤xe5

 ¤xe5  17.£d4  ¤c6  18.£xg7  ¦hg8÷

(eco 74/81)

)

 14...¤ce7!

"Uhlmann gruppeirt um, weil seine

Chancen auf dem Konigsflugel liegen." (Schwarz
67)

 ( 14...fxe5  15.dxe5  h6  16.¢h1  ¦he8  17.¦fd1

 ¤h8!

Gligoric-Sokolov 1956

;  14...¦de8  15.¦fb1

 ¤d8  16.¥b4  £c7  17.¥d6  £a5  18.£e3  ¤f7
 19.¥c5  ¢b8  20.¦b2

Klavin-Fuchs 1961

)

 15.¤h4!

"With this and the following series of fine moves,
White ensures an excellent diagonal for his QB and
p a r a l y z e s   a n y   h o p e s   B l a c k   m a y   h a v e   f o r
m e a n i n g f u l   c o u n t e r p l a y . "   ( M e d n i s   7 4 )

 ¦de8

 16.¤xg6!

 hxg6

 17.exf6!

"Weiss will auf den

dunklen Feldern zu eimem Ubergewicht kommen,
daher die Linienoffnung fur den Th8." (Schwarz 67)

 gxf6

 18.h3!

"Fischers Plan sieht gut aus:  er will

den Laufer auf der Diagonale h2-b8 wirken lassen.
" (Schwarz 67)

 ¤f5  19.¥h2  g5  20.f4?

"But this

brute force attempt at an immediate win spoils
everything." (Mednis 74)

 ( 20.¦fe1!

"... White has a

marvelous position:  pressure on Black's somewhat
shaky center, open diagonals for both Bishops,
while Black's King can find himself uncomfortably
open soon." (Mednis 74)

)

 20...¤d6!  21.¥f3  g4!!

"Black sacrifices a pawn and allows a protected
passed pawn to boot, for the strategic objective of
locking in White's QB.  The damage done by
White's 20 f4? is now very obvious." (Mednis 74)

 22.hxg4

 ( 22.¥xg4?  ¤e4  23.£e3  f5  24.¥f3  £xc3

 25.£xc3  ¤xc3µ

(Schwarz 67)

)

 22...f5!  23.g5  ¦e7

 24.¥g3  ¥e8  25.£e3  ¤e4  26.¥xe4™  dxe4
 27.¢f2

"Fischer evaluates this position much too

optimistically and plans to husband the extra Pawn
to victory.  The blocked nature of the position
makes winning  attempts for either side less than
f r u i t f u l . "   ( M e d n i s   7 4 )

 ( 27.d5!? )

 27...¦eh7

 ( 27...£d5 )

 28.¦fb1

 ( ¹28.d5!  £xd5  29.¦fd1

(Schwarz 67)

)

 28...£d5!

"Now we have a rather full

blockade and the game could well be called a draw
here." (Mednis 74)

 29.£e1?

 ( 29.a5= ;  29.£d2!?

 ¦h1  30.¢e3 )

 29...¦h1!  30.£xh1??

 ( 30.£e3™

 ¦xb1  31.¦xb1  ¥xa4  32.¦a1  ¥xc2  33.¦xa7  ¢b8
 34.¦a1  ¥d3³

(Mednis 74)

)

 30...e3+!  31.¢g1

 ( 31.¢e2?

 ¦xh1

 32.¦xh1

 £xg2+

(Wade/O'Connell)

)

 31...¦xh1+  32.¢xh1  e2!

 33.¦b5!?

"Bobby finally realized that he must be

lost and thus characteristically goes for active
counterplay.  It is not good enough, but is as good
a try as any." (Mednis 74)

 ( 33.¦e1  £e4 ;  33.¦g1

 £e4 )

 33...¥xb5  34.axb5  £xb5!  35.¦e1  a5

 36.¦xe2

 a4!  37.¦xe6

 a3

 38.g6

 ( 38.¦e5

 £xe5-+ )

 38...£d7

 ( 38...a2??

 39.g7

 a1£+

 40.¢h2=

(Mednis 74)

)

 39.¦e5  b6  40.¥h4  a2

 41.¦e1  £g7

 42.¦a1

 £xg6

0-1 Fischer,R-

U h l m a n n , W / B u e n o s   A i r e s   1 9 6 0 / M a i n B a s e /
[ChessBase] (42)

 6.b4!

A very good move ... and

basically a gambit for White. This is a sharp idea
originally of Rubinstein's that was later deeply
analyzed and nearly perfected by Alekhine.

 cxd4

The book line, and probably the best move.

 [

It is far too dangerous for Black to grab one ... or

even two pawns in this position - as Alekhine was
the first to clearly demonstrate.

 6...cxb4!?  7.¤b5‚

 bxa3+  8.c3  ¤e7  9.¤d6+  ¢f8  10.£f3  ¤f5
 11.¤xf5  exf5  12.¤e2  ¥e6  13.g3  ¤c6  14.¥g2
 b5  15.0-0  g5  16.£h5  h6  17.h4

½-½ Hase,R-

Rossetto,H/Buenos Aires 1972/EXT 99 (17)

;

 6...¤c6!? ]  7.£g4!?

A very sharp move ... and a

very interesting one. (White hits the obviously
u n d e f e n d e d   g 7 - s q u a r e . )

 [

Today theory

recommends that White play:

 7.¤b5!  ¥c7  8.f4²

with a solid advantage to White

 ¤e7  9.¤f3  ¤bc6

 10.¥d3  ¥b8  11.¤bxd4  a6  12.¥e3  ¥a7  13.c3!

 ( 13.0-0 ;  13.£e2  ¤xd4  14.¥xd4  ¥xd4  15.¤xd4
 £b6  16.£f2²

(Kamyschov)

)

 13...h6  14.0-0  ¥d7

 15.£e1  ¤xd4  16.¥xd4  ¥xd4+  17.¤xd4  g6
 18.¢h1  h5  19.c4!±

(Keres 69, eco 74/81)

 dxc4

 20.¥xc4  ¤f5  21.¤xf5  gxf5  22.¦d1  h4  23.h3
 £e7  24.¥e2!±

(Schwarz 67)

 ¥c6  25.¥f3  ¥xf3

 26.¦xf3  ¦d8  27.¦fd3  ¦xd3  28.¦xd3  £c7  29.¦c3
 £d7  30.£c1  0-0  31.¦c7  £d5  32.£e1  £d8
 33.¦xb7  £a8  34.¦e7  ¦e8  35.£xh4  ¦xe7
 36.£xe7  £e4  37.£g5+  ¢h7  38.h4  £a8  39.h5
 £h8  40.a4  £f8  41.h6

1-0 Tal,M-Koblencs,A/Riga

1954/EXT 2000/[ChessBase] (41)

]

 7...¤e7

 [ 7...¢f8  8.bxa5  dxc3  9.a4!  f5  10.£g3  ¤c6
 11.¤f3  ¤ge7  12.h4  ¥d7  13.h5  ¦c8  14.h6  g6
 15.a6  ¤b4  16.£h4  ¤ec6  17.¥a3  d4  18.axb7
 ¦b8  19.¥b5  £xh4  20.¦xh4  ¢e8  21.¥xc6  ¤xc2+
 22.¢d1  ¤xa1  23.¥d6  ¥xc6  24.¥xb8  ¥xa4+
 25.¢e1  ¥c6  26.¤xd4  ¥xb7  27.¥d6  ¢d7  28.f3
 ¦c8  29.¤e2  ¤b3  30.¥a3  ¥d5  31.¦a4  a5
 32.¤c1  ¤xc1  33.¥xc1  ¦c5  34.¦a3  ¢c6  35.¥e3
 c2  36.¦a1  ¦b5  37.¦c1  ¥b3

0-1 Fischer,R-Platz,

J/Hartford 1964/EXT 2001 (37)

;  7...g6

 8.¥g5

 ( 8.¤b5  ¥c7  9.¥g5  £d7  10.¤xc7+  £xc7
 11.£xd4² ;  8.bxa5?!  dxc3= )

 8...£c7

 9.¤b5

 £xe5+  10.¢d2²  ¥d8  11.¥f4  £f6  12.¤d6+  ¢d7
 13.¤f3  h5  14.£g3  h4  15.£g4  ¤h6  16.¥xh6
 ¦xh6  17.¤xf7  ¦h5  18.¥d3  £xf7  19.¥xg6  ¥g5+
 20.¢e2  £f6  21.£xh5  d3+  22.¥xd3

1-0 Picanol

Alamany,A-Rios Torondell,J/Spain 1998/EXT 2003
(22)

; 7...£c7  8.£xg7

 ( 8.¤ce2?!  f5  9.£xd4  ¥b6

 10.£b2  ¤e7=  11.f4  a5  12.¥d2  axb4  13.¥xb4
 ¤bc6  14.¥xe7  ¤xe7  15.¤f3  ¥d7  16.¤fd4  0-0
 17.c3  ¦ac8  18.¦c1  ¥a5  19.¤b3  £b6  20.¦b1
 ¤c6  21.£c1  ¦c7  22.¤bd4  £a7  23.¤b5  £b8
 24.¤xc7

 £xc7  25.£b2  d4  26.£xb7  ¦b8

 27.£xc7  ¦xb1+  28.¢f2  ¥xc7  29.cxd4  ¥b6
 30.¢g3  ¤xd4  31.¤c3  ¦b3  32.¢h4  ¦xc3  33.¥a6

background image

My 160 Memorable Games

16

 ¥d8+  34.¢h5  ¥e8#

0-1 Gutierrez,O-Gonzalez

M e n e n d e z , I / S e g o v i a   1 9 9 9 / E X T   2 0 0 2   ( 3 4 )

)

 8...£xc3+  9.¢d1  A)  9...¤c6?  10.£xh8  ¤ce7

 ( 10...£xa1

 11.£xg8+

 ¢e7

 12.bxa5

 ¤xe5

 13.£xh7+- )

 11.¦b1  ¥b6  12.¦b3  £a1  13.¦g3

1-0 Giaccio,A-Zamarbide Ibarrea,B/Lorca 2003/
E X T   2 0 0 4   ( 1 3 )

 B)  9...£xa1

 10.£xh8

 ¢f8

 11.bxa5  ¤c6  12.¥d3+-  ¤ce7  13.¤h3  ¤g6
 14.£xh7  ¤xe5  15.¢e2  £c3  16.¤g5  ¥d7
 17.¥d2

 £xa3  18.¦b1  ¤f6

 19.£h6+  ¢g8

 20.¥h7+  ¢h8  21.£xf6#

1-0 Chow,S-Zvedeniouk,

I/Canberra 2001/EXT 2002 (21)

]

 8.bxa5!?

 [ 8.¤b5!?  ¥c7  9.£xg7  ¦g8  10.£xh7  ¥xe5
 11.¤f3  ¦h8

 ( 11...¥f6  12.¥f4 )

 12.£d3  ¥f6

 ( 12...f6?  13.¤bxd4±

(Schwarz 67)

;  12...¤bc6

 13.¤xe5  ¤xe5  14.£xd4±

(Schwarz 67)

)

 13.¥f4

 ¤bc6?

 ( 13...¤a6?

 14.¤d6+  ¢f8

 15.¤e5±

(Schwarz 67)

)

 14.¤c7+  ¢f8  15.¤xa8  e5  16.b5!

 exf4

 ( 16...¤g6  17.¥g3 )

 17.bxc6  bxc6  18.¦b1

 ¥f5  19.£d2±

(Schwarz 67). 1-0 Kots,Y-Khasin,A/

Leningrad 1952/EXT 99/[ChessBase] (19)

;  8.£xg7

 ¦g8  9.£xh7  ¥c7  10.¤b5 ]  8...dxc3  9.£xg7  ¦g8
 10.£xh7  ¤bc6!

This is a big improvement ... a TN,

actually ... over how this line had been previously
played.

 [ 10...¥d7!?  11.f4

 ( 11.¤f3  £c7  12.¥h6

 ¤bc6  13.¥g7  0-0-0  14.¥d3  £xa5  15.0-0  £a4
 16.h3  £f4  17.£h6  ¤g6  18.¥xg6  £xh6  19.¥xh6
 fxg6  20.¥g5  ¦df8  21.¥f6  g5  22.¦ad1  g4
 23.hxg4  ¦xg4  24.¦d3  ¦fg8  25.g3  ¦c4  26.¦e1
 ¦gg4  27.¦ee3  d4  28.¦e1  ¥e8  29.¤h4  b5
 30.¦dd1  b4  31.¦a1  a5  32.¢g2  a4  33.axb4
 ¤xb4  34.¦ec1  ¤xc2  35.¦xc2  d3  36.¦cc1  c2
 37.f4

 d2

 38.¥g5

 ¦xh4

0-1 Morozov,D-

F a k h r e t d i n o v , R / P e r m   1 9 9 7 / E X T   2 0 0 0   ( 3 8 )

)

 11...¤bc6  12.¤f3  £xa5  13.¦b1  b6

 ( 13...0-0-0! )

 14.¤g5  ¦f8  15.£d3  d4  16.¤h7  ¦h8  17.¤f6+
 ¢d8  18.¥e2  ¥c8  19.£c4  a6  20.0-0  ¢c7
 21.¤e4  ¥b7  22.¤d6  ¦h7  23.¥f3  ¤d5  24.a4
 ¦ah8  25.h3  ¥a8  26.¥xd5  exd5  27.£b3  ¦g8
 28.¥a3  ¤d8  29.¥b4

1-0 Morozov,D-Senik,V/

Perm 1997/EXT 2000 (29)

;  10...£xa5!?  11.¤f3

 ¤bc6  12.¤g5  ¦f8  13.f4  ¥d7  14.¦b1  A)  14...¤d4
 15.£d3

 ( 15.¥d3±

(Pachman 68, Keres 69)

)

 15...£a4  16.¢d1

(Panov/Estrin 73)

; B)  14...0-0-0!

 15.¤xf7

'µ' '(eco 74)' 'µ' '(eco 74)'

 ¦xf7

'!' '!'

 16.£xf7

 ¥e8!  B1)  17.£f6  ¥g6  18.¥e2  ¥xc2

 ( 18...£a4!µ

(Pachman 68, Keres 69, eco 74/81)

)

 19.¦b5  £a4

 20.¦c5  ¢b8  21.¦xc3  £e4  22.¦e3

 ( 22.¢f2  d4 )

 22...£xg2

 23.¥f3

 £g8

 24.¦e2

 ( 24.¢f2‰ )

 24...¤d4  25.£xe7  ¤xf3+  26.¢f2  ¥e4  27.¦d1
 ¦c8  28.¥b2  £g4  29.£d6+  ¢a8  30.¦c1  ¦h8
 31.£d7?

 ( 31.¢e3  £h3 ;  31.¦h1  ¦xh2+  32.¦xh2

 £g1# )

 31...¦xh2+  32.¢e3  ¦xe2+  33.¢xe2  £g2+

Schwarz p103#81 (Schwarz). 0-1 Matanovic,A-
Mititelu,G/Budapest 1960/EXT 2001 (33)

;

 B2) 

 17.£xe6+

 ¥d7

 18.£f6

 ¥f5

 19.¥e2

 £a4

 ( 19...£c5  20.¦b5  £d4  21.£h4  £e4  22.£f2

 £xc2  23.0-0  d4  24.¥c4  £a4  25.£a2  d3
 26.¥e6+  ¢c7  27.£b3  £d4+  28.¢h1  ¥xe6
 29.£xe6  d2  30.¥xd2  cxd2  31.¦d1  £xf4  32.£b3
 £f2  33.¦xb7+  ¢c8  34.h3  £e1+  35.¢h2  £xe5+
 36.¢h1  £e1+  37.¢h2  £xd1  38.¦b8+  ¤xb8
 39.£xd1

 ¤f5

0-1 Fichtl,J-Blatny,F/Brno 1964/

MCD (39)

)

 20.¦b3  £d4  21.£h4  ¦g8  22.£f2  £e4

 23.£f3  ¦xg2  24.£xe4  ¥xe4  25.¦xc3  ¦xe2+
 26.¢xe2  ¥xh1  27.h4  ¥e4  28.h5  ¤f5  29.¦h3
 ¤cd4+  30.¢f2  ¤h6  31.f5  ¤dxf5  32.¥xh6  ¤xh6
 33.¢e3  ¢d7  34.¢f4  ¢e6  35.c4  b6  36.cxd5+
 ¢xd5  37.e6  ¤g8  38.e7  ¤xe7  39.¦e3  ¤g6+
 40.hxg6  ¥xg6  41.¦g3  ¥c2  42.¢e3  a5  43.¢d2
 ¥e4  44.¦g5+  ¢c4  45.¦g4  ¢d4  46.¢c1  ¢d3
 47.¢b2  b5  48.¦g5

½-½ Gligoric,S-Szabo,L/Santa

Fe 1960/MCL (48)

;  10...¤d7

'?!'

 11.¤f3  £c7

 12.¥b5

 ( 12.¥f4  ¤f8  13.¥b5+  ¥d7  14.¥xd7+

 £xd7  15.£d3  ¦g4  16.g3  ¤fg6  17.¥e3  ¤c6
 18.h3  ¦c4  19.0-0  ¤cxe5  20.¤xe5  ¤xe5
 21.£h7  0-0-0  22.¥xa7  ¤f3+  23.¢g2  ¤d2
 24.¦fe1  d4  25.f3  f5  26.£xd7+  ¢xd7  27.¦e5
 ¢e7  28.¦ae1  ¦c6  29.¦b5  d3  30.¦c1  ¤c4
 31.¦xb7+  ¢f6  32.cxd3  ¦xd3  33.¦b3  ¦d2+
 34.¥f2  c2  35.a6  ¦xa6  36.¦c3  ¤xa3  37.f4  ¦d1
 38.¦1xc2  ¤xc2  39.¦xc2  ¦a4  40.¦b2  ¦c4
 41.¥e3  ¦d3  42.¢f2  ¦cc3  43.¦e2  ¢e7  44.¢f3
 ¢d6  45.g4  ¢e7  46.¦e1  ¢f7  47.¦e2  ¦b3  48.¦e1
 ¦dc3  49.¦e2  ¦c4  50.gxf5  exf5  51.¦a2  ¦e4
 52.¦e2  ¢g6  53.¦e1  ¢h5  54.h4  ¦a4  55.¦g1
 ¦aa3  56.¦e1  ¦a2  57.¦h1  ¦c2  58.¦g1  ¦h2

0-1 Ragozin,V-Botvinnik,M/Moscow 1951/EXT
2001 (58)

)

 12...a6  13.¥xd7+  ¥xd7  14.0-0  d4!?

 ( 14...£c4  15.¤g5  0-0-0  16.g3  ¤f5  17.¤xf7
 ¥b5  18.¥g5  ¦df8  19.¥e7  ¦e8  20.¤d6+  ¤xd6
 21.¥xd6  ¥d7  22.¦ab1

1-0 Vukcevich,M-Maric,R/

Sombor 1957/MCD (22)

)

 15.¤xd4  £xe5  16.£d3

 £d5µ ]  11.¤f3  [ 11.f4

bolsters the centre but shuts

in the queen's bishop and weakens the dark
squares.

] 11...£c7  [ 11...£xa5  12.¤g5!  ¦f8  13.f4

t i e s   B l a c k   u p

]

 12.¥b5!?

A very sharp and

interesting move that was praised by some ... and
c o n d e m n e d   b y   o t h e r s .

 [

I think the move is both

viable and playable, but current theory seems to
prefer

 12.¥f4!  ¥d7  13.¥e2

 ( 13.¥d3  0-0-0©

× £h7, 14... ¦g2? 15.¥g3+-

 14.¥g3  ¦h8  15.£xf7

 ¦df8  16.£g7  ¦fg8  17.£f6  ¦f8  18.£g5² ;  13.a6
 0-0-0!  14.axb7+  ¢b8  15.£d3  ¦g4© ;  13.g3 )

 13...0-0-0  14.£d3  £xa5  15.0-0  ¦g4  16.¥g3
 ¤f5µ  17.¦fb1  a6?!

 ( 17...¤cd4!  18.¤xd4  ¦xd4

 19.£f3  ¦d2!µ )

 18.¦b3  ¦c4  19.£d1  ¦c5  20.a4

 ¤ce7

 21.¥f4

 ( 21.¦ab1

 ¥c6 )

 21...¥xa4?!

 ( ¹21...¦g8

… ¦g4-a4

)

 22.£b1  b5  23.¥d3  ¤c6

 24.g4  ¦g8?!  25.h3  ¤fe7?

 ( ¹25...¤fd4 )

 26.¥e3

 d4  27.¤xd4  ¤xe5?

 ( 27...¦xe5  28.¤xc6  ¤xc6

 29.£e1= )

 28.¤xe6!

 ¤f3+

 29.¢g2

 ¦e5?

 ( 29...¦c6  30.¢xf3  fxe6 )

 30.¢xf3  ¦xe6  31.¥d4

 £d8?“

 ( 31...¦c6?

 32.£e1

 ¤d5

 33.£e5

background image

My 160 Memorable Games

17

… 34.¥e4 ±

;  31...¤d5?  32.¥f5± )

 32.¦xc3+  ¤c6

 33.¦xa4

 £d5+

 ( 33...bxa4

 34.¥xa6+

 ¢d7

 35.£b5+- )

 34.¢g3

 bxa4

 35.¥xa6+

 ¢d7

 36.£b7+  ¢e8  37.£c8+  ¤d8

 ( 37...¢e7  38.¥c5+

 ¢f6  39.£xg8+- )

 38.¥c5!

… 39.¥b5, 39.¦d3

 £e5+

 39.¢g2  £d5+  40.¢h2  £e5+  41.¢g1  £e1+
 42.¢g2  £e4+  43.f3  £c6  44.¦d3  ¦e2+  45.¢f1
 £xc8  46.¥xc8  ¦e7  47.¥xe7  ¢xe7  48.¦a3  ¤c6
 49.¥b7  ¤d4  50.¦xa4  ¤xc2  51.¥e4  ¤e3+
 52.¢f2  ¤d1+  53.¢g3  ¤c3  54.¦a7+  ¢f6  55.¥d3
 ¦c8  56.h4  ¤d5  57.g5+  ¢e6  58.h5  ¦c1  59.h6
 ¦c8

 60.h7

 ¦h8

 61.¥c4

1-0 Unzicker,W-

Dueckstein,A/Zuerich 1959/MCL/[Bulletin] (61)

]

 12...¥d7!

Tal fully deserves an exclam for passing

up Bobby's (prepared) trap - nasty things  happen
to the second player if he grabs the g2-Pawn.

 [ 12...¦xg2?

 13.¢f1!²

 ¦g8

 14.¦g1!

 ¦xg1+

 15.¢xg1

and Black's king remains hemmed in the

centre while White merely marches his h-pawn to
victory.

]

After thinking for more than half an hour,

Fischer finally decides do give up the e5 pawn.

 13.0-0  [ 13.¥xc6?  ¥xc6  14.0-0  d4!  15.¤g5
 £xe5  16.£xf7+  ¢d7µ ]  13...0-0-0!?

This is an

obvious and also a very logical move. (Black is
understandably nervous about his King being in the
center.)   This line is not without risk for Tal, he
must be prepared to gambit one (f7) or even two
pawns in this line.

 [ 13...¤xe5!

Tal saw this - and

spent many minutes analyzing this move. But then
he decided that it did not appeal to him.  (Petrosian
first recognized the value of this move, and
published his analysis in a Soviet magazine shortly
after this game was played.)

 14.¤xe5

 £xe5

 15.¥xd7+  ¢xd7  16.£d3!±

Tal AND Fischer looked

at this position in the post-mortem analysis. (After
the game.) They BOTH came to the conclusion that
White was better in this position!!

 £e4?  17.£xe4

 dxe4

 18.f3!± ]

 14.¥g5!?

Bobby played this,

believing it gave him an advantage. And he said he
had 'under-estimated' the strength of Tal's reply.

 [ ¹14.¥xc6!  ¥xc6!?

 ( 14...£xc6

 15.¥g5

 d4

 16.h4! ;  14...¤xc6  15.¦e1  --  16.¥g5  --  17.h4 )

 15.£xf7  d4

 ( 15...¦xg2+?!  16.¢xg2  d4  17.¢g1

 ¦g8+

 18.¤g5 )

 16.£xe6+

 ¥d7

 ( 16...¢b8

 17.¤g5+- )

 17.£xe7  ¦xg2+  18.¢xg2  ¥h3+

 19.¢xh3  £xe7  20.¥g5±

and White consolidates,

and wins easily.

 14...¤xe5!

Setting off a dazzling

array of fireworks! I thought Tal was simply trying to
c o n f u s e   t h e   i s s u e . "     -   G M   R . J .   F i s c h e r .

 [ 14...¦h8!? ]

 15.¤xe5

This is virtually forced.

 [ 15.¥xe7?  ¤xf3+  16.¢h1  ¦h8!µ ; 15.¥xd7+  ¦xd7
 16.¤xe5

 ( 16.¥xe7

 ¤xf3+  17.¢h1

 £xh2+!

 18.£xh2  ¤xh2  19.¢xh2  ¦xe7µ )

 16...£xe5

 17.¥xe7  ¦h8!  18.¦ae1  ¦xh7  19.¦xe5  ¦xe7µ ]
 15...¥xb5!

I personally think this is the best move

here. Literally over a DOZEN GM's have given  this
m o v e   a n   e x c l a m a t i o n   m a r k .   ( M a n y   s t r o n g

programs also choose this move.)

 [ 15...£xe5

 16.¥xe7  ¦h8

 17.¦fe1

 ( 17.¦ae1?

 £b8!-+ )

 17...£xe1+

 18.¦xe1

 ¦xh7

 19.¥xd8

 ¢xd8

 ( 19...¥xb5?!  20.¥f6! )

 20.¥xd7  ¢xd7  21.¦e3!± ]

 16.¤xf7  [ 16.¥xe7  £xe7

 ( 16...£xe5?  17.¦fe1 )

 17.¦fe1 ]  16...¥xf1!  [ 16...¦df8!?  17.¦fb1  ¥c6

 ( 17...¥a4 )

 18.¤d6+!  £xd6  19.£xe7= ]  17.¤xd8

Both players now find a series of fine moves in an
extremely complex position ... that eventually leads
to the correct result. (A draw.)

 [ 17.¦xf1?  ¦df8µ ]

 17...¦xg5!  18.¤xe6!  ¦xg2+!  19.¢h1!

The last

few moves are all best and/or forced.

 [ 19.¢xf1?!

 ¦xh2!  20.£f7

 ( 20.¤xc7!?  ¦xh7µ )

 20...¦h1+!

 21.¢g2

 ( 21.¢e2?  £c4+  22.¢f3  ¦h3+  23.¢g2

 £g4+  24.¢f1  ¦h1# )

 21...£h2+  22.¢f3™  £h3+

 23.¢f4

 ( 23.¢e2?  £g4+  24.£f3  £xe6+  25.£e3

 £xe3+  26.¢xe3  ¦xa1-+ )

 23...£h4+  24.¢e5

 £e4+  25.¢d6  ¤f5+  26.£xf5  £xf5  27.¦xh1  £f6
 28.¦g1  £h8  29.¦g4  ¢b8  30.a6!  bxa6  31.f4
 £f6= ] 19...£e5!  [ 19...£c4  20.£xe7  ¦g8  21.¤f4!
 £xf4?  22.£e6+  ¢c7  23.£xg8+- ] 20.¦xf1  £xe6=
 [ 20...¦g6  21.£xe7  ¦xe6  22.£f8+  ¦e8  23.£f3± ]
 21.¢xg2  £g4+

Black can check on g4 and f3 for

as long as he likes ... at least until White tires of the
sport and agrees to split the point!
This is certainly one of the better and more
interesting draws I have ever studied. And while it
is short and far from being perfect, its content and
entertainment value more than makes up for it.

 [ 21...£g4+

 22.¢h1™

 £f3+

 23.¢g1

 £g4+

 24.¢h1  £f3+  25.¢g1= ]

½-½

C39

Spassky,Boris Vasily
Fischer,Robert James

Mar del Plata

1960

 1.e4  e5  2.f4  exf4  3.¤f3  g5

'Esta derrota forçou-

me a procurar uma "contestação" ao Gambito do
rei que publiquei no American chess Quarterly, Vol.
I (1961) Nr. 1. O lance correto seria 3... d6!'

 [ 3...d6!

Fischer

 4.h4

'Única tentativa efetiva para obter

alguma vantagem.'

 [ 4.¥c4  g4  5.0-0

 ( 5.¤e5

 £h4+  6.¢f1  ¤c6

'!'

)

 5...gxf3  6.£xf3  £f6=

'=' 'etc.' '='

 4...g4  5.¤e5  ¤f6  [ 5...h5  6.¥c4  ¦h7

 7.d4  d6  8.¤d3  f3  9.gxf3  ¥e7  10.¥e3  ¥xh4+
 11.¢d2  ¥g5  12.f4  ¥h6

'e as brancas ficariam

mais que compensadas pela perda do peão.'

 13.¤c3N ]  6.d4

 [ 6.¥c4

 d5

 7.exd5

 ¥g7

'é a moderna panacéia.'

 ( 7...¥d6 ;

o velho

 7...¥d6

seria também satisfatório

;  7...¥d6 )

;  6.¤xg4  ¤xe4

 7.d3  ¤g3  8.¥xf4  ¤xh1  9.£e2+

 ( 9.¥g5  ¥e7

 10.£e2

 h5

 11.£e5

 f6!

 12.¤xf6+

 ¢f7-+

Steinitz,W 'vence, Steinitz,W' 'Steinitz,W' 'Steinitz,
W'

)

 9...£e7  10.¤f6+  ¢d8  11.¥xc7+  ¢xc7

background image

My 160 Memorable Games

18

 12.¤d5+  ¢d8  13.¤xe7  ¥xe7-+

Morphy,P-

Anderssen,A Paris 1858 'devendo as pretas
vencer, Morphy,P-Anderssen,A Paris 1858'
'Morphy, P-Anderssen,A Paris 1858' 'Morphy,P-
Anderssen,A Paris 1858'

 6...d6  7.¤d3  ¤xe4

 8.¥xf4  ¥g7

'#'

 9.¤c3µ

'Após esse lance, as

brancas ficam sem compensação pelo peão.'

 [ 9.c3!  A)  9...0-0!?

Keres,P

 10.¤d2  ¦e8  11.¤xe4

 ¦xe4+

 12.¢f2

 £f6

 13.g3

 ¥h6

 14.¥g2?

Keres:"with advantage for White."

 ( 14.£d2!©

/\ 15.Bg2

;

 14.£d2!©

/\ 15.Bg2

;

 14.£d2!N

/\ 15.Bg2

)

 14...¦xf4+  15.gxf4  ¥xf4µ ;  B)  9...£e7!

Fischer,R

 10.£e2  ¥f5³

'No mínimo as brancas

conservam algum controle sobre seu f4, pelo que
possa valer.'

 9...¤xc3  10.bxc3  c5!

'Atacando

i m e d i a t a m e n t e   o   c e n t r o   d a s   b r a n c a s . '

 [

Keres,P sugere primeiro

 10...0-0

'Keres,P'

]

 11.¥e2  [ 11.£e2+  ¥e6!

 ( 11...£e7?!  12.¥xd6

 £xe2+  13.¥xe2  cxd4  14.0-0!

->

)

 12.d5?

 ¥xc3+-+  13.¥d2  ¥xa1  14.c3  £f6 ]  11...cxd4
 12.0-0

 ¤c6

 [ 12...h5

 13.¥g5

 f6

 14.¥c1

/\ Nf4; >< g6, e6, h5 'seguido de Nf4, o lado do rei
das pretas fica todo desordenado.' '/\ Nf4; >< g6, e6,
h5' '/\ Nf4; >< g6, e6, h5'

;  12...£xh4?!  13.g3÷ ]

 13.¥xg4

 0-0

 14.¥xc8

 ¦xc8

 15.£g4

 f5

'Ganhando o segundo peão mas enfraquecendo o
l a d o   d o   r e i . '

 [ 15...¢h8

>=

;

Mais efetivo seria

 15...¢h8 ;  15...¢h8

>=

 16.£g3  dxc3  17.¦ae1

 [ 17.¥xd6  ¦f6  18.¥f4  ¦g6ƒ ]  17...¢h8  [ 17...£d7
 18.¥xd6  ¦fe8

e se

 19.¤c5  £f7µ

Kmoch,H and

Antoshin

 18.¢h1?  [ 18.¥xd6

>=

 ¦f6

 ( 18...¦g8

 19.¤e5 )

 19.¥e5  ¤xe5  20.¤xe5

'com pouca

possibilidade de jogo para as brancas.'

 18...¦g8

 [ 18...d5

 19.¤c5 ]  19.¥xd6

 ¥f8!

'A chave!'

 [ 19...¥d4  20.£h2  ¦g4  21.¥e5+!

'impedindo as

p r e t a s   d e   d o b r a r e m   t o r r e s   n a   c o l u n a   g '

 ¢g8

 ( 21...¥xe5  22.¤xe5  ¦xh4  23.¤f7+ )

 22.¥g3³

'equilibra.'

 20.¥e5+  ¤xe5  21.£xe5+  ¦g7!

'Agora o Ph4 das brancas deve cair.' '?'

 22.¦xf5

' Q u e   m a i s ? '

 [ 22.£xf5

 £xh4+  23.¢g1

 £g4

'força uma troca favorável de damas'

 24.£xg4

 ( 24.£f2  ¥d6‚ )

 24...¦xg4µ ;  22.¦f4?  ¥d6-+ ;

 22.£f4?  ¦g4-+ ]  22...£xh4+

'/\ Bh4'

 23.¢g1

'#'

 £g4?

'À deriva. alheio ao perigo, pensei que as

pretas pudessem montar um ataque ao longo da
c o l u n a   g . '

 [ 23...£g3!

>=; Spassky,B

 24.£xg3

 ( 24.£e2  ¥d6 )

 24...¦xg3µ

/\ Rxc3 'ameaçando ...

Rxd3 seguido de ... Pc2 e as brancas com um
peão a menos enfretariam um duro final, conforme
indicou Spassky em nossa análise posterior.' '/\
Rxc3' '/\ Rxc3'

 24.¦f2  ¥e7

/\ Bh4 'Ameaçando

B h 4 '   ' / \   B h 4 '

 25.¦e4

 £g5

'Principiei a sentir

desconforto, mas pouco imaginava que em quatro
rápidos lances o jogo das pretas se arruinasse.'

 [ 25...£d1+

'='

 26.¦e1  £g4  27.¦e4  £d1+=

'=' 'etc.' '='

 ( 27...£d1+  28.¢h2  ¦c6

'='

 29.£b8+

 ¦g8

 30.£e5+

 ¦g7=

'=' '='

)

]

 26.£d4!

' E s t a   p o d e r o s a   c e n t r a l i z a ç ã o   p a r a l i s a
completamente as pretas.'

 ¦f8?

Fischer:'Overloo

king White's real threat.' (27.Re5) 'Deixando de ver
a   v e r d a d e i r a   a m e a ç a   d a s   b r a n c a s .   E s t a v a
preocupado com Ne5 sem imaginar que poderia
neutralizá-lo com ... Bc5.' 'Fischer:'Overlooking
White's real threat. ' (27.Re5)' 'Fischer:'Overlooking
White's real threat.' (27.Re5)'

 [ 26...¥f8!  27.£xa7

 ( 27.¤e5  ¥c5  28.¤f7+  ¢g8  29.¤xg5  ¥xd4
 30.¦xd4  ¦xg5=

'=' '='

)

 27...¥d6=

'=' '='

 27.¦e5!

'#Incrível, mas as pretas perdem uma peça.
Enquanto tentava imaginar o pensamento de
Spassky, confundi-me e perdi a partida!'

 [ 27.¤e5?

 ¦xf2  28.£xf2  ¥c5!  29.£xc5  £xg2#

'#'

 27...¦d8

'Tentando escapar! Mas a dama não têm cobertura.
'

 [ 27...£g6  28.¦xe7+- ;  27...£h4  28.¦xf8++- ;

 27...¥f6  28.£d6!+- ]  28.£e4  £h4

'Sabia que ia

perder uma peça, mas não podia acreditar nisso.
Tive de efetuar mais um lance para convencer-
me!'

 29.¦f4

'As pretas abandonam.' '1-0 Spassky,

B-Fischer,R/ Mar del Plata 1960/MCL/[ChessBase]
(29)'

 [ 29.¦f4  £g3  30.¦xe7+-

'é muito eficiente.'

]

1-0

B87

Fischer,Robert James
Gadia,Olicio

Mar del Plata

31.03.1960

Simple Chess by Michael Stean 2. Outposts The
Complete Games of Bobby Fischer by Wade and
O'Connell # 345 Sicilian Defence, Sozin Attack

 1.e4  c5  2.¤f3  d6  3.d4  cxd4  4.¤xd4  ¤f6
 5.¤c3  a6  6.¥c4  e6  7.¥b3  b5  8.0-0  ¥b7  9.f4
 ¤c6  10.¤xc6  ¥xc6

'# '

 11.f5

'!' '!'

 [ 11.e5?  dxe5

 12.fxe5  ¥c5+  13.¢h1  £xd1  14.¦xd1  ¤g4 ]
 11...e5  [ 11...£d7  12.fxe6  fxe6  13.£d4!  ¥e7
 14.¥g5

T

;  11...b4!?  12.fxe6!

 ( 12.¤a4  e5! )

 12...bxc3

 13.exf7+

 ¢e7

 ( 13...¢d7

 14.e5 )

 14.£e1!  cxb2

 ( 14...£b6+  15.¥e3  £b7  16.e5!

 dxe5  17.£xc3 ; 14...£c7  15.£xc3  ¤xe4  16.£h3 )

 15.¥xb2  d5

 ( 15...¤xe4  16.¦f4  d5  17.¦xe4+

 dxe4  18.¥a3+ )

 16.¦xf6!  gxf6  17.¥a3+ ]  12.£d3

 ¥e7  [ 12...h6 ]  13.¥g5

'T' '!'

 £b6+  14.¢h1  0-0

 15.¥xf6  ¥xf6  16.¥d5

'!' '!'

 ¦ac8  17.¥xc6  ¦xc6

 18.¦ad1  [ 18.¤d5  £d4!  19.£xd4  exd4 ] 18...¦fc8
 19.¤d5  £d8  20.c3  ¥e7  21.¦a1! 
 [ 21.f6  ¥xf6
 22.¦xf6?!  gxf6  23.¦f1 ]  21...f6  [ 21...¥f8  22.a4
 bxa4

 ( 22...¦b8  23.¤b4  ¦cb6  24.a5  ¦6b7

 25.¤c6 )

 23.¦xa4 ]  22.a4

 ¦b8?

 23.¤xe7+

 [ 23.¤xe7+

Black resigns, for:

 £xe7  24.£d5+ ]

1-0

background image

My 160 Memorable Games

19

B54

Lombardy,William
Fischer,Robert James

New York ch-US

1960

 1.e4  c5  2.¤f3  d6  3.d4  cxd4  4.¤xd4  ¤f6  5.f3
 ¤c6  6.c4  e6  7.¤c3  ¥e7  8.¥e3  0-0  9.¤c2  d5
 10.cxd5  exd5  11.¤xd5  ¤xd5  12.£xd5  £c7
 13.£b5  ¥d7  14.¦c1  ¤b4  15.¤xb4  £xc1+
 16.¥xc1  ¥xb5  17.¤d5  ¥h4+  18.g3  ¥xf1  19.¢xf1
 ¥d8  20.¥d2  ¦c8  21.¥c3  f5  22.e5  ¦c5  23.¤b4
 ¥a5  24.a3  ¥xb4  25.axb4  ¦d5  26.¢e2  ¢f7
 27.h4  ¢e6  28.¢e3  ¦c8  29.¦g1  ¦c4  30.¦e1
 ¦xc3+  31.bxc3  ¦xe5+  32.¢d2  ¦xe1  33.¢xe1
 ¢d5  34.¢d2  ¢c4  35.h5  b6  36.¢c2  g5  37.h6  f4
 38.g4  a5  39.bxa5  bxa5  40.¢b2  a4  41.¢a3
 ¢xc3  42.¢xa4  ¢d4  43.¢b4  ¢e3

0-1

B36

Fischer,Robert James
Reshevsky,Samuel Herman

New York/Los Angeles m

1961

All About Chess, by I. A. Horowitz Fischer vs.
Reshevsky Sicilian Defence

 1.e4  c5  2.¤f3  ¤c6

 3.d4  cxd4  4.¤xd4  g6  5.c4  ¤f6  6.¤c3  ¤xd4
 7.£xd4  d6  8.¥e2  ¥g7  9.¥e3  0-0  10.£d2  ¥e6
 11.0-0  £a5  12.¦ac1  ¦fc8  13.b3  a6  14.f4  ¥g4
 15.¥d3  ¥d7  16.h3  ¥c6  17.£f2  ¤d7  18.¤d5
 ¥xd5  19.exd5  b5  20.¦fe1  ¤c5  21.¥b1  bxc4
 22.¦xc4  ¤d7  23.¥d2  £b6  24.¦xc8+  ¦xc8
 25.£xb6  ¤xb6  26.¦xe7  ¥c3  27.¥xc3  ¤xd5
 28.¦d7  ¤xc3  29.¥d3  d5  30.¥xa6  ¦a8  31.¦d6
 ¤xa2  32.¥b7  ¦b8  33.¥xd5  ¤c1  34.f5  gxf5
 35.¦f6  ¤xb3  36.¦xf5  ¢h8  37.¦xf7  ¤c5  38.¦c7
 ¤a6  39.¦c4  ¦d8  40.¥e6  ¦d6  41.¥f5  ¦f6
 42.¥d3  h6  43.¢h2  ¢g7  44.¢g3  ¤b8  45.¥e4?
 [ ¹45.¦c7+!  ¦f7

 46.¦xf7+  ¢xf7

 47.¥b5+- ]

 45...¦f7  46.¥d5  ¦d7  47.¥f3  ¦f7  48.¥h5  ¦a7
 49.¦g4+  ¢h8  50.¦e4  ¢g7  51.¦e6  ¤a6  52.¦g6+
 ¢h7  53.¦d6  ¤c5  54.¥g6+  ¢g7  55.¥f5  ¦a6
 56.¦d5  ¤e6  57.¦e5  ¦a3+  58.¢f2  ¤f4  59.¦e4
 ¤d5  60.¦g4+  ¢f6  61.¥e4  ¤e7  62.¦f4+  ¢g7
 63.¥f3  ¦a5  64.¦c4  ¦e5  65.¢g3  ¦e6  66.¦c7
 ¢f6  67.¢g4  ¦e5  68.h4  ¦b5  69.¦c4  ¦b6
 70.¥e4  ¢f7  71.¦c7  ¢f6  72.¢h5  ¦b5+  73.¢g4
 ¦b4  74.¢f3  ¦b3+  75.¢f2  ¦b4  76.¢e3  ¦b3+
 77.¢f4  ¤g6+  78.¢g4  ¦b4  79.¦c6+  ¢f7

½-½

E98

Reshevsky,Samuel Herman
Fischer,Robert James

New York/Los Angeles m

10.08.1961

 1.c4  ¤f6  2.d4  g6  3.¤c3  ¥g7  4.e4  0-0

' N a o   h a   n e c e s s i d a d e   d e   j o g a r   . . . d 6   c o m o
d e m o n s t r a   a   l i n h a   a   s e g u i r '

 5.¥e2

 [ 5.e5

Letelier,R-Fischer,R Leipzig ol 1960 'Letelier,R-
Fischer,R Leipzig ol 1960'

 5...d6  6.¤f3  e5  7.0-0

 [ 7.d5

Olafsson,F-Fischer,R Zürich 1959 'Olafsson,

F-Fischer,R Zuerich 1959'

 7...¤c6  8.d5  [ 8.¥e3

 ¦e8  9.dxe5

 ( 9.d5  ¤d4!=

'=!'

)

 9...dxe5  10.£xd8

 ¤xd8  11.¤b5  ¤e6  12.¤g5  ¦e7=

Reshevsky,S-

Fischer,R (9) Los Angeles 1961 '=' 'Reshevsky,S-
Fischer,R (9) Los Angeles 1961'

 8...¤e7  9.¤e1

 ¤d7

'A estrutur a de peoes desta posicao eh

tematica na India do Rei. As negras vao combater
o centro das brancas com ...f5, as brancas devem
deter o avanCo negro ao mesmo tempo que
contra-atacam na ala da dama usando a ruptura
c5.'

 10.¤d3  f5

'Aqui comeca uma interessante

luta estrategica. Os peoes e4 branco e f5 negro
tem papel principal nas definicoes estrategicas.
Caso as brancas troquem exf5, as negras podem
jogar ...Cxf5 deixando que as brancas dominem a
casa e4(casa ideal para um cavalo) ou ...gxf5 que
dominaria a casa e4 e abriria a coluna 'g' para o
ataque. Ja as negras podem trocar ...fxe4 cedendo
a casa e4 as brancas ou jogar ...f4 fechando o
centro e planejando um ataque a ala do rei com g5-
g4'

 11.exf5

'Trocando imediatamente Reshevsky

evita que Fischer avance na ala da dama'

 [ 11.f3

 f4

/\ g6-g5 -> >> '/\ g6-g5 -> >> Iniciaria uma tipica

luta da India do Rei onde as negras atacam na ala
do rei e as brancas na ala da dama'

;  11.¥d2  ¤f6

 12.f3  f4  13.c5  g5

as negras atacam com tudo na

a l a   d o   r e i   e n q u a n t o   a s   b r a n c a s   t e m   q u e   s e
defender e ao mesmo tempo buscar uma reacao
na ala da dama pois dificilmente conseguem exito
com uma defesa passiva

 11...¤xf5  [ 11...gxf5

 12.f4!  e4  13.¤f2  ¤f6  14.¥e3

as brancas tem o

plano Rh1 seguido de g4 para minar o centro das
negras

] 12.f3  ¤d4  [ 12...¤f6

Gligoric,S-Fischer,R

Bled 1961 'Gligoric,S-Fischer,R Bled 1961'

]

 13.¤e4

'as brancas uem a casa e4 enquanto as

negras tem a coluna 'f' semi-aberta possibilitando
u m a   p r e s s a o   n a   a l a   d o r e i '

 b6

 14.¥g5?

'Este lance nao resolve muito ja que para atacar as
negras vao avancar os peoes g e h e somente
entao a dama chegara a ala do rei para apoiar o
avanco destes peoes'

 [ 14.¥d2

>= '>='

;  14.¦e1

>= '>='

 14...£e8  15.¥d2  a5  16.¦e1  ¤xe2+

 17.£xe2  h6  18.b3  [ 18.a3

/\ b2-b4 '/\ b2-b4'

 a4! ]

 18...g5

 19.a3

'Reshevsky corretamente busca

contrajogo na ala da dama'

 £g6

 20.b4

 ¤f6

 21.bxa5?

'este lance dificulta a futura ruptura c5,

background image

My 160 Memorable Games

20

era melhor prevenir o lance ...g4 das negras'

 [ 21.¤df2

>= '>='

 ¤h5µ ]  21...g4!

 [ 21...bxa5

 22.¤df2  ¤h5  23.c5„ ]  22.¤df2  [ 22.axb6?  gxf3
 23.£xf3  ¤xe4  24.£xe4  ¥f5-+ ;  22.¤xf6+  ¥xf6
 23.f4  ¥f5µ ]  22...gxf3  23.£xf3  ¤h5  [ 23...¤xd5
 24.£g3 ]  24.£e3  bxa5  25.¦ac1  [ 25.g3  ¤f4
 26.¢h1  ¤h3!‚ ] 25...¥f5  26.c5

'Fischer armou um

f o r t e   a t a q u e   n a   a l a   d o   r e i   e   m a i s   u m a   v e z
Reshevsky achou o antidoto correto buscando
jogo na ala da dama para desviar as forcas negras
d o   a t a q u e '

 [ 26.g3  ¦f7

/\ Raf8 -> '/\ Raf8 ->'

]

 26...¤f4  27.£g3  [ 27.g3  ¤xd5-+ ]  27...¥xe4!
 28.¦xe4?

'Reshevsky erra e permite que as

negras tenham vantagem'

 [ 28.¤xe4

>= '>='

 £xg3

 29.hxg3  ¤d3  30.cxd6  cxd6  31.¦c6  ¤xe1
 32.¥xe1ƒ

'as brancas teriam chances de empate

devido ao reduzido numero de peoes'

;  28.¥xf4?

 exf4 ] 28...£xe4!  29.¤xe4  ¤e2+  30.¢h1  ¤xg3+
 31.hxg3  ¦a6!

'defendendo o peao d6'

 32.cxd6

 cxd6  33.a4

-+ / -/+; Evans,L 'Segundo Evans, L

as negras tem vantagem devido a qualidade a
mais e a melhor estrutura de peoes, na partida
Fischer cometeu algumas imprecisoes permitindo
que Reshevsky conseguisse o empate.'

 ¦f7  34.g4

 ¥f8  35.¢h2  ¢h7  36.¦c8  ¦b6  37.¦a8  ¦b3
 38.¥xa5  ¦f4? 
 [ 38...¦e3!  39.¤c3

 ( 39.¤g3  ¦d3 )

 39...e4  40.¦e8  ¥g7  41.¤xe4  ¥e5+-+ ]  39.¥c7!
 ¦xe4  40.¦xf8  ¦d3  41.¦f6  ¦xg4  42.¦xd6  ¦g7?
 [ 42...¦d2!

 43.¦d7+

 ¢g6

 44.¥xe5

 ¦gxg2+

 45.¢h3  ¦g5-+ ] 43.¦c6!  [ 43.¥b6  ¦d2-+ ; 43.¥a5
 ¦dg3-+ ]  43...¦xd5  [ 43...¦d2  44.¥xe5  ¦gxg2+
 45.¢h3  ¦g5  46.¥f4  ¦d3+  47.¢h2

 ( 47.¢h4?

 ¦d4  48.¦f6  ¢g7 )

 47...¦h5+  48.¢g2  ¦dxd5

 49.¦c7+  ¢g6  50.¦c6+=

'='

 44.¦c2!  e4  45.a5

 ¦d3  [ 45...e3  46.¥f4  ¦e7  47.¦e2=

'='

] 46.¥f4  ¦f7

 47.g3  e3  48.¦c1  [ 48.¢g2  ¦xf4  49.¦c7+=

'='

]

 48...¦e7  49.¦e1  ¦a3  50.¦e2  ¢g6  51.¢g2
 [ 51.¥d6?

 ¦d7!

 52.¥xa3

 ¦d2-+ ]  51...¦xa5

 52.¦xe3

 [ 52.¥xe3=

'='

 52...¦a2+

 53.¢f3?

 [ 53.¢h3!  ¦xe3  54.¥xe3  h5  55.¥f4  ¦a1  56.¥c7
 ¢f5  57.¥f4  ¦b1  58.¥c7!  ¦h1+  59.¢g2  ¦c1
 60.¥f4!  ¦b1  61.¢h3!=

'=!'

 53...¦b7  [ 53...¦xe3+

Evans,L

 54.¥xe3  h5  A)  55.¢e4  ¢f6!  56.¥d4+

 ¢e6  57.¢f4  ¦a4  58.¢e3  ¢f5-+ ; B)  55.¢f4  ¦a5!
 56.¥d2  ¦f5+  57.¢e4  ¢f6  58.¥f4

 ( 58.¢e3?

 ¢g5 )

 58...¦a5-+

/\ Ra4+, Kf5 '/\ Ra4+, Kf5'

 C) 

 55.¥f4  ¢f5  56.¥d6  ¦b2  57.¥f4  ¦b3+  58.¢g2
 ¢g4  59.¥d6  ¦b2+  60.¢g1  ¢h3  61.¥e5  ¦b4!
 62.¥c7

 ( 62.¥f4?  h4 )

 62...¦g4!  63.¢f2  ¢h2

 64.¥e5  ¢h1  65.¢f3  ¦g8  66.¥f4  ¦f8  67.¢f2

 ( 67.¢e3  ¢g2 )

 67...h4  68.¢f3  h3  69.¢f2  h2

 70.¢f1  ¦a8  71.¢f2  ¦a2+  72.¢f1  ¦a3!  73.¢f2
 ¦f3+!!  74.¢xf3  ¢g1  75.¥e3+  ¢f1-+ ;  D)  55.g4?
 h4-+ ] 54.¦e6+  ¢f5  55.¦e5+  ¢f6  56.¦d5  ¦b3+
 57.¢g4

'1/2-1/2 Reshevsky,S-Fischer,R/Los

Angeles 1961/Lapertosa (57)'

½-½

E98

Gligoric,Svetozar
Fischer,Robert James

Bled

03.09.1961

 1.d4  ¤f6  2.c4  g6  3.¤c3  ¥g7  4.e4  d6  5.¤f3
 0-0  6.¥e2  e5  7.0-0  ¤c6  8.d5  ¤e7  9.¤e1

'No lugar de 9.Cd2 da partida anterior, Gligoric
decide levar o Cavalo a d3, com a mesma id->ia
de pressionar a ala da dama das negras'

 ¤d7

 [ 9...¤e8  10.¤d3  f5  11.f4  exf4  12.¥xf4  fxe4
 13.¤xe4  ¤f5  14.¥g5  ¤f6  15.g4  ¤d4  16.¤df2
 £e7=

Petrosian,T-Tal,M/Bled/1961/

 10.¤d3

 [ 10.f3  f5  11.¥e3  f4  12.¥f2  g5‚ ] 10...f5  11.exf5
 ¤xf5

><e4 ; ><d4

 [ 11...gxf5

'Levaria a outro tipo

de plano como explicado nos Conceitos Gerais'

 12.f4  e4  13.¤f2

/\g2-g4

 12.f3

'Comeca a luta

estrategica as brancas tem a casa forte e4 e as
negras a coluna 'f' aberta'

 ¤f6

 [ 12...¤d4=

Reshevsky,S-Fischer,R (11)/Los Angeles m/
1961/

 13.¤f2  ¤d4  14.¤fe4

'O Ce4 pode apoiar

o avanco tematico c4 como bloqueia o peao e5
evitando que este avance dando jogo aoBg7'

 ¤h5?!  [ 14...c5! ]  15.¥g5  £d7

>< d6, /\ c7-c5

 16.g3

'Impede ...Cf5'

 h6  [ 16...c5?  17.¤b5!  ¤xb5

 18.cxb5±

Tal,M-Gligoric,S/Bled/1961/

 17.¥e3  c5!

 [ 17...¤xe2+  18.£xe2

 g5

 19.c5± ]  18.¥xd4

'O cavalo negro defendia b5, eliminando este
cavalo Gligoric vai pressionar o peao atrasadod6'

 [ 18.¤b5  ¤f5  19.¥d2  a6 ]  18...exd4  19.¤b5  a6
 [ 19...¥e5?  20.f4 ]  20.¤bxd6  d3!

'Fischer precisa

dar jogo ao Bg7 e antes as brancas bloqueiem d4
e l e   a b r e   a   d i a g o n a l   p a r a   o B i s p o '

 21.£xd3

 [ 21.¥xd3  ¥d4+  22.¢h1  ¤xg3+  23.¤xg3  £xd6
 24.£c2  ¥h3÷ ]  21...¥d4+  [ 21...¥xb2

'?'

 22.¤xc8

 ¥xa1  23.¤b6-+

'as brancas ganham, por ex. 23...

B d 4 ?   2 4 .   D x d 4 '

 ¥d4+?

 24.£xd4 ]

 22.¢g2

 [ 22.¢h1  ¤xg3+  23.¤xg3  £xd6© ]  22...¤xg3!
 23.¤xc8!

'Gligoric tinha 23. Cxg6 Dxd6 24.Tab1

que lhe daria no minimo a igualdade, mas decide
entregar a qualidade baseando-se em profundos
conceitostaticos'

 [ 23.hxg3?

'??'

 £h3# ;  23.¢xg3?

 £h3# ; 23.¤xg3  £xd6© ] 23...¤xf1  24.¤b6!  £c7!

'ameacando ...Dh2+'

 25.¦xf1  [ 25.¤xa8?  £xh2+

 26.¢xf1  £g1# ]  25...£xb6  26.b4!

'Gligoric teve

uma genial ideia baseado no ataque a descoberta
Dd3-Dxg6'

 £xb4  [ 26...cxb4

'?'

 27.c5!  ¥xc5

 28.¤xc5  £xc5  29.£xg6+  ¢h8  30.£xh6+  ¢g8
 31.¢h1+- ;  26...¦f7

 27.bxc5

 ¥xc5

 28.¦b1ƒ

/\ d5-d6

 27.¦b1  £a5  28.¤xc5

'=!'

 [ 28.¦xb7

 ¦f7 ]  28...£xc5  29.£xg6+  ¥g7  30.¦xb7  £d4™
 31.¥d3  ¦f4  32.£e6+  ¢h8  33.£g6

'1/2-1/2

Gligoric,S-Fischer,R/Bled 1961/Lapertosa (33)'

½-½

background image

My 160 Memorable Games

21

B09

Fischer,Robert James
Kortschnoj,Viktor Lvo

Candidates' tournament

1962

Fischer had won Stockholm 1962, the interzonal
tournament. Matters would be different in hot
Willemstad. The 'Russians' took care of the
optimistic Bobby.

 1.e4  d6  2.d4  ¤f6  3.¤c3  g6

 4.f4  ¥g7  5.¤f3  0-0  6.¥e2  c5  7.dxc5  £a5
 8.0-0  £xc5+  9.¢h1  ¤c6  10.¤d2  a5  11.a4
 ¤b4

 12.¤b3

 £b6

Was the next move an

oversight or a provocation?

 13.g4?

 [

Correct is

 13.f5

 d5

(Zurakhov-Savon, Kiev 1960).

]

 13...¥xg4!

 14.¥xg4

 ¤xg4

 15.£xg4

 ¤xc2

 16.¤b5  ¤xa1  17.¤xa1  £c6  18.f5  £c4  19.£f3
 £xa4  20.¤c7  £xa1

Korchnoi grabs anything.

 21.¤d5?!  [

Little better is

 21.¤xa8  ¦xa8  22.fxg6

 fxg6 ]  21...¦ae8  22.¥g5  £xb2  23.¥xe7  ¥e5
 24.¦f2  £c1+  25.¦f1  £h6  26.h3  gxf5  27.¥xf8
 ¦xf8  28.¤e7+  ¢h8  29.¤xf5  £e6  30.¦g1  a4
 31.¦g4  £b3  32.£f1  a3  33.¦g3  £xg3

0-1

B88

Fischer,Robert James
Geller,Efim P

Candidates' tournament

1962

 1.e4  c5  2.¤f3  d6  3.d4  cxd4  4.¤xd4  ¤f6
 5.¤c3  ¤c6  6.¥c4  e6  7.¥b3  ¥e7  8.f4  0-0
 9.¥e3  ¤xd4  10.¥xd4  b5  11.e5  dxe5  12.fxe5
 ¤d7  13.0-0  ¥c5! 
 [

Geller diverts from

 13...b4

 14.¤e4

in Fischer-Olafsson, Stockholm 1962).

]

 14.¥xc5  ¤xc5  15.£xd8  ¦xd8  16.¤xb5  ¥a6
 17.¥c4  ¦ab8  18.a4  ¤xa4!  19.¤d6 
 [ 19.¦xa4
 ¥xb5  20.¥xb5  ¦xb5  21.¦xa7  ¦xb2  22.¦fxf7
 ¦d1+= ] 19...¥xc4  20.¤xc4  ¤xb2  21.¤d6!?  ¦d7
 22.¦fb1  ¦c7  23.h3? 
 [ 23.¦a2!  ¦xc2  24.¦xa7

still draws.

 23...¦b6  24.c4  h6  25.¤b5  ¦c5

 26.¦xb2  a6  27.¦f2  axb5  28.¦a7  ¦xe5  29.¦fxf7
 ¦g5  30.¦fb7  ¦xb7  31.¦xb7  bxc4  32.¦c7  ¦f5
 33.¦xc4  ¢f7  34.g4?! 
 [

More prudent is

 34.g3 ]

 34...¦f3  35.¢g2  ¦d3  36.¦c7+  ¢f6  37.h4  ¦a3
 38.¦b7  ¦c3  39.g5+  hxg5  40.hxg5+  ¢g6  41.¦e7
 ¦e3

 42.¢f2?

"I'll draw that game with my eyes

shut!" Bobby told the press. Geller and Boleslavsky
a n a l y s e   t h e   a d j o u r n e d   p o s i t i o n   a g a i n .

 [

Fischer misses the brilliant escape

 42.¢h2!!  ¦e5

 43.¢h3! ]

 42...¦e5

 43.¢f3

 ¦f5+

 44.¢e3

 [

The first pointe is

 44.¢e4

 ¦f7!

 ( 44...e5??

 45.¦xg7+ )

 45.¦xe6+

 ¢xg5

and Black has a

theoretical win.

 44...e5!  45.¢e4  ¦xg5  46.¦e8

 ¦g1!  47.¢f3  [

The second point is

 47.¦e6+  ¢f7

 48.¦xe5  ¦e1+  49.¢f5  ¦xe5+  50.¢xe5  ¢g6
 51.¢f4  ¢h5-+ ]  47...¦f1+  48.¢g3  ¦f5  49.¦b8

 ¢g5  50.¦e8  ¢f6  51.¦f8+  ¢e6  52.¦e8+  ¢f6
 53.¦f8+  ¢e6  54.¦e8+  ¢d5  55.¦a8  ¦f7  56.¢g4
 ¦e7  57.¦a5+  ¢e6  58.¦a6+  ¢f7  59.¢f3  ¦e6
 60.¦a8  e4+  61.¢e3  g5  62.¦a1  ¢g6  63.¦b1
 ¦e5  64.¢d4  ¢f6  65.¦e1  ¦a5!  66.¦xe4  ¢f5!
 67.¦e8  ¢g4  68.¢e3  ¢g3

0-1

C12

Fischer,Robert James
Petrosian,Tigran

Candidates' tournament

1962

A great prophylactic player was Tigran Petrosian.
Slow strangulation was his speciality. The ideas of
Nimzowitsch had a great influence on him, but he
played more prudently. He participated in many
candidates' tournaments. A great success became
the match tournament Curacao 1962.

 1.e4

 e6

 2.d4  d5  3.¤c3  ¤f6  4.¥g5  ¥b4!?  5.e5  h6
 6.¥d2  ¥xc3  7.¥xc3!? 
 [

Theory is

 7.bxc3  ¤e4

 8.£g4! ]  7...¤e4  8.¥a5?!  0-0!  9.¥d3  ¤c6
 10.¥c3  ¤xc3  11.bxc3  f6

Black has an easy

game.

 12.f4  fxe5  13.fxe5  ¤e7!  14.¤f3  c5

 15.0-0  £a5  16.£e1  ¥d7  17.c4!  £xe1  18.¦fxe1
 dxc4  19.¥e4?! 
 [ 19.¥xc4  b5  20.¥d3  ¦ac8
 21.¥e4

draws easier.

 19...cxd4  20.¥xb7  ¦ab8

 21.¥a6  ¦b4  22.¦ad1  d3!  [

No winning chance

gives

 22...¦a4  23.¦xd4! ]  23.cxd3  cxd3  24.¦xd3

 ¥c6  25.¦d4  ¦xd4  26.¤xd4  ¥d5

Fischer has to

protect weak pawns.

 27.a4?

 [

White narrowly

escapes in

 27.¥d3!  ¥xa2  28.¦a1  ¦d8  29.¦xa2

 ¦xd4  30.¦xa7  ¤c6  31.¦a6  ¦xd3  32.¦xc6  ¢f7
 33.¦c7+  ¢g6  34.¦e7 ]  27...¦f4!  28.¦d1  ¤g6
 29.¥c8  ¢f7  30.a5  ¤xe5  31.a6  ¦g4  32.¦d2
 ¤c4  33.¦f2+  ¢e7  34.¤b5  ¤d6  35.¤xd6
 [ 35.¤xa7  ¦c4  36.¥b7  ¤xb7  37.axb7  ¥xb7 ]
 35...¢xd6  36.¥b7  ¥xb7  37.axb7  ¢c7  38.h3
 ¦g5  39.¦b2  ¢b8  40.¢f2  ¦d5  41.¢e3  ¦d7
 42.¢e4  ¦xb7  43.¦f2

Geller, Keres and Petrosian

quickly drew among each others. Fischer was their
prey. Bobby complained: "The Russians have fixed
world chess!" FIDE decided to organise candidates'
matches next time.

0-1

B20

Keres,Paul Petrovich
Fischer,Robert James

Curacao ct

1962

 1.e4  c5  2.¤e2  d6  3.g3  g6  [ 3...d5!?  4.¥g2  dxe4
 5.¥xe4  ¤f6  6.¥g2  ¤c6  7.0-0  e6= ]  4.¥g2  ¥g7
 5.0-0 
 [ ¹5.c3  ¤c6  6.d4  cxd4

 ( 6...e5  7.dxc5

 dxc5  8.£xd8+  ¤xd8  9.¤a3² )

 7.cxd4  £b6?

background image

My 160 Memorable Games

22

 8.¤bc3  ¤xd4?  9.¤d5  £c5  10.¤xd4  ¥xd4
 11.¥e3!  ¥xe3  12.fxe3  £a5+  13.b4  £d8  14.¦c1
 ¦b8  15.0-0  ¥d7  16.£d4  f6  17.¤c7+  ¢f7
 18.e5!‚

Samarian,S-Wesen/corr/1958/

 5...¤c6

 6.c3  e5!  7.d3  ¤ge7  8.a3  [ ¹8.¥e3  0-0  9.d4
 exd4  10.cxd4  cxd4

 ( 10...d5  11.¤bc3  ¥g4! )

 11.¤xd4

 ¤e5ƒ

Pachmann,L-Tal,M Amsterdam

1964

] 8...0-0  [ 8...a5  9.a4!

>< b5

] 9.b4  b6  10.f4

 exf4!  11.gxf4  [ 11.¤xf4?  cxb4  12.axb4  ¤xb4! ;
 11.¥xf4  d5 ]  11...d5!  [ 11...cxb4  12.axb4  ¤xb4?
 13.f5!  ¤ec6  14.e5 ]  12.e5  ¥g4  [ ¹12...¤f5
 13.¤g3  ¤ce7

/\ f7-f6

 13.h3  ¥xe2  [ ¹13...¥e6

 14.¤g3  £d7  15.¢h2  f6 ]  14.£xe2  f6  15.b5
 [ 15.e6  f5

>< e6

 15...¤a5  16.¤d2  [ ¹16.¦a2

 fxe5  17.fxe5  ¦xf1+  18.£xf1  ¥xe5  19.¥g5! ]
 16...fxe5  17.fxe5  ¦xf1+  18.¤xf1  [ 18.¥xf1  £c7!
 19.¤f3

 ( 19.d4  cxd4  20.cxd4  £c3 )

 19...¤b3 ]

 18...¤b3  19.¦b1  ¤xc1  20.¦xc1  £c7!  21.¦e1
 [ 21.d4?  cxd4 ]  21...¦d8  22.¤h2  [ 22.d4  cxd4
 23.cxd4  ¤f5ƒ

/\ Bh6

 22...d4  23.cxd4  cxd4

 24.¤f3?

 [ 24.¤g4!

 ¦f8

 25.¦f1= ]  24...¥h6!

 25.£a2+  ¢h8  26.£e6  ¤d5?  [ 26...¤f5!  27.£f6+

 ( 27.¤h2?  ¥e3+-+ )

 27...¥g7  28.£e6  ¦f8

/\ Bh6

 29.¤g5

 ( 29.¤h2  £c3! )

 29...¥h6  30.¤e4  ¥e3+

 31.¢h1  ¥f4  32.¤f6  £c3  33.¦d1  £c2ƒ ] 27.¤h2!
 [ 27.¤xd4?  £c5 ]  27...¤e3  [ 27...¤f4?  28.£f6+
 ¢g8  29.¤g4+- ]  28.¥c6!  ¦f8  29.¤f3=  ¥f4
 [ 29...£d8  30.£d6 ]  30.¤xd4  ¥xe5  31.¤f3  ¥d4!
 32.¦xe3 
 [ 32.¤xd4??  £g3+ ] 32...¥xe3+  [ 32...£f4
 33.¢f2! ]  33.£xe3  £g3+  34.¢f1  £xh3+  35.¢e1
 £f5  36.d4

 ¢g7

 [ 36...h5?

 37.£h6+  ¢g8

 38.¥d5+  £xd5  39.£xg6+= ]  37.¢f2!  [ 37.£e5+
 £xe5+  38.dxe5  ¦f4

/\ Ra4

] 37...h5  38.¢g3  £g4+

 39.¢h2  ¦f4  [ 39...£f4+  40.£xf4  ¦xf4  41.¢g3³ ;
 39...h4?  40.£e7+  ¦f7  41.£xf7+! ]  40.£e7+  ¢h6
 41.£e2  £f5  42.£e3  g5  43.¢g2  ¦g4+  44.¢f2
 ¦f4  45.¢g2  £c2+  46.¢h1 
 [ 46.¢g3?  ¦g4+
 47.¢h3  £g2# ]  46...£b1+  47.¢h2  £a2+  48.¢h3
 £f7  49.¢h2  £f6  50.¢g2  ¢g7 
 [ 50...g4?
 51.¢g3 ]  51.¢g3  h4+  52.¢g2  [ 52.¢h2?  g4-+ ]
 52...¦g4+

 [ 52...g4

 53.¤xh4! ]  53.¢h1

 ¦g3

 54.£e4  g4  55.¤h2  £g5  56.¤f1?  [ 56.£e5+!
 £xe5  57.dxe5  ¦xa3  58.¤xg4= ]  56...¦h3+?
 [ 56...¦xa3!  57.d5  g3  58.d6

 ( 58.¥d7  ¦a1

 59.¢g2  ¦a2+  60.¢g1  £f6  61.¥f5  ¦f2 )

 58...¦a1

 59.£e7+

 ( 59.¢g1  £c5+-+ )

 59...£xe7  60.dxe7

 h3!  61.e8¤+  ¢f8-+ ]  57.¢g1  ¦xa3  58.d5  g3
 59.¥d7!  ¦a1  60.¥f5!  £f6  61.£f4  ¦e1  62.d6
 ¦e5  63.£g4+! 
 [ 63.d7?  ¦xf5  64.£xf5  £xf5
 65.d8£  £f2+  66.¢h1  £xf1# ] 63...¢f8  64.d7  ¦d5
 [ 64...¦xf5  65.d8£+!  £xd8  66.£xf5+= ]  65.¢g2!
 ¦xd7! 
 [ 65...£b2+  66.¢h3  £f2  67.¥e4!  £xf1+
 68.¥g2  £f2  69.£b4+=

'!'

] 66.¥xd7!  £f2+  67.¢h3

 £xf1+  68.¢xh4  g2  69.£b4+  ¢f7!  [ 69...¢g7
 70.£e7+  £f7  71.£g5+  £g6  72.£e7+= ] 70.£b3+
 ¢g7  71.£g3+ 
 [ 71.£c3+?  £f6+-+ ;  71.£b2+?
 £f6+-+ ]  71...¢h7!  72.£e5!!

'!'

 [ 72.¥f5+  £xf5

 73.£xg2  £f4+!  A)  74.¢h3  £h6+!-+

 ( 74...£h6+

/\ Qg6+ und Qxg2

 75.¢g4 )

 B)  74.£g4  £xg4+

 75.¢xg4  ¢g6!-+

'-+'

 72...£h1+  [ 72...£f2+

 73.¢h3  g1£

 ( 73...g1¤+  74.¢g4= )

 74.¥f5+  ¢h6

 ( 74...£xf5+  75.£xf5+  £g6  76.£xg6+  ¢xg6
 77.¢g4=

'='

)

 75.£f6+  ¢h5  76.¥g6+!  £xg6

 77.£g5+!!

'patt'

 ¢xg5= ] 73.¥h3  £xh3+  [ 73...g1£

 74.£h5+  ¢g7  75.£g6+!=

'!'

 ( 75.£g6+!  ¢f8

 76.£f6+  ¢e8  77.£e6+

Dauerschach

)

 74.¢xh3

 g1£  75.£e7+  ¢h8  76.£f8+  ¢h7  77.£f7+
 [ 77.£f7+  £g7  78.£xg7+!  ¢xg7  79.¢g3!

'='

 ¢f6

 80.¢f4  ¢e6  81.¢e4  ¢d6  82.¢d4  ¢c7  83.¢d5
 ¢b7  84.¢c4  ¢c7  85.¢d5  ¢d7  86.¢e5= ]

½-½

B90

Fischer,Robert James
Reshevsky,Samuel Herman

New York

1962

FISCHER (Born 1943) Usually the style of a
chessmaster has to grow; it may take years before
one may speak of any style at all. As a rule the
young player begins with pure combination, and
then in the course of time finds that he must add
water to win. He learns the methods of positional
play, and develops endgame technique. It is quite
possible to begin as a combinative player - a
tactician - and yet in maturing to acquire an out-
and-out positional style of play. The exceptional
Grandmaster Fischer, however, is another and
almost unique story in modern chess. At the age of
twenty he already possessed a fully rounded style.
He is both tactician and strategist, an openings
expert without peer, and a virtuoso of the endgame.
The following game against Reshevsky is a good
example of his super-class, technical style

 1.e4

 c5  2.¤f3  d6  3.d4  cxd4  4.¤xd4  ¤f6  5.¤c3  a6
 6.h3  g6  7.g4  ¥g7  8.g5  ¤h5  9.¥e2  e5  10.¤b3
 ¤f4  11.¤d5  ¤xd5 
 [ 11...0-0  12.¤xf4  exf4
 13.¥xf4  ¥xb2  14.¥xd6 ]  12.£xd5  ¤c6  13.¥g4
 ¥xg4 
 [ 13...£e7  14.--  ¥e6 ]  14.hxg4  £c8
 15.£d1  ¤d4  16.c3  ¤xb3  17.axb3  £e6  18.¦a5
 f6  19.£d5!  £xd5 
 [ 19...£xg4  20.£xb7  0-0
 21.gxf6! ]  20.¦xd5  ¢d7  21.gxf6  ¥xf6  22.g5!
 ¥e7 
 [ 22...¥g7  23.¦d3  --  24.¦dh3

winning the h-

pawn

 23.¢e2

 ¦af8

 24.¥e3

 ¦c8

 25.b4

Intending in due course to dissolve his doubled
pawn by Pb5, and saddle Black with a weak pawn
on the Queenside

 b5

This should be avoided if

possible. Black now has three vulnerbla points - a6,
d6 and h7. How to profit from a situation like this
was the subject of "Technique of Maneuvering".
T h e   p r e s e n t   g a m e   p r e t t i l y   s u p p l e m e n t s   t h e
examples there given

 26.¦dd1!  ¢e6  27.¦a1  ¦c6

 28.¦h3

threatening to win the h-pawn

 ¥f8  [ 28...--

background image

My 160 Memorable Games

23

 29.¦ah1 ] 29.¦ah1  ¦c7  30.¦h4!

Putting Black in a

state of zugzwang

 d5

 [ 30...¦c4

 31.f3

 ¦c7

 32.¦4h3! ]  31.¦a1  ¦c6  [ 31...dxe4  32.¦xa6+  ¢f5

 ( 32...¢d5  33.¦xg6

l o s e s   a   p a w n

)

 33.¦f6# ]

 32.exd5+  ¢xd5  33.¦d1+  ¢e6  34.¦d8  ¢f5
 [ 34...--  35.¦e8+  ¢f5  36.¦xe5+  ¢xe5  37.¥d4+
 ¢f5

 38.¥xh8  ¢xg5  39.¦xh7 ]  35.¦a8  ¦e6

 36.¦h3  ¥g7  [ 36...--  37.¦f3+ ;  36...¢g4  37.¦g3+
 ¢h4

 38.¦f3

 ¥g7

 39.¦a7

 ¦g8

 40.¦d7!

Black is in a mating net

 37.¦xh8  ¥xh8  38.¦xh7

 ¦e8

 39.¦f7+

 ¢g4

 [ 39...¢e4 ;

 39...¢e6

 40.¦a7+- ]  40.f3+  ¢g3  41.¢d3

An aethestic flaw

 [ 41.¢f1  --

 ( 41...¢h4  42.¢g2 )

 42.¥f2+  ¢h3

 43.¦h7# ]  41...e4+  42.fxe4  ¦d8+  43.¥d4  ¢g4
 44.¦f1  ¥e5 
 [ 44...¢xg5  45.¦g1+  ¢f4  46.¦xg6 ]
 45.¢e3  ¥c7  46.¦g1+  ¢h5  47.¢f3  ¦d7  48.e5
 ¦f7+  49.¢e4  ¦f5  50.e6  ¥d8  51.¥f6  ¥xf6
 52.gxf6  ¦xf6  53.¢e5  ¦f2  54.¦e1

1-0

E81

Aaron,Manuel
Fischer,Robert James

Saltsjobaden izt

1962

 1.d4  ¤f6  2.c4  g6  3.¤c3  ¥g7  4.e4  d6  5.f3  0-0
 6.¥e3  ¤bd7  7.£d2  c5  8.¤ge2  a6  9.¤g3  cxd4
 10.¥xd4  ¤e5  11.¥e2  ¥e6  12.¤d5  b5  13.cxb5
 axb5  14.¥xb5  ¤xd5  15.exd5  ¥xd5  16.a4  e6
 17.0-0  £h4  18.¤e2  ¦fc8  19.¥e3  ¤c4  20.¥xc4
 £xc4  21.¦fc1  £a6  22.¦xc8+  ¦xc8  23.¤c3  ¥c4
 24.f4  d5  25.¥d4  ¥xd4+  26.£xd4  £b7  27.£f2
 ¥a6  28.¦d1  ¦c4  29.¦d2  ¦xc3

0-1

C11

Fischer,Robert James
Petrosian,Tigran

Saltsjobaden izt

1962

 1.e4  e6  2.d4  d5  3.¤c3  ¤f6  4.¥g5  dxe4  5.¤xe4
 ¤bd7  6.¤f3  ¥e7  7.¤xf6+  ¥xf6  8.£d2  ¥xg5
 9.¤xg5  ¤f6  10.¥e2  0-0  11.¦d1  £d6  12.0-0
 ¥d7  13.¤f3  ¦fd8  14.c4  ¥c6  15.¤e5  ¤d7
 16.¤xc6  £xc6  17.¥f3  £a6  18.£c3  ¤f6  19.b4
 c6  20.a4  ¦ac8  21.a5  b5  22.¦c1  h6  23.h3  bxc4
 24.£xc4  £xc4  25.¦xc4  ¤d5  26.¦fc1  ¦b8
 27.¦xc6  ¦xb4  28.¦c8  ¦xc8  29.¦xc8+  ¢h7
 30.¦a8  ¦b7  31.a6  ¦d7  32.¦b8  ¦d6  33.¥e2  ¤c7
 34.¦b7  ¤xa6  35.¦xf7  ¤b4  36.¦xa7  ¦xd4
 37.¥g4  ¦d6  38.¦e7  ¤d5  39.¦xe6  ¦xe6  40.¥xe6
 ¤f6

½-½

B52

Rossolimo,Nicolas
Fischer,Robert James

USA-ch 6263 New York

1962

Estratégia - Carlos Alejandro Martinez - Aula 02
Variante 03 2-2-2, má configuração de peões,
estrutura central com d6-e5 pretas # 3 Estratégia -
Carlos Alejandro Martinez - Aula 02 Variante 04 2-
2-2, má configuração de peões, estrutura central
com d3-e4 brancas # 4

 1.e4

 c5

 2.¤f3

 d6

 3.¥b5+  ¥d7  4.¥xd7+  £xd7  5.0-0  ¤c6  6.£e2
 g6  7.c3  ¥g7  8.¦d1  e5  9.d4  exd4  10.cxd4
 ¤xd4  11.¤xd4  cxd4  12.¤a3  ¤e7  13.¤b5  ¤c6
 14.¥f4  ¥e5  15.¥h6  0-0-0  16.f4  ¥f6  17.¥g5
 ¥xg5  18.fxg5  £e7  19.£g4+  £e6  20.£xe6+
 fxe6  21.¤xd4  ¤xd4  22.¦xd4  e5  23.¦d3

'+/='

 ¦hf8  24.¦f3  ¢d7  25.¦c1  ¦xf3!  26.gxf3  ¢e6
 27.¦c7

'!'

 ¦d7

'?!'

 28.¦xd7  ¢xd7

'+/='

 29.¢f2

 ¢c6  30.¢e3  ¢c5  31.¢d3  ¢b4

'!'

 32.¢d2  ¢c5

 33.¢c2  ¢d4  34.¢d2  ¢c4  35.¢c2  ¢d4  36.¢d2
 b5  37.¢e2  a5  38.¢d2  a4  39.¢e2  a3  40.bxa3
 ¢c3

 41.a4

 bxa4=  42.¢e3

 ¢b2

 43.¢d2

 [ 43.¢d2

 ¢xa2

 ( 43...¢a3

 44.¢c3

 ¢xa2

 45.¢c2= ;  43...¢a1  44.¢c1  ¢xa2  45.¢c2  ¢a3
 46.¢c3  ¢a2  47.¢c2  a3  48.¢c3  ¢a1  49.¢c2
 ¢a2= )

 44.¢c2=

e o Rei Preto nao pode mais sair

da lateral.

]

½-½

C75

Fischer,Robert James
Ciocaltea,Victor

Varna Olympiad

1962

 1.e4  e5  2.¤f3  ¤c6  3.¥b5  a6  4.¥a4  d6  5.c3
 ¥d7  6.d4  ¤ge7  7.¥b3  h6

Black can't play 7...

Ng6 because of 8.Ng5.

 8.£e2

 ¤g6

 9.£c4

A novel way of confusing the enemy army. 9...Be6
loses a piece after 10.d5 Na5 11.Qa4+, so Black
must either play 9...Qe7, completely locking up his
own kingside, or expose his queen on f6.

 £f6

 10.d5  b5

Otherwise White just captures on c7 and

gets away.

 11.£e2  ¤a5  12.¥d1  ¥e7  13.g3

Black would have done better to simplify with 12...
Nh4 or f4, to get some space on the kingside.
Fischer prevents that and sets a nasty trap as well.

 0-0  14.h4  ¦fc8

The losing move. Black had to

play 14...Nh8 or Bd8 to save the queen, though
things look grim then too.

 15.¥g5  hxg5  16.hxg5

 £xg5

Black would do better with 16...Nf4, though it

doesn't matter much, since after 16.gxf6 Nxe2 17.
fxe7 Nc1 18.Kd2 he's down a piece.

 17.¤xg5

 ¥xg5  18.¤a3  c6  19.dxc6  ¥e6  20.£h5  ¥h6
 21.¥g4  ¥xg4  22.£xg4  ¤xc6  23.¦d1  b4

background image

My 160 Memorable Games

24

 24.¤c4  bxc3  25.bxc3  ¤d4  26.¤b6

1-0

B90

Fischer,Robert James
Najdorf,Miguel

Varna Olympiad

1962

 1.e4  c5  2.¤f3  d6  3.d4  cxd4  4.¤xd4  ¤f6
 5.¤c3  a6  6.h3  b5  7.¤d5  ¥b7

Black should

probably take the pawn. White gets an initiative
after 8.Qf3, but Black seems to hold. Now Najdorf's
king has nowhere to hide.

 8.¤xf6+  gxf6  9.c4

The kingside is already unsafe, and no Fischer
goes to work on the center and the queenside.

 bxc4

 10.¥xc4

 ¥xe4

 11.0-0

 d5

 12.¦e1

No rest for the weary. Black's last move is shown to
have serious drawbacks-- he can't get his bishop
back to b7, and his dark squares look weak.

 e5

 13.£a4+  ¤d7  14.¦xe4

This sacrifice reopens the

a2-g8 diagonal and gives White control of all the
light squares in the center.

 dxe4

 15.¤f5

 ¥c5

 16.¤g7+

Typically, Fischer's play is ruthlessly

accurate. The text allows White to finish his
development with the Black king a sitting duck in
t h e   c e n t e r .

 ¢e7

 17.¤f5+

 ¢e8

 18.¥e3

Again, simple but deadly-Black must either lose
time retreating the bishop or give up d6. If 18...Qb6,
19.Bxf7+.

 ¥xe3  19.fxe3  £b6  20.¦d1  ¦a7

 21.¦d6

 £d8

 22.£b3

Now if Black could only

castle there would be some hope, but White's 16th
move ruled that out.

 £c7  23.¥xf7+  ¢d8  24.¥e6

Black is helpless-if he tries 24...Qc1+, after 25.Rd1
he has no way to cover b6 and b8 without giving up
d7.

1-0

B77

Fischer,Robert James
Purevzhav

Varna Olympiad

1962

 1.e4  c5  2.¤f3  d6  3.d4  cxd4  4.¤xd4  ¤f6
 5.¤c3  g6  6.¥e3  ¥g7  7.f3  ¤c6  8.£d2  0-0
 9.¥c4  ¤d7

The slowest continuation accepted by

theory. Black hopes to get play against White's
queenside with his knights, but weakens his king
position.

 10.0-0-0  ¤b6  11.¥b3  ¤a5  12.£d3

White doesn't want to allow either knight to move to
c4, which would force him to give up his Be3. Black
might then get strong play on the dark squares.

 ¥d7  13.h4  ¦c8  14.h5

So White draws first blood.

Once he takes on g6 he will be able to play Bh6,
leaving Black's king naked to the wind.

 ¤ac4

 15.hxg6  hxg6

If 15...Nxe3, White would not play

16.gxh7+, when his own pawn on h7 would keep
the kingside closed, but 16.gxf7+ Kh8 17.Qxe3,
when h7 is a target and White already threatens 18.
Rxh7+ Kxh7 19.Rh1+.

 16.¥h6

 e6

 17.f4

Threatening 18.Qh3, when Black will have no
defense to mate on h7 or h8.

 e5

 18.¤f5

Renewing the threat of Qh3. If Black takes the
knight he gets mated after 18...gxf5 19.Bxg7 Kxg7
20.Qg3+ Kf6 21.Qg5+ Ke6 22.ef.

 ¥xf5

 19.exf5

 ¤xb2

A last desparate bid for counterplay, but

Fischer has seen everything.

 20.¢xb2

 e4

 21.¥xg7

Black may have missed this move. He

can't take the queen because of 22.f6 and mate on
h8.

 ¢xg7  22.¤xe4

1-0

E26

Rivera
Fischer,Robert James

Varna Olympiad

1962

 1.d4  ¤f6  2.c4  e6  3.¤c3  ¥b4  4.e3  d5  5.a3
 ¥xc3+  6.bxc3  c5  7.¥d3  dxc4  8.¥xc4  £c7
 9.¥b3  b6  10.¤e2  0-0  11.¥b2  ¤c6  12.0-0  ¤a5
 13.¤g3  ¥b7  14.¦c1

This loses instructively--

White obviously saw Black's next but figured that
after 15.f3 he had met the threat, but didn't notice
that 14...Qb6 contained a subtler threat.

 £c6  15.f3

 £b5

The subtler threat of 14... Qb6--White must

now lose a bishop, and, though he gives it a try, he
can't trap Black's queen.

 16.¥a4  £xb2

0-1

B92

Unzicker,Wolfgang
Fischer,Robert James

Varna olm, XV finals

1962

Simple Chess by Michael Stean 2. Outposts The
Complete Games of Bobby Fischer by Wade and
O'Connell # 564 Minhas 60 Melhores Partidas, por
Bobby Fischer #42 Sicilian Defence, Najdorf
Variation

 1.e4  c5  2.¤f3  d6  3.d4  cxd4  4.¤xd4

 ¤f6  5.¤c3  a6  6.¥e2  e5  7.¤b3  ¥e6  [ 7...¥e7

Pilnik,H-Fischer,R Mar del Plata 1959

]

 8.0-0

 ¤bd7  9.f4

 £c7

 10.f5

 ¥c4

 11.a4

 ¥e7

 [ 11...¦c8?  12.a5  ¥e7  13.¥xc4  £xc4  14.¦a4!
 £c7  15.¥e3  h6  16.¦f2±

Schmid,L-Evans,L Varna

ol 1962

 12.¥e3  0-0  13.a5  [ 13.g4  d5!  14.exd5

 ( 14.g5  d4! ; 14.¤xd5  ¤xd5  15.exd5  ¤f6  16.d6?
 ¥xd6  17.¥xc4  £xc4  18.£xd6  £xg4+  19.¢h1
 £e4+ )

 14...¥b4  15.g5  ¥xc3  16.gxf6  ¥xb2

 17.fxg7  ¦fd8  18.¦b1  ¥c3µ ]  13...b5  [ 13...h6
 14.g4  ¤h7  15.¥f2ƒ

/\ h2-h4

 14.axb6  ¤xb6

 15.¥xb6?  [ 15.¢h1!  ¦fc8  16.¥xb6  £xb6  17.¥xc4

background image

My 160 Memorable Games

25

 ¦xc4  18.£e2  ¦b4  19.¦a2!

Geller,E-Fischer,R

Curacao ct 1962

 h6!  20.¦fa1  ¥f8  21.¦xa6  ¦xa6

 22.¦xa6  £b7  23.¤a5  £c7  24.¤b3  £b7=

Z u c k e r m a n , B

]

 15...£xb6+

 16.¢h1

 ¥b5!

/\ Bc6, a6-a5

 17.¥xb5

 [ 17.¤xb5

>=

 axb5

 18.£d3

^-

] 17...axb5  18.¤d5  ¤xd5  19.£xd5

'# '

 ¦a4!

a <->, >< e4

 20.c3  [ 20.¤d2?  ¦d4 ] 20...£a6

 [ 20...¦fa8?  21.£xa8+! ]  21.h3

'?'

 [ 21.¦ad1  ¦c8

 22.¤c1

 b4

 23.¤d3!?

 bxc3

 24.bxc3

 A) 

 24...¦xc3-+  25.¤xe5  dxe5  26.£xe5

 ( 26.£d8+

 ¥f8! )

 26...¥b4!  27.£xc3  £xf1+!

Kmoch,H

 B) 

 24...¦a5

Tal,M-Fischer,R Curacao ct 1962

;

 21.¦ad1 ] 21...¦c8  22.¦fe1  h6!  23.¢h2  [ 23.¦xa4
 bxa4  24.¤c1  a3 ]  23...¥g5  24.g3?

weakening

 [ 24.¦ad1

>=

 24...£a7!  25.¢g2  ¦a2!  26.¢f1

 [ 26.¦xa2

 £xa2

 27.¦e2

 ¦xc3! ]  26...¦xc3!

 [ 26...¦xc3

White resigns for:

 27.¦xa2

 ( 27.bxc3?

 £f2# )

 27...¦f3+  28.¢e2  ¦f2+  29.¢d3

 ( 29.¢d1

 £xa2 )

 29...£xa2  30.¦a1  £xb2-+ ]

0-1

D98

Botvinnik,Mikhail M
Fischer,Robert James

XV Olympiad Varna 

1962

 1.c4  g6  2.d4  ¤f6  3.¤c3  d5  4.¤f3  ¥g7  5.£b3
 dxc4  6.£xc4  0-0  7.e4  ¥g4  8.¥e3 
 [ 8.¤e5  ¥e6
 9.d5  ¥c8

=  'with the idea'e6

] 8...¤fd7  9.¥e2  ¤c6

 [ 9...¤b6

Botvinnik - Smyslov, Moscow (m/4),

1958

] 10.¦d1  [ 10.d5  ¤a5  11.£a4  c6 ; 10.0-0-0

 ¤b6  11.£c5  e6  12.¢b1  £c8  13.h3  ¥xf3
 14.¥xf3  a5  15.¤b5²

Portisch - Hort, Palma de

Mallorca, 1971

 10...¤b6  11.£c5  [ 11.£d3  ¥xf3

 12.gxf3  e5  13.d5  ¤d4

=  Botvinnik

 11...£d6

!

 12.h3  [ 12.£xd6  cxd6

!=

;  12.d5  ¤e5  13.¤xe5

 ¥xe2  14.¢xe2  ¥xe5  15.£xd6  cxd6  16.¥d4  ¦fc8
 17.¥xe5

 dxe5

 18.¦c1

 ¤c4

 19.b3

 ¤d6

Arencibia - Konguveel, Linares, 1997  =

;  12.e5

!?

 £xc5  13.dxc5  ¤d7

 ( 13...¤c8  14.h3  ¥xf3

 15.¥xf3  ¥xe5  16.¦d7  a6  17.¥xc6  bxc6  18.f4
 ¥f6  19.¦xc7²

Kaufman - Kudrin, Chicago, 1997

)

 14.h3  ¥e6  15.¤g5  ¤dxe5  16.¤xe6  fxe6  17.f4
 ¥h6  18.0-0  ¦ad8  19.g3  ¤b4  20.¥f2  ¤ed3
 21.a3  ¤xf2  22.¦xd8  ¤xh3+  23.¢g2  ¦xd8
 24.axb4  ¤xf4+  25.gxf4  ¦d4  26.b5²

Ziegler -

Pribyl, Goeteborg, 1997

]

 12...¥xf3

 13.gxf3

 [ 13.¥xf3  £xc5  14.dxc5  ¤c4  15.¥c1  ¤d4÷ ]
 13...¦fd8  [ 13...£xc5  14.dxc5  ¥xc3+  15.bxc3
 ¤a4  16.¢d2

!$16  Furman

 14.d5  [ 14.e5  £xc5

 15.dxc5  ¦xd1+  16.¢xd1  ¤d7  17.f4  g5

!

 18.fxg5

 ¥xe5

=

;  14.¤b5  £xc5  15.dxc5  ¤a4

!

 16.¦xd8+

 ¦xd8  17.b3  ¤c3  18.¤xc7  ¤d4 ]  14...¤e5
 15.¤b5

'passed pawn'

 [ 15.f4  ¤ed7

 ( 15...¤ec4

!

 16.¥xc4  £xc5  17.¥xc5  ¤xc4  18.e5  ¤xb2
 19.¦d4  f6

!$17  Botvinnik

)

 16.£b5

 ( 16.£xd6

 cxd6

=

)

 16...e5

!

 17.dxe6

?!

 ¥xc3+

!

 18.bxc3

 £xe6 ]  15...£f6

!

 [ 15...£xc5

?

 16.¥xc5  c6

 17.¤c7

 ( 17.¤xa7

?

 ¤a4 )

 17...¦ab8  18.¥xe7

 ¦d7  19.d6  ¤c8  20.¤e8

!

 ¤xe7  21.¤xg7  ¢xg7

 22.f4

!$16  Fischer

 16.f4  ¤ed7  17.e5  [ 17.£xc7

?

 £xb2

'with the idea'Qb4

 17...£xf4

!

 [ 17...£f5

 18.£b4

 a5

 19.£d4

('with the idea'Bg4)

 c5

 20.dxc6  bxc6  21.¥g4  c5  22.£xd7²

Botvinnik

]

 18.¥xf4  [ 18.£xb6

?

 £e4

!

 19.f3  £h4+

!

 20.¥f2

 £b4+-+ ]  18...¤xc5  19.¤xc7  ¦ac8  20.d6  exd6
 21.exd6 
 [ 21.¦xd6

?

 ¤bd7 ]  21...¥xb2  22.0-0

 ¤bd7  [ 22...¤cd7  23.¥f3  ¥e5  24.¥xe5  ¤xe5
 25.¥xb7  ¦b8²

Botvinnik

 23.¦d5  [ 23.¤d5  ¢g7 ]

 23...b6

' p a s s e d   p a w n '

 24.¥f3

?

 [ 24.¥c4

!  ('with the idea'Re1-e7$36)

 ¤e6  25.¥h2  ¤d4

 26.¥a6

 ( 26.¦b1  ¥c3  27.¦c1  ¥b2

=

)

 26...¦b8

 27.¢g2

!?

 ¤f6  28.¥e5

!

 ¤xd5  29.¤xd5ƒ

'with the idea'Nf6; 'with the idea'Rb1; 'with the
idea'Rd1

 24...¤e6

!

 25.¤xe6  [ 25.¥h2  ¤d4

 26.¦xd4

 ( 26.¥g2  ¤f6 )

 26...¥xd4  27.¦e1  ¥c5

 28.¤d5  ¢f8

'with the idea'Re8, Ne5

 25...fxe6

 26.¦d3  [ 26.¦d2

?

 ¥c1  27.¦d4  e5 ;  26.¦dd1

?

 ¦f8  27.¥g4  ¦xf4  28.¥xe6+  ¦f7-+

Fischer

]

 26...¤c5  27.¦e3  [ 27.¦d2  ¦f8  28.d7  ¦cd8µ ]
 27...e5  [ 27...¥d4

?!

 28.¦a3  e5  29.¥g5  ¦xd6

 30.¥e7  ¦d7  31.¥g4

Botvinnik

 28.¥xe5  ¥xe5

 29.¦xe5  ¦xd6  30.¦e7  ¦d7  31.¦xd7  [ 31.¦fe1
 ¦cc7

!

 31...¤xd7  32.¥g4  [ 32.¦e1

%03'better is'

 ¢f8  33.¥d5 ]  32...¦c7  33.¦e1  ¢f7  34.¢g2  ¤c5
 35.¦e3  ¦e7  36.¦f3+ 
 [ 36.¢f3

?

 h5

!$19

;

 36.¦xe7+  ¢xe7µ ]  36...¢g7  37.¦c3  ¦e4  38.¥d1
 ¦d4 
 [ 38...¦e1

!

 39.¥c2  ¢f6  40.¢f3  ¢g5

 41.¢g3  ¤e4+  [ 41...¦b4  42.a3  ¦d4  43.f3  a5
 44.¢g2  ¢h4-+

'with the idea'Ne6-f4 Botvinnik

]

 42.¥xe4  ¦xe4  43.¦a3

'passed pawn'

 [ 43.¦c7

 ¦a4  44.¦xh7  ¦a3+

!

 45.f3  ¦xa2  46.h4+  ¢f5µ ]

 43...¦e7

?

 [ 43...a5

!

 44.¦b3  ¦b4  45.¦xb4  axb4

 46.f4+  ¢f5  47.¢f3  ¢e6  48.¢e4

 ( 48.¢g4  h6 )

 48...¢d6  49.¢d4  b5  50.¢d3  ¢d5  51.¢c2  ¢c4
 52.¢b2  b3

!

 53.axb3+

 ( 53.a3  h6  54.h4  h5-+ )

 53...¢d3  54.¢a3  ¢c3-+ ] 44.¦f3  ¦c7  45.a4  ¦c5
 [ 45...¢h6  46.¦d3

!

 ¦c5  47.h4  ¦a5  48.¦d4

=  Botvinnik

 46.¦f7  ¦a5  47.¦xh7

!

 [ 47.¦f4  ¦f5

 48.¦c4  ¦f7µ

'with the idea'Kf5

] 47...¦xa4  48.h4+

!

 ¢f5  [ 48...¢f6  49.¦b7

!

 ¦a5  50.¢g4  b5  51.f4  a6

 52.¦b6+  ¢g7  53.¦b7+

=  Botvinnik

] 49.¦f7+  ¢e5

 50.¦g7

 ¦a1

 51.¢f3

' p a s s e d   p a w n '

 b5

?

 [ 51...¢d5  52.¦xg6  b5  53.¢e2  ¢c4  54.h5  b4
 55.¦g4+  ¢b5  56.¢d3

=  Botvinnik

;  51...¢d4

!

 52.¦xg6  b5  53.h5  b4  A)  54.¢g2  b3  55.h6  b2
 56.h7  ¦h1

!

 57.¢xh1  b1£+  58.¢h2  £b8+

 59.¢g1  £h8

 ( 59...£e5

!

 60.¦g8  £e1+  61.¢h2

 £xf2+  62.¢h3  £f3+

!$19

)

 60.¦g4+  ¢c3  61.¦h4

 a5  62.¢g2  ¢b3  63.¦h3+  ¢c2  64.¦h4  a4
 65.¦xa4  £g7+

!

 ( 65...£xh7  66.¦g4

=  'with the

idea'Rg3-e3

)

 66.¢f1  £xh7  67.¦a2+

 ( 67.¦a3

 £h1+  68.¢e2  £d1+  69.¢e3  £c1+-+ ;  67.¦g4

background image

My 160 Memorable Games

26

 £h1+  68.¦g1  £h3+  69.¦g2  ¢d2  70.¢g1  ¢e1
 71.¦g3  £f1+-+ )

 67...¢b3  68.¦a5÷ ; B)  54.h6

!

 b3

 ( 54...¦h1  55.¢g2

!

 ¦h5  56.¦a6  b3  57.¦xa7

 ¦xh6  58.¦b7  ¢c4  59.¢f3

=  Botvinnik

)

 55.¦g4+

!

 ( 55.h7  ¦h1  56.¦g7  a5-+ )

 55...¢c5

!

 ( 55...¢c3

?

 56.¦h4  b2  57.h7  b1£  58.h8£+ ;  55...¢d3

?

 56.¦b4  ¢c2  57.¦c4+

=

)

 56.¦g5+  ¢c6

!

 (  56...¢b4  57.¦g7

!

 b2  58.h7  ¦h1

!

 59.¦xa7  ¢b3

 60.¦b7+  ¢c2  61.¦c7+  ¢d2  62.¦b7

=  Botvinnik

)

 57.¦g6+  ¢b7

!

 58.¦g7+

 ( 58.¦g4

?

 a5-+ )

 58...¢a6

!

 59.¦g6+

 ( 59.¢g2

?

 b2  60.h7  b1£

 61.h8£  £e4+-+ )

 59...¢a5  60.¦g5+

 ( 60.¦g7

?

 b2  61.¦xa7+  ¢b6-+ )

 60...¢a4

!

 61.¦g4+

 ( 61.¦g7  a5  62.¦b7  ¦h1 ; 61.¦h5  b2  62.h7  b1£
 63.h8£  £d3+  64.¢f4  ¦e1

!

 65.¦e5  £d4+  66.¢f5

 £xf2+  67.¢e6  £b6+-+ )

 61...¢a3  62.¦h4  b2

 63.h7  b1£  64.h8£  £b3+

!

 65.¢e2

 ( 65.¢f4

?

 £f7+ ;  65.¢g2

?

 £d5+  66.f3  £d2+-+

Fischer

)

 65...£d1+  66.¢e3  ¦b1

!!

 67.¦c4

!

 ( 67.£c3+

?

 ¦b3 ;  67.¦h3  ¢a2

!

 68.£g8+  £b3+-+ ;  67.£f8+

 ¢a2  68.£c5

=  Botvinnik

)

 67...¦b3+  68.¦c3  £e1+

 69.¢d3  £f1+  70.¢d2

 ( 70.¢e3

?

 £h3+

!$19

)

 70...£xf2+  71.¢d3

=  Kasparov

] 52.h5

!

 [ 52.¦xg6

 ¢d4-+ ]  52...¦a3+  53.¢g2  gxh5  54.¦g5+  ¢d6
 55.¦xb5  h4  56.f4  ¢c6  57.¦b8

!

 h3+  58.¢h2  a5

 59.f5  ¢c7  60.¦b5  ¢d6  61.f6  ¢e6  62.¦b6+  ¢f7
 63.¦a6  ¢g6  64.¦c6  a4  65.¦a6  ¢f7  66.¦c6  ¦d3
 67.¦a6  a3  68.¢g1

½-½

B80

Fischer,Robert James
Gligoric,Svetozar

Varna ol (Men)

1962

 1.e4  c5  2.¤f3  d6  3.d4  cxd4  4.¤xd4  ¤f6
 5.¤c3  a6  6.g3  e6 
 [ 6...e5  7.¤de2  ¥e7  8.¥g2
 0-0  9.0-0  b5  10.h3  ¥b7= ]  7.¥g2  ¥e7  8.0-0
 0-0  9.f4 
 [ 9.b3  £c7  10.¥b2  ¤c6  11.¤ce2  ¥d7
 12.c4  ¦ac8  13.¦c1  £b8  14.¥a3  ¦fd8  15.£d2
 b5= ]  9...£c7  10.g4  ¤c6  11.¤xc6  bxc6  12.g5
 ¤d7  13.f5  ¦e8  14.¢h1  ¥f8  15.¥f4  ¤e5!³  16.f6
 g6  17.h4 
 [ 17.£e1

/\Qh4,RBe1-e3-h3

 17...a5

 18.h5

 ¥a6

 19.¦e1

 £b6

 20.hxg6

 fxg6

 [ 20...hxg6? ]  21.¥xe5  dxe5  22.£f3  ¦a7  23.¥f1
 ¦f7  24.¥xa6  £xa6  25.£g3  £b6  26.£xe5
 [ 26.b3

 £c5³ ]

 26...£xb2

 27.¦ad1

 h6

 [ 27...£xc2?  28.¦e2! ;  27...¥b4  28.¦e3  £xc2
 29.¦ed3  £f2  30.¦d8  £h4+  31.¢g2  £g4+
 32.¢h1  ¦xd8  33.¦xd8+  ¥f8µ ]  28.¦e3  ¥b4
 29.gxh6  £xc2

'/\ 30... Bxc3 or 30... Qf2'

 30.¦g1

 ¢h7  31.£g3  [ 31.¦xg6?  £c1+

/\ 32... Qxe3

]

 31...¦g8  32.e5  ¥xc3  33.¦xc3  £e4+  34.¦g2  ¦d8

'-/+'

 35.¦e3  ¦d1+  36.¢h2  £b1  37.£g4  ¦h1+

 38.¢g3  £c1  39.¦e4  ¦d7

'-+'

 40.£e2  £g5+

 41.£g4  [ 41.¦g4  £h5µ ]  41...¦d3+  42.¢f2  ¦d2+

 43.¢g3

 [ 43.¦e2?  £xg4  44.¦xg4  ¦h2+-+ ;

 43.¢f3  ¦xg2

/\ 44... Qc1 -+

 43...¦xg2+  44.¢xg2

 £c1!

0-1

C15

Fischer,Robert James
Finegold,Ronald

Bay City

1963

Fischer's Chess Games by Wade and O'Connell
p150 #284 Estratégia - Carlos Alejandro Martinez -
Aula 05 Variante 04 Luta do B bom contra o B mau
Posições diversas # 4

 1.e4  e6  2.d4  d5  3.¤c3

 ¥b4  4.a3  ¥xc3+  5.bxc3  dxe4  6.£g4  ¤f6
 7.£xg7  ¦g8  8.£h6  ¦g6

In "Schach Archiv" 1971,

Euwe remarks that the maneuver Rg8-g6 seems
to entail more drawbacks than advantages for
Black.

 9.£e3

From here the white Q brings

pressure to bear on Black's e-pawn; on the other
hand, the position of the white Q gives Black the
additional possibility of Nf6-g4 with tactical threats.
[Zeuthen/Jarlnaes 71]

 b6  10.¥b2  [ 10.¤e2  ¥b7

 11.h3

 ¤bd7

 12.¥b2

 £e7=

(eco 74/81)

Strelakovsky-Petrov USSR 1955 If 13 0-0-0,
game transposes to main variation.

]

 10...¥b7

 11.0-0-0  ¤bd7  12.h3  £e7  13.¤e2  0-0-0
 14.c4  e5  15.dxe5  ¤xe5  16.¦xd8+  ¢xd8
 17.¤f4²

[Zeuthen/Jarlnaes 71]

 ¦g8  18.¥e2  ¢c8

 19.¦d1  ¦d8  20.¦xd8+  ¢xd8  21.£g3  ¤g6  22.h4
 ¤xf4  23.£xf4  ¤e8  24.h5  ¥c8  25.h6  £d6
 26.£g5+  £e7  27.£d5+  £d6  28.£g5+  £e7
 29.£g3  ¥f5  30.£f4  £e6  31.g4  ¥g6  32.£g5+
 £e7  33.£d5+  £d6  34.¥e5  £xd5  35.cxd5  f6
 36.¥g3  ¢e7  37.¢d2  ¤d6  38.¢e3  b5  39.¥xd6+
 ¢xd6  40.¢d4  a6  41.c4  bxc4  42.¥xc4  a5
 43.¥a2  f5  44.gxf5  ¥xf5  45.¥b3  ¥g6  46.¥a4
 ¥f5+- 
 [

Se

 46...¥f7  47.¥c6  ¥g6  48.¥b7  ¥f5

 49.¥a6  ¥g6  50.¥c8  ¥f7  51.¥f5  ¥g8  52.¥xe4

com vantagem decisiva.

 47.¥e8  ¢e7  48.¢e5

 ¥g4  49.¥g6!  ¥d7  50.¥xh7  c6  51.dxc6  ¥xc6
 52.¥xe4  ¥xe4  53.¢xe4  ¢f6  54.f4

1-0

C52

Fischer,Robert James
Fine,Reuben

Poughkeepsie

1963

 1.e4  e5  2.¤f3  ¤c6  3.¥c4  ¥c5  4.b4  ¥xb4  5.c3
 ¥a5  6.d4  exd4  7.0-0  dxc3  8.£b3  £e7

8...Qf6 is normal. Black's move uses the threat of a
later ... Qb4 to get play, but Black's pieces just get
in each others' way.

 9.¤xc3

 ¤f6

 10.¤d5

White forces Black to open the e file onto his own

background image

My 160 Memorable Games

27

king, accentuating his lead in development.

 ¤xd5

 11.exd5

 ¤e5

 12.¤xe5

 £xe5

 13.¥b2

White's lead in development is decisive, but the
t a c t i c s   F i s c h e r   u s e s   t o   p r o v e   t h i s   a r e   m o s t
instructive.

 £g5  14.h4

Deflecting the queen from

g7. If Black doesn't White wins by doubling on the e
file and mating on e7 or e8.

 £xh4  15.¥xg7  ¦g8

 16.¦fe1+  ¢d8  17.£g3

The second deflection of

the queen, and this time there is no answer--
Black can't hold both his queen and the d8-h4
diagonal.

1-0

C18

Fischer,Robert James
Mednis,Edmar

U.S. Championship

1963

 1.e4

C18: French: 3 Nc3 Bb4: Main line: 7 h4 and 7

Qg4

 e6  2.d4  d5  3.¤c3  ¥b4  4.e5  c5  5.a3

 ¥xc3+  6.bxc3

 £c7

This move is designed to

discourage 7. Qg4 when black would play 7... f5.
However, a more modern idea is simply 6... Ne7.
Then if 7. Qg4, then 7... cxd4 is complicated, but
OK for black.

 7.¤f3  ¥d7  8.a4  ¤e7  9.¥d3  ¤bc6

 10.0-0  c4  [

The Bishop must be dislodged from its

powerful diagonal before black castles. For
example

 10...0-0  11.¥xh7+  ¢xh7  12.¤g5+  ¢g8

 13.£h5  ¦fc8  14.£xf7+  ¢h8  15.f4!

and black will

find it hard to stop 16. Rf3 and 17. Rh3. For
example:

 A) 

The defensive recourse

 15...¥e8

 16.£xe6

 (

is good for a draw because white gets

into trouble after the complicated

 16.£f8+

 ¤g8

 17.¦f3  ¥h5! )

 B)  15...¤f5  16.¦f3  ¤h6  17.¦h3

 cxd4

what else?

 18.¦xh6+

is mate next

] 11.¥e2  f6

 12.¥a3  0-0  [ 12...fxe5  13.dxe5  ¤xe5  14.¤xe5
 £xe5  15.¥h5+  ¤g6

wins a pawn at the expense

of opening the center uncastled for one of history's
great attacking players.

] 13.¦e1  ¦f7  14.exf6  gxf6

 15.¥f1  ¦e8  16.¤h4  ¤g6  17.£h5  ¦g7  18.g3
 £a5!

Forcing an ugly defensive move.

 19.¥b2

 ¤d8

The isolated pawn on a4 becomes a target.

 20.¦e3  ¤f7  21.¢h1  ¤d6  [

Now the immediate

 21...¥xa4

gets refuted by

 22.¤f5! ]  22.¤xg6  hxg6

 23.£e2  ¦h7  24.¢g1  ¢f7  25.h4  f5  26.£f3  ¤e4
 27.£f4  ¦c8  28.¥g2  £c7  29.£xc7  ¦xc7  30.a5
 ¦c6  31.¥a3  ¦a6  32.¥b4  ¦h8  33.¦ee1  ¥c6
 34.¥f3  ¤d2  35.¥e2  ¤e4  36.¢g2  ¤f6  37.¦h1
 ¥e8  38.¢f3  ¤e4  39.¢e3  ¤f6  40.f3  ¥d7  41.g4
 ¥e8  42.¢f4  ¥b5  43.h5  gxh5  44.¦ag1  ¥e8
 45.¢e3  b6  46.axb6  ¦xb6  47.¦a1  ¦b7  48.¥d6
 ¦h7  49.gxf5

White is not prepared to exploit the

attacking chances created by this line opening
move. Perhaps this move was a bit impatient.

 exf5

 50.¦h4  ¢e6  51.¥h2  ¦b2  52.¢d2  ¦hb7  53.¢c1
 ¦2b6  54.¥f1  ¤g8  55.¥f4  a5

This outside

passed pawn will eventually win the game for black
in classic style. The pawn is untouchable 56.
Rxa5? Rb1+ grabs the Bishop.

 56.¦h2  a4  57.¥h3

 ¤e7  58.¥g5  ¢f7  59.¦e2  ¦e6  60.¦xe6  ¢xe6
 61.¢d1  ¤c8  62.¢d2  ¥d7  63.¥g2  ¦a7  64.¦e1+
 ¢d6  65.¥h6  a3  66.¥f8+  ¢c6  67.¥c5  ¦a8
 68.¦a1  a2  69.¢e3  ¤d6  70.¢f4  ¤b5  71.¥b4  h4
 72.¥h3  ¤c7  73.¥e7

White resigns after making

this move in adjournment. There might follow, 73...
Re8! (threatening Ne6+) 74. Bxh4 Rh8! (75. Kg3
f4+) 75. Bxf5 Rxh4+ wins a piece for 3 pawns, but
white's extra pawns are not enough to turn the tide.

0-1

B09

Fischer,Robert James
Benko,Pal Charles

US Championship

1963

 1.e4  g6  2.d4  ¥g7  3.¤c3  d6  4.f4  ¤f6  5.¤f3
 0-0  6.¥d3  ¥g4  7.h3  ¥xf3  8.£xf3  ¤c6  9.¥e3
 e5  10.dxe5  dxe5  11.f5  gxf5  12.£xf5  ¤d4
 13.£f2  ¤e8  14.0-0  ¤d6  15.£g3  ¢h8  16.£g4
 c6  17.£h5  £e8

White has the f-file, well-placed

pieces and a slightly better pawn structure. Black's
forces are scattered, and the bishop does little from
its post at g7. Fischer exploits these factors quickly.

 18.¥xd4

The knight at d4 was a potential defender

on the kingside, and the bishop was not going to
participate in the attack anyway.

 exd4

18...exd4 19.

e5 looks like it wins a piece, because of the threat
of Qxh7 mate, but Black has a defense. f5! Qxe8
Nxe8

 19.¦f6

A brilliant move. The idea is to

encourage Black to move the bishop to a position
where it blocks the f-pawn from advancing,
eliminating the defense mentioned in the previous
note. 19.Rf6 Bxf6 20.e5 h6 21.Qxh6+ Kg8 22.Qh7+

 ¢g8  20.e5  h6  21.¤e2

Here Black resigned,

because mate is still unavoidable, for example

 ¤c8

 22.£f5

1-0

D71

Byrne,Robert E
Fischer,Robert James

USA-ch New York

18.12.1963

 1.d4  ¤f6  2.c4  g6  3.g3  c6  4.¥g2  [ 4.d5  b5!
 5.dxc6  bxc4  6.cxd7+  ¤bxd7  7.¥g2  ¦b8  8.¤f3
 ¥g7  9.0-0  0-0=

Byrne,R-Fischer,R  ch-USA

1962

 4...d5  5.cxd5  [ 5.£b3 ]  5...cxd5  6.¤c3

 ¥g7  7.e3  [ 7.¤f3  0-0  8.¤e5

 ( 8.0-0  ¤e4!= )

 8...¥f5  9.0-0  ¤e4  10.£b3  ¤c6  11.£xd5  ¤xc3
 12.bxc3  £xd5  13.¥xd5  ¤xe5  14.dxe5  ¥xe5=

Benko,P-Fischer,R  ch-USA 1962

]

 7...0-0

background image

My 160 Memorable Games

28

 8.¤ge2  ¤c6  9.0-0  b6  10.b3  [ 10.¤f4  e6  11.b3
 ¥a6

 12.¦e1

 ¦c8

 13.¥a3

 ¦e8

 14.¦c1=

Stahlberg,G-Flohr,S  Kemeri 1937

]

 10...¥a6

 11.¥a3  ¦e8  12.£d2  [ 12.¦c1 ;  12.f4!?  e6µ

… ¥f8, ¦a8-c8-c7, ¦ec8

 12...e5!

'Opening the

center. Black's piece activity offsets the resulting
isolani.'

 [ 12...e6= ]  13.dxe5

 [ 13.¦ac1

 exd4

 ( 13...¦c8  14.¦fd1  e4  15.f3! )

 14.exd4  ¦c8

 15.f3µ ]  13...¤xe5  14.¦fd1?

'The wrong Rook!'

 [ 14.¦ad1!

¹

 A)  14...¦c8  15.¤xd5  ¤xd5  16.¥xd5

 ¥d3

 17.¥g2

 ¦c2

 18.£xc2+- ;  B)  14...¤d3

 15.£c2 ;  C)  14...£d7  15.£c2±

… ¦d2, ¦fd1

 ¦ac8

 16.£b1! ;  D)  14...£c7  15.£c1!  ¤e4!?  16.¤xd5!
 £xc1  17.¤xc1  ¥xf1  18.¥xe4  ¥a6  19.¤e7+  ¢h8
 20.¥xa8  ¦xa8  21.f4± ;  E)  14...£c8!  15.¤xd5

 ( 15.¦c1  £d7!  16.¦cd1  ¦ad8 ;  15.¥b2

¹

 £f5ƒ ;

 15.£c1  ¤e4  16.¤xd5  ¥xe2  17.¥xe4  ¢h8!
 18.£xc8  ¦axc8  19.¤e7  ¦c7  20.¦c1  ¦d7
 21.¦fe1  ¥f3!-+ )

 15...¤xd5  16.¥xd5  ¦d8  17.f4

 ¦xd5!  18.£xd5  ¥b7!  E1)  19.£d2  £h3!  20.¤d4
 ¤g4  21.¦fe1

 ( 21.¤c2  h5‚ )

 21...¤xe3!-+ ;  E2) 

 19.£d8+  £xd8  20.¦xd8+  ¦xd8  21.fxe5  ¥xe5µ ;
 F)  14...¤e4

 15.¤xe4

 dxe4

 16.¥xe4

 £xd2

 17.¦xd2  ¤c4  18.¥xa8  ¤xd2  19.¦d1  ¤c4
 20.bxc4

 ( 20.¥c6!

Averbakh,Y

 ¤xa3  21.¥xe8

 ¥xe2  22.¦d7+- )

 20...¦xa8µ

× c4, -

 14...¤d3!

 15.£c2  [ 15.¤d4  ¤e4  16.¤xe4  dxe4  17.¥b2
 ¦c8ƒ ;  15.¤f4  ¤e4  16.¤xe4  dxe4

 ( 16...¥xa1?

 17.¤d6 )

 17.¦ab1  ¦c8  18.¤xd3  ¥c3!  19.£e2

 ¥xd3  20.£g4  f5  21.£h3  ¥xb1!  22.¦xd8  ¦exd8
 23.¥f1  ¦d1  24.¢g2  ¥d3!  25.¥xd3  exd3-+ ; 15.f3
 ¥h6  16.f4

 ( 16.¤f4?  d4! )

 16...¥g7!

… ¤e4

]

 15...¤xf2!

 16.¢xf2

 ¤g4+

 17.¢g1

 ¤xe3

 18.£d2™

 ¤xg2!

'A brilliant attack now ensues.'

 [ 18...¤xd1  19.¦xd1= ]  19.¢xg2  d4!  20.¤xd4
 ¥b7+

 21.¢f1

'There is a great story that

accompanies this game. In a hall adjacent to the
p l a y i n g   r o o m ,   G r a n d m a s t e r   R o s s o l i m o   w a s
commenting on the games for a large audience. He
had been completely mystified by this game; at this
point, in fact, he told his audience that there was
obviously nothing left for Fischer to do but give up.
Suddenly, the messenger came with the next report,
and announced that Byrne had resigned! Can you
guess Fischer's deadly final stroke?'

 [ 21.¢g1

 ¥xd4+  22.£xd4  ¦e1+!  23.¢f2  £xd4+  24.¦xd4
 ¦xa1  25.¦d7  ¦c8  26.¦xb7

 ( 26.¥b2  ¦h1 )

 26...¦xc3  27.¦b8+  ¢g7  28.¥b2  ¦xa2-+ ;  21.¢f2
 £d7!  22.¦ac1  £h3  23.¤f3  ¥h6  24.£d3  ¥e3+
 25.£xe3  ¦xe3  26.¢xe3  ¦e8+  27.¢f2  £f5!-+ ]
 21...£d7!

'0-1 Byrne,R-Fischer,R/US

Championship 1963 (21)'

 [ 21...£d7!

 22.£f2

 ( 22.¤db5  £h3+  23.¢g1  ¥h6-+ )

 22...£h3+

 23.¢g1  ¦e1+!!  24.¦xe1  ¥xd4-+ ]

0-1

C33

Fischer,Robert James

2629

Evans,Larry Melvyn

2520

USA-ch 6364 New York

16.12.1963

The Complete Games of Bobby Fischer by Wade
and O'Connell # 59 King's Bishop's Gambit

 1.e4  e5

 2.f4  exf4  3.¥c4  £h4+  4.¢f1  d6  5.¤c3  [ 5.d4!
 ¥e6

 ( 5...g5 ;  5...¥g4  6.£d3  ¤c6  7.¥b5!  ¥d7

 8.¤f3  £h6  9.¤c3  g5  10.d5  ¤d8  11.¥xd7+
 ¢xd7  12.h4  ¥e7  13.e5± )

 6.£d3  ¥xc4

 ( 6...¤f6

 7.¥xe6  fxe6  8.¤f3  £g4  9.£b5+ )

 7.£xc4  c6

 8.£b3±

Hanstein-Bilguer/1838

 5...¥e6!?  6.£e2

 [ 6.d4  c6  7.d5  ¥g4  8.£d3  g5  9.£d4  f6  10.dxc6
 ¤xc6=

Beuthner-Cyon/Leipzig/1866

 6...c6  7.¤f3

 [ 7.d4  ¥xc4  8.£xc4  b5  9.£d3  g5  10.£h3  £xh3
 ¹11.¤xh3 ] 7...£e7  8.d4  ¥xc4  9.£xc4  g5  10.e5
 [ 10.h4  g4  11.¤e1  ¥h6= ]  10...d5  [ 10...dxe5
 11.dxe5

 ( 11.¤xe5  ¤d7  12.h4  ¤xe5  13.dxe5

 £xe5  14.hxg5  0-0-0= )

 11...¤d7  12.¤e4  ¤xe5

 13.¤xe5  £xe5  14.¥d2  £d5= ]  11.£d3  ¤a6
 12.¤e2  ¤b4  13.£d1  0-0-0 
 [

Possibly better is

 13...f6 ]  14.c3  ¤a6  15.h4  g4  16.¤h2  h5
 [ 16...f6! ]  17.¤xf4  £xh4?  [ 17...¤b8

preventing

Nxh5

 18.¢g1  ¤h6  19.¤f1  £e7  20.¤xh5  ¦g8

 21.¤fg3  ¦g6  22.¤f4  ¦g5  23.¥e3  ¤c7  24.£d2
 ¦g8  25.¤fe2  f6  26.exf6  £xf6  27.¥xh6  ¥d6
 28.¦f1  £e6  29.¥f4  ¦de8  30.¦h6  ¥xf4  31.£xf4
 £e7  32.¦f6  ¤e6  33.£e5  ¤g5  34.£xe7  ¦xe7
 35.¦f8+  ¦xf8  36.¦xf8+

1-0

C98

Fischer,Robert James

2629

Bisguier,Arthur Bernard

2459

USA-ch 6364 New York

19.12.1963

The Complete Games of Bobby Fischer by Wade
and O'Connell # 61 Ruy Lopez, Closed

 1.e4

 e5

 2.¤f3  [ 2.f4  exf4  3.¥c4  £h4+  4.¢f1

Fischer,R-

Evans,L ch-USA 1963

 2...¤c6  3.¥b5  a6  4.¥a4

 ¤f6  5.0-0  ¥e7  6.¦e1  b5  7.¥b3  0-0  8.c3  d6
 [ 8...d5!?

M a r s h a l l , F

 9.exd5

 e4

 ( 9...¤xd5 ;

 9...¤xd5 )

 10.dxc6  exf3  11.£xf3  ¥g4  12.£g3

 ¥d6  13.£h4  ¦e8  14.f3  ¥f5  15.d4  ¥xh2+
 16.¢xh2  ¤g4+  17.¢g3  £xh4+  18.¢xh4  ¦xe1
 19.fxg4  ¦xc1  20.gxf5  ¦d8  21.a4+-

Fischer,R-

Bernstein,S ch-USA 1959

 9.h3  ¤a5  10.¥c2  c5

 11.d4  £c7  [ 11...¤d7

Fischer,R-Keres,P Curacao

ct 1962

 12.¤bd2

 ¤c6

 13.dxc5

Rauser,V

'Rauzer'

 dxc5  14.¤f1  ¦d8!?  [ 14...¥e6  15.¤e3

 ¦ad8

 16.£e2

 g6 ;

 14...¤h5

 15.¤e3

/\ 16.Nd5 +/=

] 15.£e2  ¤h5  [ 15...¥e6  16.¤e3  g6

 17.¤g5  ¥c8  18.¤d5!  ¤xd5  19.exd5  ¥xg5

 ( 19...¦xd5  20.£f3!  ¥e6  21.¤xe6  fxe6  22.£g4! )

 20.¥xg5  ¦xd5  21.¦ad1±

+/= Lipnitzsky

 16.g3!

background image

My 160 Memorable Games

29

 [ 16.a4!  ¦b8  17.axb5  axb5  18.g3!  g6  19.h4!

 ( 19.¢h2  ¥e6  20.¤e3  c4=

Kmoch

)

 19...¥e6

 20.¤e3  c4  21.¤g5  ¥xg5  22.hxg5  ¤a5  23.¤g4
 ¥xg4  24.£xg4  ¤b3  25.¥xb3  cxb3  26.¥e3±

Fischer,R-Eliskases,E Mar del Plata 1960 'Fischer-
Eliskases 1960'

 16...g6  [ ¹16...¤f6  17.h4  h6

 18.¤e3  ¥e6 ;  16...¥xh3  17.¤g5  A)  17...¥xf1
 18.£xh5  ¥xg5  19.¥xg5  f6  20.¥xf6!

 ( 20.¥e3

 ¥d3  21.¥xd3  ¦xd3  22.¥xc5²

Komch

)

 20...gxf6

 21.¢xf1± ; B)  17...¥xg5  18.¥xg5  ¤f6

 ( 18...¥xf1?

 19.¥xd8 )

 19.¥xf6  gxf6  20.¤e3² ] 17.h4!  [ 17.¢h2

Bronstein,D-Reshevsky,S Zürich ct 1953

;  17.¢g2

Weinstein,R

 17...¥e6  18.¤e3  f6  [ 18...c4

 19.¤g5! ] 19.¤d5!  £b7  [ 19...¥xd5  20.exd5  ¦xd5
 21.c4!  ¤d4  22.¤xd4  ¦xd4  23.cxb5  axb5
 24.£xb5  c4

Eliskases,E 'Eliskases'

 25.¥e3  ¦b8

 26.£a4  ¦b4?  27.£e8+ ]  20.¤xe7+  £xe7±

^^

 21.¤h2

/\ Nh2-...-d5 '/\... Nd5'

 ¤g7  [ ¹21...c4

Kmoch /\Rd7,Rad8

 22.¤g4

 c4

 [ 22...¤h5

 23.¤e3  £f7  24.£f3  ¤e7  25.a4±

Kmoch

] 23.£f3!

 ¥xg4  [ 23...¦f8  24.¤e3

>< d5

 24.£xg4  ¤e6

 25.h5?  [ ¹25.¥e3

[Fischer]

 ¤c5?  26.¥xc5  £xc5

 27.£e6+  ¢g7  28.¦ad1+- ]  25...¢h8!  [ 25...g5
 26.¥e3 ]  26.¢g2!  [ 26.hxg6  ¦g8„ ]  26...g5™
 [ 26...¦g8  27.¦h1  gxh5?

 ( 27...g5

>=

;  27...g5 )

 28.£xh5  ¤f4+  29.¥xf4  exf4  30.e5!  ¦g7  31.exf6
 £xf6

 32.¥xh7+- ]  27.¥e3

 ¤f4+!

 28.¢h2!

 [ 28.gxf4?  gxf4µ

/\ Rg8; fxe3

 28...¤d3  29.¥xd3

 cxd3?  [ ¹29...¦xd3  30.¦ed1  ¦ad8

 ( 30...¦xd1

 31.¦xd1  ¦d8  32.¦xd8+  £xd8  33.£e6±

Kmoch

;

 30...¦dd8  31.¦d5!  ¦xd5  32.exd5  ¤d8  33.¦d1
 ¤f7  34.d6!  ¤xd6  35.¥c5  ¦d8  36.¦d2  £c7
 37.£e6  ¤e8  38.¦xd8  £xd8  39.£f7+-

Kmoch

)

 31.¦xd3

 cxd3

 ( 31...¦xd3?

 32.£c8+

 ¤d8

 33.£xa6 )

 32.¦d1  ¦d7  33.¦d2ƒ

/\ Bc5 /\ 34.Bc5

+-

] 30.¦ed1  ¦d7  [ 30...b4  31.¦d2  bxc3  32.bxc3

 £a3

 33.¦ad1

 ( 33.£e6

! Kmoch

)

 33...£xc3

 34.£e6

 ¢g7

 35.h6+!+- ]

 31.¦d2+-

 ¤a5

 [ 31...¦ad8  32.¦ad1  £f7  33.¥b6  ¦b8  34.¥c5
 ¦bd8  35.£f3+-

>< d3

 32.b3  £d6  [ 32...¦c8?

 33.¦xd3! ]  33.¦ad1  ¦e8  [ 33...¦ad8  34.¦xd3
 £xd3  35.¦xd3  ¦xd3  36.¥b6! ]  34.¦xd3  £xd3
 35.£xd7!

 [ 35.£xd7!

 £xd7

 36.¦xd7

 ¦e6

 37.¢h3+-

/\ Kh3-g4-f5

]

1-0

A33

Saidy,Anthony F

2618

Fischer,Robert James

2629

USA-ch 6364 New York

02.01.1964

The Complete Games of Bobby Fischer by Wade
and O'Connell # 68 English Opening Estratégia -
Carlos Alejandro Martinez - Aula 04 Variante 05
Luta do N contra o B mau Estrutura central d4-d5 #
10

 1.c4  c5  2.¤f3  ¤c6  3.d4  cxd4  4.¤xd4  ¤f6

 5.¤c3  e6  6.¤db5  ¥b4  7.a3  ¥xc3+  8.¤xc3  d5
 9.e3  0-0  10.cxd5  exd5  11.¥e2  ¥f5

'/\ 12... d4

13.exd4 Nxd4 =/+'

 12.¤b5

 £b6

 13.0-0

 a6

 14.¤d4  ¤xd4  15.£xd4  £xd4  16.exd4  ¦ac8
 17.¥d1  ¥c2  18.¥e3  ¥xd1  19.¦fxd1  ¦c2  20.¦d2
 ¦fc8  21.¦xc2  ¦xc2  22.¦c1  ¦xc1+  23.¥xc1
 ¤d7³  24.¢f1  ¤f8  25.¢e2  ¤e6  26.¢d3  h5
 27.¥e3  ¢h7  28.f3  ¢g6  29.a4  ¢f5  30.¢e2  g5
 31.¢f2  ¤d8  32.¥d2  ¢g6  33.¢e3  ¤e6  34.¢d3
 ¢f5  35.¥e3  f6  36.¢e2  ¢g6  37.¢d3  f5  38.¢e2
 f4  39.¥f2  ¤g7  40.h3  ¤f5  41.¢d3  g4  42.hxg4
 hxg4  43.fxg4  ¤h6  44.¥e1? 
 [ 44.¢e2  ¤xg4
 45.¥g1!  ¢f5

 ( 45...a5  46.¢f3  ¢f5  47.g3! )

 46.¢f3

'/\ 47.g3'

 ¤f6  47.¥h2

 ( 47.g3?  fxg3  48.¢xg3

 ¢e4! )

 47...¤h5!  48.a5!

 ( 48.¥g1?  ¤g7  49.¥h2

 ¤e6  50.¥g1  ¤g5+-+ ; 48.g3? ; 48.g4+? )

 48...¢g5

 49.g4!=

 ( 49.g3!= )

 49...fxg3  50.¥xg3=

- ACQ

]

 44...¤xg4-+  45.¥d2

 [ 45.¢e2

 ¢f5

 46.¢f3

 ¤h2+-+ ]  45...¢f5  46.¥e1  ¤f6  47.¥h4  [ 47.g3
 f3!

 48.¢e3

 ¢g4-+ ;  47.¥f2

 ¤e4

 48.¥g1

 ( 48.¢e2?  ¤xf2

 49.¢xf2

 ¢e4-+ )

 48...¢g4

 49.¢e2

 ( 49.¥h2  ¤g3  50.¢d2  ¤f1+-+ )

 49...¢g3

 50.¢f1  ¤d2+  51.¢e2  ¢xg2-+ ] 47...¤h5  48.¥e1
 ¢g4  49.¢e2  ¤g3+  50.¢d3 
 [ 50.¥xg3  ¢xg3
 51.¢f1  f3-+ ;  50.¢f2  ¤f5  51.¥c3  ¤e3 ]  50...¤f5
 51.¥f2  ¤h4  52.a5 
 [ 52.¥xh4  ¢xh4  53.¢e2  ¢g3
 54.¢f1  f3 ]  52...¤xg2  53.¢c3  ¢f3  54.¥g1  ¢e2
 55.¥h2  f3  56.¥g3  ¤e3!-+

/\ 57... Nf5 -+

0-1

C51

Fischer,Robert James
Celle

Davies simul

1964

 1.e4  e5  2.¤f3  ¤c6  3.¥c4  ¥c5  4.b4  ¥xb4  5.c3
 ¥e7  6.d4  d6  7.dxe5  ¤xe5  8.¤xe5  dxe5  9.£h5
 g6  10.£xe5  ¤f6  11.¥a3  ¦f8  12.0-0  ¤g4
 13.£g3  ¥xa3  14.¤xa3  £e7  15.¥b5+  c6  16.¤c4
 £e6  17.¦ad1  cxb5  18.£c7  ¥d7  19.¤d6+  ¢e7
 20.¤f5+  gxf5  21.exf5  ¦ac8  22.¦xd7+  £xd7
 23.f6+  ¤xf6  24.¦e1+  ¤e4  25.¦xe4+  ¢f6
 26.£xd7  ¦fd8  27.£g4

1-0

C41

Fischer,Robert James
Chaney

Houston (simul)

1964

 1.e4  e5  2.¤f3  d6  3.d4  f5

Black opens up his

kingside while he's behind in development, a
formula for an early demise.

 4.dxe5  fxe4  5.¤g5

Threatening Black's e-pawn and preventing 5...
dxe5.

 d5  6.¤c3

This develops a piece with gain of

background image

My 160 Memorable Games

30

tempo.

 ¤e7

Blocking in his whole kingside.

 7.e6

This wins at least the exchange, since Black can't
do anything to keep the knight out of f7.

 ¤g6  8.¤f7

 £f6  9.¤xh8

Black has no appetite for 9...Nxh8 10.

N x d 5 ,   w h e n   h e   m u s t   l o s e   a t   l e a s t   a n o t h e r
exchange. Play this out against Gambit if you don't
see why.

1-0

C51

Fischer,Robert James
Boatner

Simultaneous Exhibition

1964

 1.e4  e5  2.¤f3  ¤c6  3.¥c4  ¥c5  4.b4  ¥xb4  5.c3
 ¥e7

Black doesn't want to gain a tempo after 6.d4

as he would after 5...Bc5.

 6.d4

 d6

This is a

mistake. Black should play 6...Na5 to neutralize
White's bishop.

 7.£b3

White should play 7.dxe5.

The text lets Black defend by 7...Na5, since 8.
Bxf7+ is no good.

 ¤h6

 8.¥xh6

Now 8...Na5

doesn't work as Black will come out a piece down.

 gxh6  9.¥xf7+  ¢f8  10.¥h5

Black can only stop

the mate on f7 by 10...d5, when he will end up two
pawns down with his king still exposed.

1-0

C43

Fischer,Robert James
Chalker

Simultaneous Exhibition

1964

 1.e4  e5  2.¤f3  ¤f6  3.d4  exd4  4.e5  ¤e4  5.£e2

White tries to prove Black's knight is misplaced. 5...
f 5   o r   5 . . . w o u l d   l o s e   a   p a w n   f o r   s h a k y
c o m p e n s a t i o n .

 ¥b4+

If White interposes on d2

Black will take over the initiative; if he moves his
king Black will have two exposed minor pieces.

 6.¢d1

Now that W te's king is stuck in the center

Black show sacrifice a pawn by 6...d5 7. exd6 f5,
with complications.

 ¤c5

By cutting his bishop off

from the kingside Black lets his queen get trapped.

 7.¥g5  d3

Black's best try, keeping White's queen

out of c4, but not good enough.

 8.cxd3  f6  9.exf6+

 ¢f7  10.¤e5+  ¢e6  11.¤c6+

1-0

A00

Fischer,Robert James
Gloger

Simultaneous Exhibition

1964

 1.b4

White grabs space on the queenside and

prepares to fianchetto his bishop.

 e5  2.¥b2  f6

Black blocks the bishop's diagonal but weakens his
kingside.

 3.e4

With Black having weakened his

kingside White shifts into gambit mode and plays
for attack.

 ¥xb4  4.¥c4

Now Black will be unable

to castle.

 ¤e7  5.£h5+  ¤g6

5...g6 6.Qh4 leaves

Black's knight awkwardly placed, but now the pin
o n   t h e   k n i g h t   w i l l   b e c o m e   u n p l e a s a n t .

 6.f4

White offers another pawn to open his queen
bishop's diagonal.

 exf4

 7.¤f3

Threatening to

attack the pinned knight by 8.Nh4.

 ¤c6

 8.¤c3

Now White threatens 9.Nh4 Ne7 10.Nd5.

 ¥xc3

 9.¥xc3  d6  10.¤h4  ¤ce7  11.¤f5  ¢f8  12.0-0

White threatens 13.Rxf4 followed by 14.Nxg7 and
15.Rxf6 or 15.Bxf6.

 £e8

This loses by cutting off a

possible escape square for Black's king.

 13.¥xf6

Black can't take the bishop because of 14.Qh6
mate.

 ¥xf5  14.exf5  d5  15.fxg6  gxf6  16.£h6+

 ¢g8  17.g7

1-0

C30

Fischer,Robert James
Jones

Simultaneous Exhibition

1964

 1.e4  e5  2.f4  f6

After this Black is almost lost.

 3.fxe5

 ¤c6

3...fxe5 4. Qh5+ gives Black the

unhappy choice of losing a rook after 4...g6 5.
Qxe5+ or his king after 4...Ke7 5.Qxe5+ Kf7 6.
Bc4+.

 4.d4  ¥e7  5.exf6  gxf6

If 5...Nxf6 White

plays 6.Bd3 threatening 7.e5 and 8.Qh5+.

 6.£h5+

 ¢f8  7.¥c4  £e8  8.¥h6+

1-0

C10

Fischer,Robert James
Kral,Peter

Simultaneous Exhibition

1964

 1.e4  e6  2.d4  d5  3.¤c3  dxe4  4.¤xe4  ¤d7
 5.¤f3  ¤gf6  6.¤xf6+  ¤xf6  7.¥d3  ¥e7  8.£e2
 0-0  9.¥g5  c5  10.dxc5  £a5+  11.c3  £xc5
 12.0-0-0

Here Black makes a big mistake.

 b5

Now there is a path to the rook at a8 on one
diagonal, and a path to h7 on another diagonal.
The diagonals intersect at e4. If the White queen
occupies that square, we would have a double
attack.

 13.¥xf6

 ¥xf6

White to move and win.

 14.£e4  g6  15.£xa8  b4  16.c4

1-0

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My 160 Memorable Games

31

C33

Fischer,Robert James
Nyman

Simultaneous Exhibition

1964

 1.e4  e5  2.f4  exf4  3.¥c4  d5  4.¥xd5  ¤f6  5.¤c3
 ¥b4  6.¤f3  0-0  7.0-0  ¥xc3  8.dxc3  c6  9.¥c4
 £b6+

Black should trade queens and live with a

slight disadvantage after White takes on f4.

 10.¢h1

 ¤xe4  11.£e1  ¦e8  12.¥xf4  ¤d6  13.¥xd6  ¦xe1
 14.¦axe1

For his queen White has a huge lead in

development and threats against f7. Now 14...Be6
would lose to 15 Ng5.

 ¥d7  15.¤g5  ¤a6  16.¦xf7

After 16...Kh8, the only defense to the threatened
discovered check, White takes the bishop and will
mate by Nf7+.

1-0

C52

Fischer,Robert James
Sugerman

Simultaneous Exhibition

1964

 1.e4  e5  2.¤f3  ¤c6  3.¥c4  ¥c5  4.b4  ¥xb4  5.c3
 ¥a5  6.d4  exd4  7.0-0  d6  8.£b3

In this standard

line of the Evans Gambit White plays for pressure
a g a i n s t   f 7   t o   c o m p e n s a t e   f o r   h i s   p a w n .

 ¥b6

This loses--Black gives back the pawn for no
reason and lets his king get pushed around.

 9.¥xf7+  ¢f8  10.¥xg8  ¦xg8  11.¤g5

This double

a t t a c k   a g a i n s t   f 7   a n d   h 7   w i n s   m a t e r i a l .

 ¤e5

11...Qe8 12.Nxh7+ Ke7 13.Bg5+ Kd7

 12.¤xh7+

Black loses a rook after 12... Ke8 13.Qxg8+ or his
queen after 12...Ke7 13.Bg5+

1-0

B86

Fischer,Robert James
Blackstone,John

Unites States simul

1964

 1.e4  c5  2.¤f3  d6  3.d4  cxd4  4.¤xd4  ¤f6  5.¤c3
 a6  6.¥c4  e6  7.0-0  ¥e7  8.¥b3  £c7  9.f4  b5
 10.f5  b4  11.fxe6  bxc3  12.exf7+  ¢f8  13.¥g5
 ¤g4  14.¥f4  cxb2  15.¦b1  ¤c6  16.¥d5  ¤xd4
 17.¥xa8  £a7  18.¢h1  ¤b5  19.£d2  £xa8  20.c4
 ¤a7  21.¥xd6  ¤c6  22.¥xe7+  ¢xe7  23.£g5+
 ¢f8  24.£c5+  ¤e7  25.£c7  ¤f6  26.e5  £c6
 27.£d8+  ¢xf7  28.£xh8  ¥b7  29.¦xb2  £xc4
 30.¦bf2  ¤g6  31.¦xf6+  gxf6  32.¦xf6+  ¢e7
 33.£xh7+  ¢d8  34.¦d6+  ¢c8  35.£d7+  ¢b8
 36.£d8+  ¢a7  37.£b6+  ¢a8  38.¦xg6

1-0

C57

Fischer,Robert James
Burger,Robert

San Francisco sim

1964

 1.e4  e5  2.¤f3  ¤c6  3.¥c4  ¤f6  4.¤g5  d5
 5.exd5  ¤d4  6.c3  b5  7.¥f1  ¤xd5  8.cxd4  £xg5
 9.¥xb5+  ¢d8  10.£f3  ¥b7  11.0-0  exd4?
 [ 11...e4!?  12.£xe4  ¥d6  13.d3

 ( 13.¦e1?!  c6

 14.¥d3  ¢d7  15.h4² ;  13.f4  ¥xf4  14.¤c3  ¦b8
 15.£e2= )

 13...¥xh2+

 ( 13...£h5  14.h3  ¦b8= )

 14.¢xh2

 ¤f4

 15.£xb7??

 ( 15.¥xf4!

 £h4+

 16.¢g1  ¥xe4  17.¥g3  £g5  18.dxe4  £xb5
 19.¤c3  £xb2  20.¦fc1  ¦e8  21.¥f4  ¦c8³ )

 15...£h4+  16.¢g1  ¤e2# ]  12.£xf7??  [ ¹12.d3
 £e5  13.¥d2± ]  12...¤f6  [ 12...¤f6  13.f3

 ( 13.g3

 ¥d5  14.d3  £f5  15.£xd5+  £xd5+- )

 13...¥d5

 14.d3  £e5  15.£xd5+  ¤xd5  16.f4  £f5-+ ]

0-1

E67

Pietzsch,Wolfgang
Fischer,Robert James

Havana

1965

 1.¤f3  ¤f6  2.c4  g6  3.g3  ¥g7  4.¥g2  0-0  5.0-0
 d6  6.d4  ¤bd7  7.¤c3  e5  8.dxe5  dxe5  9.£c2
 c6  10.¦d1  £e7  11.¤g5

This just loses time. The

night can't stay on e4, so it should stick to f3.

 ¤e8

Now if either knight moves to e4, then ...f5 is strong,
so Pietzsch tries something else, but he soon finds
the position opening up to his disadvantage.

 12.e4

 ¤c7

Eyeing the new weakness on d4.

 13.¥e3

The bishop is now a target for f7-f5-f4.

 h6  14.¤f3

 ¤e6

 15.¦ab1

Hoping to ge t something on the

queenside, but this is too slow. Black gets the
initiative right away on the kingside, since he can
gain time attacking White's pieces.

 f5

 16.¤h4

Since White can't follow up with f4 due to the
weakness of the f file, this just misplaces another
piece. Pietzsch hopes to get light square play, but
just misplaces another piece.

 £f7  17.exf5  gxf5

 18.¥h3

Another pot ential target. Fischer now hits

all White's pieces with tempo, and it's no surprise
that in the end something must drop.

 f4

This does

weaken the light squares, but such considerations
are of lesser importance than king safety, which
White lacks.

 19.£g6

White must have thought this

move got him out of trouble, but punishment is
swift.

 ¤g5

The winning move. White has too many

pieces hanging.

 20.¥xd7  ¥xd7  21.£xf7+  ¦xf7

 22.gxf4

Otherwise Black will trade on g3 and

penetrate to f2.

 exf4  23.¥d4  ¥g4  24.¦d2  ¦d7

0-1

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My 160 Memorable Games

32

E61

Burger,Karl
Fischer,Robert James

New York US-ch

1965

 1.c4  g6  2.¤c3  ¥g7  3.g3  e5  4.¥g2  d6  5.e3
 ¤f6  6.¤ge2  0-0  7.0-0  c6  8.d4  £e7  9.£c2
 ¦e8  10.e4  ¤bd7  11.d5  a5  12.h3  cxd5  13.cxd5
 b6  14.¤b5  ¥a6  15.¤ec3  ¦ec8  16.a4  ¤e8
 17.¦e1  ¥xb5  18.axb5  £f8  19.h4  ¤c5  20.¥h3
 ¦cb8  21.¦a3  ¥h6  22.¥g5  ¥xg5  23.hxg5  h6
 24.gxh6  £xh6  25.¢g2  ¤f6  26.¤b1 
 [ 26.¦h1

/\ 27.Raa1

 26...¢g7  27.¤d2  ¦h8  28.¦h1  ¦h7

 29.b4!  ¤b7  30.¤f1  [ 30.£c7 ;  30.£c6  £xd2
 31.£xb7  ¤xe4  32.¦f3

 ( 32.£xb6  £xb4µ )

 32...¦f8

 33.bxa5

 ( 33.£xb6  £xb4µ )

 33...£xa5³ ] 30...¦ah8

 31.¦f3  axb4  32.£c7!  ¤c5  33.¦xf6?  [ 33.£xb6?
 ¤cxe4 ;

 33.£xd6!

 ¤cxe4

 ( 33...¤fd7

 34.¦xf7+!+- ;  33...¤g4  34.¤e3  ¤xe4  35.¦xf7+
 ¢xf7  36.£e6+  ¢g7  37.£xg4  ¤d6!= ;  33...¤cd7
 34.£xb4  ¤c5  35.¤d2² )

 34.£xe5  ¦e8  35.£d4

 ¦d8

 36.¤e3² ]

 33...¢xf6

 34.£xd6+

 ¢g7

 35.£xe5+  ¢g8  36.¤e3  [ 36.£e8+  £f8  37.£xf8+
 ¢xf8µ ]  36...£g7  37.£b8+  £f8  38.£xb6  ¤xe4
 39.£d4  f5  40.d6  £xd6  41.£c4+  ¢g7  42.¦d1
 £e7  43.¤d5 
 [ 43.¥xf5  ¦h2+-+ ] 43...£c5  44.£a2
 ¦xh3  45.£b2+  ¢f7

0-1

B87

Soruco Garcia
Fischer,Robert James

Havana Olympiad

1966

 1.e4  c5  2.¤f3  d6  3.d4  cxd4  4.¤xd4  ¤f6
 5.¤c3

 a6

 6.¥c4

 e6

 7.¥b3

 b5

 8.a3

The beginning of some very passive play by White.

 ¥e7  9.¥e3  0-0  10.0-0  ¥b7  11.f3

White worries

about the weakness of his e-pawn, but Black takes
over the initiative after this.

 ¤bd7  12.£d2  ¤e5

 13.£f2  £c7  14.¦ac1  ¢h8

With White unable to

do anything anywhere on the board Black prepares
to take the initiative on the kingside as well.

 15.¤ce2  ¦g8  16.¢h1

Getting off of the g-file in

case Black forces it open, but moving onto the
diagonal of Black's queen bishop.

 g5

 17.h3

White doesn't want to allow ...g4 when his e-pawn
will become hopelessly weak and Black will have
an attack on his king as well, but now the dark
s q u a r e s   a r o u n d   W h i t e ' s   k i n g   a r e   w e a k .

 ¦g6

 18.¤g3  ¦ag8  19.¤xe6

White sees ...h5, ...Rh6

and ...g4 coming and panics, but it is hard to see
what he could have done. to stop Black's attack.

 fxe6  20.¥xe6  ¤xe4

This discovered attack on

White's bishop ends White's hope of counterattack.

 21.¤xe4  ¦xe6

White has nothing for his piece and

Black is ready to resume his attack.

0-1

E69

Sherwin,James
Fischer,Robert James

New York ch-US

1966

 1.¤f3  ¤f6  2.g3  g6  3.¥g2  ¥g7  4.0-0  0-0  5.d4
 d6  6.c4  ¤bd7  7.¤c3  e5  8.e4  c6  9.h3  £b6
 10.¦e1  ¦e8  11.d5  c5  12.a3  a6  13.¦b1  £c7
 14.¥e3  b6  15.¥f1  ¤f8  16.b4  ¥d7  17.¢h2  ¦eb8
 18.£c2  ¤e8  19.¦b2  f5  20.¦eb1  £c8  21.bxc5
 bxc5  22.¦b6  ¦xb6  23.¦xb6  ¥f6  24.¦b2  ¤g7
 25.¥d2  ¥d8  26.£b3  ¥c7  27.£b7  ¥a5  28.£xc8
 ¥xc8  29.¥d3  ¤d7  30.¤a4  ¥c7  31.¤h4  fxe4
 32.¥xe4  ¤f6  33.f3  ¤xe4  34.fxe4  ¤e8  35.¤c3
 ¥a5  36.g4  ¤f6  37.¤b1  ¥d8  38.¤c3  ¤xg4+
 39.hxg4  ¥xh4  40.g5  ¥g4  41.¥e3  ¦f8  42.¤b1
 ¦f3  43.¦b3  ¥g3+  44.¢g2  ¥f4  45.¦b8+  ¢f7
 46.¥xf4  exf4  47.¦b7+  ¢e8  48.¦b8+  ¢d7
 49.¦b7+  ¢d8  50.¦f7  ¢e8  51.¦f6  ¢e7  52.¦e6+
 ¢d7  53.¦f6  ¥h5  54.¤d2  ¦g3+  55.¢f2  ¦d3
 56.¤f1  ¦f3+  57.¢g2  ¦xa3  58.¦xf4  ¥e2  59.¤g3
 ¥xc4  60.¦f7+  ¢e8  61.¦xh7  ¥d3  62.¦h8+  ¢e7
 63.¦h7+  ¢f8  64.¦h8+  ¢g7  65.¦c8  ¢f7  66.¦c7+
 ¢e8  67.e5  dxe5  68.¦xc5  ¢d7  69.¦c6  ¦a5
 70.¢f3  ¦xd5  71.¦f6  ¦d6  72.¦f7+  ¢e6  73.¦a7
 ¢d5  74.¢e3  ¢e6  75.¦a8  ¥b5  76.¦f8  ¢e7
 77.¦g8  ¢f7  78.¦b8  ¦d3+  79.¢f2  ¥c6  80.¦b6
 ¦f3+  81.¢g2  ¦c3+  82.¢f2  a5  83.¦a6  a4
 84.¤e2  ¦c4  85.¤g3  ¢e6  86.¦a7  ¦c2+  87.¢f1
 ¦c3  88.¦a6  ¦xg3  89.¦xc6+  ¢f5  90.¦a6  ¦a3
 91.¦a5  ¦a2  92.¢g1  a3  93.¢f1  ¢f4  94.¢g1  e4
 95.¢f1  ¢f3  96.¢g1  e3  97.¦e5  ¦g2+  98.¢h1  a2
 99.¦a5  ¦b2  100.¦e5  a1£#

0-1

B50

Bisguier,Arthur Bernard
Fischer,Robert James

USA-ch New York

1966

Estratégia - Carlos Alejandro Martinez - Aula 05
V a r i a n t e   0 4   L u t a   d o   B   b o m   c o n t r a   o   B   m a u
Posições diversas # 5  3/46

 1.e4  c5  2.¤f3  d6

 3.c3  ¤f6  4.¥d3  ¤c6  5.¥c2  ¥g4  6.d3  [ 6.h3
 ¥xf3  7.£xf3  g6  8.d3  ¥g7  9.0-0  0-0  10.£e2  b5
 11.f4  b4!  12.¥e3  ¤d7! ] 6...g6  7.¤bd2  ¥g7  8.h3
 ¥d7

'!'

 9.0-0  0-0  10.¤h2  b5  11.f4  b4

'!'

 12.¤c4

 d5

'N!?'

 13.¤e5

'?!'

 [ 13.¤e3!? ] 13...bxc3  14.bxc3

 dxe4  15.dxe4  ¤xe5  16.fxe5  ¤e8  17.¤f3  ¤c7
 18.¦f2  ¥b5  19.¥g5  £xd1+  20.¦xd1  ¦fe8
 21.¥b3  c4  22.¥c2  ¤e6  23.¥e3  ¦eb8  24.¦b1
 a6  25.¦ff1  ¥e8  26.¢f2  ¤d8  27.¦xb8

'?'

background image

My 160 Memorable Games

33

 [ 27.¤d2!? ]  27...¦xb8  28.¦b1  ¦b5

'!'

 29.¦xb5

 axb5  30.¢e2  h6  31.¢d2  g5  32.h4  g4  33.¤d4
 e6  34.¥f4  h5  35.¥g5  ¤b7  36.¥f6  ¥h6+  37.¥g5

'?'

 ¥xg5+  38.hxg5  ¢g7  39.¢e3  ¢g6  40.¢f4

 ¤c5  41.g3  ¥d7  42.a3  ¥e8  43.¥b1  [ 43.¤e2
 ¤d3+! ]  43...¤a4  44.¤e2  ¤b2  45.¤d4  ¤d1
 46.¤e2  ¤f2

'N!'

 47.¢e3  ¤h3  48.¤f4+  ¢xg5

 49.¤g2  f6  50.exf6  ¢xf6  51.¤h4  [ 51.¢d4  e5+
 52.¢d5  ¤g1! ] 51...e5  52.¥c2  ¥d7  53.¥b1  ¤g5
 54.¥c2  ¤f7  55.¥b1  ¤h8  56.¥c2  ¤g6  57.¤xg6
 [ 57.¤g2

 ¢g7

 58.¥b1

 ¢h6

 59.¥c2

 h4 ]

 57...¢xg6  58.¢f2  ¢g5  59.¢g2  h4  60.¢h2  h3

'!'

 [ 60...hxg3+?  61.¢xg3 ]  61.¢g1  ¢f6  62.¢h2

 ¢e7  63.¢g1  ¢d6  64.¢f2  ¢c5  65.¢g1  ¢b6
 66.¢h1  ¢a5  67.¢g1  ¥c6  68.¢h1  ¥b7  69.¢g1

' #'

 ¥xe4

'!' '!!'

 70.¥xe4  ¢a4  71.¥f5  [

Se

 71.¥c6

 ¢b3!!  72.¥xb5  ¢xc3  73.a4  e4  74.¥d7  ¢d2
 75.¥xg4  c3

resulta decisivo.

 71...¢b3  72.¥xg4

 e4  73.¥xh3  [ 73.¥f3  e3 ]  73...¢xc3  74.g4  ¢d2
 [ 74...¢d2  75.g5  e3  76.¥g4  c3 ]

0-1

E45

Portisch,Lajos
Fischer,Robert James

Piatigorsky-Cup 2nd

03.08.1966

Nimzo-Indian, Rubinstein Variation

La Pasion del Ajedrez 22

 1.d4  ¤f6  2.c4  e6  3.¤c3  ¥b4  4.e3  [ 4.¥g5

Spassky,B

 h6  5.¥h4  c5  6.d5  d6  7.e3  ¥xc3+!

 8.bxc3  e5=

Fischer

 4...b6  5.¤ge2  [ 5.¥d3  ¥b7

 6.¤f3  A)  6...¤e4!  7.0-0  f5

 ( 7...¤xc3!  8.bxc3

 ¥xc3  9.¦b1  ¤c6!µ )

 8.¥xe4  fxe4  9.¤d2  ¥xc3

 10.bxc3  0-0  11.£g4  ¦f5!=

Gligoric,S-Larsen,B/

Habana/1967/

 12.¤xe4?  h5 ;  B)  6...0-0  7.0-0

 ¥xc3

 ( 7...d5 )

 8.bxc3  ¥e4  9.£c2  ¥xf3!

 ( 9...¥xd3

Reshevsky,S-Fischer,R/USA-ch/1965

)

 10.gxf3

 c5÷ ] 5...¥a6  [ 5...¤e4!?  6.£c2  ¥b7  7.f3

 ( ¹7.a3 )

 A)  7...¤xc3!

¹

 8.¤xc3

 ( 8.bxc3  ¥d6!  9.e4  ¤c6³

× c3, c4

)

 8...£h4+  9.£f2  ¥xc3+  10.bxc3  £xf2+

 11.¢xf2

 ¥a6!=

…   ¤ b 8 - c 6 - a 5

 B)  7...¥xc3+

Taimanov,M-Levin,N/URS-ch/1967

 6.¤g3  [ 6.a3

 ¥xc3+

 ( 6...¥e7  7.¤f4  d5  8.cxd5  ¥xf1  9.¢xf1

 exd5

 10.g4!²

Botvinnik,M-Smyslov,V/Wch-

Moscow/1954

)

 7.¤xc3  d5  8.b3  0-0  9.a4  ¤c6

 A)  10.¥e2  dxc4  11.¥a3!  ¦e8  12.b4  ¤e7  13.0-0

 ( 13.b5  ¥b7  14.0-0² )

 13...¤ed5  14.¦c1  c6!

 15.¥f3  b5  16.a5  £c7  17.£c2  ¦ad8  18.¦fd1  ¥b7
 19.¦d2  ¤xc3  20.£xc3  c5!  21.dxc5  ¥xf3  22.gxf3
 ¦xd2  23.£xd2  ¦d8  24.£e1  ¦d3  25.¥b2  ¤d5µ

Evans,L-Fischer,R/USA-ch/1965

;

 B)  10.¥b2?

 dxc4  11.bxc4  ¤a5  12.¤b5  c6  13.¤a3  £e7!
 14.£c2  c5  15.¥e2  cxd4  16.exd4  ¦fc8  17.0-0

 ¦c6!  18.¥f3  ¤d5µ

Addison,W-Fischer,R/USA-ch/

1965

 6...¥xc3+!

'!?' ''!' Ftacnik. '

 [ 6...0-0  7.e4

 ¤c6

 ( 7...c5  8.d5  d6  9.¥e2  exd5  10.exd5  ¥xc3+

 11.bxc3  ¤bd7  12.0-0  ¦e8  13.£a4ƒ

Portisch,L-

Reshevsky,S/Santa Monica Piatigorsky /1966/

)

 8.¥d3!  d5

 ( 8...¤xd4?  9.£a4+- )

 9.cxd5  ¥xd3

 10.£xd3  exd5  11.e5  ¤e4  12.a3±

Portisch,L-

Spassky,B/ Moscow/1967

;  6...d5??

 7.£a4+ ]

 7.bxc3  d5  8.£f3!?  [ 8.¥a3?  dxc4!  9.£f3  £d5
 10.e4  £c6µ ;  ¹8.cxd5

F

 ¥xf1  9.¢xf1  £xd5

 10.£d3

Gligoric-Portisch/Malaga/1961/

 8...0-0

 [ 8...£d7?

''?' Ftacnik. '

 9.cxd5  exd5  10.¥xa6±

Bronstein-Portisch/Budapest/1961 ''±' Ftacnik.
Ftacnik: 'Bronstein-Portisch/Budapest/1961''

 ¤xa6

 11.£e2  ¤b8  12.0-0  0-0  13.c4  ¤e4  14.cxd5
 ¤xg3  15.hxg3  £xd5  16.¥a3  ¦e8  17.¦ac1  c6
 18.¦c2  ¤d7  19.¦fc1  ¦ac8  20.£f3  £a5  21.¥d6
 c5  22.£f5  ¤f6  23.¥e5  ¦c6  24.dxc5  bxc5
 25.¥xf6  ¦xf6  26.£xc5  £xc5  27.¦xc5  ¦a6
 28.¦1c2  g6  29.g4  h6  30.¦c8  ¦xc8  31.¦xc8+
 ¢g7  32.¦c2  ¢f6  33.f4  ¦a3  34.¢f2  ¢e6  35.¢f3
 ¢f6  36.¢e4  ¦a4+  37.¢d5  ¦a3  38.¢d4  ¦a4+
 39.¢d5  ¦a3  40.¢d4  ¦a4+  41.¢c5  ¦a3  42.¦e2
 a5  43.¢d4  ¢e6  44.e4  ¦a4+  45.¢c5  ¦a3
 46.¦b2  ¦g3  47.¦b6+  ¢e7  48.f5  ¦xg4  49.f6+
 ¢d7  50.¢d5  ¦g5+  51.e5  ¦xg2  52.¦b7+  ¢e8
 53.¦e7+  ¢f8  54.¦a7  ¦d2+  55.¢e4  ¦e2+
 56.¢d4  ¢e8  57.¦e7+  ¢f8  58.¦a7  ¢e8  59.¦e7+

½-½ Bronstein,D-Portisch,L/Budapest 1961/EXT
98 (59)

 9.e4!?

 [ ¹9.cxd5

 exd5

 ( 9...¥xf1?

 10.dxe6! )

 10.¥xa6  ¤xa6  11.£e2  £c8  12.0-0  c5

 13.dxc5

 ¤xc5

 14.c4=

Fischer

]

 9...dxe4!

 [ 9...dxc4!?  10.¥g5  h6  A)  ¹11.h4!‚  ¥b7!  A1) 
 12.¤h5!?  ¤bd7!

 ( 12...hxg5?  13.hxg5  ¤xe4

 14.¤f6+!!+-

Spassky,B

)

;

 A2)  12.¥xf6

 £xf6

 13.£xf6  gxf6  14.¥xc4 ;  B)  11.¥d2?

''?' Ftacnik. '

 ¤bd7  12.e5  ¤d5  13.¤f5

 ( 13.¤h5  £h4! )

 13...exf5  14.£xd5  ¦e8!

''!' Ftacnik. '

 15.¥xc4

 ( 15.0-0-0  c5 )

 15...¤xe5!

''!' Ftacnik. '

 16.£xd8

 ¤xc4+  17.£xe8+  ¦xe8+  18.¢d1  ¤xd2  19.¢xd2
 ¦e2+-+

Saidy,A-Fischer,R/USA-ch/1965 ''-+'

Ftacnik.  Ftacnik: 'Saidy,A-Fischer,R/USA-ch/
1965''

 20.¢c1  ¦xf2  21.g3  ¥b7  22.¦e1  ¥e4

 23.¦e3  ¦xh2  24.a4  h5  25.¦a3  g5  26.¦b3  f6
 27.a5  h4  28.gxh4  ¦xh4  29.¦a3  ¦h7  30.axb6
 axb6  31.¦a7  ¦e7  32.d5  ¢f7  33.¢d2  f4  34.¦e1
 f5  35.c4  g4  36.¦b7  g3  37.d6  cxd6  38.¦xb6  f3

0-1 Saidy,A-Fischer,R/New York 1965/MCL (38)

]

 10.¤xe4  ¤xe4  11.£xe4  £d7?

… ¤b8-c6-a5: ×

c4
Diagram

 [ 11...¤d7  12.¥d3  ¤f6  13.£h4=

-,ƒ

]

 12.¥a3  [ 12.£xa8?  ¤c6  13.£xf8+  ¢xf8™  14.¥d3
 ¤a5  15.¥xh7  ¤xc4  16.0-0  g6  17.¥h6+  ¢e7
 18.¦fd1  £d5  19.¦d3  ¤d6  20.¦f3  ¤f5  21.¥g5+
 ¢f8 ; 12.¥d3  f5  13.£e2  ¤c6  14.0-0  ¦fe8!  15.f4

 ( 15.¥f4 )

 15...¤a5µ

Portisch

 12...¦e8  13.¥d3

 [ ¹13.0-0-0 ]

 13...f5

 14.£xa8?

 [ ¹14.£e2 ]

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My 160 Memorable Games

34

 14...¤c6-+

 15.£xe8+  £xe8µ  16.0-0

 ¤a5

 17.¦ae1  ¥xc4  [ 17...£a4!  18.¥b4

 ( 18.¥c1  ¥xc4

 19.¥xc4  £xc4-+ )

 18...¥xc4  19.¥xc4  ¤xc4

 20.¦xe6  a5  21.¥e7  ¤d2!  22.¦fe1  ¤e4  23.f3
 £xa2!-+

Fischer

 18.¥xc4  [ 18.¥xf5?  £a4-+ ]

 18...¤xc4-+  19.¥c1  c5!  20.dxc5  [ 20.d5?  e5 ]
 20...bxc5  21.¥f4  h6!  22.¦e2

'?'

 [ 22.h4  e5!

 23.¥xe5  ¤xe5  24.f4  ¤f3+!  25.gxf3  £a4-+

× a2, c3, f3, f4, h4 Fischer

]

 22...g5

 23.¥e5?

 [ 23.¥e3!  £b5

 ( 23...£c6  24.f4  g4  25.¥f2 )

 24.f3!

 ( 24.f4?

 ¤d6

…   2 5 . . . ¤ e 4

)

 24...e5

 25.¥f2

… ¦e1= Portisch

 23...£d8  24.¦fe1  [ 24.f4  ¤d2!

 25.¦fe1  ¤e4ƒ

Fischer

 24...¢f7  25.h3  f4

'!'

 26.¢h2  a6  [ 26...£d5  27.¥b8 ]  27.¦e4  £d5!
 28.h4

'?'

 [ ¹28.¦4e2  f3!  29.gxf3

 ( 29.¦e4  fxg2-+

… ¤d2

)

 29...¤d2-+

Fischer

 28...¤e3!  29.¦1xe3

 [ 29.f3  £d2  30.¦g1  £f2-+

Fischer

 29...fxe3

 30.¦xe3  £xa2  31.¦f3+  [ 31.f3  £f2  32.¦e4
 gxh4-+ ]

 31...¢e8

 32.¥g7

 £c4

 33.hxg5

 [ 33.¥xh6  £xh4+  34.¦h3  £xf2  35.¥xg5  a5-+ ]
 33...hxg5

 34.¦f8+

 ¢d7

 35.¦a8

 ¢c6

'0-1 Portisch,L-Fischer,R/Santa Monica 2/549
1966/Inf02/[Ivkov,B] (35)' '0-1 Portisch,L-Fischer,R/
Santa Monica 1966/MCL/[Ftacnik] (35)'

0-1

C69

Fischer,Robert James
Gligoric,Svetozar

La Habana olm fin-A, XVII

1966

All About Chess, by I. A. Horowitz Bobby Fischer: A
Welter of Winning Possibilities Ruy Lopez  Inf.2/236

 1.e4  e5  2.¤f3  ¤c6  3.¥b5  a6  4.¥xc6!

'Surpresa! Utilizei esse lance em partida anterior
contra Portisch (ver nota sobre o sexto lance das
pretas). Observando Gligorich, à minha frente,
decidi que ele estava pronto a repetição da linha.

 dxc6

'Esta jogada é tão automática que quase

ninguém a comenta.'

 [ 4...bxc6  5.d4  exd4  6.£xd4

'|^' 'as brancas mantêm iniciativa duradoura. Se'

 £f6  7.£d3!²

'~~!' '!'

 ( 7.e5  £g6  8.0-0  ¥b7  9.e6?

 fxe6

 10.¤e5

 £xg2+

'!'

 11.¢xg2

 c5+-+

'N' 'uma velha armadilha'

)

 5.0-0

'!' '#"Para as

pretas, um imediato 5.d4 apresentaria menos
problemas do que o lance do texto, confirmando
mais uma vez a opinião de Nimzovich que disse
que ameaça é mais forte que sua execução.
Embora trocando o bispo pelo cavalo e um bispo
que usualmente desempenha funcões estratégicas
importantes nesta abertura, as brancas cometeram
erros táticos importantes e ganhando tempo para
s e   d e s e n v o l v e r ,   p r e j u d i c a r a m   u m   p o u c o   a
estrutura dos peões das pretas, reativando a
ameaça do PK preto (Gligorich). A continuação do
texto era preferida por Emanuel Lasker, Bernstein

e também pelo mestre holandês Barendregt e foi
por longo tempo estuda por mim antes de ser
incluída em meu arsenal.'

 [ 5.d4 ]  5...f6

'!' '"Esta

s i t u a ç ã o   é   p o u c o   e n c o n t r a d a   n a s   p a r t i d a s
atualmente jogadas e, graças à imaginação de
Fischer, foi necessário voltar ao século XIX para
encontrar as alternativas capazes de oferecer às
pretas melhores perspectivas. Entretanto, ainda
não está definitivamente claro o meio que têm as
pretas de defender o PK" (Gligorich). As pretas
poderão defender o PK de diversas maneiras.
Tratemos das piores, em primeiro lugar.'

 [ 5...¥e7?

von Reshevsky gespielt

 6.¤xe5!

 £d4

 7.¤f3

 £xe4  8.¦e1

Um exemplo:

 ( 8.d3?  £f5  9.¤c3

 ¥d7  10.¤d4  £f6  11.¥e3  0-0-0³

Malesic,S-

Reshevsky,S/Maribor/1967/0-1/33/ '?'

;

em vez de

 8.d3?

como na partida Malesic,n-Reshevsky,S

Maribor 1967 sendo duvidoso que as pretas
saíssem da abertura com igualdade.

)

 8...£f5  9.b3

'!'

 ¤f6  10.¥a3

 ( 10.¦e5!± ; 10.¦e5-+ ;

ou

 10.¦e5! )

 10...¥e6

 11.¤d4±

'Malesic,S-Reshevsky,S/

Maribor/1967/0-1/33/' 'etc.'

;  5...£f6?

/\ ...Bg4 /

Schallopp-Harmonist/Frankfurt/1887/

 6.d4  exd4

 7.¥g5

'!'

 £g6  8.£xd4±

'=' '|^' 'as brancas podem

obter a iniciativa.'

;  5...¥d6?  6.d4  exd4

 ( 6...f6?

 7.dxe5  fxe5  8.¤xe5!

'='

;  6...¥g4  7.dxe5  ¥xf3

 8.£xf3²

Schallopp-Blackburne/Frankfurt/1887/ '?'

'+/-' 'com confortável maioria de peões na ala do
rei, como na partida Schallopp,E-Blackburne,J
Frankfurt/ Main 1887'

)

 7.£xd4  f6  8.¤bd2

'!'

 ¤e7

 9.¤c4²

' ? '   ' e t c . '

;  5...£d6!?

 A)  6.¤a3?

 b5!

 ( 6...¥e6?  7.¤g5² )

; B)  6.d4  exd4  7.¤xd4

etc.

; C) 

 6.d3  f6  7.¥e3  c5  8.¤bd2  ¥e6  9.£e2  0-0-0=

Der weisse Plan: a3,Tfb1,b4 '?' '=' 'As brancas têm
possibilidades de irromper na ala da dama após a3
seguido de Rfb1 e b4, mas provavelmente as
pretas poderão impedir essa expansão. '

;  5...¥g4

 6.h3  h5

'!?'

 ( 6...¥xf3  7.£xf3

A partida Hort-

Kolarov, Polônia, 1967, continuou com:

 £f6  8.£g3

 ¥d6  9.d3  £g6  10.¥e3

'!?'

 £xg3  11.fxg3²

Hort,V-Kolarov/Polanica Zdroj/1967/1-0/34/ '!' 'e as
brancas conseguiram vencer o final'

)

 A)  7.c3

 £d3!  8.hxg4

 ( 8.£b3?  ¥xf3

 9.£xb7  ¢d7

 10.£xa8

 ¥xg2!

'Der weisse Plan: a3,Tfb1,b4'

 11.¢xg2  ¦h6!

'~~'

 12.¦g1  ¦g6+  13.¢h2  ¦xg1

 14.¢xg1  ¥c5-+

'Hort,V-Kolarov/Polanica Zdroj/

1967/1-0/34/' 'com um ataque vitorioso'

)

 8...hxg4

 9.¤xe5  ¥d6!  10.¤xd3  ¥h2+=

'!' '=' 'empata'

 B) 

 7.d4  ¥xf3  8.£xf3  exd4  9.c3© ;  C)  7.d3!

'?'

 £f6

 8.¤bd2!

'?'

 ( 8.hxg4?  hxg4  9.¤g5  £h6  10.¤h3

 £h4  11.¢h2  g6  12.¤c3  gxh3  13.g3  £e7µ

Analyse Keres '!' 'com vantagem'

)

 C1)  8...g5

 9.¤c4!

 ( 9.¦e1?  ¥e6  10.d4  g4  11.¤xe5  gxh3

 12.g3  h2+  13.¢g2  h4ƒ

'=/+' 'com iniciativa'

)

 9...¥xf3  10.£xf3  £xf3  11.gxf3  f6  12.h4

'!'

 gxh4

 13.f4©

'!' 'com jogo promissor para o peão.'

 C2) 

 8...¤e7  9.¦e1

'!'

 ( 9.¤c4!  ¥xf3  10.£xf3  £xf3

background image

My 160 Memorable Games

35

 11.gxf3  ¤g6  12.¥e3  c5  13.a4!

Hort,V-Sliwa,B/

Polanica Zroj/1967/1-0/37/ 'N' '+/-!' 'as brancas
estariam melhor, vencendo eventualmente. Hort,V-
Sliwa,B POL1967'

)

 9...¤g6  10.d4

'!'

 ¥d6  11.hxg4

 hxg4  12.¤h2  ¦xh2

'!'

 13.£xg4!

'Analyse Keres'

 ( 13.¢xh2??

 £xf2-+

Barendregt-Teschner,R/

Hamburg EU-TCH/1965/0-1/17/

)

 13...¦h4

 14.£f5²

'T' 'com as brancas ligeiramente melhor.'

]

 6.d4  ¥g4!

'best' (Fischer) '|^' '#O melhor.'

 [ 6...exd4

 7.¤xd4  A)  7...¥d6!?  8.£h5+!  g6  9.£f3  ¥xh2+

'?'

 10.¢xh2  £xd4  11.¦d1!²

'Hort,V-Sliwa,B/Polanica

Zroj/1967/1-0/37/' '+/-!'

 B)  7...¤e7  8.¥e3  ¤g6

 9.¤d2  ¥d6  10.¤c4  0-0  11.£d3  ¤e5  12.¤xe5
 ¥xe5  13.f4  ¥d6  14.f5  £e7  15.¥f4  ¥xf4  16.¦xf4
 ¥d7  17.¦e1  B1)  17...c5!  18.¤b3

 ( 18.¤f3  ¥c6÷ )

 18...b6÷

'Barendregt-Teschner,R/Hamburg EU-

TCH/1965/0-1/17/'

 B2)  17...£c5?

'!'

 18.c3  ¦ae8

 19.g4±

Fischer,R-Unzicker,W/Siegen ol/1970/1-0/

42/ '~~'

 C)  7...c5

 8.¤b3

 £xd1

 ( 8...¥d6?

 9.¤xc5! )

 9.¦xd1  ¥d6

 ( 9...b6?  10.¥f4  ¦a7!

 11.¤c3  ¤e7  12.a4!

/\ a5 '~~!' '+/-!' 'seguido de

Pa5 seria quase decisivo.'

 a5?

'seria impossível

em vista de'

 13.¤b5! ;  9...¥d7!  10.a4²

Fischer,R-

A n a s t a s o p o u l o s / A t h e n   s i m / 1 9 6 8 / 1 - 0 / 2 8 /

;

O lance de Polugaievsky

 9...¥d7²

oferece boas

perspectivas defensivas

)

 10.¤a5

'!'

 b5

 ( 10...¥g4?

 11.f3

 0-0-0?

'Fischer,R-Unzicker,W/Siegen ol/

1970/1-0/42/' '??'

 12.e5

1-0 Hort-Zelandinov

Havanna 1967 '?' '!' 'e as pretas abandonam; Hort,
V-Zelandinov,n Habana 1967.'

;  10...¤h6  11.¥xh6

 gxh6  12.¤c4  ¥e7  13.¤c3  ¥e6  14.¤d5±

Bagirov-Keres Moskau 1967 '!' 'Bagirov,V-Keres,P
Moscow 1967'

)

 11.c4  ¤e7  12.¥e3  f5  13.¤c3  f4

 14.e5

'!'

 ¥xe5  15.¥xc5±

Fischer,R-Portisch,L/

H a b a n a   o l / 1 9 6 6 / 1 - 0 / 3 4 /   ' ? '   ' e   a   p o s i ç ã o
desorganizada das pretas cairia em pouco tempo,
Fischer,R-Portisch,L Habana ol 1966.'

]

 7.c3

'!' 'O texto envolve um gambito.'

 [ 7.dxe5

 £xd1

 8.¦xd1  A)  8...fxe5  9.¦d3  A1)  9...¥xf3  10.¦xf3
 ¤f6  11.¤c3  ¥b4  12.¥g5

'!'

 ¥xc3  13.bxc3

'!'

 ( 13.¥xf6?  ¥xb2  14.¥xg7??

'• a5'

 ¥xa1  15.¥xh8

 0-0-0!

'?'

)

 13...¦f8  14.¥xf6  ¦xf6  15.¦xf6  gxf6

 16.¦d1

'+-!' 'as brancas teriam vencido o final '

 ¢e7  17.¦d3  ¦f8  18.¢f1  a5  19.g4?

/\ 20.Th3;

Fischer,R-Smyslov,V/Monte Carlo/1967/1/2-1/2/40/
'!'

 ( 19.¢e2±

/\ g3,f4

; 19.¢e2! )

 19...¦g8!=

'~~'

; A2) 

 9...¥d6!  10.¤bd2  ¤f6  11.¤c4  ¤xe4  12.¤cxe5

 ( 12.¤fxe5

 ¥e6=

Hecht,H-Matanovic,A/Berlin/

1971/

)

 12...¥xf3

 ( 12...¥f5?  13.g4+-

/\ Te3

)

 13.¤xf3  0-0=  14.¥e3  b5?!

'1-0 Hort-Zelandinov

Havanna 1967'

 ( 14...¦ae8!= ;  14...¦ae8= )

 15.c4?!

'Bagirov-Keres Moskau 1967'

 ( 15.¤d2!

 ¤c5

 16.¥xc5

 ¥xc5  17.¤e4  ¥b6  18.¢f1  ¦ae8

 19.¦e1²

Kortschnoj 'Fischer,R-Portisch,L/Habana

ol/1966/1-0/34/'

)

 15...¦ab8  16.¦c1  bxc4  17.¦d4

 ¦fe8

 ( 17...¤c5  18.¦dxc4  ¤d3  19.¦b1  ¤xb2

 20.¦xc6  a5³

'!'

)

 18.¤d2  ¤xd2  19.¦xd2  ¦e4³

Fischer,R-Spassky,B (16)/Reykjavik-WCH/1972/1/
2-1/2/60/ '?'

 B)  8...¥xf3

'!'

 9.gxf3  fxe5  B1) 

 10.¥e3!

/\ Nb1-d2-c4

 ¥d6

 ( 10...¤e7  11.f4!±

'!' 'mantém a iniciativa.'

)

 11.¤d2  ¤e7  12.¤c4

 0-0-0  13.¦d3  b5  14.¤a5±

Fischer,R-Rubinetti,J/

Buenos Aires/1970/1-0/28/ '?'

 B2)  10.f4

 ¤f6

 11.¤c3

'!'

 ( 11.fxe5?  ¤xe4  12.¥e3  ¥c5  13.¤d2

 ¤xd2  14.¥xc5  0-0-0

'Gligoric,S-Lee,D Hastings

1965'

)

 11...¥d6

 12.fxe5

 ¥xe5

 13.¤a4²

'=' '+/-!' 'ofereceria às brancas um provável empate.
'

]

 7...exd4

 [

Uma alternativa seria

 7...¥d6

mantendo o centro.

 8.cxd4  £d7?!  [ 8...¥xf3

 9.£xf3  £xd4  10.¦d1  £c5

 ( 10...£c4  11.¥f4

etc.

)

 11.¥f4 ;  8...c5  9.d5

9.h3 ! siehe Wahls,M-

Boudre

 ¥d6=

Gligoric '=/+!' 'como o melhor para as

pretas.'

]

 9.h3

'!' 'Forçando a retirada do bispo.

Nimzovich, Steinitz, Evans e outros teóricos davam
enorme importância a essa manobra, eliminando a
possibilidade de qualquer dificuldade futura em
vista do bispo, mas daqui por diante as brancas
deverão cuidar do seu Ph para que ele não se
torne um possível alvo.'

 ¥e6

'Recuo normal que,

relaxando a tensão, libera as brancas e será a
causa das futuras dificuldades de Gligorich.'

 [ 9...¥h5  10.¤e5  ¥xd1!

'=/+'

 ( 10...£xh3  11.gxh3

 ¥xd1  12.¦xd1  fxe5  13.dxe5  ¥c5  14.¢g2

'|^' 'como perigosa preponderância dos peões
centrais'

)

 11.¤xd7  ¢xd7  12.¦xd1

'+/=' 'as pretas

agüentariam o final embora tivessem encontrado
um meio de perdê-lo'

 ¦e8

 13.f3

 ( 13.¤c3!? ;

 13.¤c3

Hecht,H-Matanovic,A/Berlin/1971/

; 13.¤c3

é mais preciso

)

 13...¤e7  14.¤c3  ¢c8  15.¥e3  f5

 16.¦ac1  fxe4  17.fxe4  g6?

 ( 17...¤g6 ;  17...¤g6 ;

 17...¤g6

é correto

)

 18.¥f4!

'+-'

 ¥g7  19.d5

'!'

 ¦d8

 20.¤a4!

'• Te3'

 ¦hf8

 21.g3

 g5?

'=/+' 'desmoronando-se sob a pressão'

 ( 21...¦f7 ;

 21...¦f7 ;  21...¦f7

seria mais adequado

)

 22.¥xg5

 ¦f7  23.¢g2  cxd5  24.exd5  ¢b8  25.¦e1  ¥f8
 26.¦f1

'!'

 ¦g7  27.¥f6  ¦g8  28.¦ce1  ¦d7  29.d6

'!'

 cxd6  30.¥xe7  ¥xe7  31.¦f7

Fischer,R-Jimenez,E/

Habana ol/1966/1-0/31/ '?!' 'abandonam; Fischer,
R - J i m e n e z ,   E   H a b a n a   o l   1 9 6 6 '

 ( 31.¦f7

abandonam; Fischer,R-Jimenez,E Habana ol 1966
se

 ¦e8  32.¤b6  ¦c7  33.¤d5+- )

] 10.¤c3±  0-0-0

 11.¥f4

'!' '#'

 ¤e7  [ 11...¥d6!  12.¥xd6  £xd6 ;

 11...g5!?  12.¥g3  h5  13.d5

'!'

 cxd5  14.¦c1!

'e agora:'

 A)  14...dxe4  15.¤a4!  ¢b8  16.¦xc7!!

'Kortschnoj'

 £xd1  17.¦c8+!!

'-+'

 ¢a7

 ( 17...¢xc8

 18.¤b6# )

 18.¥b8+  ¢a8  19.¤b6# ;  B)  14...¥d6

 15.¤a4!

'-+'

 ¢b8  16.¤c5  £e7  17.¤xa6+!

'Fischer,R-Spassky,B (16)/Reykjavik-WCH/1972/
+-+/60/'

 bxa6  18.¤d4  ¥d7  19.£b3+  ¢a7

 20.¦xc7+!!

'!'

 ¥xc7  21.¥xc7  ¥b5

 ( 21...£c5

 22.£e3+- )

 22.¤c6+

'!'

 ¥xc6  23.£b6++-

'=!'

 ( 23.£b6+

 ¢a8

 24.£xa6# )

]

 12.¦c1

 ¤g6

'As pretas perderam tempo para alcançar essa
posição inferior.'

 13.¥g3  ¥d6  14.¤a4!±

'!'

 ¥xg3?

background image

My 160 Memorable Games

36

'=' 'Cedendo definitivamente ao cavalo a posição
c5. '

 [ 14...¢b8  15.¤c5  £e7 ]  15.fxg3  ¢b8

 [ 15...b6  16.d5!

 ¥f7

 ( 16...cxd5

 17.¤xb6+ )

 17.£e2

'!' 'etc.'

 16.¤c5  £d6  17.£a4!

'?' '#'

 ¢a7??

'~~' 'Catastrófico.'

 [ 17...¥c8

 18.¦c3

a s   p r e t a s   p o d e r i a m   t e r   a g ü e n t a d o   c o m

 ¤f8!

 ( 18...£xg3?  19.¤e5  £h4  20.¤xc6++-

'=/+'

)

]

 18.¤xa6+-

'+-!' 'Golpe final.'

 ¥xh3

'Desespero!'

 [ 18...bxa6

 19.¦xc6 ]  19.e5

'!' 'O método mais

v i g o r o s o . '

 ¤xe5

'Desespero total!!'

 [ 19...fxe5

 20.¤c5+  ¢b8  21.¦c3!

'Gligoric' 'seguido de Ra3

seria muito convincente.'

 20.dxe5  fxe5  21.¤c5+

 ¢b8  22.gxh3  e4  23.¤xe4  £e7  24.¦c3  b5
 25.£c2!

Hora de consolidar. Segundo um jornal de

Havana, alguns espectadores casuais, chegados
nesta altura do jogo, pensaram que as brancas
haviam somente trocado duas peças por uma torre.
Ninguém poderia supor que Gligorich estava
j o g a n d o   c o m   d u a s   p e ç a s   a   m e n o s ! .   O   r u d e
despertar veio com... As pretas abandonam.

 [ 25.£a6+-

também seria bom.

]

1-0

B97

Fischer,Robert James
Geller,Efim P

Monaco

1967

 1.e4  c5  2.¤f3  d6  3.d4  cxd4  4.¤xd4  ¤f6
 5.¤c3  a6  6.¥g5  e6  7.f4  £b6  8.£d2  £xb2
 9.¦b1  £a3  10.f5  ¤c6  11.fxe6  fxe6  12.¤xc6
 bxc6  13.e5  ¤d5 
 [ 13...dxe5 ]  14.¤xd5  cxd5
 15.¥e2  dxe5  16.0-0  ¥c5+ 
 [ 16...¦a7 ]  17.¢h1
 ¦f8  18.c4  ¦xf1+  19.¦xf1  ¥b7 
 [ 19...¥d4  20.£c2
 £b2  21.£xh7!+-  £xe2  22.£g8+  ¢d7  23.£d8+
 ¢c6  24.cxd5+  ¢b5  25.£e8+  ¢c4  26.£c6+  ¢d3
 27.¦c1  £b2  28.£xa8  ¥b7  29.£f8  £e2  30.£a3+
 ¢e4  31.£b4

1-0 Sirotkin-Sorokin/URS 1967

;

 19...¦a7

 20.cxd5

 ¦d7

 21.£c2+-

Djukic,Z-

Marjanovic ,S YUG 1970

;  19...h6!?  20.¥h5+  ¢d7

 21.¦f7+  ¢c6  22.¥f3  e4  23.¥xe4  dxe4  24.£f4
 ¥d7  25.£xe4+  ¢c7  26.¥f4+  e5!  27.¥xe5+  ¥d6
 28.¦xd7+  ¢xd7  29.£b7+  ¢e6  30.£d5+  ¢e7
 31.£b7+  ¢e6=

 ( 31...¥c7?!  32.£xc7+  ¢e6

 33.h3 )

] 20.¥g4  [ 20.¥d1  ¥e7

 ( 20...¦c8  21.£e2!!

 ¥e7  22.£h5+  g6™  23.£xh7  ¥xg5  24.£xg6+
 ¢d7  25.£xg5±  £d3  26.¦f7+  ¢c6  27.£g4  ¢b6
 28.¥e2  £e4  29.£xe6+  ¦c6  30.£e7  £xe2
 31.£b4+

1-0 Zhuravlev,N-Gutman/Riga 1967

)

 21.¥xe7

 ¢xe7

 ( 21...£xe7

 22.¥a4+

 ¢d8

 23.cxd5  exd5  24.£a5+  ¢c8  25.£b6  ¢b8
 26.¥c6  ¦a7  27.¥xd5  a5  28.¦f7

1-0 Joseph-

Scalisi/cr ITA 1972

)

 22.£g5+  ¢d6  23.¦f7  ¦e8

 24.c5+

 ( 24.¦xb7  £d3÷ )

 24...£xc5  25.¦xb7  £f2

 26.h3  £e1+  27.¢h2  £xd1  28.£xg7+- ;  20.£c2
 A)  20...¥e7

 21.¥h5+

 ( 21.£xh7± )

 21...g6

 22.¥xg6+  hxg6  23.£xg6+  ¢d7  24.¥xe7+- ;  B) 
 20...e4  21.¥g4  ¥c8

 ( 21...¥e7  22.£f2  0-0-0

 23.¥f4!+-

Tal-Bogdanovic/Budva 1967

)

 B1) 

 22.¦d1

 ¥d7

 ( 22...£b4÷ )

 23.cxd5

 ¥a4

 24.£xe4+-

 ¥xd1

 25.dxe6

 ¦d8

 26.£xh7

1-0 Fransson,P-Persson,B/cr 1978

 B2)  22.cxd5

 £d3  23.£c1  e5?

 ( 23...exd5  24.£f4  £xf1+

 25.£xf1  ¥xg4  26.£a1± ;  23...£xd5 )

 24.¦d1

 ( 24.¥e7!!+- )

 24...£b5  25.¥xc8  ¦xc8  26.£c3!

Lepeskin

 ¢f7  27.£h3  ¦e8  28.£xh7± ;  20.¦f3÷

Gipslis

 20...dxc4

 21.¥xe6?

 [ 21.£c2

 £d3

 22.£a4+  £d7  23.£xd7+  ¢xd7  24.¦f7+  ¢c8
 25.¥xe6+  ¢b8  26.¦xg7 ]  21...£d3  22.£e1  ¥e4
 23.¥g4  ¦b8  24.¥d1  ¢d7  25.¦f7+  ¢e6

0-1

E92

Gligoric,Svetozar
Fischer,Robert James

Monaco

1967

 1.d4  ¤f6  2.c4  g6  3.¤c3  ¥g7  4.e4  d6  5.¤f3
 0-0  6.¥e2  e5  7.¥e3  £e7  8.d5  ¤e8  9.h4  f5
 10.h5  f4  11.¥d2  g5  12.h6  ¥f6  13.¤h2  ¢h8
 14.¥g4

 ¥xg4

 15.¤xg4

 ¤d7

 16.£f3

 ¦g8

 17.0-0-0  ¦g6  18.g3  c5  19.¦dg1  ¤c7  20.¤d1
 b5  21.£e2  bxc4  22.£xc4  ¤b6  23.£e2  ¦ag8
 24.f3  £e8  25.¤c3  a6  26.¦g2  ¥d8  27.¦hg1  ¤d7
 28.£f1  ¦f8  29.¦h2  ¤f6  30.gxf4  gxf4  31.¤xf6
 ¥xf6  32.¦xg6  hxg6  33.b3  ¢h7  34.¤d1  ¤b5
 35.¤b2  ¥e7  36.¤c4  £d7  37.¥a5  ¤d4  38.¥c3
 ¤b5  39.¥b2  ¥d8  40.a4  ¤a7  41.¥c3  g5
 42.¥xe5  dxe5  43.¤xe5  £d6  44.¤c4  £g6
 45.¦g2  ¤c8  46.£f2  ¤d6  47.£xc5  ¥e7  48.£d4
 ¤xc4  49.bxc4  £xh6  50.¢c2  £h3  51.£g1  £d7
 52.¦h2+  ¢g7  53.¢d3  £xa4  54.¦c2  ¦b8  55.¦c3
 ¦b3  56.£d4+  ¢g6  57.e5  ¦xc3+

0-1

B88

Fischer,Robert James
Dely,Peter

Skopje

1967

 1.e4  c5  2.¤f3  d6  3.d4  cxd4  4.¤xd4  ¤f6
 5.¤c3  ¤c6  6.¥c4  e6  7.¥b3  a6  8.f4  £a5

The queen isn't really doing anything here and
Black's king will soon feel the heat. Black should
just play 8...Be7.

 9.0-0

 ¤xd4

 10.£xd4

 d5

The point of Black's eighth move. He threatens 11...
Bc5, but White has no trouble preventing that and
Black is inviting White to open the center while his
king still lives there.

 11.¥e3  ¤xe4

This makes

things really bad, opening the d-file and wasting
more time.

 12.¤xe4  dxe4  13.f5

White plays to

background image

My 160 Memorable Games

37

open more lines, espescially the a2-g8 diagonal
and the f- file.

 £b4

Hoping to ease the pressure

by exchanging, but White doesn't have to agree to
this.

 14.fxe6  ¥xe6

14...Qxd4 15.exf7+ Kd8 16.

Bxd4 The threat to take on g7 freezes Black's
kingside and White will simply bring his rooks to the
e

 15.¥xe6  fxe6

15...Qxd4 16.Bxf7+ And White

comes out a piece ahead.

 16.¦xf8+

White forces

Black's queen back in order to penetrate with his
own queen.

 £xf8  17.£a4+

Black resigned here.

17...Ke7 and 17...Kf7 lose the queen, and 17... Kd8
gets mated after 18.Rd1+ and 19.Qd7+, as you can
confirm with Gambit.

1-0

B89

Fischer,Robert James
Sofrevski,Jovan

Skopje

1967

 1.e4  c5  2.¤f3  d6  3.d4  cxd4  4.¤xd4  ¤f6
 5.¤c3  ¤c6  6.¥c4  e6  7.¥b3  ¥e7  8.¥e3  0-0
 9.£e2

Fischer has always enjoyed playing the

W h i t e   s i d e   o f   t h i s   o p e n i n g ,   k n o w n   a s   t h e
Velimirovic Attack in the Sicilian Defense.

 £a5

 10.0-0-0  ¤xd4  11.¥xd4  ¥d7  12.¢b1  ¦ad8
 13.£e3

 b6

 14.¥xf6

 gxf6

Black's ki ng is

completely undefended, but White does not have
much in the way of an attack. The Black queen can
transfer to the kingside and help in the defense.
Fischer eliminates that possibility with a brilliant
stroke.

 15.¤d5  ¦fe8

Black has t o decline the

sacrifice, otherwise White's rook joins the queen in
the attack, while Black's queen is forced out of the
way. 15...exd5 16.Rxd5 Qa6 17.Rh5 Bg4 18.Qg3
Qe2 19.f3 f5 20.h3

 16.¤xe7+

 ¦xe7

 17.¦xd6

So, White does not get the desired attack, but gains
material instead.

 ¦c8  18.£d4

This is a double

attack on the bishop at d7 and pawn at f6, earning
W h i t e   e v e n   m o r e   m a t e r i a l .

 ¥e8

 19.£xf6

Black now resigned, as Fischer threatened a big
sacrifice at e6. Try playing 19...Rec7 against
Gambit and see what he does!

1-0

B87

Byrne,Donald
Fischer,Robert James

Sousse Interzonal

1967

 1.e4  c5  2.¤f3  d6  3.d4  cxd4  4.¤xd4  ¤f6
 5.¤c3  a6  6.¥c4  e6  7.¥b3  b5  8.f4  ¥b7  9.f5  e5
 10.¤de2  ¤bd7  11.¥g5  ¥e7  12.¤g3  ¦c8
 13.0-0

Now White's king becomes a target. He had

to play 13.Nh5 to keep equality.

 h5

This sharp rim

shot sets the theme for the rest of the game:
Fischer snipes alternately against the White king
and e pawn, and his initiative snowballs.

 14.h4  b4

Now White must either give up a pawn or allow the
h file to be opened.

 15.¥xf6  ¥xf6  16.¤d5  ¥xh4

 17.¤xh5  £g5

Bringing the heavy artillery to bear

against White's king in a wonderfully unorthodox
manner.

 18.f6

A desperate attempt to get play, but

after Black's next move, White's knight becomes
i r r e l e v a n t .

 g6  19.¤g7+  ¢d8  20.¦f3  ¥g3

Black's threats on the h file are now decisive.

 21.£d3  ¥h2+  22.¢f1  ¤c5  23.¦h3  ¦h4  24.£f3
 ¤xb3  25.axb3  ¦xh3  26.£xh3  ¥xd5  27.exd5
 £xf6+  28.¢e1  £f4

0-1

A08

Fischer,Robert James
Miagmasuren,Lhamsuren

Sousse izt

1967

 1.e4  e6  2.d3  d5  3.¤d2  ¤f6  4.g3  c5  5.¥g2  ¤c6
 6.¤gf3  ¥e7  7.0-0  0-0  8.e5  ¤d7  9.¦e1  b5
 10.¤f1  b4  11.h4  a5  12.¥f4  a4  13.a3  bxa3
 14.bxa3  ¤a5  15.¤e3  ¥a6  16.¥h3  d4  17.¤f1
 ¤b6  18.¤g5  ¤d5  19.¥d2  ¥xg5  20.¥xg5  £d7
 21.£h5  ¦fc8  22.¤d2  ¤c3  23.¥f6  £e8  24.¤e4
 g6  25.£g5  ¤xe4  26.¦xe4  c4  27.h5  cxd3
 28.¦h4  ¦a7  29.¥g2  dxc2  30.£h6  £f8  31.£xh7+

1-0

B25

Bernstein
Fischer,Robert James

Netanya

1968

 1.e4  c5  2.¤c3  d6  3.g3  ¤c6  4.¥g2  g6  5.d3
 ¥g7  6.f4  b6

Black waits to commit his king knight

in order not to give White a kingside target.

 7.¤f3

 ¥b7  8.0-0  £d7  9.¥e3  f5

In one stoke Black

prevents White from getting play by f5, prepares to
pile up on White's e-pawn and enhances his
queen bishops diagonal.

 10.£d2  ¤f6  11.¢h1

To save his queen bishop from 11...Ng4.

 0-0-0

 12.¦ae1

White tries to play in the center where he

has no real object of attack. He should have gone
after Black's king with 12.a3 intending to follow up
with b4.

 ¢b8  13.¥g1

Losing. White pursues his

imaginary play on the e-file completely oblivious to
how tangled his pieces are becoming on the
kingside.

 fxe4  14.dxe4

14.Nxe4 is no better.

 ¥a6

Black wins the exchange for nothing, since 15.Rf2
doesn't work after 15...Ng4.

 15.¤g5  ¥xf1  16.¥xf1

 ¦he8  17.¥b5

White hopes to get counterchances

by e4-e5-e6, but Black's next move squelches

background image

My 160 Memorable Games

38

this.

 e5  18.fxe5  ¦xe5  19.¥xc6  £xc6  20.¤f7

 ¦de8

Black gives back the exchange to eliminate

White's only active piece.

 21.¤xe5  ¦xe5  22.£f4

 b5  23.a3  b4  24.axb4  cxb4  25.¥d4

This loses a

piece, but if the knight moves away Black plays 25...
Nxe4 and Black will win by a discovered check on
the a8-h1 diagonal.

 ¦f5

0-1

B91

Matulovic,Milan
Fischer,Robert James

Vinkovci it

09.09.1968

The Complete Games of Bobby Fischer by Wade
and O'Connell # 484 Winning Chess Strategies by
Yasser Seirawan and Jeremy Silman Sicilian
Defence, Najdorf Zagreb Fianchetto Variation 6/
560

 1.e4  c5  2.¤f3  d6  3.d4  cxd4  4.¤xd4  ¤f6

 5.¤c3

 a6

 6.g3

Najdorf Zagreb Fianchetto

Variation. This is rarely played.

 e5  7.¤de2  [ 7.¤f3

is another possibility

]

 7...¥e7

 8.¥g5!?N

With this and his next move Matulovic reveals that
h e   a i m s   t o   c o n t r o l   d 5 .

 [

T h e   r o u t i n e

 8.¥g2

allows Black to achieve comfortable development
by

 0-0

 9.0-0

 A)  9...¤bd7  A1)  10.a4  b6

 ( 10...h6  11.h3  b6  12.g4  ¦e8  13.¤g3  ¥f8
 14.¥e3  ¤c5  15.£d2  ¥b7  16.b4  ¤e6  17.¤d5
 ¤xd5  18.exd5  ¤g5  19.f4  exf4  20.¦xf4  b5  21.a5
 ¦c8  22.¥d4  ¦c4  23.¦af1  £a8  24.¥b2  £c8
 25.¦1f2  f6  26.¤h5  ¤e4  27.¥xe4  ¦cxe4  28.¦xf6
 £c4  29.¦g6  ¦e1+  30.¢h2  ¦8e2  31.¤f6+  ¢f7
 32.¤d7+  ¢e7  33.¦e6+  ¦xe6  34.dxe6  £e4
 35.¤xf8  £h1+  36.¢g3  ¦g1+  37.¢h4  g5+
 38.¢h5  ¥e4  39.£c3

1-0 Matulovic,M-Barczay,L/

Sarajevo 1968/MCD (39)

)

 11.h3  ¥b7  12.g4  b5

 13.¤g3  b4  14.¤a2  ¤c5

 ( 14...a5  15.c3  ¥a6

 16.¦e1  bxc3  17.¤xc3  ¤c5  18.¥f1  ¥xf1  19.¢xf1
 g6  20.¥e3  ¦c8  21.¢g2  £d7  22.g5  ¤e8  23.¤d5
 £b7  24.£g4  ¤g7  25.h4  ¤ge6  26.h5  ¤f4+
 27.¥xf4  exf4  28.¤xf4  £xb2  29.¤d5  ¦ce8
 30.¦ad1  ¥d8  31.¦e2  £b3  32.¦e3  £xa4  33.¦h1
 £d7  34.£h4  ¤e6  35.f4  ¤c7  36.¤b6  £e7  37.e5
 ¤e6  38.¤e4  £b7  39.¤c4  dxe5  40.¤cd6  £b2+
 41.¢f1  £c1+  42.¢f2  £c2+  43.¦e2  ¥b6+  44.¢f1
 £d1+  45.£e1  £d3  46.£g3  £xg3  47.¤xg3  exf4
 48.¤xe8  ¦xe8  49.¤e4  ¥d4  50.hxg6  fxg6
 51.¤d6  ¦e7  52.¦e4  a4  53.¦h3  ¥c5  54.¤c8
 ¦e8

 55.¦c3

 a3

 56.¦xc5

 a2

 57.¦a5

1-0 Matulovic,M-Tringov,G/Sarajevo 1965/MCD
(57)

)

 15.¤xb4  ¤fxe4  16.¤xe4  ¥xe4  17.¥e3

 ¥xg2  18.¢xg2  ¤e6  19.£d2  ¥g5  20.¦ad1  ¥f4
 21.¤d5  £g5  22.¥xf4  exf4  23.f3  h5  24.¦h1  ¦fe8
 25.¦de1  ¦ac8  26.c3  ¦c5  27.¦d1  a5  28.h4  £g6
 29.g5  f6  30.£d3  £xd3  31.¦xd3  fxg5  32.hxg5
 ¢f7  33.¦xh5  ¢g6  34.¦h2  ¢xg5  35.¢f1  ¢f5

 36.¦e2  g5  37.b4  axb4  38.cxb4  ¦c1+  39.¢g2
 ¦h8  40.¤e7+  ¢f6  41.¦xd6  ¦ch1  42.¦exe6+  ¢f7
 43.¦f6+  ¢xe7

1/2-1/2 Matulovic,M-Bednarski,J/

Polanica Zdroj 1965/MCD (43)

 A2)  10.h3

 b5

 11.a4

 ( 11.f4  ¥b7  12.g4  b4  13.¤d5  ¤xd5

 14.exd5  £b6+  15.¢h2  exf4  16.¥xf4  ¥f6  17.c3
 ¦ac8  18.¦c1  ¦fe8  19.£c2  ¤f8  20.c4  ¤g6
 21.¥g3  £e3  22.¦ce1  ¥e5  23.¤f4  £d4  24.¦e4
 £c5  25.¤xg6  ¥xg3+  26.¢xg3  hxg6  27.b3  £c7
 28.¦fe1  £d7  29.£e2  ¢f8  30.¦xe8+  ¦xe8
 31.£xe8+  £xe8  32.¦xe8+  ¢xe8  33.¢f4  ¥c8
 34.¥e4  ¢e7  35.h4  a5  36.¥f3  ¢d8  37.¢e3  ¢c7
 38.¥e2  ¢b6  39.¢d4  ¥d7  40.¥f3  ¥c8  41.¥e2
 ¥d7  42.c5+  dxc5+  43.¢e5  ¥b5  44.¥xb5  ¢xb5
 45.¢d6  c4  46.bxc4+  ¢xc4  47.¢c6  a4  48.d6  b3
 49.axb3+  axb3  50.d7  b2  51.d8£  b1£  52.£d5+
 ¢c3  53.£xf7  £e4+  54.¢d6  £xg4  55.£xg7+
 ¢d3  56.£f6  ¢e3

1/2-1/2 Cardoso,R-Fischer,R/

New York 1957/MCD (56)

)

 11...b4  12.¤d5  ¤xd5

 13.£xd5  £c7  14.c3  ¥b7  15.£d1  ¤c5  16.f3  a5
 17.¥e3  ¥a6  18.¦c1  ¦ab8  19.f4  bxc3  20.¦xc3
 ¦xb2  21.¦f2  £b6  22.¦c1  £b3  23.¤c3  exf4
 24.¦xb2  £xb2  25.¥xc5  dxc5  26.gxf4  c4  27.¤d5
 ¥c5+  28.¢h2  ¥b4  29.¦c2  £b3  30.e5  £xa4
 31.¥e4  g6  32.£g4  ¥b7  33.¤f6+  ¢g7  34.£h4
 ¦c8  35.£xh7+  ¢f8  36.e6  ¦c7  37.£g8+  ¢e7
 38.£xf7+

 ¢d8

 39.¦d2+

 ¥d5

 40.¦xd5+

1-0 Cardoso,R-Fischer,R/New York 1957/MCD
(40)

 B)  9...b5  10.a3

 ( 10.a4  b4  11.¤d5  ¤xd5

 12.£xd5  ¦a7  13.¥e3  ¥e6  14.£d2  ¦b7  15.f4
 ¤c6  16.b3  ¥g4  17.¦f2  £a5  18.¦af1  ¦d7  19.f5
 ¥xe2  20.£xe2  ¥f6  21.£h5  £d8  22.g4  h6  23.h4
 ¥xh4  24.f6  ¥xf2+  25.¦xf2  ¦e8  26.g5  ¦e6
 27.¥h3  £e8  28.gxh6

1-0 Kagan,S-Ree,H/Siegen

1970/MCD (28)

)

 B1)  10...¥b7

 11.h3

 ¤bd7

 ( 11...a5  12.¥g5  ¥c6  13.¥xf6  ¥xf6  14.¤d5  ¤a6
 15.¤ec3  ¤c7  16.£d3  ¦b8  17.b4  ¤xd5  18.¤xd5
 ¥e7  19.¦fd1  ¥xd5  20.£xd5  £c7  21.¦a2  £c3
 22.¦b1  h5  23.h4  ¥d8  24.¥f1  ¥b6  25.¢g2  axb4
 26.¦xb4  ¥c5  27.¦b3  £a5  28.c3  ¦b6  29.£d3
 £a8  30.£d5  £xd5  31.exd5  ¦fb8  32.¦ab2  ¦a8
 33.¥xb5  ¦xa3  34.¦xa3  ¥xa3  35.¦b3  ¥c5
 36.¥c4  f5  37.¦xb6  ¥xb6  38.¥e2  g6  39.¥b5

1/2-1/2 Kholmov,R-Ubilava,E/Tallinn 1983/
MegaBase 97 (39)

)

 12.g4  ¤b6  13.g5  ¤e8  14.h4

 f6  15.f4  ¤c7  16.f5  fxg5  17.hxg5  ¥xg5  18.¥xg5
 £xg5  19.£xd6  ¤c4  20.£xc7  £e3+  21.¦f2  ¦f7
 22.£xf7+  ¢xf7  23.¦d1  ¢e7  24.¦d3  £b6  25.¦g3
 ¢f6  26.¤d5+  ¥xd5  27.exd5  ¤e3  28.¤c3  ¦c8
 29.¤e4+  ¢f7  30.¦xe3  £xe3  31.¤d6+  ¢e7
 32.¤xc8+  ¢d7  33.¥f1  ¢xc8  34.a4  h5  35.axb5
 axb5  36.¢g2  e4  37.¦e2  £f3+  38.¢g1  h4
 39.¦h2  e3  40.d6  ¢d7  41.¥xb5+  ¢xd6  42.¥e2
 £xf5  43.¥d3  £f4  44.c4  ¢c5

0-1 Gadia,O-

Wexler,B/Mar del Plata 1960/MegaBase 97 (44)

;

 B2)  10...¤bd7  11.¥e3  £c7 ]  8...¤bd7  [ 8...¥e6

[Fischer,RJ]

 9.¥xf6  ¥xf6  10.£d3  0-0  11.¥g2

background image

My 160 Memorable Games

39

 ¤c6  12.0-0  ¦c8

1/2-1/2 Matulovic,M-Bogdanovic,

R/Sarajevo 1968/MCD (12)

]

 9.¥h3!?

 b5!

Fischer does not waste any time with routine
development, but sets about fighting for e5.

 [

Matulovic - Minic, Belgrade 65 went

 9...0-0!?

 10.a4!²  h6  11.¥xf6  ¤xf6  12.¥xc8

with the better

game

 £xc8  13.0-0  £c4  14.b3  £c5  15.£d3

 ¦fd8  16.¦fd1  ¦ac8  17.¦a2  £b4  18.a5  ¦c6
 19.¦a4  £c5  20.h3  ¦d7  21.b4  £a7  22.¦a2  ¥d8
 23.¢g2  £b8  24.¤d5  ¤xd5  25.exd5  ¦c8  26.c4
 ¦dc7  27.¦c1  f5  28.c5  ¥g5  29.f4  e4  30.£b3  ¥f6
 31.¦ac2  ¢h7  32.g4  £a7  33.gxf5  dxc5  34.£e3
 ¦d7  35.£xe4  c4  36.¦xc4  ¦e7  37.£f3  ¦xc4
 38.¦xc4  ¦e3  39.£g4  £b8  40.¤g3  £e8  41.£g6+
 £xg6  42.fxg6+  ¢xg6  43.f5+  ¢h7  44.¤e4  ¥e5
 45.d6  ¦d3  46.¦c7  ¦e3  47.¤c5  ¥xd6  48.¦xb7
 ¦g3+  49.¢f2  ¦g5  50.¤xa6  ¦xf5+  51.¢e2  ¦e5+
 52.¢f3  ¦h5  53.¢g2  ¦g5+  54.¢f2  ¦f5+  55.¢e2
 ¦e5+  56.¢d1  ¦d5+  57.¢e1  ¦e5+  58.¢d2
 ¥xb4+  59.¤xb4  ¦xa5  60.¤d3  ¦h5  61.¤f2  ¦e5
 62.¦b3  h5  63.¦e3  ¦f5  64.¢e2  g5  65.¤e4  ¦a5
 66.¢f2  ¢g6  67.¤g3  ¦a2+  68.¦e2  ¦a5  69.¢g2
 ¦b5  70.¦d2  ¦b6  71.¦c2  ¦a6  72.¦b2  ¦c6
 73.¦a2  ¦b6  74.¦c2  ¦a6  75.¤e2  ¦d6  76.¢f2
 ¦f6+  77.¢e3  ¦a6  78.¤c3  ¦a1  79.¤e4  ¦e1+
 80.¦e2  ¦h1  81.¤f2  ¦g1  82.¦d2  ¦e1+  83.¦e2
 ¦g1  84.¦c2  ¦e1+  85.¢d2  ¦e6  86.¦c5  ¦a6
 87.¤e4  ¦a2+  88.¢e3  ¦a3+  89.¦c3  ¦a6  90.¦d3
 ¦a5  91.¦d6+  ¢f7  92.¦c6  ¢g7  93.¢d4  ¦a3
 94.¦c3  ¦a4+  95.¢e5  g4  96.h4  ¦a2  97.¢f4  ¦h2
 98.¢g5

1-0 Maric,R-Bogdanovic,R/Titograd 1965/

MCD (98)

 10.a4?!  [ 10.¥xd7+  £xd7  11.¥xf6

 ¥xf6

 12.¤d5

 ¥d8÷ ;

The best chance is the

immediate

 10.¤d5 ]  10...b4  11.¤d5  [ 11.¥xd7+?!

 £xd7  12.¥xf6  bxc3!  13.¥xg7?  ¦g8  14.¥h6  £h3!
 15.¥e3  cxb2  16.¦b1  £g2  17.¦g1  £xe4  18.¦xb2
 ¥e6µ ]  11...¤xd5  12.£xd5  ¦b8  13.¥xe7  ¢xe7!

Recapturin g thus allows Fischer to get his Q
rapidly into play on the queenside.

 14.£d2

 ¤f6

 15.¥g2?

Matulovic has refrained from exchanging

this B on the last two moves, rightly preferring to
h a v e   s o m e   c o n t r o l   o v e r   t h e   w h i t e   s q u a r e s .

 [ 15.¥xc8

 £xc8

 16.f3

 £c5!³ ]

 15...¥b7?

 [ 15...£b6!µ ]  16.£d3?  [ 16.£e3!  £c7  17.0-0 ]
 16...£b6µ

It is amazing that with such a clear

positive plan on moves 8 and 9 Matulovic should
have been so easily pushed back into such a state
of passivity as afflicts him now. Black has the
simple plan of doubling rooks on the c file, and
there is very little to be done about it.

 17.0-0  a5!

 18.¦fd1  ¥a6  19.£d2  ¦hc8  20.h3!

This position

is another example of the superior side treading
c a r e f u l l y   t o   a v o i d   g i v i n g   t h e   o p p o n e n t   a n y
counterplay. White suffers from a terrible B on g2, a
N that doesn't appear to be going anywhere, and
pawns that are in need of constant defense on c2
and e4. Black's backward d-pawn, on the other

hand, is well defended by the Black Q and K.
Black's natural plan is to double his Rooks on the c-
file and add to the pressure against c2. The
advantages of the position are not going away, so
Black decides to kill his enemy's counterplay
chances first. Then he will be free to pursue his
queenside dreams. Here's how Fischer neutralized
M a t u l o v i c .

 h5!

Black stops g3-g4 in its tracks.

 [ 20...£c6?  21.¤d4!!= ;

Unfortunately,

 20...¦c4?!

which attacks e4 and prepares for this doubling,
would give White some counterplay chances with

 21.g4!

because

 ¤xe4?!  22.¥xe4  ¦xe4  23.¤g3=

followed by

 --  24.¤f5+

is not what Black wants.

]

 21.b3?

This move keeps the R out of c4 but

weakens the c3-square.

 [ 21.¦ac1 ]  21...¥xe2!

Why give up this nice B for the lame N? Because
only the N was keeping Black out of c3.

 22.£xe2

With White's counterplay crippled, Black can
proceed with the occupation of the c-file.

 ¦c3!

 23.¦d3  ¦bc8  24.¦xc3  ¦xc3  25.¢h2  [

If

 25.£b5

 £a7

threatening both c2 and f2.

]

 25...£c5!

White, who is bound hand and foot to the weakling
on c2, eventually lost the game.

 26.¦a2

 [

On

 26.¦c1?  ¦xb3!

wins a pawn. Matulovic is given no

time to bring the B to d3 and free the R.

 26...g6!-+

 27.¥f1  £d4  28.f3?  ¦e3!  29.£g2  [ 29.£f2?
 ¦xe4 ]  29...£d1!  30.¥c4  [ 30.¥d3  h4!

 ( 30...g5 )

]

 30...£xf3  31.£xf3  ¦xf3  32.¢g2  ¦e3  33.¥d3
 ¤xe4  34.¥xe4  ¦xe4  35.¢f2  d5  36.¦a1  d4
 37.¦d1  ¦e3  38.h4  ¦c3  39.¦d2  ¢e6  40.¢g2  f5

Matulovic availed himself of the privilege of sealing
a move and adjourning before resigning.

0-1

E97

Kortschnoj,Viktor Lvo
Fischer,Robert James

Herceg Novi blitz

1970

The King's Indian Defence by Leonard Barden,
William Hartston and Raymond Keene Preface

 1.d4  ¤f6  2.c4  g6  3.¤c3  ¥g7  4.e4  d6  5.¥e2
 0-0  6.¤f3  e5  7.0-0  ¤c6  8.d5  ¤e7  9.¤d2

'As brancas procuram levar o cavalo a b3 para
apoiar o avanco dos peoes na ala da dama'

 c5

'Interessante e 9...a5 parando 10.b4 e ficando
preparado para responder 10.Cb3 com 10...a4'

 10.a3  ¤e8  11.b4

'Horchnoi segue o plano de

expansao na ala da dama'

 b6

 12.¦b1

 f5

'Fischer contra-ataca na ala do rei'

 13.f3  f4  14.a4

 g5

'luta tipica da India do Rei, ambos jogadores

devem avaliar com precisao as possibilidades de
ataque sem descuidar da defesa'

 15.a5

 ¦f6

 16.bxc5  bxc5  17.¤b3  ¦g6

'Fischer bloqueou

bem a investida de Korchnoi e comecou seu
ataque na ala do rei'

 18.¥d2  ¤f6  19.¢h1  g4

background image

My 160 Memorable Games

40

 20.fxg4  ¤xg4  21.¦f3  ¦h6  22.h3  ¤g6  23.¢g1
 ¤f6  24.¥e1

'Korchnoi se defendeu das ameacas e

parece que as negras nao tem como continuar seu
ataque'

 ¤h8

'!' 'O genial Fischer manobra seu

cavalo e coloca mais pressao na ala do rei'

 25.¦d3

 ¤f7  26.¥f3  ¤g5  27.£e2  ¦g6

'Ameacando ...

Cxh3'

 28.¢f1?  [ ¹28.¢h2  ¥a6  29.¤d2  £xa5³ ]

 28...¤xh3!-+

'!!'

 29.gxh3  ¥xh3+  30.¢f2  ¤g4+

 31.¥xg4  ¥xg4

'As negras abandonam ja que nao

podem defender sua dama e a ameaca ...Dh4+ de
uma so vez. 0-1 Kortchnoi,V-Fischer,R/Herceg
Novi 1970/ Lapertosa (31)'

 [ 31...¥xg4

 32.£xg4

 ( 32.£d2?  £h4+  33.¦g3  £xg3+  34.¢f1™  £f3+
 35.¥f2  ¥h3+  36.¢e1™  ¦g1+  37.¥xg1  £f1# )

 32...¦xg4  33.¢f3  £g5-+ ]

0-1

D79

Geller
Fischer,Robert James

Palma de Mallorca

1970

 1.¤f3  ¤f6  2.c4  g6  3.g3  ¥g7  4.¥g2  0-0  5.0-0
 c6  6.d4  d5  7.cxd5  cxd5  8.¤e5  ¥f5  9.¤c3
 ¤e4  10.¥e3  ¤xc3  11.bxc3  ¤c6  12.¤xc6  bxc6
 13.£a4

 £b6  14.¦ac1  ¦ab8  15.c4  ¥xd4

 16.¥xd4  £xd4  17.e3  £e5  18.cxd5  cxd5
 19.¦fd1  e6

 20.£xa7

 ¦a8

 21.£d4

 £xd4

 22.¦xd4  ¦xa2  23.e4  dxe4  24.¥xe4  ¥xe4
 25.¦xe4

We have reac hed a double-rook

endgame. Black has an extra pawn and control of
the seventh rank, but the large number of open files
gives White plenty of room to maneuver and, with
no pawn weaknesses, White should survive.

 ¦b8

 26.¦e3  g5  27.h3  ¢g7  28.¦c7

White takes the

seventh rank and threatens to play Rf3, tying down
Black's forces.

 ¢g6  29.¦f3  f6  30.¦e7  ¦e2  31.g4

White has a good defensive formation and it is hard
to see how Black can make progress. But Fischer
is famous for his refusal to agree to draws while
there is still play in the position.

 ¦b1+

 32.¢g2

 ¦ee1  33.¦a3

This creates an escape path for the

king.

 h5  34.¦aa7  ¦g1+  35.¢f3  hxg4+  36.hxg4

 ¦b3+  37.¢e2  ¦xg4  38.¦xe6

The picture has

clarified a bit. But White still has no reason to worry.

 ¦b1  39.¦aa6  ¦f4  40.¦a2  ¦h1  41.¦ea6  ¦b4
 42.¦6a4

If a pair of rooks are exchanged now, the

d r a w   w o u l d   b e   f a i r l y   s i m p l e   f o r   W h i t e .

 ¦bb1

 43.¦a8  ¦hg1  44.¢f3  ¦b5  45.¦8a5  ¦b3+
 46.¢e2  ¦bb1  47.¦a8  ¢f5  48.¦2a5+  ¢g4
 49.¦a4+  ¢h5  50.¦h8+

We enter an arid period of

maneuvering without much purpose.

 ¢g6  51.¦g8+

 ¢f7  52.¦d8  ¦be1+  53.¢f3  ¦e5  54.¦d2  ¦f5+
 55.¢e2  ¦e5+  56.¢f3  ¢g6  57.¦e4  ¦f5+  58.¢e2
 ¦a5  59.¦e3  ¢h5  60.¦ed3  ¦aa1  61.¦d8  f5
 62.¢f3  ¦a3+  63.¦2d3  g4+  64.¢f4

Now Fischer

finally decides to try his hand at the single-rook
endgame.

 ¦xd3  65.¦xd3  ¦f1  66.¦d2  ¢h4

66...Kg6 67.Ra2 Black could never make any
progress here.

 67.¢xf5  g3

Black uses the pin to

advance the pawn. After the game, Geller said he
was confused, and thought that he could capture
the pawn with check here.

 68.f4

 ¢h3

 69.¦d3

White is prepared to sacrifice the rook for the pawn
at the appropriate time, when the Black king is
further down the board. The idea is that king and
pawn against rook is drawn provided that the pawn
i s   f a r   e n o u g h   a d v a n c e d .

 ¢h4

 70.¦d2

A big mistake. White needs a certain amount of
distance between his rook and the enemy king, in
order to constantly give check without the king
being able to come up and attack the rook. 70.Rd7
Kh3 71.Rh7+ Kg2 72.Kg4 Kf2 73.f5 g2 74.Rh2 Rh1
75.Rxg2+ Kxg2 76.f6 and a drawn position results.

 ¦a1  71.¢e5

This is the decisive error. White could

still have drawn with the correct move . 71.Rd8 g2
72.Rh8+ Kg3 73.Rg8+ Kf3 74. Ke6 g1Q 75.Rxg1
Rxg1 76.f5 Kf4 77.f6 Kg5 78.f7 Rf1 79.Ke7 Re1+ 80.
Kd8 Rf1 81. Ke8 Re1+ 82.Kd8

 ¢g4

Now White is

going to lose the f-pawn.

 72.f5

72.Rd8 Re1+ 73.

Kf6 Kxf4

 ¦a5+

0-1

A01

Fischer,Robert James
Andersson,Ulf

Siegen TV Exhibition Game

1970

I may be wrong but I think this game was played for
a TV audience. Bobby Fischer was White and
transformed a Larsen Opening into a Najdorf
Sicilan. Fischer as Black has played the plan King
to rook-one, Pawn to King's knight 4 and doubling
rook on the King's Knight file at least twice as
Black.

Nimzowitch - Larsen Opening

 1.b3  e5  2.¥b2  ¤c6  3.c4  ¤f6  4.e3  ¥e7  5.a3
 0-0  6.£c2 
 [ 6.d3  d5  7.cxd5  £xd5  8.¤c3  £d6
 9.¤f3  ¥f5  10.£c2  ¦fd8  11.¦d1  h6  12.h3  £e6
 13.¤d2  ¤d7  14.¥e2  ¢h8  15.0-0  ¥g6  16.b4  a6
 17.¦c1  ¦ac8  18.¦fd1  f5  19.¤a4  ¤a7  20.¤b3
 b6  21.d4  f4  22.e4  ¤b5  23.¥g4  £f6  24.dxe5
 ¤xe5  25.¥xc8  ¦xc8  26.¦d5

1-0 Fischer,R-

Tukmakov,V/Buenos Aires 1970/MCD (26)

;  6.b4

 d6  7.¤c3  ¥f5  8.d3  ¦e8  9.¥e2  e4  10.d4  h6
 11.g4  ¥d7  12.h3  a5  13.b5  ¤a7  14.£c2  c6
 15.bxc6  ¥xc6  16.d5  ¥d7  17.a4  ¥f8  18.¦d1  ¤c8
 19.¦d4  ¤b6  20.£b3  ¥c8  21.£c2  ¥d7  22.£b3

½-½ Rogers,I-Kempinski,R/Germany 1999/EXT

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My 160 Memorable Games

41

2000 (22)

] 6...¦e8  7.d3  ¥f8  8.¤f3  a5  9.¥e2  d5

 10.cxd5  ¤xd5  11.¤bd2  [ 11.0-0  g6  12.¤bd2
 ¥g7  13.¦ac1  £e7  14.¦fe1  ¥d7  15.£b1  ¦ad8
 16.£a1  ¤b6  17.¤e4  ¥c8  18.¦ed1  f5  19.¤c5
 ¦d5  20.¤a6  ¦d6  21.¤c5  ¦d5  22.¤a4  ¤xa4
 23.bxa4  ¦d6  24.¦d2  ¤d8  25.¦c5  e4  26.¤e1
 ¥xb2  27.£xb2  ¦xd3  28.¦dc2  ¤e6  29.¦xa5  ¦d6
 30.¦a8  ¥d7  31.¦xe8+  ¥xe8  32.a5  c6  33.h4  ¥f7
 34.g3  h6  35.¤g2  g5  36.¦c1  ¤d8  37.a4  ¦d5
 38.a6  bxa6  39.¥xa6  £d6  40.¥f1  ¦d2  41.£c3
 ¦a2  42.¦a1  £d2  43.£xd2  ¦xd2  44.a5  ¦d7
 45.a6  ¦a7  46.¦d1  ¥d5  47.¦b1  ¢f7  48.¤e1
 ¢e7  49.¤c2  ¢d7  50.¤d4  ¥e6  51.¦b8  ¥d5
 52.¤xf5  gxh4  53.gxh4  ¢c7  54.¦b1  ¤f7  55.¢h2
 c5  56.¤e7  ¥e6  57.¦b5  ¦xa6  58.¦xc5+  ¢b6
 59.¥xa6  ¢xc5  60.¥c8  ¥xc8  61.¤xc8  ¢d5
 62.¢g3  ¢e5  63.¢g4  ¤d8  64.¢h5  ¤f7  65.¤e7
 ¢f6  66.¤d5+  ¢f5  67.¤c3  ¤e5  68.¢xh6  ¤g4+
 69.¢g7  ¤xf2  70.h5  ¤g4  71.h6

1-0 Rogers,I-

Mantovani,R/Lugano 1999/EXT 2000 (71)

 11...f6

 12.0-0  ¥e6  13.¢h1  £d7  14.¦g1  ¦ad8  15.¤e4
 £f7  16.g4?! 
 [ 16.d4  exd4  17.¤xd4  ¤xd4
 18.¥xd4= ]  16...g6?!  17.¦g3  ¥g7  18.¦ag1  ¤b6
 19.¤c5  ¥c8  20.¤h4  ¤d7  21.¤e4  ¤f8?!
 [ 21...¤b6  22.¤c5  ¥f8  23.¤e4= ]  22.¤f5  ¥e6
 23.¤c5

 ¤e7?!

 [ 23...¤d7

 24.¤xe6

 £xe6

 25.¤xg7  ¢xg7  26.¥f3± ]  24.¤xg7  ¢xg7  25.g5
 ¤f5  26.¦f3  b6  27.gxf6+  ¢h8  28.¤xe6  ¦xe6
 29.d4  exd4  30.¥c4  d3 
 [ 30...b5  31.¥d3  ¦ed6
 32.¥xf5

 gxf5

 33.¥xd4+- ]

 31.¥xd3

 ¦xd3

 32.£xd3  ¦d6  33.£c4  ¤e6  34.¥e5  [ 34.¦xf5!!
 gxf5  35.¦g7!  £f8  36.£xe6!!  ¦xe6  37.f7!  h5
 38.¦g8+  ¢h7  39.¦xf8  ¢g6  40.¦g8+  ¢xf7
 41.¦g7+  ¢e8  42.¦xc7+- ]  34...¦d8  35.h4  ¤d6
 36.£g4  ¤f8  37.h5  ¤e8  38.e4  ¦d2  39.¦h3  ¢g8
 40.hxg6

 ¤xg6

 41.f4

 ¢f8

 42.£g5

 ¤d6

 43.¥xd6+

1-0

B13

Fischer,Robert James
Petrosian,Tigran

USSR-World [board 2]

1970

The adventures of Fischer in Yugoslavia 1959 and
C u r a c a o   1 9 6 2   h a v e   b e e n   d e s c r i b e d .   B o b b y
refused to participate in Amsterdam 1964, because
he found the payment too low. He started with a
score of 8 1/2 / 10 in the interzonal tournament,
Sousse 1967, and left! When he played a mini-
match of four games against Petrosian in 1970, he
had not encountered a top player in three years. A
sensation happened. Fischer had become the
greatest strategist in the history of chess.

 1.e4  c6

 2.d4  d5  3.exd5  cxd5  4.¥d3  ¤c6  5.c3  ¤f6
 6.¥f4  ¥g4  7.£b3  ¤a5  8.£a4+  ¥d7  9.£c2  e6

 10.¤f3

 £b6

 11.a4

A novelty prevents an

exchange by 11...Bb5.

 ¦c8

 12.¤bd2

 ¤c6

 13.£b1

Now 13...Nb4 needed attention.

 ¤h5

 14.¥e3  h6

 15.¤e5

 ¤f6

 [

Fischer analyses

 15...¤xe5?!  16.dxe5  ¥c5  17.a5  £c7  18.¤f3! ]
 16.h3  ¥d6  17.0-0  ¢f8?

This move sustains a

white attack on the f-file.

 [ 17...£c7  18.¤df3  0-0

completes a normal development.

 18.f4

 ¥e8

 19.¥f2!  £c7  [

Avoids

 19...g6?!  20.f5!  gxf5

 21.¥xf5  exf5?  22.£xf5  ¤d8  23.¥h4 ]  20.¥h4
 ¤g8  21.f5  ¤xe5  22.dxe5  ¥xe5  23.fxe6  ¥f6
 24.exf7  ¥xf7  25.¤f3  ¥xh4  26.¤xh4  ¤f6
 27.¤g6+  ¥xg6  28.¥xg6  ¢e7!

The last chance.

 29.£f5

 ¢d8  30.¦ae1  £c5+  31.¢h1  ¦f8

 32.£e5!  ¦c7  [ 32...£c7  33.£xd5+! ]  33.b4  £c6
 34.c4  dxc4  35.¥f5  ¦ff7  36.¦d1+  ¦fd7  37.¥xd7
 ¦xd7  38.£b8+  ¢e7  39.¦de1+

1-0

A37

Petrosian,Tigran
Fischer,Robert James

USSR-World [board 2]

1970

 1.c4  g6  2.¤c3  c5  3.g3  ¥g7  4.¥g2  ¤c6  5.¤f3
 e6  6.0-0  ¤ge7  7.d3  0-0  8.¥d2  d5  9.a3  b6
 10.¦b1  ¥b7  11.b4?!  cxb4  12.axb4  dxc4
 13.dxc4  ¦c8

The hanging pawns are vulnerable.

 14.c5!?  bxc5  15.bxc5  ¤a5  16.¤a4  ¥c6!
 17.£c2  ¤b7  18.¦fc1  £d7  19.¤e1!  ¤d5
 [ 19...¥xa4  20.¦xb7!

(Fischer).

 20.¤b2  ¥b5

 21.¤ed3?!

 [ 21.¤bd3!

 a6

 22.£b3

defends properly (Petrosian).

 21...¥d4  22.£b3

 ¤xc5  23.¤xc5  ¦xc5  24.¦xc5  ¥xc5  25.¤d3
 ¥xd3  26.£xd3  ¦d8  27.¥f3  £c7  28.¥g5  ¥e7
 29.¥xe7  £xe7  30.£d4?  e5!  31.£c4  ¤b6
 32.£c2  ¦c8  33.£d3  ¦c4  34.¥g2  £c7  35.£a3
 ¦c3  36.£a5  ¦c5  37.£a3  a5  38.h4  ¤c4  39.£d3
 ¤d6  40.¢h2  ¢g7  41.¦d1  ¤e8  42.£d7?!  £xd7
 43.¦xd7

 ¤f6?

 [

Fischer gives the easy win

 43...¤c7!  44.¥e4  a4  45.¥b1  ¤b5 ] 44.¦a7  ¤g4+
 45.¢g1  ¦c1+  46.¥f1  ¦a1  47.e4  a4  48.¢g2  ¦a2
 49.¦xf7+!  ¢xf7  50.¥c4+  ¢e7  51.¥xa2  a3
 52.¢f3  ¤f6  53.¢e3  ¢d6  54.f4!  ¤d7  55.¥b1?

Petrosian blunders.

 [

The hard fight

 55.¥c4!  ¤c5

 56.f5  gxf5  57.exf5  ¤a6!  58.g4!  ¤b4  59.g5  a2
 60.¥xa2  ¤xa2  61.g6  hxg6  62.fxg6

results in a

draw.

 55...¤c5  56.f5  ¤a6  57.g4  ¤b4  58.fxg6

 hxg6  59.h5  gxh5  60.gxh5  ¢e6  61.¢d2  ¢f6
 62.¢c3  a2  63.¥xa2  ¤xa2+  64.¢b2  ¤b4
 65.¢c3  ¤c6  66.¢c4  ¤d4

Fischer won the mini-

match with 3-1 (+2, =2).

0-1

background image

My 160 Memorable Games

42

D80

Mecking,Henrique da Costa
Fischer,Robert James

Buenos Aires

08.08.1970

Defesa Gruenfeld

 1.d4  ¤f6  2.c4  g6  3.¤c3  d5

 4.¥g5  [ 4.cxd5  ¤xd5  5.e4  ¤xc3  6.bxc3  c5
 7.¥c4  ¥g7  8.¤e2  cxd4  9.cxd4  ¤c6  10.¥e3²

As pretas, tendo provocado o avanço de e4 ao
atacar o cavalo, iniciam logo o contra-ataque pelo
centro.

 0-0  11.0-0  ¥g4  12.f3  ¤a5  13.¥d5  ¥c8

 14.£d2  e6  15.¥b3  b6  16.¦fd1  ¥a6  17.¤g3  ¤c4
 18.¥xc4  ¥xc4  19.¥h6  ¥xh6  20.£xh6  £e7
 21.¦d2  ¦ad8  22.¦c1  b5  23.£e3  ¦d7  24.a4  a6
 25.axb5  axb5  26.e5  f5  27.exf6  £xf6  28.¤e4
 £f4  29.£xf4  ¦xf4  30.¢f2  ¦f8  31.¢e3  ¢f7
 32.¦a1  ¢e7  33.¦a5  ¦c7  34.¦c2  ¦fc8  35.g3  b4
 36.¦c5  ¦xc5  37.¤xc5  ¥d5  38.¦b2  e5  39.¦xb4
 exd4+

1/2-1/2 Kavalek,L-Gligoric,S/Lugano 1970/

MCD (39)

 4...¤e4  5.¥h4  ¤xc3  6.bxc3  dxc4

 7.e3  [ 7.e4?  c5-+ ]  7...¥e6  [ 7...b5  8.a4  A) 
 8...c6?!  9.axb5

 £d5

 ( 9...cxb5?

 10.£f3+- )

 10.bxc6  ¤xc6  11.£a4± ; B)  8...¥d7  9.axb5  ¥xb5
 10.¤f3² ] 8.¦b1  b6  9.¤f3  [ 9.¥e2  ¥h6  10.¤f3  c6
 11.¤e5  ¥g7  12.f4  ¥d5  13.0-0  ¤d7  14.¤xc4
 0-0  15.a4  c5  16.¤e5  ¤xe5  17.dxe5  f6  18.¦b2
 ¥e6  19.¦d2  £c7  20.¥g4  £c8  21.¥f3  ¦b8
 22.£e2  ¦d8  23.¦fd1  ¦xd2  24.£xd2  £e8  25.exf6
 exf6  26.£d6  ¦c8  27.a5  ¥f8  28.£d2  ¥e7  29.¥d5
 £f7  30.¥xe6  £xe6  31.£d7  ¢f7  32.£xa7  bxa5
 33.e4  £c6  34.¦d7  £xe4  35.h3  a4  36.¥f2  ¢f8
 37.c4  a3  38.£xa3  ¦a8  39.£b2  ¢e8  40.£b5
 ¢f8  41.¦d1  £xf4  42.¥xc5  ¥xc5+  43.£xc5+  ¢g7
 44.¦f1  £e4  45.£c7+  ¢h6  46.¦xf6

 £d4+

0-1 Taimanov,M-Fischer,R/Vancouver 1971/
Candidates (46)

 9...¥g7  10.¤d2  0-0  11.¤xc4

 [ 11.¥xc4?!  ¥xc4  12.¤xc4  £d5³  13.£f3  £xc4!
 14.£xa8  ¤c6  15.£b7  £xc3+  16.¢e2

 ( 16.¢d1

 ¤xd4µ )

 16...£c2+  17.¢f3  ¤xd4+  18.exd4  £d3+

 19.¢f4  ¥h6+  20.¥g5  £f5+µ ;  11.£f3  ¥d5  12.e4
 ¥b7  13.¥xc4  c5  A)  14.dxc5?!  ¤d7  15.cxb6  A1) 
 15...axb6  16.0-0

 ( 16.¥b3  ¤e5  17.£e3  ¤d3+‚ )

 16...¤e5  17.£e2  ¤xc4  18.¤xc4  ¥a6 ;  A2) 
 15...¤e5  16.£e3  axb6  17.¦xb6  ¤g4  18.£c5
 ¥xc3  19.¥d5  ¥xd5  20.exd5  ¥xd2+  21.¢xd2
 ¦xa2+‚ ;  B)  14.d5  ¤d7  15.£e3

 ( 15.0-0  ¤e5

 16.£e3  ¤xc4  17.¤xc4  ¥a6  18.£d3  £d7

/\ Qa4

)

 15...¤e5  16.¥e2  f5!  17.f4

 ( 17.0-0?  f4

 18.£h3  ¥c8  19.g4  f3  20.¥xf3  ¦xf3  21.¤xf3
 ¥xg4-+ )

 17...¤g4

 ( 17...¤f7

 18.exf5

xe7

)

 18.¥xg4  fxg4  19.0-0  ¥a6  20.¦fe1

 ( 20.¦f2  £d7

 21.£g3  ¦ae8÷ )

 20...£d7  21.¦bd1  ¦ae8  22.¢h1

 £a4!  23.£g3

 ( 23.¦a1  e5  24.dxe6  ¦xe6„ )

 23...£xa2  24.£xg4  ¥xc3  25.£e6+  B1)  25...¦f7
 26.¤f3

 ¥xe1  27.¤e5  ¦ef8

 28.¤xf7

 ¦xf7

 ( 28...¥xh4?

 29.¤g5+

 ¢h8

 30.£xe7+- )

 29.¦xe1÷ ;  B2)  25...¢g7  B2a)  26.¥xe7!?  ¥xd2

 ( 26...¦f7  27.¥f6+  ¦xf6  28.£xe8  ¥xd2  29.£e7+
 ¦f7  30.£e5+÷ ;  26...¦xf4  27.£d7  ¥b5  28.¥f6+
 ¢xf6  29.£xb5÷ )

 27.¥xf8+  ¦xf8  28.£e5+  ¢g8

 29.£e6+  ¦f7  30.£e8+  ¢g7  31.£e5+÷ ;  B2b) 
 26.¤f3  ¥e2  27.¥xe7  ¦xf4  B2b1)  28.¥f6+  ¦xf6
 29.£xe8  ¦xf3! ;  B2b2)  28.¦c1  ¦xf3

 ( 28...¥xf3

 29.gxf3  ¥xe1  30.¦xe1  £f2-+ )

 29.¦xc3  ¥f1 ;

 B2b3)  28.¦xe2  £xe2  29.¦g1  ¦xe4

0-1 Costa,J-

Tukmakov,V/Luzern 1993/CBM 38/[Ftacnik] (29)

]

 11...¥d5!

 [ 11...c5

 12.¥e2

 cxd4

 ( 12...¤c6

 13.0-0

'~~' Ftacnik.

 cxd4  14.cxd4  ¦c8  15.¦c1

 £d7  16.£d2  ¥d5  17.¥g3  £e6  18.¦fe1  f5  19.¥f1
 £f7  20.¥e5  ¤xe5  21.¤xe5  ¥xe5  22.dxe5  £e6
 23.f4  ¥xa2  24.¦a1  ¥c4  25.¥xc4  ¦xc4  26.¦xa7
 ¦fc8  27.¦d1  ¢f7  28.¦b7  ¦c2  29.£d6  ¦b2
 30.¢h1  ¦b3  31.h3  b5  32.¦d5  b4  33.¦db5

1/2-1/2 Ravisekhar,R-Tukmakov,V/New Delhi
1986/EXT 99 (33)

)

 13.cxd4  ¥d5  14.0-0  ¤c6

 15.£d2  ¦e8  16.¦fd1  £d7  17.¦bc1  ¦ac8  18.¥g3
 £b7  19.¥f1  f5  20.£b2  ¢h8  21.a4  ¥f6  22.£b5
 ¦ed8  23.¤d6  exd6  24.£xd5  ¥e7  25.¥b5  ¤a5
 26.£xb7  ¤xb7  27.¥a6  ¦xc1  28.¦xc1  ¤a5
 29.¦c7  ¥f8  30.¦xa7

1-0 Ravisekhar,R-Giulian,P/

Southampton 1986/EXT 99 (30)

 12.£d2  [ 12.f3 ]

 12...£d7  13.¤a3!  c5  14.f3  £a4!?  15.¤b5!  ¤c6
 [ 15...¦c8?  16.¥xe7  cxd4

 ( 16...£xa2  17.£xa2

 ¥xa2  18.¦a1  ¥b3² )

 17.cxd4  ¦c2  18.¤c3  ¦xd2

 19.¤xa4  ¦c2± ;  15...£xa2?

 16.£xa2

 ¥xa2

 17.¦a1  ¥e6  18.¤c7  ¤c6  19.¤xa8  ¦xa8
 20.¥b5± ] 16.¤c7  £xa2  17.£c1!  ¦ac8  18.¦a1?!
 [ 18.¦b2  ¦xc7  19.¦xa2  ¥xa2  20.£a3  ¥e6
 21.¥g3  ¦cc8  22.¥a6  ¦cd8  23.0-0± ]  18...£b3
 19.¦a3

 ¦xc7

 20.¦xb3

 ¥xb3

 21.£a3?!

 [ 21.£b1?!  c4  22.¥g3  ¦cc8= ;  21.¥g3!  ¦cc8
 22.¥a6  ¦cd8  23.0-0± ]  21...¤a5=  22.¥g3  e5!
 23.¥xe5  ¥xe5  24.dxe5  ¦d8  25.¥e2  ¦cd7
 26.£c1  ¥c4  27.£c2  ¥b3 
 [ 27...b5  28.f4= ]
 28.£c1  ¥c4  29.£c2  ¥b3  30.£c1

½-½

C42

Fischer,Robert James
Gheorghiu,Florin

Buenos Aires it

21.07.1970

The Complete Games of Bobby Fischer by Wade
and O'Connell # 518 Petroff

 1.e4  e5  2.¤f3  ¤f6

 [ 2...¤c6  3.d4

 ( 3.g3  ¤f6  4.d3  d5  5.exd5  ¤xd5

 6.¥g2  ¥e7  7.0-0  0-0  8.¦e1  ¥f6  9.¤bd2  ¥g4
 10.h3  ¥h5  11.¤c4  ¦e8  12.¤e3  ¤xe3  13.¥xe3
 h6  14.g4  ¥g6  15.£d2  e4

1/2-1/2 Demeter,P-

Kotan,L/SVK-chT 1995/EXT 97 (15)

)

 3...exd4

 4.¤xd4  ¥c5  5.¥e3  £f6  6.c3  ¤ge7  7.¤c2  ¥xe3
 8.¤xe3  £e5  9.£f3  0-0  10.¤d2  d6  11.¥c4  ¥e6
 12.0-0  ¥xc4  13.¤exc4

1/2-1/2 Prandstetter,E-

Banas,J/Trnava 1981/MCD (13)

 3.¤xe5

 d6

background image

My 160 Memorable Games

43

 4.¤f3  ¤xe4  5.d4  ¥e7  6.¥d3  ¤f6  7.h3  0-0
 8.0-0  ¦e8  9.c4  ¤c6  10.¤c3  h6  11.¦e1  ¥f8
 12.¦xe8  £xe8  13.¥f4  ¥d7  14.£d2  £c8  15.d5
 ¤b4  16.¤e4  ¤xe4  17.¥xe4  ¤a6  18.¤d4  ¤c5
 19.¥c2  a5  20.¦e1  £d8  21.¦e3  b6  22.¦g3  ¢h8
 23.¤f3  £e7  24.£d4  £f6  25.£xf6  gxf6  26.¤d4
 ¦e8  27.¦e3  ¦b8  28.b3  b5  29.cxb5  ¥xb5
 30.¤f5  ¥d7  31.¤xh6  ¦b4  32.¦g3  ¥xh6
 33.¥xh6  ¤e4  34.¥g7+  ¢h7  35.f3

[2.12-2.19]

1-0

E97

Taimanov,Mark E

2620

Fischer,Robert James

2740

1.f Vancouver

1971

Fischer won the interzonal Palma de Mallorca 1970.
His opponent in the quarterfinal was Taimanov.

 1.d4  ¤f6  2.c4  g6  3.¤c3  ¥g7  4.e4  d6  5.¤f3
 0-0  6.¥e2  e5  7.0-0  ¤c6  8.d5  ¤e7  9.¥d2  ¤e8
 10.¦c1  f5  11.exf5  gxf5  12.¤g5!?

Taimanov

plays actively against Fischer's favourite opening.

 h6  13.¤e6  ¥xe6  14.dxe6  £c8  15.£b3  c6!
 16.¥h5?! 
 [ 16.f4  e4  17.¥e3

has more effect.

]

 16...£xe6  17.£xb7  ¤f6  18.¥e2  ¦fb8  19.£a6
 ¦xb2  20.¦fd1  e4?!  21.£a3  ¦b7  22.¥f4  d5
 23.cxd5  cxd5  24.¤b5  ¤g6  25.¤d4  £d7
 26.£e3

Black has allowed a blockade of the centre.

 ¢h7

 27.h3

 ¦f8

 28.¥a6?!

Heroic play leads to

difficulties.

 ¦b6  29.¦c7  £a4  30.¦xg7+!  ¢xg7

 31.¥xh6+  ¢f7  32.¥e2  ¦fb8  33.¤xf5  ¦b1
 34.¦xb1  ¦xb1+  35.¢h2  £d7

White has no real

attack.

 36.¤d4?

 [ 36.¤g3

 £c7

 37.£d2!

keeps an effective defence line.

 36...£d6+  37.g3

 £b4  38.¤c6  £b6  39.¤xa7  £xe3  40.¥xe3  ¦e1

0-1

B44

Fischer,Robert James

2740

Taimanov,Mark E

2620

1.f Vancouver

1971

 1.e4  c5  2.¤f3  ¤c6  3.d4  cxd4  4.¤xd4  e6
 5.¤b5  d6  6.¥f4  e5  7.¥e3  ¤f6  8.¥g5  £a5+?!
 9.£d2

 ¤xe4

 10.£xa5

 ¤xa5

 11.¥e3!

Fischer exerts pressure for a pawn.

 ¢d7  12.¤1c3

 ¤xc3  13.¤xc3  ¢d8  14.¤b5  ¥e6  15.0-0-0  b6
 16.f4!

He avoids the capture on d6.

 exf4  17.¥xf4

 ¤b7  18.¥e2!  ¥d7  19.¦d2  ¥e7  20.¦hd1  ¥xb5
 21.¥xb5  ¢c7  22.¦e2  ¥f6  23.¦de1  ¦ac8
 24.¥c4  ¦hf8  25.b4  a5  26.¥d5!

White threatens

27.Re7+.

 ¢b8  27.a3  ¦fd8

The pawn is returned

for activity.

 28.¥xf7  ¥c3  29.¥d2  d5  30.¦d1  d4

 31.¥xc3  ¦xc3  32.¢b2  d3  33.¢xc3  dxe2

 34.¦e1

 ¤d6

 35.¥h5

 ¤b5+?

 [

Correct ia

 35...¦c8+!  36.¢d3  ¤c4 ]  36.¢b2  axb4  37.axb4
 ¦d4  38.c3  ¦h4  39.¥xe2  ¤d6  40.¦d1  ¢c7
 41.h3  ¦f4  42.¦f1  ¦e4  43.¥d3  ¦e5  44.¦f2  h5
 45.c4  ¦g5  46.¢c3  ¢d7  47.¦a2  ¢c8  48.¢d4
 ¢c7  49.¦a7+  ¢d8  50.c5? 
 [

White misses the

subtle win

 50.¦a6  ¢c7  51.c5  bxc5+  52.bxc5

 ¤e8  53.¦g6

(Balashov)

 ¦xg6  54.¥xg6  ¤f6

 55.h4 ]  50...bxc5+  51.bxc5  ¤e8!  52.¦a2  ¤c7
 53.¥c4  ¢d7  54.¦b2  ¢c6  55.¥b3!?  ¤b5+
 56.¢e3  ¢xc5  57.¢f4  ¦g6  58.¥d1  h4  59.¢f5
 ¦h6  60.¢g5  ¤d6  61.¥c2  ¤f7+  62.¢g4  ¤e5+
 63.¢f4  ¢d4  64.¦b4+  ¢c3  65.¦b5  ¤f7  66.¦c5+
 ¢d4  67.¦f5  g5+  68.¢g4  ¤e5+  69.¢xg5  ¦g6+
 70.¢xh4  ¦xg2  71.¥d1  ¦g8  72.¥g4  ¢e4
 73.¢g3  ¦g7  74.¦f4+  ¢d5  75.¦a4  ¤g6  76.¦a6
 ¤e5  77.¢f4  ¦f7+  78.¢g5  ¦g7+  79.¢f5  ¦f7+
 80.¦f6  ¦xf6+  81.¢xf6  ¢e4?? 
 [

The nicest draw

gives

 81...¤d3

 82.h4

 ¤f4

 83.¢f5

 ¢d6

(Botvinnik).

 82.¥c8!  ¢f4  [

Pointes are

 82...¤f3

 83.¥b7+ ;

and

 82...¤d3  83.¥f5+ ] 83.h4  ¤f3  84.h5

 ¤g5  85.¥f5  ¤f3  86.h6  ¤g5  87.¢g6  ¤f3  88.h7
 ¤e5+  89.¢f6

Taimanov lost again.

1-0

E97

Taimanov,Mark E

2620

Fischer,Robert James

2740

1.f Vancouver

1971

 1.d4  ¤f6  2.c4  g6  3.¤c3  ¥g7  4.e4  d6  5.¤f3
 0-0  6.¥e2  e5  7.0-0  ¤c6  8.d5  ¤e7  9.¥d2  ¤e8
 10.¦c1  f5  11.£b3!

Taimanov diverts from game

one.

 b6  12.exf5  gxf5  13.¤g5  ¤f6  14.f4  h6

 15.fxe5  dxe5  16.c5?

Taimanov plays too hasty.

 [

C o r r e c t   i s

 16.¤f3

 ¤g6

and now

 17.c5! ]

 16...¤fxd5

 17.¤xd5

 ¤xd5

 18.cxb6

 axb6

 19.¦c6!?  ¢h8

Taimanov thinks for one hour and

fourteen minutes.

 20.¤f3  [

Commentators regard

 20.£h3  ¤f6  21.¥c3

as good for White, but

 f4!

 22.£h4  ¥b7  23.¤e6  £d7  24.¤xg7  £xg7

refutes this idea.

 20...¥b7  21.¦g6  ¤f4!  22.¥xf4

 exf4  23.¦d1  £e7  24.¦e6  £c5+  25.¢f1  ¦fd8
 26.¦xd8+  ¦xd8

Black has taken over the attack.

 27.£a4  £c1+  28.¢f2  ¥f8  29.b4  ¥e4  30.¦e8?!
 ¥c6!  31.£xc6  £xc6  32.¦xd8  £f6  33.¦c8  £e7
 34.¢f1  ¢h7  35.¤d4  ¥g7  36.¤b5  ¥e5  37.a3
 £d7  38.¦a8  f3  39.gxf3  ¥xh2  40.¢g2  £g7+
 41.¢xh2  £e5+  42.¢g1

0-1

background image

My 160 Memorable Games

44

B47

Fischer,Robert James

2740

Taimanov,Mark E

2620

1.f Vancouver

1971

 1.e4  c5  2.¤f3  ¤c6  3.d4  cxd4  4.¤xd4  £c7
 5.¤c3  e6  6.g3  a6  7.¥g2  ¤f6  8.0-0  ¤xd4
 9.£xd4  ¥c5  10.¥f4  d6  11.£d2  h6  12.¦ad1  e5
 13.¥e3  ¥g4  14.¥xc5  dxc5  15.f3  ¥e6  16.f4
 ¦d8?!

 [

Theory will become

 16...0-0

 17.£d6

 £a5!?

(Rodriguez-Palermo, Buenos Aires 1973).

]

 17.¤d5

 ¥xd5  18.exd5  e4  19.¦fe1  ¦xd5

 20.¦xe4+  ¢d8  21.£e2  ¦xd1+  22.£xd1+  £d7
 23.£xd7+  ¢xd7  24.¦e5  b6? 
 [

Black ends the

pressure in the endgame with

 24...¢d6!  25.a4!  a5

 26.b3

 b6

and he gets the time for ..Re8

(Radulescu).

 25.¥f1  a5  26.¥c4  ¦f8  27.¢g2

 ¢d6  28.¢f3  ¤d7  29.¦e3  ¤b8  30.¦d3+  ¢c7
 31.c3  ¤c6  32.¦e3  ¢d6  33.a4!  ¤e7  34.h3  ¤c6
 35.h4!

White threatens to advance his pawns on

the kingside.

 h5  36.¦d3+  ¢c7  37.¦d5  f5  38.¦d2

 ¦f6  39.¦e2  ¢d7  40.¦e3  g6  41.¥b5  ¦d6
 42.¢e2  ¢d8?! 
 [

Or

 42...¦f6  43.¢d3  ¦d6+

 44.¢c4  ¦f6  45.¦e1  ¦d6  46.¦e2!  ¦f6  47.¦e3
 ¦d6  48.¦d3

and the exchange has been forced.

]

 43.¦d3!  ¢c7  44.¦xd6  ¢xd6  45.¢d3  ¤e7
 46.¥e8  ¢d5

 47.¥f7+  ¢d6

 48.¢c4

 ¢c6

 49.¥e8+  ¢b7  50.¢b5  ¤c8!  51.¥c6+  ¢c7
 52.¥d5  ¤e7  53.¥f7!  ¢b7  54.¥b3!  ¢a7!  55.¥d1
 ¢b7  56.¥f3+  ¢c7  57.¢a6  ¤c8  58.¥d5!  ¤e7
 59.¥c4!

 ¤c6

 60.¥f7

 ¤e7

 61.¥e8

 ¢d8

Black seems to escape, but Sherlock Fischer
outwits Watson Taimanov.

 62.¥xg6!

 ¤xg6

 63.¢xb6  ¢d7  64.¢xc5  ¤e7  65.b4!  axb4
 66.cxb4  ¤c8  67.a5  ¤d6  68.b5  ¤e4+  69.¢b6
 ¢c8

 [

After

 69...¤d6  70.a6  ¤c8+  71.¢c5

White wins on the kingside.

 70.¢c6  ¢b8  71.b6

A wonderful endgame.

1-0

D80

Taimanov,Mark E

2620

Fischer,Robert James

2740

1.f Vancouver

1971

 1.d4  ¤f6  2.c4  g6  3.¤c3  d5  4.¥g5  ¤e4  5.¥h4
 ¤xc3  6.bxc3  dxc4  7.e3  ¥e6  8.¦b1  b6  9.¥e2
 ¥h6  10.¤f3  c6  11.¤e5  ¥g7  12.f4  ¥d5  13.0-0
 ¤d7  14.¤xc4  0-0  15.a4  c5  16.¤e5  ¤xe5
 17.dxe5  f6  18.¦b2  ¥e6  19.¦d2  £c7  20.¥g4
 £c8  21.¥f3  ¦b8  22.£e2  ¦d8  23.¦fd1  ¦xd2
 24.£xd2  £e8  25.exf6  exf6  26.£d6  ¦c8  27.a5
 ¥f8  28.£d2  ¥e7  29.¥d5  £f7  30.¥xe6  £xe6
 31.£d7  ¢f7  32.£xa7  bxa5  33.e4  £c6  34.¦d7
 £xe4  35.h3  a4  36.¥f2  ¢f8  37.c4  a3  38.£xa3
 ¦a8  39.£b2  ¢e8  40.£b5  ¢f8  41.¦d1  £xf4

 42.¥xc5  ¥xc5+  43.£xc5+  ¢g7  44.¦f1  £e4
 45.£c7+  ¢h6  46.¦xf6??

Taimanov collapses

completely.

 £d4+

0-1

B44

Fischer,Robert James

2740

Taimanov,Mark E

2620

1.f Vancouver

1971

 1.e4  c5  2.¤f3  ¤c6  3.d4  cxd4  4.¤xd4  e6
 5.¤b5  d6  6.¥f4  e5  7.¥e3  ¤f6  8.¥g5  ¥e6

Taimanov plays the main variation this time.

 9.¤1c3!  a6  10.¥xf6  gxf6  11.¤a3  ¤d4  12.¤c4
 f5  13.exf5  ¤xf5  14.¥d3  ¦c8  15.¥xf5  ¦xc4
 16.¥xe6

 fxe6

 17.£e2

 [ 17.£h5+

 ¢d7

supports the black development.

]

 17...¦d4?

Taimanov fails again.

 [

Correct is

 17...£c7! ] 18.0-0

 £g5  19.¦ad1  £f5  20.¦xd4  exd4  21.¤e4  ¥e7
 [ 21...d5  22.¤g3  £f6  23.¦e1

leads to positional

problems (Tal).

 22.¦d1  £e5  23.£d3  ¦f8

 24.£xd4  £xd4  25.¦xd4  d5  26.¤c3  ¥c5  27.¦d2
 ¦f4  28.g3  ¦c4  29.¤e2  ¦a4  30.a3  ¢d7  31.¢g2
 b5  32.c3  a5  33.¤d4  b4  34.¤b3  ¥b6  35.axb4
 axb4  36.c4  ¢c6 
 [

More resistance offers

 36...¢d6

 37.¦c2  dxc4  38.¦xc4  e5 ]  37.c5  ¥c7  38.¤d4+
 ¢d7  39.f4  e5  40.c6+  ¢c8  41.¤b5  ¦a2  42.f5
 ¥d8  43.¦xd5  ¦xb2+

Fischer had won the match

over ten games with 6-0. It was a sensation.
Taimanov had a book of a dissident in his luggage.
He was arrested in Moscow.

1-0

C19

Fischer,Robert James

2760

Larsen,Bent

2660

2.f Denver

1971

 1.e4  e6  2.d4  d5  3.¤c3  ¥b4  4.e5  ¤e7  5.a3
 ¥xc3+  6.bxc3  c5  7.a4  ¤bc6  8.¤f3  ¥d7
 9.¥d3!?  £c7  10.0-0  c4  11.¥e2  f6  12.¦e1
 ¤g6?! 
 [

Less risk takes

 12...fxe5  13.dxe5  0-0 ]

 13.¥a3  fxe5  14.dxe5  ¤cxe5  15.¤xe5  ¤xe5
 16.£d4!

 ¤g6

 17.¥h5

 ¢f7!?

 18.f4!

Fischer attacks in a lovely way.

 ¦he8  19.f5!  exf5

 20.£xd5+  ¢f6  [

Avoids

 20...¥e6  21.¦xe6  ¦xe6

 22.£xf5+  ¦f6  23.£d5+  ¦e6  24.¦f1+

(suetin).

]

 21.¥f3?!  [ 21.¥d6!  £c8  22.¥f3!  ¥c6  23.£d4+
 ¢f7

 24.£xc4+

gives fine winning chances.

]

 21...¤e5!  22.£d4  ¢g6  23.¦xe5  £xe5  [

Not

 23...¦xe5?  24.¥d6 ]  24.£xd7  ¦ad8  25.£xb7
 £e3+?

Larsen misses the draw in the complicated

skirmish.

 [

Correct is

 25...£xc3  26.£c6+!  ¢g5

 27.¥c1+  f4  28.h4+!  ¢f5!  29.g4+  fxg3  30.¢g2!
 £d4!

(Suetin)

 31.¢xg3  £xa1  32.¥g4+  ¢e5

background image

My 160 Memorable Games

45

 33.£c5+  ¢f6  34.£f2+  ¢e5  35.£e1+  ¢d5

and perpetual check.

 26.¢f1  ¦d2  27.£c6+  ¦e6

 28.¥c5!  ¦f2+  29.¢g1  ¦xg2+!  30.¢xg2  £d2+
 31.¢h1  ¦xc6  32.¥xc6  £xc3  33.¦g1+  ¢f6
 34.¥xa7  g5  35.¥b6  £xc2  36.a5  £b2 
 [ 36...£a2!

offers the last chance.

 37.¥d8+  ¢e6  38.a6  £a3

 39.¥b7  £c5  40.¦b1  c3  41.¥b6

1-0

B36

Larsen,Bent

2660

Fischer,Robert James

2760

2.f Denver

1971

 1.c4  c5  2.¤f3  g6  3.d4  cxd4  4.¤xd4  ¤c6  5.e4
 ¤f6  6.¤c3  d6  7.¥e2  ¤xd4  8.£xd4  ¥g7  9.¥g5
 h6  10.¥e3  0-0  11.£d2  ¢h7  12.0-0  ¥e6  13.f4
 ¦c8  14.b3  £a5  15.a3  a6  16.f5  ¥d7  17.b4
 £e5!

Fischer defends well.

 18.¦ae1  ¥c6  19.¥f4

 ¤xe4  20.¤xe4  £xe4  21.¥d3  £d4+  22.¢h1
 ¦ce8  23.¥e3  £c3  24.¥xh6  £xd2  25.¥xd2
 ¥e5? 
 [

Correct is

 25...e5! ]  26.¥f4  ¥xf4  27.¦xf4

 gxf5  28.¦xf5?  [

The king is attacked by

 28.¦e3!

 ¦g8  29.¥xf5+  ¢h6

 ( 29...¢g7?  30.¦g3+  ¢f8

 31.¥e6 )

 30.¥h3!  ¦g7  31.b5!  axb5  32.cxb5  ¥d5

 ( 32...¥xb5?  33.¦h4+  ¢g5  34.¦b4! )

 33.¦h4+

 ¢g5  34.¦d4!  ¥e6  35.¥xe6  fxe6  36.¦xe6

White has won a pawn (Joop Piket).

]

 28...¢g7

 29.¦g5+  ¢h6  30.h4  e6  31.¦f1  f5  32.¦e1  ¦f7
 33.b5  axb5  34.cxb5  ¥d7  35.g4  ¦a8  36.gxf5
 exf5  37.¥c4? 
 [

Equality keeps

 37.¦eg1!  ¦e7!

 38.¥xf5  ¥xf5  39.¦xf5  ¦xa3 ]  37...¦a4  38.¦c1
 ¥xb5!  39.¥xf7  ¦xh4+  40.¢g2  ¢xg5  41.¥d5
 ¥a6  42.¦d1  ¦a4  43.¥f3  ¦xa3  44.¦xd6  ¦a2+
 45.¢g1  ¢f4  46.¥g2  ¦b2  47.¦d7  b6  48.¦d8
 ¥e2  49.¥h3  ¥g4  50.¥f1  ¥f3  51.¦b8  ¥e4
 52.¥a6  ¢e3  53.¦c8  ¦b1+  54.¢h2  ¢f4

0-1

B88

Fischer,Robert James

2760

Larsen,Bent

2660

2.f Denver

1971

 1.e4  c5  2.¤f3  d6  3.d4  cxd4  4.¤xd4  ¤f6
 5.¤c3  ¤c6  6.¥c4  e6  7.¥b3  ¥e7  8.¥e3  0-0
 9.f4  ¥d7  10.0-0  a6  11.f5  £c8?  12.fxe6  ¥xe6?
 [

No matter loses

 12...fxe6  13.¤f5  £c7  14.¥f4

 ¤e8 ]  13.¤xe6  fxe6  14.¤a4!  ¦b8  15.¤b6  £e8
 16.¥xe6+  ¢h8  17.¥f5  ¤e5  18.£d4  £h5
 19.¤d5  ¤xd5  20.£xd5  £e2  21.¥a7  ¦be8
 22.¦f2  £b5  23.c3  ¥h4  24.g3  £xd5  25.exd5
 ¥f6  26.¦af1  ¤c4  27.¥e6  ¦a8  28.¥d4  ¥xd4
 29.cxd4  ¦xf2  30.¦xf2  b5  31.¢f1  g6  32.b3  ¤a3
 33.¢e2  ¦a7  34.¦f8+  ¢g7  35.¦d8  b4  36.¦xd6

 ¤b5  37.¦b6  ¤xd4+  38.¢d3  ¤xe6  39.¦xe6  a5
 40.¢d4  ¢f7  41.¦e2

1-0

E97

Larsen,Bent

2660

Fischer,Robert James

2760

2.f Denver

1971

 1.c4  g6  2.¤f3  ¥g7  3.d4  ¤f6  4.¤c3  0-0  5.e4
 d6  6.¥e2  e5  7.0-0  ¤c6  8.d5  ¤e7

Fischer plays

his beloved defence.

 9.¤d2  c5  10.¦b1  ¤e8

 11.b4  b6  12.a4  f5  13.a5  ¤f6  14.£a4  ¥d7
 15.£a3  ¥h6!

Black prevents f4.

 16.¥d3  £c7

 17.bxc5  bxc5  18.exf5  gxf5!?  19.¥c2  a6
 20.¤de4!  ¥xc1  21.¤xf6+  ¦xf6  22.¦fxc1  ¦af8

Fischer starts an attack, despite the exchanges.

 23.¦b6  ¥c8  24.¤e2?!  [

The thematic defence

 24.f4!  ¤g6  25.¤e2  exf4  26.¦f1  £e7!  27.¤xf4
 ¤xf4  28.¦xf4  £e1+  29.¦f1  £d2  30.¦f2  £e1+
 31.¦f1

ends with a perpetual.

 24...f4  25.¥e4  ¤f5

 26.¦c6

 £g7

Black's attack has become very

strong.

 27.¦b1?  [

White pieces are properly placed

in

 27.¢h1!

(Murey)

 ¤h4  28.¦g1 ]  27...¤h4!

 28.£d3  ¥f5  29.¢h1  [

Or

 29.¦d1  ¤xg2! ]  29...f3!

 30.¤g3  fxg2+  31.¢g1  ¥xe4  32.£xe4  ¤f3+
 33.¢xg2  ¤d2

0-1

B88

Fischer,Robert James

2760

Larsen,Bent

2660

2.f Denver

1971

 1.e4

Chernev,Irving

 c5  2.¤f3  d6  3.d4  cxd4

 4.¤xd4  ¤f6  5.¤c3  ¤c6  6.¥c4  e6  [ 6...g6

C h e r n e v , I r v i n g

 7.¤xc6

 bxc6

 8.e5!

 ¤g4

 ( 8...dxe5?  9.¥xf7++- )

 9.¥f4  £b6  10.£f3  ¥f5

 ( 10...dxe5  11.¥xf7+ )

 11.exd6  exd6  12.0-0± ]

 7.¥b3  ¥e7  8.¥e3  0-0  9.0-0  ¥d7  10.f4  £c8?!

Chernev,Irving: ''Larsen''

 11.f5!

Larsen wanted to

prevent this move, but Fischer plays it anyway as a
positional sacrifice. Chernev,Irving: ''!''

 ¤xd4

 12.¥xd4  exf5  13.£d3  fxe4  14.¤xe4  ¤xe4
 15.£xe4  ¥e6  16.¦f3 
 [

Faster will end

 16.¦ae1!

 £c6?  17.£f4  ¦ae8??  18.£g3  g6  19.¦xe6

(Janosevic-Musil, Yugoslavia 1972).

]

 16...£c6

 [ 16...¥xb3

Chernev,Irving

 17.¦g3  g6  18.£xe7

/\ 19.Qf6

 £e6  19.£h4  ¥d5  20.¦e3  £f5  21.¦f1

 £xc2  22.£xh7+!  ¢xh7  23.¦h3+  ¢g8  24.¦h8#

#

 17.¦e1  £xe4  [ 17...¥xb3

Chernev,Irving

 18.£g4

 ( 18.£xe7?  ¦fe8  19.£h4  ¥xc2! )

 18...g6

 19.¦xe7  ¥e6  20.¦xe6  £c8  21.¦e4  f5  22.£h4
 fxe4  23.£e7+-

Gipslis

 18.¦xe4  d5  19.¦g3!  g6

 [ 19...dxe4?

C h e r n e v , I r v i n g

 20.¦xg7+

 ¢h8

background image

My 160 Memorable Games

46

 21.¦xf7+  ¥f6  22.¥xf6+  ¢g8  23.¦g7+  ¢h8
 24.¥c3

 ¦ac8

 25.¦c7++- ]  20.¥xd5

 ¥d6?

 [ 20...¥xd5  21.¦xe7  ¦fe8

leads to a defendable

endgame (Gipslis). '=' Chernev,Irving.

 21.¦xe6!

C h e r n e v , I r v i n g :   ' ' ! ' '

 ¥xg3

 [ 21...fxe6?

Chernev,Irving

 22.¥xe6+  ¦f7  23.¦f3+- ]  22.¦e7

 ¥d6  23.¦xb7  ¦ac8  [

Larsen prefers

 23...a5

after the game, but

 24.c4  ¦ae8  25.¦d7  ¥b4

 26.a3

 ¦e7

 27.axb4

 ¦xd7

 28.bxa5

favours White.

 24.c4  a5  25.¦a7

Black can grab

h i s   l a s t   c h a n c e   w i t h   a   n a t u r a l   m o v e .

 ¥c7?

C h e r n e v , I r v i n g :   ' ' [ ] ' '

 [

Larsen does not believe in

 25...¥c5!  26.¥xc5  ¦xc5  27.¢f2

but Chernev,

Irving: '/\...Kd4'

 ¦fc8  28.¥xf7+  ¢f8  29.¥d5  ¦xc4!

 30.¥xc4  ¦xc4  31.¦xa5  ¦c2+  32.¢f3  ¦xb2

might draw.

;  25...¥b4

Chernev,Irving

 26.a3  ¥d2

 27.¢f2

/\ 28.Ke2

 ¦ce8  28.¥c5 ]  26.g3  ¦fe8

 27.¢f1

 ¦e7

 28.¥f6

 ¦e3

 29.¥c3

 h5

Chernev,Irving: ''/\ 30... h4''

 30.¦a6

Chernev,Irving:

''!' '/\ 31.Rxg6+ or 31.Rc6''

 ¥e5

 31.¥d2

Chernev,Irving: ''!''

 ¦d3  32.¢e2  ¦d4  [ 32...¦xd2+

Chernev,Irving

 33.¢xd2  ¥xb2  34.¦xa5  ¢f8

 35.¦a6+- ]

 33.¥c3

 ¦cxc4

 [ 33...¦xd5

Chernev,Irving

 34.cxd5  ¥xc3  35.bxc3  ¦xc3

 36.d6  ¦c2+  37.¢e3+- ]  34.¥xc4  ¦xc4  35.¢d3
 [ 35.¥xe5?

C h e r n e v , I r v i n g

 ¦e4+= ]

 35...¦c5

 36.¦xa5  ¦xa5  37.¥xa5  ¥xb2  38.a4  ¢f8  39.¥c3
 ¥xc3 
 [ 39...¥a3

Chernev,Irving

 40.a5  ¥c5  41.a6

/\ 42.Bd4+-

 ¥d6

 42.¥b4+- ]  40.¢xc3

 ¢e7

 41.¢d4  ¢d6  42.a5  f6  43.a6  ¢c6  44.a7  ¢b7
 45.¢d5  h4  46.¢e6

Fischer played a fantastic

endgame.

1-0

A02

Larsen,Bent

2660

Fischer,Robert James

2760

2.f Denver

1971

 1.f4  c5  2.¤f3  g6  3.e4  ¥g7  4.¥e2  ¤c6  5.0-0
 d6  6.d3  e6  7.¤a3  ¤ge7  8.c3  0-0  9.¥e3  a6
 10.d4  cxd4  11.¤xd4  b5  12.¤xc6  ¤xc6  13.£d2
 £c7  14.¦ad1  ¦d8  15.¤c2  ¦b8  16.a3  ¤a5
 17.e5  ¥f8  18.b4  ¤c6  19.¤d4!

Larsen gives a

pawn for the attack.

 dxe5  20.fxe5  ¤xe5  21.¥g5

 ¦d5  22.£f4  ¥g7  23.h4?!  ¦b7  [

Risk takes

 23...£xc3  24.¥f6 ]  24.¥f6  ¥xf6  25.£xf6  £xc3
 26.h5  gxh5!? 
 [ 26...¦xd4!  27.£xe5  ¦d3  28.£g5
 £d4+!

 29.¢h1

 £e3

tries to win.

 27.¢h1

 [

Larsen avoids

 27.¤xe6  fxe6  28.¦xd5  exd5

 29.£d8+  ¢g7  30.£f6+

because he wants to win.

]

 27...¤g4  28.¥xg4  hxg4  29.£h6  ¥d7  30.¦f4
 [ 30.¦xf7  ¢xf7  31.£xh7+

leads to a perpetual

(Suetin).

 30...f5

The game can end peacefully.

 31.£f6?  [

Larsen avoids

 31.£g5+!  ¢f7  32.£h5+

 ¢e7  33.£g5+  ¢f7

because he wants to lose.

]

 31...¥c8  32.¦ff1  ¦f7  33.£h6  ¥b7  34.¤xe6  £f6!
 35.£e3  ¦e7  36.¦de1  ¦d6  37.£g5+  £xg5
 38.¤xg5  ¦xe1  39.¦xe1  ¥d5  40.¦e8+  ¢g7

Again Fischer had won with 6-0, an incredible
result.

0-1

B42

Fischer,Robert James

2760

Petrosian,Tigran V

2640

Buenos Aires cf

19.10.1971

The Complete Games of Bobby Fischer by Wade
and O'Connell # 747 Simple Chess by Michael
Stean 3. Weak Pawns Sicilian Defence, Kan
Variation

 1.e4

JvR

 c5

History is to repeat itself. In

his 1969 match defending his world title, Petrosian
adopted the Petroff in games 13 and 15 and
obtained comfortable though uninteresting draws in
25 and 19 moves respectively; then in the 17th and
19th gaames he switched to the Sicilian and lost
both, the latter being in a shattering 24 moves. Had
he retained the nerve to bore his audiences, he
might have retained his championship.

 2.¤f3  e6

 3.d4  cxd4  4.¤xd4  a6

Introducing a system

named in various countries after the German
master, Louis Paulsen (1833-91), who was second
to Morphy in the first American Congress (1857);
Paulsen was the pioneer of many modern opening
systems. The Russian, Ilya Kan, is credited with
dove-tailing the ideas into its present workable
shape. The aim of a6 is to fianchetto Black's queen
B after b5 with latent effect on White's centre.

 5.¥d3  ¤c6  6.¤xc6  bxc6?!  [ 6...dxc6! ] 7.0-0  d5
 8.c4!

''!'' '# '

 [ 8.¤d2  ¤f6  9.£e2  ¥e7  10.b3  0-0

 11.¥b2  a5  12.f4!  g6?!

 ( 12...¤d7!  13.£g4  g6 )

 13.¦ad1

 ( 13.exd5  cxd5  14.£e5  ¥a6  15.¤f3 )

 13...¤d7  14.c4

 ( 14.f5!  e5

 15.exd5

 cxd5

 16.¥xe5 )

 14...a4  15.f5  exf5  16.exf5  ¥f6  17.¥xf6

 ¤xf6  18.£f2  axb3  19.axb3  ¦a2  20.fxg6  fxg6
 21.h3  £e7  22.£d4  c5  23.£f4  ¥b7  24.¦de1  £g7
 25.£e3  d4  26.£e6+  £f7  27.£e2  ¦e8  28.£f2
 ¦xe1  29.£xe1  £e8  30.£xe8+  ¤xe8  31.¥e4
 ¦xd2  32.¥xb7  ¤d6  33.¥d5+  ¢g7  34.b4  cxb4
 35.c5  ¤f5  36.c6  ¦c2  37.g4  ¤d6  38.¦f4  d3
 39.¦d4  d2  40.¥b3  ¦xc6  41.¦xd2  ¤e4  42.¦d7+
 ¢f6  43.¦xh7  ¦c1+  44.¢g2  ¤c5  45.¥f7  b3
 46.g5+  ¢xg5  47.h4+  ¢f6  48.h5  ¦c2+  49.¢f3  b2
 50.¥a2  gxh5  51.¦xh5  ¦c1  52.¦h6+  ¢e5  53.¦b6
 ¤a4  54.¦e6+  ¢d4  55.¦e4+  ¢c5  56.¦xa4  ¦a1

0 - 1   S p a s s k y , B - P e t r o s i a n , T / M o s c o w   1 9 6 9 /
MegaBase 97 (56)

 8...¤f6  [ 8...dxc4  9.¥xc4

 £xd1  10.¦xd1  ¤f6  11.¤c3  ¥c5  12.¥g5  e5± ]
 9.cxd5  cxd5  10.exd5  exd5?

Fischer thought for

20 minutes and played:

 [

JvR: Correct is

 10...¤xd5

 11.¥e4!  ¥e7

 ( 11...¥b7!

JvR

 12.£a4+  £d7

background image

My 160 Memorable Games

47

(Horvath-Izsak, Budapest 1995).

)

 12.¤c3  ¥b7

 13.£a4+  £d7

 ( 13...¢f8  14.¦d1 )

 14.£xd7+  ¢xd7

 15.¦d1  ¥f6  16.¤xd5  ¥xd5  17.¥xd5  exd5
 18.¦xd5+

winning a pawn

 ¢e6  19.¦d2  ¦hd8

 20.¦e2+

 ( ¹20.¦b1 )

 20...¢f5  21.¥e3!  ¦ab8

 22.¦b1  a5  23.¢f1  a4  24.¦c2  ¦b4  25.a3  ¦e4
 26.¦e1  ¦b8  27.¦ee2  h5  28.f3  ¦ee8  29.¥c1
 ¦bc8  30.¦ed2  h4  31.¦d5+  ¢g6  32.¦dc5  ¦cd8
 33.¦d2  ¦xd2  34.¥xd2  ¥xb2  35.¦g5+  ¢f6
 36.¦a5  h3  37.gxh3  ¥xa3  38.¦xa4  ¥d6  39.¥c3+
 ¢f5  40.¥xg7  ¥xh2  41.h4  ¢g6  42.¦g4+  ¢h5
 43.¢g2  f5  44.¦g5+  ¢xh4  45.¥f6  ¦e2+  46.¢f1
 ¦e6  47.¦xf5+  ¢h3  48.¦h5+  ¢g3  49.¥d4  ¢xf3
 50.¦xh2  ¢e4  51.¦e2+  ¢d5  52.¦d2  ¢c6  53.¢f2
 ¦e7  54.¢f3  ¦e6  55.¢f4  ¦e1  56.¢f5  ¦e7
 57.¥e5  ¦d7  58.¥d4  ¦d5+  59.¢e4  ¦d6  60.¦b2
 ¢d7  61.¥c5  ¦d1  62.¦b6  ¦h1  63.¥d4  ¦f1
 64.¢d5  ¦f5+  65.¥e5  ¦f7  66.¥f6  ¢c7  67.¢c5
 ¢d7  68.¦d6+  ¢c8  69.¥d4  ¦c7+  70.¢b5  ¦d7
 71.¦c6+  ¢d8  72.¥c5  ¦b7+  73.¢c4  ¦f7  74.¢d5
 ¢d7  75.¦d6+  ¢e8  76.¦e6+  ¢d7  77.¢e5  ¦h7
 78.¦d6+  ¢e8  79.¥d4  ¦e7+  80.¢f5  ¦d7  81.¦e6+
 ¢d8  82.¥b6+  ¢c8  83.¢e5  ¢b7  84.¥d4  ¢c7
 85.¢e4  ¦f7  86.¢d5  ¢d7  87.¥f6  ¢c7  88.¦c6+
 ¢b7  89.¥e5  ¦h7  90.¢c5  ¦f7  91.¦b6+  ¢c8
 92.¢c6  ¦c7+  93.¢d6  ¦b7  94.¦c6+  ¢d8  95.¥f6+
 ¢e8  96.¢e6  ¦e7+

1/2-1/2 Averbakh,Y-Taimanov,

M/Leningrad 1960/URS-ch (96)

;

 10...£xd5

 11.¤c3  £c6  12.¥c2 ]  11.¤c3  [ 11.¥e3  ¥e7
 12.¥d4  0-0  13.¤c3 ]  11...¥e7  12.£a4+!  £d7!?
 [ 12...¥d7  A)  13.£c2  0-0

 ( 13...d4  14.¤e4  ¤xe4

 15.¥xe4  ¦c8  16.£d1 )

 14.¥g5 ;  B)  13.£d4 ]

 13.¦e1!

 [

JvR: Fischer takes the positional plus

instead of the matter in

 13.¥b5

'!?' JvR.

 axb5

 14.£xa8  0-0  15.£a5  d4  16.¤xb5  ¥b7„ ]
 13...£xa4  [ 13...0-0?  14.£xd7+- ]  14.¤xa4  ¥e6
 15.¥e3  0-0

'# '

 [ 15...¤d7  16.f4  g6  17.¥d4  0-0

 18.¦ac1 ] 16.¥c5!  ¦fe8  [ 16...¥xc5  17.¤xc5  ¦fb8
 18.¤xe6  fxe6  19.¦xe6  ¦xb2  20.¦xa6  ¦xa6
 21.¥xa6  ¤e4  22.a4  ¤c5  23.¥b5  ¢f8  24.¦c1
 ¤b3  25.¦c8+  ¢e7  26.h3  ¤d4  27.¥d3  ¦a2
 28.¦a8  g6  29.a5  ¦a1+  30.¢h2  ¤c6  31.a6  ¢d6
 32.¥b5  d4  33.¥xc6  ¢xc6  34.a7  ¢c7  35.¦h8
 ¦xa7  36.¦xh7+  ¢b6  37.¦xa7  ¢xa7  38.¢g3

1-0 Gruenfeld,Y-Ginsberger,A/ISR-ch 1984/MCD
(38)

] 17.¥xe7  ¦xe7  18.b4!  ¢f8  [ 18...a5  19.b5 ]

 19.¤c5  ¥c8  20.f3

''!''

 [ 20.¦xe7?  ¢xe7  21.¦e1+

 ¢d6 ]  20...¦ea7

'?!' JvR.

 [ 20...¤d7 ;  20...¤d7

 21.¤b3  ¤e5  22.¥f1  ¥d7  23.¦ed1

 ( 23.¦ad1?

 ¥b5  24.¦xd5?!  ¤xf3+! )

;

The last chance gives

 20...¦xe1+

JvR

 21.¦xe1  ¦b8  22.a3  ¦b6 ] 21.¦e5

 ¥d7  [ 21...¦b8³ ]  22.¤xd7+

'surprising that this

e x c h a n g e   o f   t h e   g o o d   N   f o r   t h e   b a d   B   i s   s o
devestating [Ruben Fine] '!'' '!?' JvR.

 [ 22.a4± ;

 22.a4  ¥c6

/\Nd7

 22...¦xd7  23.¦c1

''/\Rc6''

 ¦d6

'?'

 [ 23...¦da7± ]  24.¦c7  ¤d7  25.¦e2

JvR: 'Black

has little choice.'

 g6  [ 25...¤f6  26.¦ee7 ;  25...¢g8

 26.¦e7 ;  25...a5  26.¥b5  ¤f6  27.¦ee7 ;  25...¦e8
 26.¦xe8+  ¢xe8  27.¦a7  ¤b8  28.b5!  axb5
 29.¥xb5+  ¢f8

 ( 29...¤d7  30.¢f2  ¢d8  31.¥xd7

 ¦xd7  32.¦xd7+  ¢xd7  33.¢e3  ¢d6  34.¢d4 )

 30.¦b7!  ¦d8  31.¢f2 ]  26.¢f2  h5  27.f4  h4?

'?!' JvR.

 [ 27...¤b6  28.¦ee7  ¦f6 ]  28.¢f3

''/\Kg4''

 f5  29.¢e3

''/\Kd4''

 d4+  30.¢d2  ¤b6

'?' JvR.

 [

Correct is

 30...¢f7

JvR

 31.¦ee7  ¤d5  32.¦f7+

 ¢e8  33.¦b7  ¤xf4  [ 33...¤xb4  34.¥c4!  ¤c6
 35.¦h7  ¦f6  36.¦h8+  ¦f8  37.¥f7+  ¢d8  38.¦xf8# ;
 33...¦b8

JvR

 34.¦a7  ¦a8  35.¦xa8+  ¢xf7

 36.¥c4! ]  34.¥c4!

Black resigns

 [ 34.¥c4  g5

 35.¦g7  ¦f6

 ( 35...¤g6  36.¥f7+ )

 36.¦g8+  ¦f8

 37.¥f7+ ]

1-0

B44

Fischer,Robert James

2760

Petrosian,Tigran

2640

cf Buenos Aires

1971

 1.e4  c5  2.¤f3  e6  3.d4  cxd4  4.¤xd4  ¤c6
 5.¤b5  d6  6.¥f4  e5  7.¥e3  ¤f6  8.¥g5  ¥e6
 9.¤1c3  a6  10.¥xf6  gxf6  11.¤a3  d5

Petrosian

diverts from the sixth match game Fischer-
Taimanov.

 12.exd5  ¥xa3  13.bxa3  £a5  14.£d2

 0-0-0  15.¥c4?  [

Correct is the immediate

 15.¦d1 ]

 15...¦hg8!

A chess enthusiast had sent this move

to Petrosian. The electricity fails at this moment.
Fischer thinks redheaded in the darkness.

 16.¦d1

 ¥f5?

 [

He does not play the prepared

 16...¦xg2

A fine endgame brings

 17.¤e4

 £b6

 18.£e3

 £xe3+  19.fxe3  ¥g4  20.¦b1  ¥f3

(Timman).

]

 17.¥d3  ¥xd3  18.£xd3  ¤d4  19.0-0  ¢b8
 20.¢h1  £xa3  21.f4  ¦c8  22.¤e4  £xd3  23.cxd3
 ¦c2  24.¦d2  ¦xd2  25.¤xd2  f5  26.fxe5  ¦e8
 27.¦e1  ¤c2  28.¦e2  ¤d4  29.¦e3  ¤c2  30.¦h3!
 ¦xe5  31.¤f3  ¦xd5  32.¦xh7  ¦xd3  33.h4  ¤e3?
 [

The best defence is

 33...¤d4!

 34.¤g5!

 f6

 35.¤h3!

(Kholmov)

 ¦g3!  36.h5  ¦g4  37.h6  ¦h4

 38.¢h2  f4

Black will be able to hold the position.

]

 34.¦xf7  ¦d1+  35.¢h2  ¦a1  36.h5  f4  37.¦xf4
 ¦xa2  38.¦e4  ¤xg2  39.¢g3  ¦a5  40.¤e5

Fischer had won his last twenty games in the
interzonal and candidates' matches.

1-0

D82

Petrosian,Tigran

2640

Fischer,Robert James

2760

cf Buenos Aires

1971

 1.d4  ¤f6  2.c4  g6  3.¤c3  d5  4.¥f4  ¥g7  5.e3  c5
 6.dxc5  £a5  7.¦c1  ¤e4  8.cxd5  ¤xc3  9.£d2
 £xa2  10.bxc3  £a5  11.¥c4  ¤d7!?  12.¤e2

background image

My 160 Memorable Games

48

 ¤e5!?

 13.¥a2

 ¥f5?

 [

C o r r e c t   i s

 13...£xc5

(Petrosian).

 14.¥xe5  ¥xe5  15.¤d4  £xc5

 16.¤xf5  gxf5  17.0-0

 £a5?!  [

The defence

 17...0-0  18.£d3  £c8

consolidates the position.

]

 18.£c2  f4  19.c4  fxe3  20.c5  £d2  21.£a4+  ¢f8
 22.¦cd1

 £e2

 23.d6

A pawn avalanche

a p p r o a c h e s   t h e   b l a c k   k i n g .

 £h5?!

 [

A counterattack starts

 23...¥xh2+!

(Loktev)

 24.¢xh2  £h5+  25.¢g1  e2  26.dxe7+  ¢g7
 27.¦d5  exf1£+  28.¢xf1  £g6!  29.£d4+  f6
 30.¦d8  h5  31.£d7  ¢h6

(Petrosian) appears to

hold, but

 32.¦xa8  ¦xa8  33.£d8  £e8  34.£xa8!

 £xa8  35.¥f7

wins for White.

 24.f4  e2  25.fxe5

 exd1£  26.¦xd1  £xe5  27.¦f1  f6  28.£b3  ¢g7
 29.£f7+  ¢h6  30.dxe7  f5  31.¦xf5  £d4+  32.¢h1

Even Fischer could lose. A great game was
needed.

1-0

C11

Fischer,Robert James

2760

Petrosian,Tigran

2640

cf Buenos Aires

1971

 1.e4  e6  2.d4  d5  3.¤c3  ¤f6  4.¥g5  dxe4
 5.¤xe4  ¥e7  6.¥xf6  gxf6  7.g3?!  f5  8.¤c3  ¥f6
 9.¤ge2  ¤c6!  10.d5  exd5! 
 [

Petrosian improves

on

 10...¤b4

(Rauzer-Mazel, Leningrad 1934).

]

 11.¤xd5  [ 11.£xd5

 ¥xc3+

 12.¤xc3

 £e7+

 13.¥e2  ¥e6 ] 11...¥xb2  12.¥g2  0-0  13.0-0  ¥h8!

Black needs the bishop for the defence.

 14.¤ef4

 ¤e5  15.£h5  ¤g6  16.¦ad1  [

More success will

have

 16.¤h3!

in Bellon-Segal, Dortmund 1980.

]

 16...c6  17.¤e3  £f6  18.¢h1  ¥g7  19.¥h3  ¤e7
 20.¦d3  ¥e6  21.¦fd1  ¥h6  22.¦d4  ¥xf4  23.¦xf4
 ¦ad8  24.¦xd8 
 [

Better is

 24.¦b1!

(Kholmov).

]

 24...¦xd8  25.¥xf5  ¤xf5  26.¤xf5  ¦d5  27.g4
 ¥xf5  28.gxf5  h6  29.h3  ¢h7  30.£e2  £e5
 31.£h5  £f6

 32.£e2

 £e5

 33.£h5

 £f6?

Petrosian misses the threefold repetition of moves.

 [ 33...¦d7  34.¦h4  £f6

keeps the advantage.

]

½-½

B36

Petrosian,Tigran

2640

Fischer,Robert James

2760

cf Buenos Aires

1971

 1.c4  c5  2.¤f3  g6  3.d4  cxd4  4.¤xd4  ¤c6  5.e4
 ¤f6  6.¤c3  d6  7.f3  ¤xd4  8.£xd4  ¥g7  9.¥e3
 0-0  10.£d2  £a5  11.¦c1  ¥e6  12.b3  ¦fc8
 13.¥e2  a6  14.¤d5  £xd2+  15.¢xd2  ¤xd5
 16.cxd5  ¥d7  17.¦xc8+  ¦xc8  18.¦c1  ¦xc1
 19.¢xc1  ¢f8  20.¢c2  e6

½-½

C42

Fischer,Robert James

2760

Petrosian,Tigran

2640

cf Buenos Aires

1971

 1.e4  e5  2.¤f3  ¤f6  3.¤xe5  d6  4.¤f3  ¤xe4
 5.d4  ¤f6  6.¥d3  ¥e7  7.h3  0-0  8.0-0  c6
 [

More active is

 8...¦e8  9.c4  ¤c6

(Fischer-

Georghiu, Buenos Aires 1970).

 9.¦e1

 ¤bd7

 10.¥f4  ¦e8  11.c4  ¤f8  12.¤c3  a6  13.£b3  ¤e6
 14.¥h2  ¥f8  15.¦e2  b5!  16.£c2  ¥b7  17.¦ae1
 g6

 18.b4!?

 bxc4

 19.¥xc4

 ¤c7

 20.¥b3

 [

Slihjtly better is

 20.¦xe8!  ¤cxe8  21.£b3  d5

 22.¥d3

(Korchnoi).

 20...¦xe2  21.¦xe2  ¤cd5

 22.a3  a5  23.¤xd5  cxd5!  24.b5  a4!  25.¥a2
 [

The pointe shows

 25.¥xa4  £a5  26.¥b3  £xa3

(Shamkovich).

 25...£b6  26.£b1  ¦a5  27.¦b2

 ¤e4  28.¥f4  ¤c3  29.£c2  ¦xb5  30.¦xb5  ¤xb5
 31.£xa4  £a6!  32.£xa6  ¥xa6  33.¥e3 
 [

Avoids

 33.a4??  ¤c3

(Korchnoi).

 33...¤xa3  34.¥xd5

 ¥c4  35.¥c6  ¤c2  36.¥d2  ¥e2  37.¥e4  ¥xf3
 38.¥xc2

½-½

A06

Petrosian,Tigran

2640

Fischer,Robert James

2760

cf Buenos Aires

1971

 1.¤f3  c5  2.b3  d5  3.¥b2  f6!  4.c4  d4  5.d3  e5
 6.e3 
 [

Proper prophylaxis brings

 6.g3!  ¤c6  7.¥g2 ]

 6...¤e7  7.¥e2  ¤ec6  8.¤bd2  ¥e7  9.0-0  0-0
 10.e4  a6  11.¤e1  b5  12.¥g4  ¥xg4  13.£xg4
 £c8  14.£e2  ¤d7  15.¤c2  ¦b8  16.¦fc1  £e8
 17.¥a3  ¥d6  18.¤e1  g6  19.cxb5  axb5  20.¥b2
 ¤b6  21.¤ef3  ¦a8  22.a3  ¤a5  23.£d1  £f7
 24.a4?!  bxa4  25.bxa4  c4!  26.dxc4  ¤bxc4
 27.¤xc4  ¤xc4  28.£e2  ¤xb2  29.£xb2  ¦fb8
 30.£a2?!  ¥b4  31.£xf7+  ¢xf7  32.¦c7+  ¢e6!
 33.g4!

 [

Petrosian does not like

 33.¦xh7

 ¥c3

 34.¦d1  ¦xa4 ]  33...¥c3  34.¦a2  ¦c8  35.¦xc8
 ¦xc8  36.a5  ¦a8  37.a6  ¦a7  38.¢f1  g5  39.¢e2
 ¢d6  40.¢d3  ¢c5  41.¤g1?! 
 [

More useful is

 41.h4

and an exchange.

 41...¢b5  42.¤e2  ¥a5

Black will gain a pawn as a reward for his excellent
restriction.

 43.¦b2+?

Petrosian blunders right after

t h e   r e s u m p t i o n .

 [

C o r r e c t   i s

 43.¤g3!

 ¢xa6!

( K o r c h n o i )

 ( 43...¦xa6

 44.¤f5

 ¦c6

 45.¦c2

The rooks are exchanged.

)

 44.¤h5  ¦f7  45.¦b2

White might survive by passive restriction.

]

 43...¢xa6  44.¦b1  ¦c7  45.¦b2  ¥e1  46.f3  ¢a5
 47.¦c2  ¦b7  48.¦a2+  ¢b5  49.¦b2+  ¥b4  50.¦a2
 ¦c7  51.¦a1  ¦c8  52.¦a7?! 
 [

More resistance

offers

 52.¦a2!

but

 ¦c7  53.¦a1  ¦c6!  54.¦a2  ¥c3!

 55.¦a3

 ¢b4

 56.¦a2

 ¥e1!

 57.¦a1

 ¥f2

looks horrible for White.

 52...¥a5!  53.¦d7  [

Or

background image

My 160 Memorable Games

49

 53.¦xh7  ¥b6!

 54.¦f7

 ¦a8

 55.¦xf6

 ¦a3+

(Shamkovich).

 53...¥b6  54.¦d5+  ¥c5  55.¤c1

 ¢a4  56.¦d7  ¥b4  57.¤e2  ¢b3  58.¦b7  ¦a8
 59.¦xh7  ¦a1  60.¤xd4+  exd4  61.¢xd4  ¦d1+
 62.¢e3  ¥c5+  63.¢e2  ¦h1  64.h4  ¢c4  65.h5
 ¦h2+  66.¢e1  ¢d3

Petrosian was demoralised

because he had played well and only scored 2 1/2
out of 6. Fischer had crushed 'the other guy's ego'.

0-1

D40

Petrosian,Tigran

2640

Fischer,Robert James

2760

cf Buenos Aires

1971

 1.d4  ¤f6  2.c4  e6  3.¤f3  d5  4.¤c3  c5  5.e3
 ¤c6  6.a3  ¤e4  7.£c2  ¤xc3  8.bxc3  ¥e7  9.¥b2
 0-0  10.¥d3  h6  11.0-0  ¤a5  12.¤d2  dxc4
 13.¤xc4  ¤xc4  14.¥xc4  b6  15.e4  ¥b7  16.£e2
 ¦c8  17.¥b3  b5  18.f4  £b6  19.¢h1  cxd4
 20.cxd4  b4  21.axb4  ¥xb4  22.d5  ¥c3  23.¥xc3
 ¦xc3  24.¥c2? 
 [

Correct is

 24.¥a2!  ¦e3

 ( 24...¥a6

 25.£d2  ¦d3  26.£f2= )

 25.£c2!  ¦c8  26.£b1  exd5

 27.£xb6  axb6  28.¥xd5 ]  24...exd5  25.e5  ¦e3
 26.£d2  d4  27.¦ab1  £a6  28.¦f2  ¦d8  29.¢g1
 ¥e4  30.¥xe4  ¦xe4  31.h3  d3  32.¦b3  £c4
 33.¦b2  ¦dd4

Tigran is humiliated.

 34.g3  ¦d5

 35.¢h2  ¦b5  36.¦a2  ¦b1  37.g4  ¦e2  38.¦xe2
 dxe2  39.£xe2  £xf4+

0-1

C10

Fischer,Robert James

2760

Petrosian,Tigran

2640

cf Buenos Aires

1971

 1.e4  e6  2.d4  d5  3.¤c3  ¤c6  4.¤f3  ¤f6  5.exd5
 exd5  6.¥b5  ¥g4? 
 [

Equality keeps

 6...¥b4  7.0-0

 0-0

(Fleck-Thesing, 1986).

 7.h3  ¥xf3  8.£xf3

 ¥e7  9.¥g5  a6  10.¥xc6+  bxc6  11.0-0  0-0
 12.¦fe1  h6  13.¥h4  £d7  14.¦e2  a5  15.¦ae1
 ¥d8  16.b3  ¦b8  17.¤a4  ¤e4  18.¥xd8  ¦bxd8
 19.£f4  £d6  20.£xd6  cxd6  21.c4  ¤f6  22.¦c1
 ¦b8? 
 [ 22...¦fe8  23.¦xe8+  ¦xe8  24.cxd5  cxd5

defends properly.

 23.cxd5  cxd5  24.f3  ¤h5

 25.¦c6  ¤f4  26.¦d2  ¦fe8  27.¦xd6  ¦e1+  28.¢f2
 ¦h1? 
 [

Better is

 28...¦be8 ] 29.¢g3  ¤h5+  30.¢h4

 g6  31.¦xd5  ¦e8  32.¦xa5  ¦ee1  33.¤c3  ¤f4
 34.¢g4  ¤e6  35.¦e5  f5+  36.¢g3  f4+  37.¢h4
 ¢h7  38.¤e4  g5+  39.¢g4  ¤g7  40.¤xg5+  hxg5
 41.¦xe1  ¦xe1  42.¢xg5  ¤e6+  43.¢f5  ¦e2
 44.¦xe2  ¤xd4+  45.¢e5  ¤xe2  46.a4

Petrosian

played poorly. Fischer won with 6 1/2 - 2 1/2 (+5,
=3, -1). At the end of the match, Petrosian had
been treated like Taimanov and Larsen. Therefore

t h e   f i n a l   o f   t h e   c a n d i d a t e s '   m a t c h e s   o v e r   a
maximum of twelve games ended relatively quickly.

1-0

E56

Spassky,Boris Vasily

2660

Fischer,Robert James

2785

Wch28 Reykjavik

1972

Fischer challenged world champion Boris Spassky.
Many problems occurred until the match began in
Reykjavik. FIDE President Euwe had a hard time.
When Jim Slater doubled the prize money of $125,
000 and Henry Kissinger phoned Bobby, Fischer
f i n a l l y   f l e w   t o   I c e l a n d .   I t   h a d   b e c o m e   a
confrontation between capitalism and communism.
Public interest for the mad genius was enormous.
Spassky was respected, because he had a score
of +3, =2 against Fischer. The 'match of the century'
started on 11 vii 1972 with the usual time limit of 40
m o v e s   i n   2   1 / 2   h o u r s .   A n   a u d i e n c e   o f   2 3 0 0
spectators followed game one in the Laugersdalholl
stadium.

 1.d4  ¤f6  2.c4  e6  3.¤f3  d5  4.¤c3

 ¥b4  5.e3  0-0  6.¥d3  c5  7.0-0  ¤c6  8.a3  ¥a5
 9.¤e2  dxc4  10.¥xc4  ¥b6  11.dxc5  £xd1
 12.¦xd1  ¥xc5  13.b4  ¥e7  14.¥b2  ¥d7  15.¦ac1
 ¦fd8  16.¤ed4  ¤xd4  17.¤xd4  ¥a4  18.¥b3
 ¥xb3  19.¤xb3  ¦xd1+  20.¦xd1  ¦c8  21.¢f1  ¢f8
 22.¢e2  ¤e4  23.¦c1  ¦xc1  24.¥xc1  f6  25.¤a5
 ¤d6  26.¢d3  ¥d8  27.¤c4  ¥c7  28.¤xd6  ¥xd6
 29.b5

Spassky is happy with a quiet draw.

 ¥xh2?

Fischer seems to make a joke.

 30.g3  h5  31.¢e2

 h4  32.¢f3  ¢e7  [

No good is

 32...h3  33.¢g4  ¥g1

 34.¢xh3  ¥xf2  35.¥d2!

(Byrne).

 33.¢g2  hxg3

 34.fxg3  ¥xg3  35.¢xg3  ¢d6  36.a4  ¢d5  37.¥a3
 ¢e4 
 [

A subtle draw brings

 37...a6!  38.b6!  ¢c6

 39.¥f8

 ( 39.a5  ¢d5 )

 39...¢xb6!  40.¥xg7  ¢a5

 41.¥xf6  ¢xa4  42.¢f4  b5  43.¢e5  b4  44.¢xe6
 b3  45.¢d5  ¢b4!  46.e4  a5

(Purdy).

] 38.¥c5!  a6

 [

The pointe is

 38...b6?  39.¥xb6  axb6  40.a5  bxa5

 41.b6

(Byrne).

]

 39.b6!

White keeps winning

chances, if his a-pawn stays on the fourth rank.

 f5?

A joke becomes a nightmare.

 [

A draw gives

 39...e5  40.¥f8  ¢xe3!  41.¥xg7  ¢d4!  42.¥xf6
 ¢c5  43.¥d8!  ¢b4  44.¢f3  ¢xa4  45.¢e4  ¢b5
 46.¢d5!  a5!

(Prins).

 40.¢h4  f4

The game is

adjourned. Fischer complaints about the noise of
the film camera at the resumption.

 41.exf4  ¢xf4

 42.¢h5!  ¢f5  43.¥e3  ¢e4  44.¥f2  ¢f5  45.¥h4
 e5 
 [

Or

 45...g6+  46.¢h6  e5  47.¥g5  e4  48.¥d2

 ¢f6  49.¥e3  ¢f5  50.¥g5

and White wins (Byrne).

]

 46.¥g5  e4  47.¥e3  ¢f6  48.¢g4  ¢e5  49.¢g5
 ¢d5  50.¢f5  a5  51.¥f2!

White has achieved

zugzwang.

 g5  52.¢xg5  ¢c4  53.¢f5  ¢b4

 54.¢xe4  ¢xa4  55.¢d5  ¢b5  56.¢d6

Bobby was

background image

My 160 Memorable Games

50

very upset about the defeat.

1-0

A00

Fischer,Robert James

2785

Spassky,Boris Vasily

2660

Wch28 Reykjavik

1972

0-1

A77

Spassky,Boris Vasily

2660

Fischer,Robert James

2785

Wch28 Reykjavik

1972

The game is played in a private room at the request
of Fischer. He starts to shout when he notices the
film camera. It is removed. Schmid restores the
peace between the players.

 1.d4  ¤f6  2.c4  e6

 3.¤f3  c5  4.d5  exd5  5.cxd5  d6  6.¤c3  g6
 7.¤d2  ¤bd7  8.e4  ¥g7  9.¥e2  0-0  10.0-0  ¦e8
 11.£c2

 ¤h5!?

The preparation by the Soviet

grandmasters has not foreseen this provocative
opening at all.

 12.¥xh5

 gxh5

 13.¤c4

 ¤e5

 14.¤e3  £h4  15.¥d2  [

The initiative keeps

 15.¤b5

 £e7  16.a4

 a6

 17.¤c3

(Smith).

 15...¤g4

 16.¤xg4

 hxg4

 17.¥f4

 £f6

 18.g3?

White weakens his kingside.

 [

Solid is

 18.¥g3  h5

 19.f3!

(Byrne).

 18...¥d7  19.a4  b6  20.¦fe1  a6

 21.¦e2  b5!  22.¦ae1

Spassky wants to counter in

the centre, but Fischer prevents it.

 £g6  23.b3  ¦e7

 24.£d3  ¦b8  25.axb5  axb5  26.b4  c4  27.£d2
 ¦be8  28.¦e3  h5!?

Black postpones the capture

on c3.

 29.¦3e2  ¢h7  30.¦e3  ¢g8  31.¦3e2  ¥xc3

 32.£xc3  ¦xe4  33.¦xe4  ¦xe4  34.¦xe4  £xe4
 35.¥h6  £g6  36.¥c1  £b1  37.¢f1  ¥f5  38.¢e2
 £e4+  39.£e3  £c2+  40.£d2  £b3  41.£d4?!
 ¥d3+!

Bobby is jubilant, because he has defeated

Boris for the first time.

0-1

B88

Fischer,Robert James

2785

Spassky,Boris Vasily

2660

Wch28 Reykjavik

1972

 1.e4  c5  2.¤f3  d6  3.d4  cxd4  4.¤xd4  ¤f6
 5.¤c3  ¤c6  6.¥c4  e6  7.¥b3  ¥e7  8.¥e3  0-0
 9.0-0  a6  10.f4  ¤xd4  11.¥xd4  b5  12.a3  ¥b7
 13.£d3

 a5!

A novelty has been prepared in

Fischer's favourite opening.

 14.e5!  dxe5  15.fxe5

 ¤d7  16.¤xb5  ¤c5  17.¥xc5?  [

The quiet

 17.£e3!

 ¤xb3  18.£xb3  a4  19.£d3  ¥a6  20.¦ad1  £d7
 21.c4  ¦ab8

will draw in Carlson-Thompson, corr.

1986.

 17...¥xc5+  18.¢h1  £g5  19.£e2  ¦ad8

 20.¦ad1  ¦xd1  21.¦xd1  h5!

Spassky played for a

win. He is not 'demoralised' as commentators
describe him.

 22.¤d6  ¥a8  23.¥c4  h4!  24.h3

 ¥e3!  25.£g4  £xe5!  [ 25...£xg4  26.hxg4  h3
 27.¥f1  ¥f4  28.¤c4

and White holds the position.

]

 26.£xh4  g5!  27.£g4  ¥c5!  [ 27...¦d8  28.¤xf7!
 ¦xd1+  29.£xd1  ¢xf7  30.£d7+= ]  28.¤b5  ¢g7!
 29.¤d4  ¦h8!  30.¤f3  ¥xf3  31.£xf3  ¥d6?
 [ 31...¦h4

offers superb chances.

 32.g4!?

 ( 32.¦f1

 ¦f4  33.£e2  ¦xf1+  34.£xf1  £xb2

is horrible.

)

 32...¥d6!  33.£g2  £e3  34.¦d3  £c1+  35.£g1
 £xb2 ] 32.£c3!  £xc3  33.bxc3  ¥e5  34.¦d7  ¢f6
 35.¢g1  ¥xc3  36.¥e2  ¥e5  37.¢f1  ¦c8  38.¥h5
 ¦c7  39.¦xc7  ¥xc7  40.a4  ¢e7  41.¢e2  f5
 42.¢d3  ¥e5  43.c4  ¢d6  44.¥f7  ¥g3  45.c5+

½-½

E41

Spassky,Boris Vasily

2660

Fischer,Robert James

2785

Wch28 Reykjavik

1972

 1.d4  ¤f6  2.c4  e6  3.¤c3  ¥b4  4.¤f3  c5  5.e3
 ¤c6  6.¥d3  ¥xc3+  7.bxc3  d6  8.e4  e5  9.d5
 [ 9.h3  h6  10.£e2

8.0-0!?, 8.Pd2!?

 cxd4  11.cxd4

 exd4  12.¥b2 ] 9...¤e7  [ 9...¤a5  10.h3  b6  11.¥e3
 ¥a6  12.£e2  £d7!?  13.a4÷ ]  10.¤h4  [ 10.¤d2
 0-0

 ( 10...£a5  11.£c2  h5  12.h4  ¥d7  13.g3

 0-0-0 )

 11.¤f1  £a5  12.¥d2  ¤e8  13.¤g3  f5

Portisch-Miles, IBM 1981

 14.exf5  ¤xf5  15.£c2

 g6  16.0-0  ¥d7  17.¤e4  ¤f6  18.¤g5  ¦ae8  19.f3
 ¤g7  20.g4  £a4

 ( 20...b5  21.cxb5  c4  22.¥xc4

 ¥xb5

J 13..Da4

)

 21.£b3  ¦b8= ] 10...h6  [ 10...¤g6

 11.¤f5  ¥xf5  12.exf5! ]  11.f4

'!?'

 [ 11.0-0  g5

 12.¤f5  ¤xf5  13.exf5  e4  14.¥c2  ¥xf5  15.f3  ¥g6
 16.h4  ¤d7  17.f4  gxh4  18.f5  ¥h7  19.f6  ¥g6³ ;
 11.f3  g5

 ( 11...£a5  12.£c2  g5  13.¤f5  ¤xf5

 14.exf5  ¥d7  15.h4  g4  16.fxg4  ¤xg4  17.¥e2
 ¦g8  18.¥xg4  ¦xg4  19.¥xh6  ¥xf5  20.£xf5
 £xc3+  21.¢f2  £b2+  22.¢e3  ¦xg2 )

 A)  12.¤f5

 A1)  12...¥xf5  13.exf5  £a5  A1a)  14.£c2  0-0-0
 15.¢f2

 ( 15.h4  e4  16.¥xe4  ¦de8  17.¢f2  ¤xe4+

 18.fxe4  f6  19.¥e3  ¢b8  20.e5  dxe5  21.d6  ¤c6
 22.¦ad1  £a6  23.hxg5  £xc4  24.¦xh6  £g4  25.d7
 ¦d8  26.£d3  b6  27.¦dh1  ¦xh6  28.gxh6  ¢c7
 29.h7  c4  30.£e2  £xf5+  31.£f3  £c2+  32.¢g3
 £g6+  33.£g4  £d3  34.¢f2  £c2+  35.¢f3  f5
 36.£xc4  b5  37.£d5  e4+  38.¢g3  £xc3  39.¢f2
 ¤b4  40.¥f4+  ¢b6  41.£d6+  ¢b7  42.h8£  ¦xh8

1-0 Donner,J-Damjanovic,M/Cienfuegos 1972/
EXT 99 (42)

)

 15...¦de8  16.h4  g4  17.h5  b5

 18.¦b1  bxc4  19.¥xc4  gxf3  20.gxf3  ¤exd5
 21.£b3  ¤b6  22.¥xf7  ¦e7  23.¥e6+  ¢c7  24.¥e3
 £a6  25.a4  £xa4  26.£xa4  ¤xa4  27.¦a1  ¦xe6
 28.fxe6  ¤xc3  29.¦xa7+  ¢c6  30.¦f7  ¤fd5  31.e7

background image

My 160 Memorable Games

51

 ¦a8  32.¥d2  ¢d7  33.¦f8  ¦e8  34.¦xe8  ¢xe8
 35.¥xh6  ¢xe7  36.¥g7  e4  37.¥xc3  e3+  38.¢g3
 ¤xc3

 39.h6

1-0 Donner,J-Garcia Martinez,S/

Palma de Mallorca 1971/EXT 98 (39)

;

 A1b) 

 14.£b3  0-0-0  15.¦b1  £a6  16.¢f2  e4  17.¥xe4
 ¤xe4+  18.fxe4  ¤g8  19.h4  ¤f6  20.¢f3  g4+
 21.¢f4  ¦de8  22.¦e1  ¦hg8  23.£b5  £xb5
 24.¦xb5  ¤h5+  25.¢e3  ¦xe4+  26.¢xe4  ¦e8+
 27.¢d3  ¦xe1  28.¥xh6  ¦f1  29.¦b2  ¦xf5  30.¦e2
 ¢d7  31.¦e4  g3  32.¦g4  ¦f2  33.¥e3  ¦xg2
 34.¦g5  ¤f6  35.a4  ¢e7  36.¥f4  ¦f2  37.¢e3  ¦c2
 38.¢d3  ¦f2  39.¢e3  ¦a2  40.¥xg3  ¦xa4  41.¢d3
 ¦a1  42.¦f5  ¤d7  43.¦f2  f6  44.¦h2  ¦g1  45.¥f4
 ¤e5+  46.¥xe5  fxe5  47.h5  ¦g3+  48.¢e4  ¢f7
 49.h6  ¢g8  50.h7+  ¢h8  51.¦h6  ¦xc3  52.¦xd6
 ¦xc4+  53.¢xe5

1/2-1/2 Donner,J-Andersson,U/

Palma de Mallorca 1971/EXT 98 (53)

;

 A2) 

 12...¤xf5  13.exf5  ¤h5  14.g3  ¤g7  15.£c2  ¥d7
 16.¢f2  £f6  17.g4  0-0-0  18.¥e3  £e7  19.h4  f6
 20.¦h3  ¦df8  21.¦ah1  ¦hg8  22.hxg5  hxg5
 23.¦h7  £d8  24.¢g2  ¢b8  25.£b2  ¥e8  26.¥c2
 £a5  27.¦1h6  £d8  28.£a3  ¦f7  29.£c1  £a5
 30.¥b3  £d8  31.£c2  £e7  32.£d1  ¤xf5  33.¦xf7
 ¤xe3+  34.¢g3  ¥xf7  35.£d3  f5  36.gxf5  g4
 37.£xe3  gxf3+  38.¢xf3  e4+  39.¢e2  £e5
 40.¥c2  ¦g2+  41.¢d1  £xf5  42.¢c1  £f1+  43.¢b2
 £d3  44.£c1  £xc4

0-1 Donner,J-Langeweg,K/

Wijk 1971/MegaBase 97 (44)

;

 B)  12.¤f5 ]

 11...¤g6!

Fischer plays a surprising move.

 [ 11...exf4  12.¥xf4  g5  13.e5!  ¤g4

 ( 13...¤fg8

 14.exd6? )

 14.e6  ¤f6  15.0-0

 ( 15.¥g3  gxh4

 16.¥xh4  ¤g6  17.¥xg6  fxg6  18.£d3 )

 15...fxe6

 16.¥e5

 ( 16.¤g6  ¤xg6  17.¥xg6+  ¢e7  18.¥g3

 ¦g8  19.£d3  e5

#

 20.¦xf6

1-0 Michenka,J-

Menacher,M/Pardubice 1993/TD (20)

)

 16...dxe5

 17.¦xf6  gxh4  18.£h5+  ¢d7  19.¦xe6  ¦g8
 20.£xe5

1-0 Lukacs,P-Somlai,L/Borsodtavho

1991/CBM 23 ext (20)

 12.¤xg6  [ 12.¤f5  ¥xf5

 13.exf5  ¤xf4

G 13..g6

 12...fxg6  13.fxe5?!

''?!''

 [

A plus keeps

 13.0-0  0-0  A)  14.f5  gxf5

 ( 14...b5

 15.cxb5  c4  16.¥c2  gxf5  17.exf5  £b6+  18.¢h1
 £xb5

(!)

)

 15.exf5  ¥d7 ;  B)  14.£e1  ¥d7  15.£g3

 £e8  16.f5  g5µ ]  13...dxe5  14.¥e3  b6  15.0-0
 0-0  16.a4

'='

 a5

'!' ''!' '# ''

 17.¦b1  ¥d7  18.¦b2

 ¦b8  19.¦bf2  £e7  20.¥c2  g5  21.¥d2  £e8
 22.¥e1  £g6  23.£d3  ¤h5  24.¦xf8+  ¦xf8
 25.¦xf8+

 ¢xf8

 26.¥d1

 ¤f4

 27.£c2??

''T' '??' '# ''

 [ 27.£b1 ]  27...¥xa4!

'-+!'

 [ 27...¥xa4

 28.£xa4

'?'

 ( 28.£b1  ¥xd1  29.£xd1  £xe4

 30.£d2  ¢e7  31.d6+  ¢d7  32.¥g3  £xc4-+ )

 28...£xe4  29.¢f2  ¤d3+  30.¢g3  £h4+  31.¢f3
 £f4+  32.¢e2  ¤c1# ]

0-1

D59

Fischer,Robert James

2785

Spassky,Boris Vasily

2660

Wch28 Reykjavik

1972

Queen's Gambit Declined, Tartakower Defense
Inf14

 1.c4

. . . . . . . The Soviet opening preparation

is avoided.

 e6  [

This is Fischer' s previous and first

game in his career that he played the English.

 1...¤f6  2.g3  c6  3.¥g2  d5  4.¤f3  ¥f5  5.£b3  £b6
 6.cxd5  £xb3  7.axb3  cxd5  8.¤c3  ¤c6  9.d3  e6
 10.0-0  ¥e7  11.¥e3  ¤g4  12.¥f4  0-0  13.e4  dxe4
 14.dxe4  ¥g6  15.e5  ¥d3  16.¦fd1  ¥c2  17.¦dc1
 ¥xb3  18.h3  g5  19.hxg4  gxf4  20.¤d2  f3  21.¥xf3
 ¤xe5  22.¥g2  ¥d5  23.¤xd5  exd5  24.¦c7  ¥d8
 25.¦xb7  ¥b6  26.¥xd5  ¦ad8  27.¤e4  ¤xg4
 28.¦d1  ¢g7  29.¦d2  ¤f6  30.¤xf6  ¢xf6  31.¦d3
 ¢g7  32.¢g2  ¦b8  33.¦d7  ¦bd8  34.¥c4  ¦xd7
 35.¦xd7  ¢g6  36.g4  ¦d8  37.¥xf7+  ¢g5  38.¦xd8
 ¥xd8

1/2-1/2 Fischer,R-Polugaevsky,L/Palma de

Mallorca 1970/IZT (38)

;  1...e5  2.¤c3  d6  3.g3

 ¤c6  4.¥g2  g6  5.¤f3  ¥g7  6.0-0  ¤ge7  7.¦b1
 0-0  8.d3  h6  9.b4  f5  10.b5  ¤b8  11.¤d2  ¤d7
 12.a4  ¤f6  13.e3  c6  14.bxc6  bxc6  15.¥a3  ¤e8
 16.¦b3  f4  17.¤de4  g5  18.¦e1  ¦f7  19.¥f3  ¦f8
 20.¥g2  ¥e6  21.¦b7  ¥c8  22.¦b3  ¥e6  23.£e2
 ¢h8  24.¦eb1  ¤f5  25.¦b7  ¥c8  26.¦7b3  g4
 27.£d2  fxg3  28.fxg3  h5  29.¤d1  ¥h6  30.£e1
 ¥e6  31.¦b7  ¤eg7  32.¤ec3  ¤e7  33.d4  exd4
 34.exd4  ¤ef5  35.d5  cxd5  36.¤xd5  ¥xd5
 37.¥xd5  ¤d4  38.£e7  £a5  39.¥b4  £xa4
 40.£xd6  ¤df5  41.£g6  £e8  42.£xe8  ¦fxe8
 43.¥c3

 h4

 44.¦f7

Spassky- Kholmov 1-0

Moscow zt 1964

] 2.¤f3  d5  3.d4  ¤f6  4.¤c3  ¥e7

 5.¥g5  0-0  6.e3  h6  7.¥h4  b6  [ 7...¤bd7  8.¦c1
 b6  9.cxd5  exd5

Tartakover

 ( 9...¤xd5?  10.¥xe7

 £xe7

 11.¤xd5

 exd5

 12.¦xc7 )

 10.¥b5!±

Capablanca

 8.cxd5  [ 8.¥e2  ¥b7  9.¥xf6  ¥xf6

 10.cxd5  exd5  11.0-0

Korchnoi-Geller/Suchumi/

1971/

 8...¤xd5  [ 8...exd5  9.¥d3  ¥b7  10.0-0

 ¤bd7  11.¦c1  ¤e4  12.¥xe7  £xe7  13.£e2  a6
 14.¤a4  ¦fc8  15.¦fd1  g6  16.¤e1  ¢g7  17.a3  a5
 18.¦c2  ¤ef6  19.¤f3  ¤e4  20.¦dc1  £d6  21.¥b5
 c6  22.¥d3  c5  23.¥b5  ¤df6  24.¤e5  cxd4
 25.exd4  ¦xc2  26.¦xc2  ¦c8  27.¦xc8  ¥xc8
 28.£c2  ¥b7  29.¥d3  ¤g8  30.f3  ¤g5  31.¤c3
 ¤e7  32.¤b5  £d8  33.£f2  ¥a6  34.a4  ¥xb5
 35.axb5  £c8  36.£e1  ¤e6  37.£e3  ¤f5  38.¥xf5
 gxf5  39.¤c6  £c7

1/2-1/2 Szabo,L-Forintos,G/

Budapest 1964/MCD (39)

] 9.¥xe7  £xe7  10.¤xd5

 [ 10.¦b1

 ¥b7

 11.¤xd5

 ¥xd5 ]

 10...exd5

creating hanging pawns in the centre for black.

 11.¦c1  ¥e6  [ 11...¥b7 ]  12.£a4  c5  13.£a3  ¦c8
 14.¥b5!± 
 [ 14.¥e2=  a5  15.0-0  ¢f8

 ( 15...£a7

 16.dxc5  bxc5  17.¦fd1  ¤d7  18.¤e1  ¤e5  19.¤f3
 ¤d7

1/2-1/2 Gligoric,S-Ciric,D/Budva 1967/EXT

99 (19)

)

 16.dxc5  bxc5  17.¦c2  ¤d7  18.¦fc1

background image

My 160 Memorable Games

52

 ¦cb8  19.£c3  ¦b4  20.¤e5  ¤xe5  21.£xe5  ¦c8
 22.¥f3  £c7  23.£xc7  ¦xc7  24.¦d1  c4  25.¥xd5
 ¥xd5  26.¦xd5  c3  27.b3  a4  28.¢f1  axb3
 29.axb3  ¦xb3  30.¢e2  ¦b1  31.h4  g6  32.h5  g5
 33.g4  ¢g7  34.¦d1  ¦b6  35.¦d4  ¦b1  36.¢d3
 ¦d1+

1/2-1/2 Gligoric,S-Ciric,D/Beverwijk 1967/

MCD (36)

]

 14...a6

 [

P l a y a b l e   i s

 14...£b7

(Timman-Geller, Hilversum 1973). '/\ 15... c4
Pachmann'

 15.dxc5  bxc5  16.¦xc5  ¦xc5  17.£xc5

 a6  18.¥d3  £xb2  19.0-0  ¤d7

 ( 19...£xa2?

 20.¤d4 )

 20.£c6  ¦b8  21.¤d4  £b6  22.¦c1²

Timman

;  14...¢f8

/ \   c 4 ,   a 6 ,   b 5

 15.dxc5

 A) 

 15...¦xc5!  16.¦xc5  £xc5!  17.¢d2

 ( 17.£xc5+

 bxc5  18.¢d2  ¢e7  19.¦c1  ¢d6

/\ 20...Nd7

Zelinskis

)

 17...£xa3  18.bxa3  ¤d7  19.¥xd7  ¥xd7

 20.¤e5  ¥e8  21.¦c1  ¢e7  22.¢d3  f6  23.¤f3
 ¢d6  24.¢d4  ¥d7  25.¤d2  ¦e8  26.f3  g5

1/2/Zelinskis-Sichov/corr/1971

;

 B)  15...bxc5

 16.b3  c4  17.£xe7+  ¢xe7  18.¤d4  a6  19.¥a4±

Timman

 15.dxc5  bxc5  [ 15...¦xc5?!  16.0-0! ]

 16.0-0  ¦a7?!  [

Donner advices

 16...¤c6!

'Donner'

 17.¥xc6  ¦xc6  18.¤e5!

 ( 18.¤d4  ¦c7  19.¤b3

 d4!„ )

 18...¦c7  19.¤d3± ; 16...£b7

Geller

 17.¥a4!

 ( 17.¥e2  ¤d7 )

 17...£b6  18.¤e5

/\ 19.Nd3

 A) 

 18...¦a7  19.f4!

 ( 19.¤d3  ¦ac7 )

; B)  18...a5  19.f4!

 ( 19.¤d3  ¤a6 )

 19...f6  20.f5  ¥f7

 ( 20...fxe5

 21.fxe6  ¤a6  22.e4! )

 21.¤xf7  ¢xf7  22.¦fd1±

Andersson

; 16...£a7

Larsen

 17.¥e2

 ( 17.¥a4  a5

 18.¤e5  f6!  19.¤d3  ¤a6= )

 17.¥e2

The bishop

returns to protect the kingside. Black has a weak
c5 pawn and an undeveloped queenside.

 ¤d7

 [ 17...c4  18.£xe7  ¦xe7  19.¤d4  ¤c6

Tal

 20.¤xe6  fxe6  21.b3  ¤a5  22.bxc4  ¤xc4  23.e4±
 ¦ec7  24.¥g4

Purdy

;  17...a5  18.¦c3

 ( 18.¦c2  a4

 19.¥b5! )

 18...¤d7

 19.¦fc1

 ¦e8

 20.¥b5±

Furman-Geller/USSR ch/1970/

]

 18.¤d4!

/\ 19.Nb3, 19.Ne6

 £f8?

Timman

 [ ¹18...¢f8±

Purdy

;  ¹18...¤f6

 19.¤b3  A)  19...¤e4  A1) 

 20.¥f3  c4  21.£xe7  ¦xe7  22.¥xe4

 ( 22.¤d4  ¤c5

 23.b3  cxb3!  24.axb3  ¤d3  25.¦a1  ¤b4µ )

 22...cxb3!

 ( 22...dxe4  23.¤d4± )

 23.¦xc8+  ¥xc8

 24.¥xd5  bxa2  25.¥xa2  ¦b7=  26.¦c1  ¥f5

Timman

 A2)  20.f3!  c4  21.£xe7  ¦xe7  22.¤d4

 ( 22.fxe4  cxb3= )

 22...¤c5  23.b3

_|_ +/-/+/=

Timman

 B)  19...c4±

Purdy

 20.£xe7

 ¦xe7

 21.¤d4± ;  C)  19...¤d7÷

Timman

 20.¥b5  ¤f6 ]

 19.¤xe6!

 fxe6

 20.e4!!

 [ 20.¥g4 ]  20...d4?

 [

Better moves are

 20...c4  21.£h3  £f7  A)  22.¥g4

 ¦e8  23.exd5  exd5  24.¦fe1  ¤e5

 ( 24...¦xe1+

 25.¦xe1  ¢f8 )

 25.¥h5  g6  26.£g3  ¦ae7  27.f4

 ¤d3

 ( 27...¢h7!? )

 28.¦xe7  ¦xe7  29.¥xg6  £xf4

 30.¥f7+!  ¢xf7  31.¦f1  £xf1+  32.¢xf1  ¦e1+
 33.£xe1  ¤xe1  34.¢xe1+-

Tal

 B)  22.¥h5  £e7

 ( 22...g6?  23.¥g4+- )

 23.exd5  exd5  24.¦fe1  £f6

 25.¥g4+-

Timman

;

and

 20...¤f6

Purdy

 21.exd5

 exd5  22.¥f3±

Timman

 21.f4  £e7  [ ¹21...¢h8

/\ 22.e5 Nb6

 22.¥c4

/\ 23.e5 +/-

 e5  23.fxe5  £e7

 24.e6  ¤e5  25.£g3!  ¤xc4?  26.¦f7+-

Timman

]

 22.e5!  ¦b8  [ 22...¤b6?  23.f5

/\ 24.f6

 ( 23.£b3!

 ¤d5  24.f5! )

 A)  23...c4  24.£a5  £c5  25.b4!  £b5

 ( ¹25...£c6  26.¦f4 )

 26.a4!!  ¤xa4  27.¦xc4!  ¦xc4

 28.£d8++-

-> Timman

 B)  23...exf5?  24.£b3++-

Purdy

 23.¥c4!

Fischer has changed his strategy

from attack on the queenside to restraint of the
centre.

 ¢h8  [ ¹23...¤b6  24.£xc5

 ( 24.£b3!+-

Tal

)

 24...¤xc4  25.£xc4  ¦xb2  26.£xd4

 ( 26.f5

 £g5 )

 26...¦ab7

Purdy

 ( 26...¦xa2?  27.f5  ¦d7

 28.f6!+- )

 24.£h3

 ¤f8?

Spassky accepts his

p a s s i v i t y .

 [

Counteraction gives

 24...¦xb2

(Tal)

 25.£xe6  £xe6  26.¥xe6  ¦c7 ] 25.b3  a5  26.f5!+-
 exf5  27.¦xf5  ¤h7  28.¦cf1 
 [ 28.¦f7??  ¤g5 ]
 28...£d8  29.£g3  ¦e7  30.h4  ¦bb7  31.e6!  ¦bc7
 32.£e5  £e8 
 [ 32...d3  33.¦5f3+-

Timman

 33.a4!

 £d8  [ 33...¤f6  34.¦xf6!  gxf6  35.¦xf6! ;  33...¢g8?
 34.¦f7 ] 34.¦1f2  £e8  35.¦2f3  £d8  36.¥d3!  £e8
 [ 36...¦c6  37.£e4 ]  37.£e4!  ¤f6  [ 37...¦xe6
 38.¦f8+  ¤xf8  39.¦xf8+  £xf8  40.£h7# ]  38.¦xf6!
 gxf6  39.¦xf6  ¢g8  40.¥c4

/\ 41.Rf7 Timman

 ¢h8

 41.£f4

An attack on the kingside decided the

game.

 [ 41.¦f7! ; 41.£f4  ¢g8  42.£xh6

 ( 42.£g3+

 ¢h8  43.£e5! )

]

1-0

B97

Spassky,Boris Vasily

2660

Fischer,Robert James

2785

Wch28 Reykjavik

1972

 1.e4  c5  2.¤f3  d6  3.d4  cxd4  4.¤xd4  ¤f6
 5.¤c3  a6  6.¥g5  e6  7.f4  £b6  8.£d2  £xb2
 9.¤b3  £a3  10.¥d3  ¥e7  11.0-0  h6!  12.¥h4?!
 [

Theory will become

 12.¥xf6  ¥xf6  13.e5!  dxe5

 14.¤e4  ¤d7

(Tal-Zaid, Moscow 1973).

] 12...¤xe4

 13.¤xe4

 ¥xh4

 14.f5!

 exf5

 15.¥b5+!

Spassky attacks the king.

 axb5  [

Wild is

 15...¢e7!

 16.£f4  g5!  17.£e3!  ¥e6!  18.¥c4  ¥xc4  19.¦xf5
 ¥e6

 20.¦af1!

(Timman).

]

 16.¤xd6+

 ¢f8

 [

Black can try

 16...¢e7  17.¤xb5  £a6!  18.£b4+

 ¢f6  19.£xh4+  ¢g6 ]  17.¤xc8  ¤c6  18.¤d6
 [

Complicatives are presented by

 18.£d7

 g6

 19.¤d6

 ¥e7

 20.¤xf5!

 gxf5

 21.£xf5

(Tal & Timman).

 18...¦d8  19.¤xb5  £e7!?  [

Or

 19...¦xd2  20.¤xa3  ¦d5 ]  20.£f4  g6  21.a4  ¥g5
 22.£c4  ¥e3+  23.¢h1  f4  24.g3  g5  25.¦ae1
 £b4  26.£xb4+  ¤xb4  27.¦e2  ¢g7  28.¤a5  b6
 29.¤c4  ¤d5  30.¤cd6  ¥c5  31.¤b7  ¦c8  32.c4
 ¤e3  33.¦f3  ¤xc4  34.gxf4  g4?! 
 [ 34...¦a8
 35.fxg5  ¦xa4  36.¤xc5  bxc5

keeps the attack

going.

 35.¦d3  h5  36.h3  ¤a5  37.¤7d6  ¥xd6

 38.¤xd6  ¦c1+  39.¢g2  ¤c4  40.¤e8+  ¢g6
 41.h4  f6  42.¦e6  ¦c2+  43.¢g1  ¢f5  44.¤g7+
 ¢xf4  45.¦d4+  ¢g3  46.¤f5+  ¢f3  47.¦ee4  ¦c1+

background image

My 160 Memorable Games

53

 48.¢h2  ¦c2+  49.¢g1

½-½

A39

Fischer,Robert James

2785

Spassky,Boris Vasily

2660

Wch28 Reykjavik

1972

 1.c4  c5  2.¤c3  ¤c6  3.¤f3  ¤f6  4.g3  g6  5.¥g2
 ¥g7  6.0-0  0-0  7.d4  cxd4  8.¤xd4  ¤xd4
 9.£xd4  d6  10.¥g5  ¥e6  11.£f4  £a5  12.¦ac1
 ¦ab8  13.b3  ¦fc8  14.£d2  a6  15.¥e3  b5?
 [

A reasonable option is

 15...¥d7

(Smyslov &

Timman).

;

Best is the simple

 15...b6! ]  16.¥a7!

 bxc4  17.¥xb8  ¦xb8  18.bxc4  ¥xc4  19.¦fd1
 ¤d7??

A blunder spoils everything.

 20.¤d5!

 £xd2  21.¤xe7+  ¢f8  22.¦xd2  ¢xe7  23.¦xc4
 ¦b1+  24.¥f1  ¤c5  25.¢g2  a5  26.e4  ¥a1  27.f4
 f6  28.¦e2  ¢e6  29.¦ec2  ¥b2  30.¥e2  h5  31.¦d2
 ¥a3  32.f5+  gxf5  33.exf5+  ¢e5  34.¦cd4  ¢xf5
 35.¦d5+  ¢e6  36.¦xd6+  ¢e7  37.¦c6

1-0

D41

Spassky,Boris Vasily

2660

Fischer,Robert James

2785

Wch28 Reykjavik

1972

 1.d4  ¤f6  2.c4  e6  3.¤f3  d5  4.¤c3  c5  5.cxd5
 ¤xd5  6.e4  ¤xc3  7.bxc3  cxd4  8.cxd4  ¤c6
 [

The famous fifth match game Spassky-Petrosian,

Moscow 1969, continued with

 8...¥b4+ ]  9.¥c4  b5!

A striking novelty.

 10.¥d3  [

A plus gains

 10.¥e2!

 ¥b4+  11.¥d2  £a5  12.d5!

Polugaevsky-Mecking,

Petropolis 1973).

 10...¥b4+  11.¥d2  ¥xd2+

 12.£xd2  a6  13.a4  0-0  14.£c3  ¥b7  15.axb5
 axb5  16.0-0 
 [ 16.¥xb5?  ¦xa1+  17.£xa1  £b6

(Purdy) favours Black.

 16...£b6  17.¦ab1  b4

 18.£d2  ¤xd4  19.¤xd4  £xd4  20.¦xb4  £d7
 21.£e3  ¦fd8  22.¦fb1  £xd3  23.£xd3  ¦xd3
 24.¦xb7  g5  25.¦b8+  ¦xb8  26.¦xb8+  ¢g7  27.f3
 ¦d2  28.h4  h6  29.hxg5  hxg5

½-½

C95

Fischer,Robert James

2785

Spassky,Boris Vasily

2660

Wch28 Reykjavik

1972

 1.e4  e5  2.¤f3  ¤c6  3.¥b5  a6  4.¥a4  ¤f6  5.0-0
 ¥e7  6.¦e1  b5  7.¥b3  d6  8.c3  0-0  9.h3  ¤b8
 10.d4  ¤bd7  11.¤bd2  ¥b7  12.¥c2  ¦e8  13.b4
 ¥f8  14.a4  ¤b6  15.a5  ¤bd7  16.¥b2  £b8!?
 17.¦b1 
 [

Problems are set by

 17.c4!  bxc4  18.¥a4

(Koskinen-Rabosee, corr. 1972).

 17...c5  18.bxc5

 dxc5  19.dxe5  ¤xe5  20.¤xe5  [ 20.c4  ¤xf3+
 21.£xf3

(Kostro-Sznapik, Poland 1972).

]

 20...£xe5  21.c4  £f4  22.¥xf6  [

Fine is

 22.e5

 ¦ad8  23.exf6!  ¦xe1+  24.£xe1  £xd2  25.fxg7!

(Timman). Now

 ¥xg7!  26.£e7  ¥xb2  27.¦xb2

 £c1+  28.¢h2  £f4+

draws.

 22...£xf6  23.cxb5

 ¦ed8  24.£c1  £c3  [ 24...axb5  25.¦xb5  ¥a6
 26.¦b6  £c3  27.¤b3  g6

draws in Vasiukov-

Smejkal, Polonica-Zdroj 1972.

 25.¤f3

 £xa5

 26.¥b3!!  axb5  27.£f4  ¦d7  28.¤e5  £c7
 29.¦bd1!

 ¦e7

 [ 29...¦ad8!?

 30.¥xf7+

 ¦xf7

 31.£xf7+  £xf7  32.¤xf7  ¦xd1  33.¦xd1  b4
 34.¤d6  ¥xd6  35.¦xd6  ¥xe4  36.¦b6

(Timman)

 ¥c2  37.¢f1  b3!  38.¢e2  c4  39.¢d2  ¥e4  40.f3
 ¥d3

narrowly escapes.

] 30.¥xf7+!  ¦xf7  31.£xf7+

 £xf7  32.¤xf7  ¥xe4  33.¦xe4  [ 33.¤h6+!?  gxh6
 34.¦xe4

 c4

will probably draw.

 33...¢xf7

 34.¦d7+  ¢f6  35.¦b7  ¦a1+  36.¢h2  ¥d6+  37.g3
 b4

 38.¢g2

So far, Spassky has defended very

well in this great game.

 h5?  [

Right is

 38...¥e5!

 39.f4  ¥d4  40.g4  ¦a2+  41.¢f1

(Byrne)

 ¦h2! ]

 39.¦b6  ¦d1  40.¢f3!  ¢f7?!  [

A good try is

 40...g5!

 41.¢e2  ¦d5  42.g4!  hxg4  43.hxg4  ¢f7  44.¦b7+
 ¢f8

(Timman), but

 45.¦d7!

leads to zugzwang.

]

 41.¢e2  ¦d5  42.f4!  g6  43.g4  hxg4  44.hxg4  g5
 45.f5  ¥e5  46.¦b5  ¢f6  47.¦exb4!  ¥d4  48.¦b6+
 ¢e5  49.¢f3!

White threatens mate in one.

 ¦d8

 50.¦b8  ¦d7  51.¦4b7  ¦d6  52.¦b6  ¦d7  53.¦g6
 ¢d5

 54.¦xg5

 ¥e5

 55.f6

 ¢d4

 56.¦b1

Fischer led by 6 1/2 - 3 1/2 (+5, =3, -2). He treated
the world champion like a candidate. Blunders
occurred in game 1, 5 and 7. The level was superb
in 3,4, 6, 7, 9 and 10.

1-0

B97

Spassky,Boris Vasily

2660

Fischer,Robert James

2785

Wch28 Reykjavik

1972

 1.e4  c5  2.¤f3  d6  3.d4  cxd4  4.¤xd4  ¤f6
 5.¤c3  a6  6.¥g5  e6  7.f4  £b6  8.£d2  £xb2
 9.¤b3  £a3  10.¥xf6 
 [ 10.¥e2

was played in game

seven. A new line has been prepared.

 10...gxf6

 11.¥e2  h5  12.0-0  ¤c6  13.¢h1  ¥d7  14.¤b1!

A great new move is found at the board.

 £b4

 15.£e3

 d5?!

 [

A more stubborn defence gives

 15...¤e7  16.c4  f5  17.a3  £a4  18.¤c3  £c6
 19.¤d4

 £c5

(Qi Jingxuan-Karpov, Hannover

1983).

 16.exd5  ¤e7  17.c4!  ¤f5  18.£d3!  h4?

 [

After

 18...exd5

 19.cxd5

 h4!

Black really

threatens ..Ng3+.

 19.¥g4!  ¤d6  20.¤1d2  f5

 21.a3!  £b6  22.c5  £b5  23.£c3  fxg4  24.a4!  h3
 25.axb5  hxg2+  26.¢xg2  ¦h3  27.£f6  ¤f5  28.c6
 ¥c8  29.dxe6  fxe6  30.¦fe1  ¥e7  31.¦xe6

background image

My 160 Memorable Games

54

At last Spassky could show his famous tactical wit.

1-0

D66

Fischer,Robert James

2785

Spassky,Boris Vasily

2660

Wch28 Reykjavik

1972

 1.c4  e6  2.¤f3  d5  3.d4  ¤f6  4.¤c3  ¥e7  5.¥g5
 h6  6.¥h4  0-0  7.e3  ¤bd7  8.¦c1  c6  9.¥d3  dxc4
 10.¥xc4  b5  11.¥d3  a6  12.a4  bxa4  13.¤xa4
 £a5+  14.¤d2  ¥b4  15.¤c3  c5  16.¤b3  £d8
 17.0-0  cxd4  18.¤xd4  ¥b7  19.¥e4

So far, the

players have followed Bolbochan-Rossetto, Mar
del Plata 1952.

 £b8  20.¥g3  [

Theory will become

 20.¤c6!  ¥xc6  21.¥xc6  ¦a7  22.¥g3  ¤e5

(Pinter-Martin, Linz 1984).

 20...£a7

 21.¤c6

 ¥xc6  22.¥xc6  ¦ac8  23.¤a4  ¦fd8  24.¥f3  a5
 25.¦c6  ¦xc6  26.¥xc6  ¦c8  27.¥f3  £a6  28.h3
 £b5  29.¥e2  £c6  30.¥f3  £b5  31.b3  ¥e7
 32.¥e2  £b4  33.¥a6  ¦c6  34.¥d3  ¤c5  35.£f3
 ¦c8  36.¤xc5  ¥xc5  37.¦c1  ¦d8  38.¥c4  £d2
 39.¦f1  ¥b4  40.¥c7  ¦d7  41.£c6  £c2  42.¥e5
 ¦d2  43.£a8+  ¢h7  44.¥xf6  gxf6  45.£f3  f5
 46.g4  £e4  47.¢g2  ¢g6  48.¦c1  ¥a3  49.¦a1
 ¥b4  50.¦c1  ¥e7  51.gxf5+  exf5  52.¦e1  ¦xf2+
 53.¢xf2  ¥h4+  54.¢e2  £xf3+  55.¢xf3  ¥xe1

½-½

B04

Spassky,Boris Vasily

2660

Fischer,Robert James

2785

Wch28 Reykjavik

1972

 1.e4  ¤f6  2.e5  ¤d5  3.d4  d6  4.¤f3  g6  5.¥c4
 ¤b6  6.¥b3  ¥g7  7.¤bd2

Spassky leaves the

theory with a quiet move.

 0-0  8.h3?!  a5!  9.a4?

The a-pawn becomes weak.

 [ 9.c3

is a natural

move.

 9...dxe5  10.dxe5  ¤a6!  11.0-0  ¤c5

 12.£e2  £e8!  13.¤e4  ¤bxa4  14.¥xa4  ¤xa4
 15.¦e1

 ¤b6

The knights move forwards and

backwards in fine manoeuvres. Fischer's great
understanding of prophylaxis and the lacking
insight of Soviet players is shown in this phase of
the game.

 16.¥d2  a4  17.¥g5  h6  18.¥h4  ¥f5

 19.g4!?  ¥e6  20.¤d4  ¥c4  21.£d2  £d7?!

So far, I am the only one who talked in depth about
this game with one of the players. Spassky
remarked: "Bobby has less sense of the critical
position".

 [

The simple

 21...¥xe5  22.£xh6  ¥g7!

gains control the centre.

 22.¦ad1  ¦fe8  23.f4

 ¥d5  24.¤c5  £c8  25.£c3  [

Spassky had not seen

previous analyses. I showed him the 'potential win'

 25.e6  ¤c4  26.£e2  ¤xb2  27.¤f5

(Smyslov) The

i n t e n t i o n   i s

 ¥c4?

 (

" H o w   a b o u t

 27...¤xd1!

" "Bravo" Boris answered.

)

 28.exf7+

 ¢xf7

 29.£xe7+!

 ¦xe7

 30.¦xe7+

 ¢f8

 31.¤d7+

(Timman)

 25...e6  26.¢h2  ¤d7  27.¤d3  c5

 28.¤b5  £c6  29.¤d6  £xd6!  30.exd6  ¥xc3
 31.bxc3  f6  32.g5  hxg5 
 [

Annotators mention

 32...c4!  33.¤b4  hxg5  34.fxg5  f5 ]  33.fxg5  f5
 34.¥g3  ¢f7?! 
 [

Now

 34...a3!  35.¤e5  ¤xe5

 36.¥xe5

 ¦ed8

 37.¦f1

 ¦a4!

 38.¢g3

 a2

wins easily (Smyslov).

 35.¤e5+  ¤xe5  36.¥xe5

 b5  37.¦f1!  ¦h8?  [

Purdy gives exclamation marks,

although

 37...¦a7  38.¦f4  ¦d7  39.¦h4  ¦g8

 40.¦h7+

 ¢e8

wins. Black conducts an active

consolidation. It is completed when his king arrives
on the queenside.

 38.¥f6!  a3  39.¦f4  a2  40.c4

 ¥xc4  41.d7  ¥d5  42.¢g3  ¦a3+  43.c3  ¦ha8
 [ 43...a1£  44.¦xa1  ¦xa1  45.¦h4!  ¦aa8  46.¥xh8!
 ¦d8  47.¥f6  ¦xd7  48.¦h7+

and White delivers

perpetual check (Purdy).

 44.¦h4  e5!  45.¦h7+

 ¢e6  46.¦e7+  ¢d6  47.¦xe5  ¦xc3+  48.¢f2  ¦c2+
 49.¢e1  ¢xd7  50.¦exd5+  ¢c6  51.¦d6+  ¢b7
 52.¦d7+  ¢a6  53.¦7d2  ¦xd2  54.¢xd2  b4  55.h4

Another counteraction begins.

 ¢b5  56.h5  c4!

 57.¦a1  gxh5  58.g6  h4  59.g7  h3  60.¥e7  ¦g8
 61.¥f8!  h2  62.¢c2  ¢c6  63.¦d1  b3+  64.¢c3
 h1£! 
 [

No use has

 64...f4  65.¦d6+  ¢c7  66.¦d1 ]

 65.¦xh1  ¢d5  66.¢b2  f4  67.¦d1+  ¢e4  68.¦c1
 ¢d3  69.¦d1+?

He gives the wrong check! Bobby

peeks through his fingers and sees the horror on
Boris' face.

 [

Right is

 69.¦c3+  ¢d4  70.¦f3  c3+

 71.¢a1  c2  72.¦xf4+  ¢c3  73.¦f3+  ¢d2  74.¥a3!
 ¦xg7  75.¦xb3  ¦c7  76.¥b2 ]  69...¢e2  70.¦c1  f3
 71.¥c5  ¦xg7  72.¦xc4  ¦d7  73.¦e4+  ¢f1  74.¥d4
 f2

 [ 74...f2

 75.¦f4

 ¦xd4

 76.¦xd4

 ¢e2

is elementary.

]

0-1

D37

Fischer,Robert James

2785

Spassky,Boris Vasily

2660

Wch28 Reykjavik

1972

 1.c4  e6  2.¤f3  d5  3.d4  ¤f6  4.¤c3  ¥e7  5.¥f4
 0-0  6.e3  c5  7.dxc5  ¤c6  8.cxd5  exd5  9.¥e2
 ¥xc5  10.0-0  ¥e6  11.¦c1  ¦c8  12.a3  h6  13.¥g3
 ¥b6  14.¤e5  ¤e7  15.¤a4  ¤e4  16.¦xc8  ¥xc8
 17.¤f3  ¥d7  18.¥e5  ¥xa4  19.£xa4  ¤c6  20.¥f4
 £f6  21.¥b5?  £xb2  22.¥xc6  ¤c3  23.£b4  £xb4
 24.axb4  bxc6  25.¥e5 
 [

White cannot regain the

pawn by

 25.¦c1??

due to

 ¤e2+ ] 25...¤b5  26.¦c1

 ¦c8

 27.¤d4

 f6?

The pawn is given back.

 [

Good winning chances are given by

 27...¤xd4

 28.¥xd4  f6!  29.¥c5

 ¢f7 ]  28.¥xf6!

 ¥xd4

 29.¥xd4  ¤xd4  30.exd4  ¦b8  31.¦xc6  ¦xb4
 32.¢f1  ¦xd4  33.¦a6  ¢f7  34.¦xa7+  ¢f6  35.¦d7
 h5  36.¢e2  g5  37.¢e3  ¦e4+  38.¢d3  ¢e6

background image

My 160 Memorable Games

55

 39.¦g7  ¢f6  40.¦d7  ¢e6

½-½

B99

Spassky,Boris Vasily

2660

Fischer,Robert James

2785

Wch28 Reykjavik

1972

 1.e4  c5  2.¤f3  d6  3.d4  cxd4  4.¤xd4  ¤f6
 5.¤c3  a6  6.¥g5  e6  7.f4  ¥e7  8.£f3  £c7
 9.0-0-0  ¤bd7  10.¥d3  b5  11.¦he1  ¥b7  12.£g3
 0-0-0!?  13.¥xf6  ¤xf6 
 [

Black has to give up a

pawn due to

 13...¥xf6?  14.¥xb5!  axb5  15.¤dxb5

(Timman).

 14.£xg7  ¦df8  15.£g3  b4  16.¤a4

 ¦hg8  17.£f2  ¤d7  18.¢b1  ¢b8  19.c3  ¤c5
 20.¥c2  bxc3 
 [ 20...¤xa4?  21.¥xa4  bxc3  22.¦c1
 £c4

is refuted by

 23.¤c6+!  ¥xc6  24.£b6+  ¥b7

 25.¦xc3

(Geller).

 21.¤xc3  ¥f6  22.g3  h5

 23.e5?!

 dxe5

 24.fxe5

 ¥h8

 [

Risk takes

 24...¥xe5?!  25.¤db5!  axb5  26.¤xb5

(Timman).

]

 25.¤f3  ¦d8  26.¦xd8+  ¦xd8  27.¤g5  ¥xe5
 28.£xf7  ¦d7?! 
 [

Right is

 28...¥xg3!  29.hxg3

 £xg3 ]

 29.£xh5

 ¥xc3

 30.bxc3

 £b6+

A   g r e a t   b a t t l e   r a g e s   o n   t h e   b o a r d .

 31.¢c1?

 [

An advantage keeps

 31.¢a1!  ¦d2  32.¦b1  £a5

 33.£h8+  ¢a7  34.¦b2  e5

(Timman)

 35.£h7!  ¦d7

 36.£h6  £xc3  37.£b6+ ]  31...£a5  32.£h8+  ¢a7
 33.a4

 ¤d3+?!

 [

Annotators praise

 33...¤xa4!

 34.¥xa4  £xa4  35.£e5  £a1+ ]  34.¥xd3  ¦xd3
 35.¢c2  ¦d5  36.¦e4  ¦d8? 
 [

The attack continues

with

 36...¦d7!  37.¦d4  ¦c7 ] 37.£g7  £f5  38.¢b3

 £d5+  39.¢a3  £d2  40.¦b4  £c1+  41.¦b2  £a1+
 42.¦a2  £c1+  43.¦b2  £a1+

½-½

C69

Fischer,Robert James

2785

Spassky,Boris Vasily

2660

Wch28 Reykjavik

1972

 1.e4  e5  2.¤f3  ¤c6  3.¥b5  a6  4.¥xc6  dxc6
 5.0-0  f6  6.d4

Fischer plays a favourite opening at

last. Spassky is prepared.

 ¥g4

 7.dxe5

 £xd1

 8.¦xd1  fxe5  9.¦d3  ¥d6  10.¤bd2  ¤f6  11.¤c4
 ¤xe4!?  12.¤cxe5?! 
 [

A plus keeps

 12.¤fxe5  ¥e6

 13.f3  ¥xe5  14.¤xe5

(Bronstein-Lenguel, Moscow

1971).

] 12...¥xf3  13.¤xf3  0-0  14.¥e3  b5  15.c4

 ¦ab8  16.¦c1  bxc4  17.¦d4  ¦fe8  18.¤d2  ¤xd2
 19.¦xd2  ¦e4  20.g3  ¥e5  21.¦cc2  ¢f7  22.¢g2!?
 [ 22.¦e2

prevents the next move.

 22...¦xb2!

 23.¢f3!

White does not have to worry about the

lost pawns.

 c3  24.¢xe4  cxd2  25.¦xd2  ¦b5

 26.¦c2  ¥d6  27.¦xc6  ¦a5  28.¥f4!

The exchange

of bishops leads to a drawn rook ending.

 ¦a4+

 29.¢f3  ¦a3+  30.¢e4  ¦xa2  31.¥xd6  cxd6

 32.¦xd6  ¦xf2  33.¦xa6  ¦xh2  34.¢f3  ¦d2
 35.¦a7+  ¢f6  36.¦a6+  ¢e7  37.¦a7+  ¦d7  38.¦a2
 ¢e6  39.¢g2  ¦e7  40.¢h3  ¢f6  41.¦a6+  ¦e6
 42.¦a5  h6  43.¦a2  ¢f5  44.¦f2+  ¢g5  45.¦f7  g6
 46.¦f4  h5  47.¦f3  ¦f6  48.¦a3  ¦e6  49.¦f3  ¦e4
 50.¦a3  ¢h6  51.¦a6  ¦e5  52.¢h4  ¦e4+  53.¢h3
 ¦e7  54.¢h4  ¦e5  55.¦b6  ¢g7  56.¦b4  ¢h6
 57.¦b6  ¦e1  58.¢h3  ¦h1+  59.¢g2  ¦a1  60.¢h3
 ¦a4

½-½

B09

Spassky,Boris Vasily

2660

Fischer,Robert James

2785

Wch28 Reykjavik

1972

 1.e4  d6  2.d4  g6  3.¤c3  ¤f6  4.f4  ¥g7  5.¤f3  c5
 6.dxc5  £a5

Fischer plays the Pirc as Black for the

first time.

 7.¥d3  £xc5  8.£e2  0-0  9.¥e3  £a5

 10.0-0

 ¥g4

 11.¦ad1

 ¤c6

 12.¥c4

 ¤h5

 13.¥b3!?

Spassky sacrifices a pawn, because he

has to play for a win.

 ¥xc3  14.bxc3  £xc3  15.f5

 ¤f6  16.h3  ¥xf3  17.£xf3  ¤a5  18.¦d3  £c7
 19.¥h6  ¤xb3  20.cxb3  £c5+  21.¢h1  £e5!?

Black forces the draw in a special way.

 [ 21...¦fc8

 22.fxg6  hxg6

is okay.

] 22.¥xf8  ¦xf8  23.¦e3  ¦c8

 24.fxg6  hxg6  25.£f4  £xf4  26.¦xf4  ¤d7  27.¦f2
 ¤e5  28.¢h2  ¦c1  29.¦ee2  ¤c6  30.¦c2  ¦e1
 31.¦fe2  ¦a1  32.¢g3  ¢g7  33.¦cd2  ¦f1  34.¦f2
 ¦e1  35.¦fe2  ¦f1  36.¦e3  a6  37.¦c3  ¦e1  38.¦c4
 ¦f1  39.¦dc2  ¦a1  40.¦f2  ¦e1  41.¦fc2  g5
 42.¦c1  ¦e2  43.¦1c2  ¦e1  44.¦c1  ¦e2  45.¦1c2

½-½

B69

Fischer,Robert James

2785

Spassky,Boris Vasily

2660

Wch28 Reykjavik

1972

 1.e4  c5  2.¤f3  d6  3.¤c3  ¤c6  4.d4  cxd4
 5.¤xd4  ¤f6  6.¥g5  e6  7.£d2  a6  8.0-0-0  ¥d7
 9.f4  ¥e7  10.¤f3  b5  11.¥xf6  gxf6  12.¥d3  £a5
 13.¢b1  b4  14.¤e2  £c5

So far, the players have

followed Unzicker-Perez, Oberhausen 1961.

 15.f5

 a5

 16.¤f4

 [

Fischer avoids the adventures of

 16.£h6!?  b3  17.axb3  a4

because he wants to

draw.

 16...a4

 17.¦c1

 ¦b8

 18.c3

 b3?!

 [

T h e   p r e f e r a b l e

 18...¤e5!

 19.cxb4

 £xb4

 20.£xb4

 ¦xb4

leads to exchanges.

 19.a3!

The closed position is better for White.

 ¤e5

 20.¦hf1  ¤c4  21.¥xc4  £xc4  22.¦ce1  ¢d8!?
 [

The 'logical' positional move is

 22...¥c6 ]  23.¢a1

 [ 23.£d1!  ¢c7  24.¤d2  £a6  25.£h5

seeks the

attack.

 23...¦b5

 24.¤d4

 [ 24.£d4!

 £xd4

 25.¤xd4  ¦e5  26.g4

brings a pleasant endgame.

]

background image

My 160 Memorable Games

56

 24...¦a5  25.¤d3  ¢c7  26.¤b4  h5  27.g3  ¦e5!?

S p a s s k y   w a n t s   c o m p l i c a t i o n s .

 28.¤d3

 [

A   f i n e   p o s i t i o n a l   s o l u t i o n   g i v e s

 28.¦f4!

Black cannot do anything.

 28...¦b8!?  29.£e2

 [ 29.¤xe5!  dxe5

 ( 29...fxe5  30.f6! )

 30.fxe6  fxe6

 31.£e2  £c5  32.¦c1!

is dangerous for Black.

]

 29...¦a5  30.fxe6  fxe6  31.¦f2  e5  32.¤f5  ¥xf5
 33.¦xf5  d5

 34.exd5

 £xd5

 35.¤b4

 £d7

 36.¦xh5  ¥xb4  37.cxb4  ¦d5  38.¦c1+  ¢b7
 39.£e4  ¦c8  40.¦b1  ¢b6  41.¦h7

Fischer has

avoided the battle.

 ¦d4  42.£g6  £c6  43.¦f7  ¦d6

 44.£h6  £f3  45.£h7  £c6  46.£h6  £f3  47.£h7
 £c6

½-½

B05

Spassky,Boris Vasily

2660

Fischer,Robert James

2785

Wch28 Reykjavik

1972

 1.e4  ¤f6  2.e5  ¤d5  3.d4  d6  4.¤f3  ¥g4  5.¥e2
 e6  6.0-0  ¥e7  7.h3  ¥h5  8.c4  ¤b6  9.¤c3  0-0

Fischer applies the Alekhine for the second time.

 10.¥e3  d5  11.c5  ¥xf3  12.¥xf3  ¤c4  13.b3!?
 ¤xe3  14.fxe3  b6?! 
 [

Petrosian prefers

 14...¤c6 ]

 15.e4!  c6  16.b4  bxc5  [

Pressure can be relieved

by

 16...a5  17.a3  axb4  18.axb4  ¦xa1  19.£xa1

 bxc5  20.bxc5  ¥g5 ]  17.bxc5  £a5  18.¤xd5!
 ¥g5!

Capture of the knight leads to horror. Fischer

starts a prophylactic manoeuvre.

 19.¥h5!

 cxd5

 20.¥xf7+!  ¦xf7  21.¦xf7

The Soviet seconds are

impressed by the next move.

 £d2!

Capture of the

rook permits a horrible attack.

 [ 21...¤c6!

is okay.

]

 22.£xd2

 ¥xd2

 23.¦af1

 ¤c6

 24.exd5

 [

The great complications of

 24.¦c7!

 dxe4!

 25.¦xc6  e3

( O l a f s s o n )

 26.¦xe6  e2  27.¢f2!

 exf1£+  28.¢xf1  ¦d8  29.¦d6  ¦xd6  30.exd6  ¢f7
 31.¢e2  ¥a5!  32.¢d3!  ¢e6

 33.¢e4

 ¥e1

lead to a draw.

 24...exd5  25.¦d7  ¥e3+  26.¢h1

 ¥xd4  27.e6  ¥e5!  28.¦xd5  ¦e8  29.¦e1  ¦xe6
 30.¦d6!  ¢f7 
 [

Fischer avoids

 30...¦xd6  31.cxd6 ]

 31.¦xc6  ¦xc6  32.¦xe5  ¢f6  33.¦d5  ¢e6  34.¦h5
 h6  35.¢h2  ¦a6  36.c6  ¦xc6  37.¦a5  a6  38.¢g3
 ¢f6  39.¢f3  ¦c3+  40.¢f2  ¦c2+

½-½

B68

Fischer,Robert James

2785

Spassky,Boris Vasily

2660

Wch28 Reykjavik

1972

 1.e4  c5  2.¤f3  ¤c6  3.d4  cxd4  4.¤xd4  ¤f6
 5.¤c3  d6  6.¥g5  e6  7.£d2  a6  8.0-0-0  ¥d7
 9.f4  ¥e7  10.¥e2  0-0  11.¥f3 
 [

Fischer diverts

from the known

 11.¤b3

(De Greiff - Szabo, Mar

del Plata 1955).

;

Theory will become

 11.¤f3  £a5

 12.e5  dxe5  13.¥xf6  ¥xf6  14.£xd7  e4  15.¤e5
 ¤xe5

(Jansa-Pavlovic, Nis 1970).

] 11...h6  12.¥h4

 ¤xe4!  13.¥xe7  ¤xd2  14.¥xd8  ¤xf3  15.¤xf3
 ¦fxd8  16.¦xd6  ¢f8  17.¦hd1  ¢e7  18.¤a4  ¥e8
 19.¦xd8  ¦xd8  20.¤c5  ¦b8!?

Spassky wants to

play.

 21.¦d3  a5  22.¦b3  b5  23.a3  a4  24.¦c3

 ¦d8  25.¤d3  f6  26.¦c5  ¦b8  27.¦c3  [ 27.h4!

stops the counteraction.

 27...g5  28.g3  ¢d6

 29.¤c5  g4  30.¤e4+  ¢e7  31.¤e1  ¦d8  32.¤d3
 ¦d4  33.¤ef2  h5  34.¦c5  ¦d5  35.¦c3?! 
 [

Better is

 35.¢d2 ]  35...¤d4  36.¦c7+  ¦d7  37.¦xd7+  ¥xd7
 38.¤e1  e5 
 [

Annotators prefer

 38...¥c6  39.¢d2

 ¤f5

but

 40.¤ed3!  ¢d6  41.¤b4

is alright for

White.

] 39.fxe5  fxe5  40.¢d2  ¥f5  41.¤d1!  ¢d6

 [

After

 41...¤f3+  42.¤xf3  gxf3  43.¤f2!  ¢d6

 44.¢e3  e4

the passed pawns are blockaded.

]

 42.¤e3  ¥e6  43.¢d3  ¥f7  44.¢c3  ¢c6  45.¢d3
 ¢c5  46.¢e4  ¢d6  47.¢d3  ¥g6+  48.¢c3  ¢c5
 49.¤d3+  ¢d6  50.¤e1  ¢c6  51.¢d2  ¢c5
 52.¤d3+  ¢d6  53.¤e1  ¤e6  54.¢c3  ¤d4

The results were even in the second series of ten
games (+1, =8, -1). Chess was played on a
superior level in the games 13 and 19. Fischer kept
choosing enterprising openings, but he played the
middle game cautiously from game 15 on.

½-½

B46

Spassky,Boris Vasily

2660

Fischer,Robert James

2785

Wch28 Reykjavik

1972

14/374

 1.e4  c5  2.¤f3  e6  3.d4  cxd4  4.¤xd4  a6

 5.¤c3  ¤c6  [ 5...£c7 ]  6.¥e3  [ 6.g3 ;  6.¥f4!? ]
 6...¤f6  7.¥d3  d5!  8.exd5  exd5!=

Black follows

the game Anderssen-Minckwitxz, Berlin 1866.

 9.0-0  ¥d6  10.¤xc6  bxc6  11.¥d4  0-0  12.£f3
 ¥e6 
 [ 12...¤g4  13.h3  ¤h2?

 ( 13...£h4  14.¦fe1 )

 14.£h5  g6  15.£h6 ] 13.¦fe1  c5!

Fischer forces a

simplification.

 14.¥xf6

 £xf6

 15.£xf6

 gxf6

 16.¦ad1  ¦fd8  17.¥e2  ¦ab8  18.b3  c4  19.¤xd5!

Spassky keeps the equality.

 [ 19.¤a4= ]  19...¥xd5

 20.¦xd5  ¥xh2+  21.¢xh2  ¦xd5  22.¥xc4  ¦d2

'±!'

 23.¥xa6  ¦xc2  24.¦e2  ¦xe2  25.¥xe2  ¦d8  26.a4
 ¦d2  27.¥c4  ¦a2! 
 [ 27...¦xf2

'?'

 28.a5  ¢f8  29.a6

 ¦b2

 ( 29...¦a2?  30.b4!  ¦a4  31.b5  ¦xc4  32.a7

 ¦a4  33.b6+- )

 30.¥d5  ¦a2  31.¥c4  ¦b2= ] 28.¢g3

 ¢f8  29.¢f3?!  [ 29.f4  f5  30.¢f3  ¢e7  31.g3

builds a fortress (Karpov).

 29...¢e7

 30.g4?!

 [ 30.g3 ] 30...f5!  31.gxf5  f6  32.¥g8?  h6  33.¢g3
 ¢d6  34.¢f3  ¦a1  35.¢g2? 
 [

Right is

 35.¥c4  ¦g1

 36.a5  ¢c5  37.a6  ¢b6  38.¢e3  h5  39.f3  h4
 40.¢f2  ¦g5  41.¥f1!  ¦xf5  42.¢g2 ]  35...¢e5
 36.¥e6  ¢f4  37.¥d7  ¦b1  38.¥e6  ¦b2  39.¥c4
 ¦a2

 40.¥e6

 h5

White is lost in the adjourned

background image

My 160 Memorable Games

57

position.

 [ 40...¢g4!

 41.¥d5! ]

 41.¥d7

Robert James Fischer became world champion on
1 ix 1972. He had won with 12 1/2 - 8 1/2 (+7, =11,
-3). The Soviets were in a state of shock. They had
lost the 'match of the century'. The search for a
Russian Bobby led to a new Soviet champion in
1973: Boris Spassky. The real Bobby had great
plans for his future activities. Little resulted from his
high ideals. A rematch took place after twenty
years. Fischer's opening choice shows similarity to
Boleslavsky's approach: Solidity with White and
prophylaxis with Black. "Could a better preparation
with Boleslavsky have changed the outcome of
match?" "No, Bobby was better" Boris answered
me.

 [

The interesting

 41.¢h3  ¦xf2

 ( 41...¢g5

 42.f3  ¢f4  43.¥d5! )

 42.b4

draws according to

Timman, but Krogius gives the win

 ( 42.a5

 ¦f1!

 43.a6  ¦h1+  44.¢g2  ¦a1  45.¥c4  ¢xf5  46.b4
 ¢e5  47.b5  ¢d6  48.b6  ¢c6  49.b7  ¢c7-+ )

 42...¢g5  43.b5  ¦f3+  44.¢g2  ¦a3  45.b6  ¦xa4
 46.b7  ¦b4 ;  41.¥d7

Spassky resigned due to

 ¢g4

 42.¥c6  h4  43.¥f3+  ¢xf5  44.¥c6

(Krogius)

 ¦b2

 45.¥d5  ¢e5  46.¥c4  ¦a2  47.¢h3  ¢f4 ]

0-1

E83

Spassky,Boris Vasily
Fischer,Robert James

Belgrade

1992

 1.d4  ¤f6  2.c4  g6  3.¤c3  ¥g7  4.e4  d6  5.f3  0-0
 6.¥e3  ¤c6  7.¤ge2  a6  8.h4

A very unusual

move in this position, but it can lead to more normal
lines if White chooses to transpose.

 h5

 9.¤c1

This is the real new idea. It is perhaps not an
appropriate move in this position, though the real
test does not come in the present game. 9.Qd2
Rb8 is also possible.

 e5

9...Rb8!? 1 0. Nb3 Bd7 is

more consistent with Black's strategy, aiming for an
early break with b5.

 10.d5

 ¤e7

10...Nd4 is

probably stronger.

 11.¥e2  ¤h7

Black prepar es to

launch kingside counterplay with f7-f5, after which
the pawn at h4 can become very weak. His knights
suffer from the lack of entry squares on the
kingside, a situation brought about by 8...h5.

 12.¤d3

White now contr ols f4 as well as g5, so

there really is no possibility of kingside counterplay
f o r   B l a c k .

 f5  13.a4

White prevents Black from

playing a freeing b7-b5. This shuts down any
queenside action on Black's part.

 ¤f6

 14.¤f2

This is the logical continuation of White's strategy,
limiting Black's counterplay at each turn and taking
control of more squares, in this case g4 and e4.

 a5

A simply horrible move. it prevents a4-a5, but
eliminates any chance of getting in b7-b5.

 15.£c2

 c5

Another error, but a consistent follow-up to the

p r e v i o u s   m i s t a k e .   F i s c h e r   m u s t   h a v e
underestimated White's potential energy on the
kingside. 15...f4 16.Bd2 Bh6 17. g3 fxg3 18.Bxh6
gxf2+ was a better plan.

 16.0-0-0  b6  17.¦dg1

 ¤h7  18.¤b5  ¢h8

Pointless, since the knight at e7

cannot be brought to h6 because White will plant a
pawn at g5. 18. ..f4 might still be best, for example
19.Bd2 Rf7 20.g4 fxg3 21.Rxg3 Nf8 22.Nh3 Bxh3
23.Rgxh3

 19.g4

The prelude to a direct kingside

attack, which is difficult to counter. The main basis
of the attack is the weakness of g6.

 hxg4  20.fxg4

 f4

Much too late.

 21.¥d2

It is now clear that Black

has no counterplay, and his king is in danger on
t h e   h - f i l e .

 g5

Fischer did not want to endure

White's persistent pressure, but this is a desperate
sacrifice which only hastens the end.

 22.hxg5

 ¤g6  23.¦h5

The threat is 24.Rhg1.

 ¦f7  24.¦gh1

 ¥f8  25.£b3  ¦b8  26.£h3

White dominates the

entire board and the success of his attack is
beyond question.

 ¦bb7  27.¤d3

This is a decisive

transfer of White's knight to the blockading square
f3.

 ¢g8  28.¤e1  ¦g7

28...Qe8 is possibly a bit

more resistant, but there are serious problems
anyway.

 29.¤f3  ¦bf7  30.¦h6

Desperation, but

well justified.

 £d7  31.£h5

Strong and simple.

There is no way to save the knight.

 £xg4  32.¦xg6

 £xh5  33.¦xg7+  ¦xg7  34.¦xh5  ¥g4

Black is just

down a piece here.

 35.¦h4  ¥xf3  36.¥xf3  ¤xg5

 37.¥g4

A last finesse. Black cannot capture at e4

because of the check at e6.

 ¦h7  38.¦xh7  ¢xh7

 39.¢c2  ¥e7

39...Nxe4 40.Bf5+

 40.¢d3  ¢g6

 41.¤c7  ¢f7  42.¤e6  ¤h7  43.¥h5+  ¢g8

43...Kf6 44.Be1! and Black's king must worry about
getting mated!

 44.¥e1  ¤f6  45.¥h4  ¢h7  46.¥f7

 ¤xd5

This regains a little material, but the win is

still simple.

 47.cxd5  ¥xh4  48.¥h5  ¢h6  49.¥e2

 ¥f2  50.¢c4  ¥d4  51.b3  ¢g6

Black's king cannot

protect his soldiers.

 52.¢b5  ¢f6  53.¢c6  ¢e7

 54.¤g7

1-0

D27

Spassky,Boris Vasily
Fischer,Robert James

Belgrade

1992

 1.d4  d5  2.c4  dxc4  3.¤f3  ¤f6  4.e3  e6  5.¥xc4
 c5  6.0-0  a6  7.dxc5  £xd1  8.¦xd1  ¥xc5

Another quiet opening. In the other games the
action heated up eventually. Not this time.

 9.b3  b5

Fischer boldly plays the extended fianchetto again!

 10.¥e2  ¥b7  11.¥b2  ¤bd7  12.¤bd2  0-0

In game 4, Fischer played 12...Ke7 but found 13.
a4! uncomfortable. Here he reserves e7 for his
bishop.

 13.¦ac1

13.a4 bxa4 14.Rxa4 Nb6 gives

Black a fully satisfactory game, as does 14...Be7.

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My 160 Memorable Games

58

 ¦fc8  14.h3  ¢f8  15.¢f1

Both kings head for the

center.

 ¢e7

Now the occupation of this square by

the king is appropriate.

 16.¤e1

16.a4 bxa4 17.

bxa4 Bc6 with good counterplay, since White's
r o o k s   a r e m i s p l a c e d .

 ¥d6

The position is

completely equal.

 17.a4  ¥c6  18.axb5  axb5

 19.¦c2  ¦c7

 20.¦dc1

 ¦ac8

 21.¥f3

 ¥xf3

Now the pieces fly off the board and a peace pact
is forthcoming.

 22.¤dxf3  e5  23.¦xc7  ¦xc7

 24.¦xc7  ¥xc7  25.¤c2  ¤e4  26.¤a3  b4  27.¤c4
 f6  28.¤e1  ¤dc5  29.¤c2  ¤xb3  30.¤xb4
 ¤bd2+  31.¤xd2  ¤xd2+  32.¢e2  ¤c4

½-½

E07

Fischer,Robert James
Spassky,Boris Vasily

Belgrade

1992

 1.c4

Something of a surprise, although Fischer did

play the English in the first match too.

 e6

 2.¤f3

 ¤f6

 3.g3

The choice of the kingside fianchetto

means that we are headed for a Tarrasch, Catalan,
English, or Hedgehog. Still a wide choice!

 d5

 4.¥g2  ¥e7  5.0-0  0-0  6.d4

Now we have a

Catalan Opening, and Spassky opts for the closed
variation.

 ¤bd7  7.¤bd2

This is a fairly popular

line, but does not place much pressure at d5, and
White can hope for a minimal advantage, at best.

 b6  8.cxd5

The double fianchetto approach.

 exd5

 9.¤e5  ¥b7  10.¤df3

10.Ndc4 perhaps makes

better use of the long diagonal, exploiting the pin at
d5.

 ¤e4  11.¥f4  ¤df6

Black has achieved full

equality.

 12.¦c1  c5  13.dxc5  bxc5

Black's hang

i n g   p a w n s   a t   c 5   a n d   d 5   a r e   s t r o n g   i n   t h i s
configuration. One can compare game 6 of the first
match, where they proved to be weak.

 14.¤g5

 ¤xg5  15.¥xg5  ¤e4

The excellent coordination of

Black's forces lead to simplifications without risk.

 16.¥xe7  £xe7  17.¥xe4  dxe4

17...Qxe5 18.Bf3

maintains strong pressure at d5.

 18.¤c4

 e3

This is a bold attempt to punish White for ignoring
Nimzowitsch's principle that central pawns must be
blockaded.

 19.f3

Now the question is whether the

pawn at e3 is strong or weak. 19.Nxe3? Qe4

 ¦ad8

 20.£b3  ¦fe8  21.¦c3  ¥d5

This preserves the

important e-pawn.

 22.¦fc1

22.Rxe3 Bxc4 23.Rxe7

Bxb3 24.Rxe8+ Rxe8 25.axb3 Rxe2 with a drawish
endgame.

 g6  23.£a3

23.Qa4 was preferred by

Deep Thought.

 ¥xf3

Spassky pl ays with youthful

vigor. The piece sacrifice is romantic and worthy of
consideration, but there was a less interesting
drawing line. 23...Bxc4 24. Rxc4 Rd2! 25.Re4 Qd7
26.Qxe3 Rxe4 27.Qxe4 Qd4+! 28.Qxd4 cxd4 with
e q u a l   c h a n c e s   i n   t h e   e n d g a m e .

 24.exf3

24.Rxe3? Be4!

 e2  25.¦e1  ¦d1  26.¢f2  ¦xe1

 27.¢xe1  £d7

There are tw o threats here: Qd1+

and Qh3. Now White must play with extreme
caution.

 28.£b3

28.Rd3 Qh3 29.Ne3 Rxe3! 30.

Rxe3 Qf1+ 31.Kd2 Qd1+ and a draw will result.

 £h3  29.¤e3  £xh2

29...Rxe3? 30.Rxe3 Qf1+ 31.

Kd2 and the d1-square is covered by the Qb3.

 30.g4  ¦b8  31.£d5

31.Qc2?? would lose to Rxb2!!

32.Qxb2 Qg1+ 33.Kxe2 Qh2+ 34.Kd3 Qxb2 and
White's pawns will fall quickly.

 ¦xb2

Now White

must force the draw.

 32.£d8+  ¢g7  33.¤f5+  gxf5

½-½

E70

Spassky,Boris Vasily
Fischer,Robert James

Belgrade

1992

 1.d4  ¤f6  2.c4  c5  3.d5  d6

Like a conjurer,

Fischer pulls yet another surprise opening out of
his sleeve. He plans to go his own way in this
opening, neither opting for the popular Benko
Gambit nor playing the standard modern Benoni
idea of e7- e6.

 4.¤c3  g6  5.e4  ¥g7  6.¥g5

This is played in the spirit of the Averbakh Variation
of the King's Indian. Other ideas include 6. Nf3 and
6.Bd3. This line leads to greater complications
appropriate to the match standing.

 h6

 7.¥h4

An unusual choice. Usually the bishop retreats
along the c1-h6 diagonal and later forms a battery
w i t h   t h e   q u e e n .   N o w   B l a c k   c a n   d e v e l o p
counterplay quickly.

 g5  8.¥g3  £a5

Black must

not delay his counterplay! 8...O-O 9.Bd3 would
give White excellent attacking prospects.

 9.¥d3

Inviting immediate complications, but this is still
known to theory. 9. Qd2 is correct.

 ¤xe4  10.¥xe4

 ¥xc3+  11.bxc3  £xc3+  12.¢f1

After a few forced

moves Black is a piece down for two pawns, but
White's material advantage cannot be maintained.

 f5

By sacrificing a piece for two pawns, Black

attacks both of White's bishops, deprives the
enemy monarch of his castling privilege and
thereby disrupts the communication of the rooks.
12... Qxc4+ 13.Bd3 Qxd5?? 14.Bb5+ wins the
queen.

 13.¦c1

13.Ne2 Qf6 14.Bc2 f4 15.h4 Rf8

and White has a hopeless position.

 £f6

 14.h4

14.Qh5+ Kd8 15.h4 g4! A theme later exploited by
Fischer.

 g4  15.¥d3

White has to part with one of

his bishops, but which one? The dark- squared
bishop seems more important. 15.Bxf5!? deserves
consideration, enabling White to complete his
d e v e l o p m e n t .

 f4

 16.¤e2

 fxg3

 17.¤xg3

Things have calmed down a bit, and Black has an
extra pawn, but some weak light-squares.

 ¦f8

 18.¦c2

White is almost out of the woods, but his

rook still stands idly at h1, and this is all Fischer
needs to get things going.

 ¤d7

Black returns the

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My 160 Memorable Games

59

pawn for rapid mobilization.

 19.£xg4  ¤e5  20.£e4

 ¥d7  21.¢g1  0-0-0

Black is now ready for action,

while his opponent is still playing without a rook,
and it cannot be brought into the game quickly.

 22.¥f1

22.Kh2 Ng4+ 23.Kg1 Qa1+ 22.Nh5 Qf7 22.

f3 Rg8!

 ¦g8  23.f4  ¤xc4

A crucial inter mediate

move. 23...Rxg3 24.fxe5 would have given White
some chances.

 24.¤h5  £f7  25.£xc4  £xh5

 26.¦b2  ¦g3

The beginning of the final offensive.

 27.¥e2  £f7  28.¥f3  ¦dg8  29.£b3

29.Kf2 Qg7 30.

R h b 1   R x g 2 +

 b6  30.£e3  £f6  31.¦e2  ¥b5

 32.¦d2

3 2 . Q x e 7   Q x e 7   3 3 . R x e 7   R x f 3 !

 e5

Fischer finishes with surgical precision.

 33.dxe6

33.Rf2 exf4

 ¥c6  34.¢f1  ¥xf3

Spassky resigned

in the face of Qa1+.

0-1

D27

Spassky,Boris Vasily
Fischer,Robert James

Belgrade

1992

 1.d4  d5  2.c4  dxc4  3.¤f3  a6  4.e3  ¤f6  5.¥xc4
 e6  6.0-0  c5  7.dxc5  £xd1  8.¦xd1  ¥xc5
 9.¤bd2

Spassky decides not to repeat the

f i a n c h e t t o   p l a n   o f   t h e   p r e v i o u s   g a m e s .

 0-0

According to reports from the scene, Fischer spent
25 minutes on this move.

 10.a3

Finally Spassky

returns to the realm of ordinary theory.

 b5  11.¥e2

 ¥b7  12.b4  ¥e7  13.¥b2  ¤bd7

Both sides have

employed the extended fianchetto and there is a
great deal of symmetry. The presence of the rook
at d1 has little effect.

 14.¦ac1

 ¦fc8

 15.¤b3

The idea behind this plan, initiated at the ninth turn,
is to bring the knight to a5. But so many pieces
leave the board that Fischer reaches a drawn
game without difficulty.

 ¦xc1

 16.¦xc1

 ¦c8

 17.¦xc8+  ¥xc8  18.¤fd4  ¤b8  19.¥f3  ¢f8
 20.¤a5

 ¥d6

 21.¤db3

Spassky methodically

i n c r e a s e s   t h e   p o s i t i o n a l   p r e s s u r e   o n   t h e
queenside.

 e5

This takes control of the critical d4-

square and limits the scope of the Bb2.

 22.¤c5

 ¢e7  23.h3  ¤fd7  24.¤d3  f6

Fischer defends

accurately. The game is now level.

 25.¥e4

 g6

 26.f4

A last attempt to try to stir up some action, but

it does not succeed.

 exf4  27.exf4  ¤b6  28.¤b7

 ¥c7  29.¤bc5  ¤c4  30.¥c1  ¤d7  31.¢f1  ¤xc5
 32.¤xc5  ¥b6  33.¥d3  ¥xc5  34.bxc5  ¥e6
 35.¢f2  ¢d7  36.¥xc4  ¥xc4

½-½

B23

Fischer,Robert James
Spassky,Boris Vasily

Belgrade

1992

 1.e4  c5  2.¤c3  ¤c6  3.¤ge2  e5  4.¤d5

This knight immediately occupies Black's weak
square.

 ¤ge7  5.¤ec3  ¤xd5  6.¤xd5  ¥e7  7.g3

The fianchetto of the bishop is an innovation which
leads to quite different play from that of the normal
l i n e s .   I t   i s   p r o b a b l y   m o r e   f l e x i b l e   t h a n   t h e
development of the bishop at c4. 7.Bc4 is a major
alternative.

 d6

 8.¥g2

 h5

This threatens to

a d v a n c e   t h e   h - p a w n   w i t h   g r e a t   e f f e c t .

 9.h4

9 . h 3   h 4   1 0 . g 4   B g 5 !   g i v e s   B l a c k   e x c e l l e n t
c o u n t e r p l a y .

 ¥e6

9...Bg4!? deserves

consideration.

 10.d3

 ¥xd5

 11.exd5

 ¤b8

11...Nd4?! 12.c3 Nf5 13.Bh3!

 12.f4

Fischer tries to

grab the initiative right way, since otherwise Black
will simply complete his development and enjoy a
comfortable game.

 ¤d7

 13.0-0

 g6

 14.¦b1

Fischer now turns his attention to the queenside.
14.f5 is tempting, but it is not strong: Nf6! 15. fxg6
fxg6 16.Bg5 O-O and control of g4 gives Black a
good game.

 f5  15.b4  b6  16.bxc5  bxc5  17.c4

 0-0

 18.£a4

 ¥f6

How should this position be

evaluated? A bishop pair is useful, of course, but
t h e s e   c l e r i c s   a r e   n o t   v e r y   a c t i v e   r i g h t   n o w ,
compared with Black's pieces.

 19.¦b7

It is clear

that White's strategy must involve penetration of the
q u e e n s i d e .

 ¤b6

 20.£b5

20.Qc6 Rc8

accomplishes nothing for White.

 ¦f7

 21.¦xf7

 ¢xf7  22.¥d2  ¦b8  23.£c6

White wants to play

Rb1, but that could not be played right away. 23.
R b 1   N d 7   a n d   B l a c k   h a s   n o   p r o b l e m s .

 ¤c8

This parri es the threat of Rb1, but now Black's
forces are too far from the important strategic
ouposts at e5 and d7.

 24.¦e1  ¤e7  25.£a4  £c7

 26.¢h2  exf4

Opening up the position now favors

White, who controls the e- file. 26...Rb2?! 27.Bc3
Rf2? 28.Kg1 26... Ng8! is a strange move, but it is
best, because the knight will be able to gallop to g4.
Nevertheless, White will still have an advantage.

 27.¥xf4  ¥e5  28.¦e2

Now we can see that the

second rank needs protection. 28.Bxe5?! dxe5 and
Black can cover the sixth rank with Rb6, and then
adopt the knight maneuver with Ng8-f6-g4.

 ¦b6

Preventing Qc6, and thus freeing the knight from
the defensive chore.

 29.¢h3

White's king finds the

s a f e s t   s q u a r e .

 ¤g8

An outrageous blunder,

though Black's position was in any event difficult.
29...Bxf4 30.gxf4 Rb8

 30.¦xe5

This is the easiest

way to win. 30.Bxe5 dxe5 31.Rxe5 Nf6!

 dxe5

 31.¥xe5  £e7

31...Qxe5 32.Qxa7+ Ne7 33.Qxb6

and the safety of the White king means that the a-
p a w n   f l i e s .

 32.d6

Opening up d5 for the bishop.

 ¦xd6  33.¥xd6  £xd6  34.¥d5+  ¢f8  35.£xa7

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My 160 Memorable Games

60

 ¤e7  36.£a8+  ¢g7  37.£b7  ¢f8  38.a4  f4

B l a c k   i s   b u s t e d ,   b u t   S p a s s k y   c r e a t e s   s o m e
complications.

 39.a5  fxg3  40.a6  £f4  41.¥f3

41.Bg2?? Qg4++

 ¤f5  42.£e4  g2  43.£xf4  g1£

 44.¥e4

 £a1

 45.a7

 £xa7

 46.¥xf5

 gxf5

 47.£xf5+  ¢g7  48.£g5+  ¢f8  49.£h6+  ¢g8
 50.£xh5  £c7  51.£g6+  ¢h8  52.£f6+  ¢g8
 53.£e6+

53.Kg4 Qd7+ 54.Kg5 Qxd3?? 55.Qg6+

and White wins easily.

 ¢h8  54.£d5

54.h5! was

best.

 £f7  55.¢g2

55.Qxf7 is stalemate! 55.d4

Qf1+ 56.Kg4 Qg1+ 57. Kh5 Qd1+ 58.Kg6 Qg4+ 59.
Kf7 Qg8+! 60.Ke7 Qh7+ 61.Kd8 Qxh4+ 62.Kc7
Qxd4=

 £g6+  56.¢h3  £f7  57.£e5+  ¢h7

 58.¢g4  £g6+  59.¢f4  £h6+  60.¢f3  £g6
 61.£e4  ¢h8  62.¢e2

62.Qxg6 is also stalemate.

 £d6  63.£e3  £h2+  64.¢d1  £h1+  65.¢d2  £h2+
 66.¢c3  £xh4  67.d4  ¢h7

67...cxd4+ 68.Qxd4+

Qxd4+ 69.Kxd4 and White wins.

 68.d5

68.dxc5!

would have won, since the pawns create a barrier
against perpetual check.

 £f6+

 69.¢d3

 £d6

 70.£g5  ¢h8  71.¢d2  £b6  72.£e5+  ¢g8
 73.£e8+  ¢g7  74.£b5  £c7  75.¢c2  ¢f8  76.£a6
 £h2+  77.¢b3  £b8+  78.£b5  £c7  79.¢a3  £a7+
 80.¢b3  ¢e7  81.¢c2  ¢d8  82.¢d2  £c7  83.£a6
 £f4+

 84.¢c2

Now there is no avoiding the

perpetual check. Fischer's endgame play in this
game was simply terrible, and he must have been
kicking himself all night.

 £e4+

½-½

B44

Fischer,Robert James
Spassky,Boris Vasily

Belgrade

1992

 1.e4  c5  2.¤f3  ¤c6  3.d4  cxd4  4.¤xd4  e6
 5.¤b5

 d6  6.c4  ¤f6  7.¤5c3  ¥e7  8.g3

This seems to be a new idea. The bishop is usually
developed at e2.

 0-0  9.¥g2  a6  10.0-0  ¦b8

This prepares a break with b7-b5, which had to be
delayed because of pressure on the long diagonal.

 11.¤a3  £c7

11...b6 is a more convincing defence,

setting up a hedgehog.

 12.¥e3

 ¥d7

 13.¦c1

White is setting up threats of Nb5 and Nd5.

 ¤e5

 14.h3  ¦fc8  15.f4  ¤g6

This is not the normal

position for a knight in this setup, but it is playable.

 16.£d2

16.f5 Ne5 would provide Black with a

useful outpost.

 ¥e8

16...b6 might be better played

immediately.

 17.¦fd1  b6  18.£f2  h6  19.¢h2

A useful waiting move in a position in which no
immediate action is useful.

 £a7

The idea is to

prepare to establish a battery on the long diagonal
with Bc6 and Qb7.

 20.£e2  £c7

Perhaps Spassky

decided that Nc3-d5 was no big deal, but in any
event 20...Bc6 would have been a useful move.

 21.¥f3  ¥c6  22.¤ab1  £b7  23.¤d2  b5  24.cxb5

 axb5  25.b4

It is necessary to stop Black's b-pawn

from advancing and taking control of valuable
territory.

 £a8

Now that there are weaknesses on

the a-file, this is a good place for the queen. 25...
Ra8 also comes into consideration.

 26.¦c2

 d5

This is gener ally a strong strategic move in the
Sicilian, but there was an interesting alternative in
26. ..Qa3!?

 27.e5  ¤e4  28.¥xe4  dxe4  29.¥c5

This is very strong, achieving the strategic goal of
closing the c-file. Spassky now counts on the
pressure on the long diagonal and his active
pieces.

 ¥xc5  30.bxc5  ¦d8  31.¦e1

31.Ndxe4?

Rxd1 32.Qxd1 Bxe4

 ¤e7

The knight prepares to

o c c u p y   d 5 .

 32.¤cxe4

 ¤f5

32...Qa4 is an

interesting option, leading to unclear complications.

 33.¤b3  ¤d4  34.¤xd4  ¦xd4  35.¤d6  £a4  36.f5

A n   i m p o r t a n t   t h r u s t !

 ¦a8

 37.¦b2

 £a3

This is better than 37...Rb4.

 38.fxe6

 fxe6

 39.¤xb5

 ¥xb5

 40.£xb5

 ¦d3

Spassky targets g3.

 41.¦g2  £c3  42.¦ee2  ¦a3

 43.¦c2  £xe5  44.¦ce2  ¦e3  45.¦xe3  ¦xe3  46.a4
 ¦c3  47.c6  £d6

The c-pawn just marches along...

 48.c7

 ¦xc7

This is the decisive mistake. Black

should have played 48. ..Qxc7 49.Qe8+ Kh7 50.
Qxe6 and tried to grovel in the endgame.

 49.£b8+

 ¢h7  50.a5  h5

50...Rc6 51.Qxd6 Rxd6 52.Ra2

Ra6 53.Kg2 and White will win.

 51.h4  £c5  52.a6

 ¦f7  53.£b1+  ¢h6  54.£a2  ¦e7  55.£d2+  ¢g6
 56.¦e2  ¢h7  57.£c2+  £xc2  58.¦xc2  ¢g6
 59.¦a2

Simple technique brings the game to a

close.

 ¦a7  60.¦a5  e5  61.¢g2  ¢f6  62.¢f2  ¢e6

 63.¢e3  ¢f5  64.¢f3  g6  65.¦a3  g5  66.hxg5
 ¢xg5  67.¢e4

1-0

B20

Spassky,Boris Vasily
Fischer,Robert James

Belgrade

1992

 1.e4  c5  2.¤e2  ¤f6  3.¤bc3  d6  4.g3  ¤c6

Finally we have a fairly normal Closed Sicilian.
Spassky has a great deal of experience in these
positions from the White side, as it used to be his
speciality. But this game does not flow into his well-
traveled territory.

 5.¥g2  g6

5...Bg4 is a sensible

try, pinning the knight and encouraging the
weakening move f2-f3 but it hasn't been seen in a
while.

 6.0-0  ¥g7  7.d3  0-0

The game is in the

classical spirit. Nowadays Black usually prefers to
place the knight at e7 when fianchettoing the king
bishop.

 8.h3

Here Black has a wide range of

options.

 ¦b8

Black aims for early queenside play.

 9.f4  ¥d7

9...Ne8 comes into consideration.

 10.¥e3

10.g4 is premature, since White has not completed
d e v e l o p m e n t .   A n   u n c o n v i n c i n g   e x a m p l e   i s

background image

My 160 Memorable Games

61

presented in Koskela-Gerelma, below.

 b5  11.a3

11.Qd2 is consistent with White's opening strategy.
If the knight is attacked with b5-b4 then it can
transfer to the kingside.

 ¤e8

The idea is to use the

power of the Bg7 to support the invasion of the
knight at d4.

 12.d4  cxd4  13.¤xd4  b4

On the one

nd this entails a weakening of the pawn at a7, but
the rook will be active at b4, where it can place
pressure on White's center from the flank, another
hypermodern idea.

 14.¤xc6

14.axb4 Bxd4 15.

Bxd4 Rxb4 16.Bf2 Rxb2

 ¥xc6  15.axb4  ¦xb4

 16.¦xa7

 ¦xb2

 17.e5

This leads to a great

simplification of the position. White could have
played with a bit more ambition. 17.Nd5 Bxd5 18.
exd5 is slightly better for White.

 ¥xg2

 18.¢xg2

 ¤c7  19.exd6  exd6  20.¤a4  ¦a2  21.¥b6  £e8

The only move, but a sufficient one. Now the game
comes to a quick and quiet conclusion.

 22.¦xc7

 £xa4  23.£xd6  ¦xc2+  24.¦xc2  £xc2+  25.¥f2
 £e4+  26.¢g1

½-½

B23

Fischer,Robert James
Spassky,Boris Vasily

Belgrade

1992

 1.e4  c5  2.¤c3  e6  3.¤ge2  ¤c6  4.g3  d5

Spassky repeats the opening which did not bring
him success in game 17, but he must have had
some improvement in mind. Fischer does not let
him spring it.

 5.exd5  exd5  6.d3

Fischer deviates

from game 17.

 ¤f6

6...Bg4 is not so good here: 7.

Bg2 Nd4 8.h3 and White has the better game.

 7.¥g2  ¥e7  8.¥g5

White threatens to exchange at

f6, and increase pressure on the center. In the
present match Fischer seems to have evidenced a
disrespect for the common wisdom that bishops
are stronger than knights.

 d4

8...Be6 9.Nf 4! Bg4

10.f3 Be6 11.Nxe6 fxe6 12.O-O will leave Black
with the difficult task of defending the pawn at e6.

 9.¥xf6  ¥xf6  10.¤e4  ¥e7  11.¤f4  0-0  12.0-0
 ¦e8  13.£h5

White has harmoniously developed

his forces and Spassky must now be careful.

 g6

 14.£d5  ¥f5

14...Qxd5?! 15.Nxd5 and the knights

round up all the critical dark squares, especially f6
and c7.

 15.¦fe1  ¢g7  16.a3  ¦c8  17.h3  £xd5

 18.¤xd5  ¥f8

Spassky has successfully repulsed

the initial wave of the attack, and chances are
roughly level. Even without queens, Fischer goes
after the kingside.

 19.g4  ¥e6  20.¤ef6  ¦cd8

 21.g5  ¥d6  22.¦e4

Fischer prepars his beloved

march of the h-pawn. But Black's resources are up
to the defensive task.

 ¤e7  23.¦h4  ¦h8  24.¦e1

 ¤f5  25.¦he4  h6

Now it is White who must be

careful on the kingside, where Black is setting up a

c o u n t e r a t t a c k .

 26.h4

 hxg5

 27.hxg5

 ¦h4

 28.¦xh4  ¤xh4

Black now has a slight advantage,

threatening to capture at g2 and use the bishop
pair to great effect.

 29.¦e4

Fischer is willing to

argue that the knights are as strong as the bishops.
29.Be4 c4! leaves White in an uncomfortable
position.

 ¤f5

The most sensible decision. 29...

Nxg2 30.Kxg2 Rh8 31.Nf4! Bxf4 32. Rxf4 Rd8 33.
R h 4   a n d   n o w   W h i t e   s t a n d s   b e t t e r ,   a s   a n y
exchange of rooks will provide an easy win.

 30.¤f4

 ¥a2

Spassky wants to hang onto his bishop pair,

trying to squeeze a full point from the position. The
idea is to attack the base of the pawn chain with
Bb1. 30...Bxf4 31.Rxf4 b6 would have provided an
even endgame.

 31.¤4d5  ¥xd5  32.¤xd5  ¢f8

 33.¢f1  ¦e8  34.¦xe8+  ¢xe8

This endgame is

likely to be drawn as a result of the bishops of
o p p o s i t e   c o l o r s .

 35.¤f6+

 ¢d8

 36.¥xb7

36.Bd5 Bf4 37.Bxf7 Nd6 38.Bxg6 Bxg5 39.Ne4
N x e 4   4 0 . B x e 4   b 6   4 1 . a 4   K d 7   4 2 . K e 2

 ¥f4

The weakness of the g-pawn now provides Black
with the necessary target.

 37.¤e4  ¥c1  38.a4

 ¥xb2  39.¤xc5  ¥c1  40.¥e4

Fischer decides to

continue the battle. 40.Ne4 Ke7 41.Bd5 Bf4 and
Black will follow with Nd6, with an easy draw.

 ¥xg5

 41.¥xf5  gxf5  42.¤b3  ¥f6  43.¢g2

White starts

the long trek to the pawn at f7.

 ¢d7  44.¢g3  ¢e6

 45.¤a5

White's plan is simple. Capture the enemy

pawn at a7 and then advance the pawn at a2 to the
8th rank.

 ¥e5+

45...Kd5?! 46.Kf4!

 46.¢h4  ¥f6+

Spassky helps Fischer toward the objective at f7,
confident in the counterplay on the queenside.

 47.¢h5  ¢d5  48.¢h6  ¢c5

48...Ke5 49.Nc6+ Kf4

5 0 . N x a 7   K f 3   5 1 . N c 6   K x f 2   5 2 . a 5   a n d   W h i t e
achieves the goal more quickly than in the game.

 49.¢h7

 ¢b4

 50.¤c6+

 ¢c3

 51.¢g8

51.Nxa7 Kb4 gets rid of the pesky a-pawn.

 ¢xc2

 52.¢xf7  ¥h8

The only move.

 53.a5  ¢xd3  54.a6

 ¢e2  55.¤xa7  d3  56.¤c6  d2  57.a7  d1£
 58.a8£

Black has the advantage in this endgame,

and it is up to Fischer to display strong defensive
technique.

 £d5+  59.¢g6  £e6+  60.¢h7  ¥c3

 61.¤d8

The final finesse in the long game. The

draw is now unavoidable, but Spassky tries to
create a mating net anyway.

 £e7+  62.¢g6  £f6+

 63.¢h5

 £h8+

63...Bd2 64.f4 Bxf4 65.Qg2+!?

 64.¢g6  £g7+  65.¢xf5  £f6+  66.¢g4  £g6+
 67.¢f4  ¥d2+  68.¢e5  ¥c3+  69.¢f4  £d6+
 70.¢f5  £d7+  71.¢g5  £e7+  72.¢f5  £f6+
 73.¢g4  £g7+  74.¢f5  £f6+  75.¢g4  £g6+
 76.¢f4  ¥d2+  77.¢e5  £g5+  78.¢e6  £g4+
 79.¢f7  £d7+  80.¢g6

½-½

background image

My 160 Memorable Games

62

B20

Spassky,Boris Vasily
Fischer,Robert James

Belgrade

1992

 1.e4  c5  2.¤e2  ¤f6  3.¤bc3  d6  4.g3  g6  5.¥g2
 ¤c6  6.0-0  ¥g7  7.d4

Finally, a real Sicilian!

 cxd4

 8.¤xd4

The kingside fianchetto is not considered

dangerous against the Dragon formation, but there
was some interest in the line in the 1980's.

 ¥g4

8...Nxd4 9.Qxd4 O-O is the normal line.

 9.¤de2

9.f3 Bd7 10.Be3 ought to be at least slightly better
for White.

 £c8  10.f3  ¥h3

Black has equalized.

 11.¥xh3  £xh3  12.¥g5

The idea is to provoke

Black into playing h7-h6.

 0-0  13.£d2  h6  14.¥e3

14.Nf4 Qd7 15.Bxf6 Bxf6 16.Nfd5 Bg7 is about
even.

 ¢h7  15.¦ac1  £d7  16.¤d5

White plays

methodically. This formation makes it hard for Black
t o   a c h i e v e   c o u n t e r p l a y   o n   t h e   c - f i l e .

 ¤xd5

 17.exd5  ¤e5  18.b3  b5

The idea here is to limit

White's activity on the queenside. Black has at the
v e r y   l e a s t   a c h i e v e d   e q u a l i t y ,   e v e n   i f   W h i t e
manages to transfer the knight to c6.

 19.¥d4  ¦ac8

 20.f4

20.c3 is a reasonable alternative, e.g., Qb7

21.Be3

 ¤g4  21.¥xg7  ¢xg7  22.¤d4  ¤f6

This attacks the weak pawn at d5, and forces
White's reply.

 23.c4

23.Nc6? Nxd5!

 bxc4  24.bxc4

 e6

A useful break, and clearly better than the

alternatives. 24...Qa4 25.Nc6 and 24...Rfe8 25.f5!

 25.dxe6

25.Nc6 exd5 26. cxd5 Rfe8 27.Qb2 can

be met by 27...Qf5! 28.Rfd1 Kh7 and now Nxd5 is
threatened.

 fxe6  26.¦fe1  ¦fe8  27.¤b3  a6

Now the queen can make use of the a7-square.

 28.£d4  ¦c6

The weaknesses at c4 and d6 offset

each other. and the game is now dead even.

 29.¦ed1  e5  30.£xe5  ¦xe5  31.fxe5  dxe5
 32.¦xd7+  ¤xd7  33.¦d1  ¤f6  34.c5  ¢f7  35.¦c1
 ¤d7  36.¢f2  ¢e6  37.¢e3  ¢d5  38.¦d1+  ¢e6
 39.¦c1

There is no avoiding the draw now.

 ¢d5

Agreed drawn, since no progress can be made.

½-½

B80

Fischer,Robert James
Spassky,Boris Vasily

Belgrade

1992

 1.e4  c5  2.¤c3  ¤c6  3.¤ge2  d6  4.d4  cxd4
 5.¤xd4

 e6

Another open Sicilian, this time a

S c h e v e n i n g e n .

 6.¥e3

This is used to steer the

game into a specific variation of the Scheveningen,
namely, a delayed Keres Attack. The idea of a
Keres Attack is to play an early g2-g4-g5, aiming
directly at the enemy king.

 ¤f6  7.£d2  ¥e7  8.f3

This introduces the English Attack, favored by Nigel
Short and other British Grandmasters.

 a6  9.0-0-0

Black can also launch the kingside attack before
castling.

 0-0

With players castled on opposite

wings the life-or-death struggle begins.

 10.g4

This is the basic idea of the English Attack, which is
sort of a delayed Keres Attack. White launches a
p a w n s t o r m   a g a i n s t   t h e   B l a c k   k i n g .

 ¤xd4

10...Nd7 will just transpose below after an eventual
g4-g5.

 11.¥xd4

11.Qxd4 b5 12.h4 Bb7

 b5

11...Nd7 is also possible.

 12.g5

Technically this is

a theoretical new idea, but in fact the game steers
back into charted territory quickly. 12.Kb1 is the
alternative.

 ¤d7  13.h4  b4

13...Bb7 14.Bd3 Rc8

15.Kb1 Ne5 16.Qf2 White stands better.

 14.¤a4

 ¥b7

Here is the true new idea. 14...Qa5 15.b3 Nc5

 15.¤b6

This is Fischer's new idea. 15.Qxb4? Bc6

Intending Rb8, an idea that had already been
noticed by theoreticians, though it had not yet been
played in an attested game.

 ¦b8

15...Nxb6 16.

Qxb4 d5 17.Qxb6 Qxb6 18.Bxb6 dxe4 19.Rd7!
w i n s   f o r   W h i t e .

 16.¤xd7

 £xd7

 17.¢b1

White has the superior position because of a
spatial advantage and prospects for a kingside
attack.

 £c7  18.¥d3  ¥c8  19.h5  e5  20.¥e3  ¥e6

Spassky could have reached a similar position
some time ago, with less danger to himself on the
kingside. Now Fischer quickly builds his attack.

 21.¦dg1  a5  22.g6

A typical example of the g6-

break, seen many times in the games of Mikhail
Tal.

 ¥f6

Relatively best, since any capture at g6

could prove deadly.

 23.gxh7+

 ¢h8

 24.¥g5

White eliminates Black's most effective defender.

 £e7

24...Bxg5 25.Rxg5 f6 would have provided

stiffer resistance, though White would still have had
an impressive attack.

 25.¦g3

White wants to

double rooks on the g-file.

 ¥xg5  26.¦xg5  £f6

26...f6! would have been a stronger defense.

 27.¦hg1

 £xf3

Otherwise Wh ite will play his

queen to g2 with an overpowering attack. Now
Fischer must work for the win.

 28.¦xg7  £f6  29.h6

A problem-like solution. White must sacrifice both
h-pawns to expose the enemy king to the mating
attack.

 a4  30.b3

A prophylactic move to eliminate

any counterplay.

 axb3  31.axb3  ¦fd8

Black tries

to play d5, and get something going.

 32.£g2  ¦f8

 33.¦g8+  ¢xh7  34.¦g7+  ¢h8  35.h7

Since Rg8+

followed by a check on the h-file is inevitable,
Black resigned. Score: Fischer 9, Spassky 4, 12
draws.

1-0

background image

My 160 Memorable Games

63

E90

Spassky,Boris Vasily
Fischer,Robert James

Belgrade

1992

 1.d4  ¤f6  2.c4  c5  3.d5  d6  4.¤c3  g6  5.e4  ¥g7

Fischer plays a Benoni-style King's Indian. After a
brief spell in a transpositional Twilight Zone, the
game returns to well-known channels.

 6.¥d3

This is a more reliable move than 6.Bg5.

 0-0

 7.¤f3

Spassky plays conservatively, confident that

Black's formation is not a solid one. The point is
that by delaying e7-e6, Black will allow his
opponent to recapture at d5 with the e-pawn, and
the pawn structure will be good for White

 ¥g4

This is a well-known maneuver to fight for the e5
s q u a r e ,   b u t   w e   t h i n k   t h a t   B l a c k   c o u l d   h a v e
occupied that key square immediately with a good
game. 7...e5 8.O-O Ne8 and f7-f5 will give Black
an excellent position.

 8.h3

 ¥xf3

 9.£xf3

The exchange of bishop for knight is a common
theme in this variation. The bishop has little future
in this pawn formation, and the two knights can be
used effectively. Fischer has shown a preference
f o r   k n i g h t s   i n   t h i s   m a t c h .

 ¤bd7

 10.£d1

White avoids Ne5, which would have forked the
bishop and queen, leading to the elimination of the
powerful bishop.

 e6

 11.0-0

 exd5

 12.exd5

We would reach, by transposition, a position from
a n   o l d e r   g a m e .

 ¤e8

12...Re8 13.Bd2 a6 14.a4

Re7

 13.¥d2  ¤e5  14.¥e2  f5

Fischer employed

an analogous idea in his game against Korchnoi
from the Sousse Interzonal, 1967. The idea is to
take control of e4 and stop f2-f4- f5.

 15.f4

 ¤f7

The e6-squar e looks weak, but it is not easy to
take advantage of this. Still, the knight should have
gone to d7, from which it could retreat to f8 later if
needed, or work on the queenside via b6.

 16.g4

White's goal is to increase the activity of his bishop
pair and take control of all the important dark
squares, in particular e5 and f6.

 ¤h6

It is not easy

to give a recommendation for Black here, but
inviting g4- g5 was hardly the correct plan. There
are two alternatives which come to mind, each of
which may help justify Fischer's play in the opening.
16...fxg4 17. hxg4 g5!? undermines White's
pressure at e5.

 17.¢g2

17.g5 immediately would

have been more accurate.

 ¤c7

 18.g5

 ¤f7

 19.¦b1  ¦e8  20.¥d3  ¦b8  21.h4  a6  22.£c2  b5
 23.b3

White's general plan is to advance his h-

p a w n ,   w h i l e   B l a c k ' s   p o t e n t i a l   q u e e n s i d e
counterplay has been neutralized by this move.
Fischer is a player who requires active piece play,
and here he is suffocating.

 ¦b7

Fischer's play on

the b-file will be futile. Spassky now increases the
pressure slowly and surely.

 24.¦be1

 ¦xe1

 25.¦xe1  £b8

The threat is to capture on c4 and

infiltrate on b2, but Spassky deprives Fischer of
any such play with his next move.

 26.¥c1

 £d8

 27.¤e2

The knight is being transfered to an

attacking post at g3.

 bxc4  28.bxc4  ¤e8  29.h5

 ¦e7

 30.h6

White continues to press against

Black's pieces. Now Spassky steers straight for the
thematic sacrifice of the knight at f5.

 ¥h8  31.¥d2

 ¦b7  32.¦b1  £b8  33.¤g3  ¦xb1  34.£xb1  £xb1
 35.¥xb1

The elimination of the heavy pieces favors

White, since Black's remaining forces have no
scope.

 ¥b2  36.¢f3  ¢f8

White has achieved a

winning position. Now perhaps the most efficient
path to victory is the one which both Deep Thought
a n d   o u r   a n a l y t i c a l   t e a m   p r e f e r ,   n a m e l y   t h e
immediate sacrifice at f5.

 37.¢e2

37.Nxf5 gxf5 38.

Bxf5 Kg8 39.Bc8 and the a-pawn falls. Spassky
chooses another path, and it is also convincing.

 ¤h8

An ugly move, but otherwise disaster could

strike quickly. 37...Ke7 38.Nxf5+ gxf5 39.Bxf5 and
the h-pawn falls.

 38.¢d1  ¢e7  39.¢c2  ¥d4

 40.¢b3  ¥f2  41.¤h1

The knight would have been

better stationed at e2, covering the d4 square and
depriving Black of the outpost there.

 ¥h4  42.¢a4

 ¤c7  43.¢a5  ¢d7  44.¢b6

intending Kb7.

 ¢c8

 45.¥c2

 ¤f7

 46.¥a4

 ¢b8

 47.¥d7

 ¤d8

47...Bxg5 was the last chance, but even here White
would win with accurateplay.

 48.¥c3

 ¤a8+

Black's knights are utterly useless. 48...Nf7 49.Be6
N d 8   5 0 . B g 8

 49.¢xa6

 ¤c7+  50.¢b6

 ¤a8+

 51.¢a5  ¢b7  52.¢b5  ¤c7+  53.¢a4  ¤a8
 54.¢b3

The king has accomplished its task of

eliminating Black's pawn and now returns home to
safety.

 ¢c7  55.¥e8  ¢c8  56.¥f6  ¤c7  57.¥xg6

 hxg6  58.¥xd8

1-0

C69

Fischer,Robert James
Spassky,Boris Vasily

Belgrade

1992

 1.e4  e5  2.¤f3  ¤c6  3.¥b5  a6  4.¥xc6  dxc6
 5.0-0  f6  6.d4  exd4  7.¤xd4  c5  8.¤e2  £xd1
 9.¦xd1  ¥d7  10.¤bc3  ¤e7

This takes control of

the important d5 square, and the knight can be
developed later at g6.

 11.¥f4

 0-0-0

 12.¦d2

This is a new idea. Fischer intends to create
pressure on the d-file. But the standard plan with
12.Bg3 makes more sense.

 ¤g6  13.¥g3  ¤e5

 14.¥xe5

14.b3 prevents the knight from entering at

c4, but the pawn can go there instead.

 c4  15.¤d5

 ¥d6

 16.¦ad1

 ¥e6

This position is even. fxe5

Rad1 c4

 17.¢f1  ¥c5

Black's active bishops give

him the advantage, but Fischer manages to
redeploy his knights and keep the balance.

 18.¤g1

 ¥g4

Rxd8+ Rxd8 Rxd8+ Kxd8 Nce2 Ke7

 19.¢e1

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My 160 Memorable Games

64

 b5  20.c3

Kf6 h3

 ¥h5

Ng3 24.g4 is more active.

Bf7

 21.¤f3  g6

Nf1 g5!? This is an attempt to rattle

White's position and create some targets for the
bishops. But it allows White to establish strong
outposts on the weakened light squares.

 22.¢e2

Bg6 N3d2! With this move Fischer completes his
defensive program. Now the game is even, but
Spassky presses on. h5Ne3

 c6

Kf3 Bf7 The

exchange of dark-squared bishop for knight would
bring Black nothing. Ndf1 a5 Ke2 Be6 Ng3 Kg6

 23.a3

Bf7 Ngf5 6 Kf3 Bd7 Kg3 Be6 h4! Fischer

loses patience, but 38.Ke2 would also have been
equal. Bd7 hxg5 Kxg5 Nh4

 ¥g4

Now Black has to

play carefully in order to maintain the balance.
Nxg4 41.Nf3+ Bxf3 42.Kxf3 h4 hxg4 Nf5

 24.a4

f3 gxf3 Kxf3

 ¥f8

This prevents the White knight

from reaching e7 and d6.

 25.¤e3

Kh5 Nf5

 ¥c5

The bishop at c5 dominates the knight at f5,
preventing it from entering. So a draw was agreed.
g4+ would have been too risky: Kg5 Ng7 Kf6
Ne8+? Kf7 Nc7 Be7 followed by Bg5 and Black is
better.

½-½

E83

Spassky,Boris Vasily
Fischer,Robert James

Belgrade

1992

 1.d4  ¤f6  2.c4  g6  3.¤c3  ¥g7  4.e4  d6  5.f3  0-0
 6.¥e3  ¤c6  7.¤ge2  a6  8.h4  h5  9.¤c1  e5  10.d5
 ¤d4

Fischer does not repeat his mistake from

game 12.

 11.¤b3  ¤xb3  12.£xb3

12.axb3 Kh7!

13.Qd2 Ng8 and Black will play Bh6, solving his
major problem in this opening.

 ¢h7  13.¥e2  ¥h6

 14.¥xh6  ¢xh6  15.0-0-0  ¢g7  16.¢b1  £e7
 17.¦dg1

 ¦h8

 18.g4

Spassky tries the same

attacking method as in game 8, but Black's defense
is easier here because his pieces are better
coordinated.

 hxg4  19.fxg4  ¤d7  20.g5  ¤c5

 21.£d1  a5

This preserves the knight's outpost at

c5, which is very important in this formation.
Positionally, it can already be said that Black has a
better game, so White must attack on the kingside.

 22.¦f1  ¥d7  23.£e1  ¦h7

Fischer pressures the h-

pawn, by doubling rooks a few moves from now.

 24.£g3  ¦f8  25.¦f6  ¦fh8

The advance of the h-

p a w n   i s   n o   l o n g e r   p o s s i b l e ,   e v e n   i f   i t   w e r e
d e s i r a b l e .

 26.b3

26.Rhf1 Be8 and White would

have to worry about the dangling h- pawn.

 ¥e8

 27.¥g4  ¥d7  28.¥d1  ¥e8  29.¥g4  ¥d7  30.¥d1
 ¥e8

 31.¦f2

Spassky avoi ds the repetition of

moves, but objectively the game is completely
even.

 c6  32.a4

A wise choice, as if White plays

with too much ambition he can find himself in a
difficult position. 32.a3 b5! 33.cxb5 cxb5 34.b4

axb4 35.axb4 Na6 36.Rb2 Qa7! with a slight
advantage for Black.

 £d8  33.¢a2  £e7  34.¥g4

 ¥d7  35.¥d1  ¥e8

½-½

E83

Spassky,Boris Vasily
Fischer,Robert James

Belgrade

1992

 1.d4  ¤f6  2.c4  g6  3.¤c3  ¥g7  4.e4  d6  5.f3  0-0
 6.¥e3  ¤c6  7.¤ge2  a6  8.h4  h5  9.¤c1  ¤d7

Fischer decides to innovate, using a less direct
method of placing pressure at d4. Eventually, he
will move the knight from c6 and play c7-c5.

 10.¤b3

This seems logical, but as we will see it

turns out to be a dubious idea. 10.Qd2 e5 11.d5
N d 4   1 2 . N b 3   w o u l d   h a v e   b e e n   s t r o n g e r .

 a5

This is another component of Fischer's new plan.
He threatens to advance the pawn and drive away
the knight at b3, thus indirectly undermining the
support of the d4-square.

 11.a4

A direct reply, but

it weakens b4 and allows Black to establish a
strong outpost there. The knight should have
retreated to c1, even though that would amount to a
waste of time. Still, b5 would be a target. 11. Nc1 e5
12.d5 Nd4 13.Nb3

 ¤b4  12.¥e2  b6

This prepares

the important advance of the c-pawn to c5, adding
t o   t h e   p r e s s u r e   a t   d 4 .

 13.g4

Spassky, in a

desperate situation in the match, tries to play
sharply but this is a premature break. In game 20, it
succeeded, but only because the center was
closed. 13.Qd2! was correct, e.g., c5 14.Rd1 Bb7
15.O-O Here White would have had a very good
game.

 hxg4  14.fxg4  c5  15.h5  cxd4  16.¤xd4

A mistake, gh Black is already gaining the upper
hand because White's king is stuck in the center
and the pawn at e4 is becoming a liability. 16. Bxd4
Nc5! 17.Bxg7 Kxg7 and in this unclear position
B l a c k   h a s   g o o d   c h a n c e s .

 ¤c5

 17.¤d5

This is an empty gesture which only weakens the
p a w n   a t   e 4 .   S t i l l ,   i t   i s   h a r d   t o   f i n d   a n y t h i n g
convincing for White. 17.h6 Be5 17.Qd2 e5! 18.Bh6
Bh8 19.Bxf8 Qxf8 20.hxg6 exd4?? 21.Qg5 f6 22.
Rxh8+

 ¥b7

17...Nxe4? 18.Nxb4 axb4 19.hxg6

fxg6 20.Qc2 Ng3 21.Qxg6 Nxh1 22.Bd3 White will
win.

 18.¤f5

This may have some psychological

effect, but objectively Fischer has nothing to worry
about. 18.Bf3 The idea is to pave the way for the
queen to get to e2.

 gxf5  19.gxf5  ¥xd5  20.exd5

Now 20...Bf6 is a solid defense, but Fischer
calculated that he could afford to grab the pawn at
b2.

 ¥xb2  21.¢f1  £d7

An important component of

Black's defense. He attacks the pawn at f5 and ties
down White's pieces. 21. ..Bxa1 22.Qxa1 f6 23.
Rg1+ Kh8 24.Rg6 and White has serious threats.

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My 160 Memorable Games

65

 22.£b1

 ¥xa1

Now the rook can be safely

captured.

 23.¦g1+

2 3 . Q x a 1   Q x f 5 +

 ¢h8

23...Kh7? would have been dangerous for Black.
24.f6+ Kh8 25.Bg4! and if 23... Bg7 then 24.Bh6!

 24.£xa1+  f6  25.£b1

The f-pawn is once again

protected.

 ¦g8  26.¦g6  ¦xg6  27.hxg6  ¢g7

Spassky resigned the game, and the match comes
to an end. Final Score: Fischer 10, Spassky 5, 15
draws.

0-1

A48

Forbes,Cathy
Fischer,Robert James

Beograd blitz

1992

 1.d4  ¤f6  2.¤f3  g6  3.¥f4  ¥g7  4.¤c3  d6  5.e4
 0-0  6.h3  c5  7.dxc5  £a5  8.¥d2  £xc5  9.¥d3  a6
 10.a4  b6  11.0-0  ¥b7  12.¦e1  ¤bd7  13.¥e3  £c7
 14.£e2  e6  15.¥f4  e5  16.¥g3  ¤c5  17.¤d2  ¤h5
 18.¥h2  ¤f4  19.¥xf4  exf4  20.¤b3  ¤d7  21.£d2
 f3  22.g3  ¤e5  23.¥f1  h5  24.¦ad1  ¦ad8  25.¤d5
 ¥xd5  26.exd5  ¤c4  27.£d3  ¤xb2

0-1

B31

Fischer,Robert James
Spassky,Boris Vasily

Beograd m

1992

 1.e4  c5  2.¤f3  ¤c6  3.¥b5  g6  4.¥xc6  bxc6
 5.0-0  ¥g7  6.¦e1  f6  7.c3  ¤h6  8.d4  cxd4  9.cxd4
 0-0  10.¤c3  d6  11.£a4  £b6  12.¤d2  ¤f7
 13.¤c4  £a6  14.¥e3  £xa4  15.¤xa4  f5  16.exf5
 ¥xf5  17.¦ac1  ¦fc8  18.¤a5  ¥d7  19.b3  ¦ab8
 20.¤c3  ¢f8  21.a3  ¤h6  22.b4  ¤f5  23.¦ed1  ¢e8
 24.¤e4  ¦b5  25.h3  h5  26.¦d2  a6  27.¢f1  ¦d5
 28.¦cd1  ¦b5  29.¢e2  ¥e6  30.¦c1  ¢d7  31.¤c3
 ¦bb8  32.¢f1  h4  33.¢e2  ¥f6  34.¤e4  ¥d5
 35.¢d3  ¥g7  36.¦dc2  ¦c7  37.¦e1  ¦f8  38.f3  ¦b8
 39.¤c3  ¥g8  40.¤e2  ¥f7  41.¥d2  ¥f6  42.¦ec1
 ¦bc8  43.¤c4  ¦b7  44.¤a5  ¦bc7  45.¤c4  ¦b7

½-½

B23

Fischer,Robert James
Spassky,Boris Vasily

Beograd m

1992

 1.e4  c5  2.¤c3  ¤c6  3.¤ge2  e6  4.g3  d5  5.exd5
 exd5  6.¥g2  d4  7.¤d5  ¤f6  8.¤ef4  ¤xd5  9.¤xd5
 ¥d6  10.0-0  0-0  11.d3  ¥e6  12.¤f4  ¥f5  13.h3
 ¦b8  14.¥d2  ¦e8  15.¦e1  ¦xe1+  16.£xe1  £d7
 17.g4  ¦e8  18.£d1  ¥xf4  19.¥xf4  ¥e6  20.£f3

 ¤b4  21.£xb7  ¤xc2  22.¦c1  £xb7  23.¥xb7  ¤b4
 24.¥e4  ¥xa2  25.¥d2  ¥d5  26.¥xd5  ¤xd5
 27.¦xc5  ¤b6  28.¢f1  f6  29.¦a5  ¦e7  30.¥b4  ¦d7
 31.¥c5  ¢f7  32.¢e2  g5  33.¢f3  ¢g6  34.¢e4  h5
 35.¥xd4  ¦e7+  36.¢f3  h4  37.¥c5  ¦e1  38.¦xa7
 ¤d5  39.¥f8  ¦e8  40.¥d6  ¦e6  41.¦d7  ¤b6
 42.¦d8  ¤d5  43.b4  ¦e1  44.b5  ¦b1  45.¦b8  ¦b3
 46.¢e4  ¤c3+  47.¢d4  ¤xb5+  48.¢c4  ¦c3+
 49.¢xb5  ¦xd3  50.¢c6  ¦xh3  51.¢d5  ¦f3
 52.¢e6  ¦xf2  53.¦g8+  ¢h7  54.¢f7  ¦a2  55.¦g7+
 ¢h6  56.¥f8  ¦a7+  57.¢xf6  ¦a6+  58.¢f7

1-0

B24

Spassky,Boris Vasily
Fischer,Robert James

Beograd m

1992

 1.e4  c5  2.¤e2  ¤f6  3.¤bc3  e6  4.g3  ¤c6  5.¥g2
 ¥e7  6.0-0  d6  7.d3  a6  8.a3  £c7  9.f4  b5
 10.¢h1  0-0  11.¥e3  ¥b7  12.¥g1  ¦ab8  13.h3
 ¥a8  14.g4  b4  15.axb4  cxb4  16.¤a4  ¤d7
 17.£d2  ¦fc8  18.b3  a5  19.g5  ¥f8  20.¦a2  ¤e7
 21.¤d4  g6  22.¤b2  ¥g7  23.¤c4  d5  24.¤xa5
 dxe4  25.dxe4  e5  26.¤e2  exf4  27.¤xf4  ¤e5
 28.¤d3  ¦b5  29.¤xe5  £xe5  30.¤c4  £xg5
 31.¥e3  £h4  32.¤d6  ¥c3  33.£f2  £xf2  34.¦xf2
 ¦bb8  35.¤xc8  ¦xc8  36.¦a7  ¢f8  37.¥h6+  ¢e8
 38.¥g5  f6  39.¥xf6  ¥xf6  40.¦xf6  ¥c6  41.¢g1
 ¥d7  42.¦d6  ¥c6  43.¥f1

1-0

C69

Fischer,Robert James
Spassky,Boris Vasily

Beograd m

1992

 1.e4  e5  2.¤f3  ¤c6  3.¥b5  a6  4.¥xc6  dxc6
 5.0-0  f6  6.d4  exd4  7.¤xd4  c5  8.¤e2  £xd1
 9.¦xd1  ¥d7  10.¤bc3  ¤e7  11.¥f4  0-0-0  12.¥g3
 ¤g6  13.¦d2  ¤e5  14.¥xe5  fxe5  15.¦ad1  c4
 16.¢f1

 ¥c5  17.¤g1  ¥g4  18.¦xd8+  ¦xd8

 19.¦xd8+  ¢xd8  20.¤ce2  ¢e7  21.¢e1  b5  22.c3
 ¢f6  23.h3  ¥h5  24.¤g3  ¥f7  25.¤f3  g6  26.¤f1
 g5  27.¢e2  ¥g6  28.¤3d2  h5  29.¤e3  c6  30.¢f3
 ¥f7  31.¤df1  a5  32.¢e2  ¥e6  33.¤g3  ¢g6  34.a3
 ¥f7  35.¤gf5  ¥e6  36.¢f3  ¥d7  37.¢g3  ¥e6
 38.h4  ¥d7  39.hxg5  ¢xg5  40.¤h4  ¥g4  41.¤xg4
 hxg4  42.¤f5  a4  43.f3  gxf3  44.¢xf3  ¥f8  45.¤e3
 ¢h5  46.¤f5  ¥c5

½-½

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My 160 Memorable Games

66

C95

Fischer,Robert James
Spassky,Boris Vasily

2560

Beograd m

1992

 1.e4  e5  2.¤f3  ¤c6  3.¥b5  a6  4.¥a4  ¤f6  5.0-0
 ¥e7  6.¦e1  b5  7.¥b3  d6  8.c3  0-0  9.h3  ¤b8
 10.d4  ¤bd7  11.c4  c6  12.cxb5  axb5  13.¤c3
 ¥b7  14.¥g5  b4  15.¤b1  h6  16.¥h4  c5  17.dxe5
 ¤xe4  18.¥xe7  £xe7  19.exd6  £f6  20.¤bd2
 ¤xd6  21.¤c4  ¤xc4  22.¥xc4  ¤b6  23.¤e5  ¦ae8
 24.¥xf7+  ¦xf7  25.¤xf7  ¦xe1+  26.£xe1  ¢xf7
 27.£e3  £g5  28.£xg5  hxg5  29.b3  ¢e6  30.a3
 ¢d6  31.axb4  cxb4  32.¦a5  ¤d5  33.f3  ¥c8
 34.¢f2  ¥f5  35.¦a7  g6  36.¦a6+  ¢c5  37.¢e1
 ¤f4  38.g3  ¤xh3  39.¢d2  ¢b5  40.¦d6  ¢c5
 41.¦a6  ¤f2  42.g4  ¥d3  43.¦e6  ¢d5  44.¦b6  ¢c5
 45.¦e6

½-½

C95

Fischer,Robert James
Spassky,Boris Vasily

Sveti Stefan m

1992

 1.e4  e5  2.¤f3  ¤c6  3.¥b5

Quite brave of

Spassky, to test Fischer in the latter's favorite
opening. But then Spassky is also the master of the
Black side of the Spanish Game!

 a6  4.¥a4  ¤f6

 5.0-0  ¥e7  6.¦e1  b5  7.¥b3  0-0  8.c3  d6  9.h3
 ¤b8

The Breyer System, Spassky's pride and joy.

 10.d4  ¤bd7  11.¤bd2  ¥b7  12.¥c2  ¦e8  13.¤f1

13.b4 a5! prevents the planned advance of White's
a-pawn to a5.

 ¥f8  14.¤g3  g6  15.¥g5  h6

 16.¥d2  ¥g7  17.a4  c5  18.d5  c4  19.b4

This is an , and perhaps a strong one. It is not just
the move that is new, but the idea of a delayed b4
after Black has advanced to c4.

 ¤h7  20.¥e3  h5

 21.£d2  ¦f8  22.¦a3

Spassky mu st have been

feeling a creeping uneasiness, caused by the
potential problems on the a-file, where White's
heavy artillery will congregate.

 ¤df6

Black lack s

adequate counterply, since there is no real hope of
playing f7-f5. Therefore he tries to regroup his
pieces to prevent a capture at b5, and also
prepares to sacrifice a piece for the dominating
central pawns.

 23.¦ea1  £d7  24.¦1a2  ¦fc8

 25.£c1  ¥f8  26.£a1  £e8  27.¤f1  ¥e7  28.¤1d2

28.N3d2 is an interesting alternative, intending to
advance the f-pawn.

 ¢g7  29.¤b1

This threatens

to liquidate a lot of pieces following captures on a5
and a8, after which Nb1-a3 will win the weak pawn
at b5. So Black must try a desperate sacrifice.

 ¤xe4  30.¥xe4  f5  31.¥c2  ¥xd5  32.axb5  axb5
 33.¦a7  ¢f6  34.¤bd2

The knight has done its duty

on the queenside and returns to provide support for

the center and for its fellow steed at f3.

 ¦xa7

 35.¦xa7  ¦a8  36.g4

Fischer strives to open the

position, even if this entails exposing his king to
some danger. This is better than exchanging at a8,
as the resulting simplification would not help
White's attack.

 hxg4  37.hxg4  ¦xa7  38.£xa7  f4

Well-timed! 38...Qa8 would lead to an easy win for
White.

 39.¥xf4

Fischer's superb technique is

evident as he returns his trophy immediately. If he
had tried to hang on to it, victory would have been
less likely. 39.Bb6?! Qa8! 40. Qd7 Bxf3 41.Nxf3
Qxf3 42.Bd8 Bxd8 43.Qxd8+ is unclear.

 exf4

 40.¤h4

Another strong move which is not obvious.

The natural path would lead White astray: 40.Qd4+
K e 6   4 1 . Q g 7   N f 8   a n d   B l a c k   c a n   h o l d   o n .

 ¥f7

The fatal err or. The knight retreat was called for.
40...Nf8! 41.Qd4+ Ke6 42.Nf5 Bf6! 43. Qxf4 Be5
and Black could still put up a fight.

 41.£d4+  ¢e6

 42.¤f5

There is the threat of a big fork at g7.

 ¥f8

42...gxf5 43.Bxf5++

 43.£xf4

 ¢d7

 44.¤d4

The b5-pawn is unprotected. Spassky makes one
more attempt at counterplay.

 £e1+  45.¢g2  ¥d5+

 46.¥e4  ¥xe4+  47.¤xe4  ¥e7  48.¤xb5  ¤f8
 49.¤bxd6

 ¤e6

Spassky resigned here, rather

than face...

 50.£e5

1-0

E80

Spassky,Boris Vasily
Fischer,Robert James

Sveti Stefan m

1992

 1.d4  ¤f6  2.c4  g6  3.¤c3  ¥g7

The King's Indian,

another Fischer favorite.

 4.e4  d6  5.f3

The sharp

Saemisc h variation, though dulled somewhat by
Spassky's choice of continuations.

 c5

Normal is 5...

O-O, but the early hypermodern advance is also
seen.

 6.dxc5

6.d5 would lead to an ultra-sharp

Modern Benoni, but Spassky prefers the accepted
l i n e ,   w h i c h   l e a d   t o   a n   e a r l y   e n d g a m e .

 dxc5

 7.£xd8+  ¢xd8  8.¥e3

8.e5?! Nfd7 9.f4 f6! 10.exf6

exf6 11.Bd2 Re8+ 12.Be2 Nc6 13.O-O-O Nd4=
was agreed drawn in Marovic-Ivkov, Malaga 1981.

 ¤fd7

 9.¤ge2

9.O-O-O b6 10. f4 Bxc3 11.bxc3

Bb7 12.Nf3 Ke8 13.e5 Bxf3 14.gxf3 f5 15.exf6 Nxf6
16.f5 gave White an advantage in Spassky-
Gheorghiu,

 b6  10.0-0-0

Now Fischer introduces

a completely new plan, developing his knight on the
flank.

 ¤a6  11.g3  ¤c7  12.f4  e6

The Black

knights look very artificial.

 13.¥h3

This connects

the rooks and prepares f4-f5, but White could have
played more strongly by exchanging light-squared
bishops. 13.e5!? Bb7 14.Rg1 Ke7 15. Bg2 Bxg2 16.
Rxg2 f6 17.g4! fxe5 18.f5! and White has a strong
attack.

 ¢e7  14.¦hf1  h6  15.e5  ¥b7  16.g4

White prepares to play Ng3 and f5.

 ¦ad8  17.¤g3

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My 160 Memorable Games

67

 f6

 18.¤ce4

 fxe5

 19.f5

White has full

compensation for the sacrificed pawn, but Fischer
defends well.

 ¥xe4  20.¤xe4  gxf5  21.gxf5  ¤f6

 22.¦g1

This lets Fischer escape. 22. Ng3!? Rxd1+

23.Kxd1 Rd8+ 24.Ke2 gives White a dangerous
initiative. After capturing on e6, the light squares
will be very weak.

 ¦xd1+  23.¢xd1  ¥f8  24.¤xf6

 ¢xf6  25.¦f1  exf5  26.¦xf5+  ¢g7  27.¦xe5

This is natural, but nevertheless questionable,
since Black can now both consolidate his position
and win the important pawn at h2. 27.Rf2! deserved
consideration, for example Be7 28.Bd2 Rd8 29.Ke2
intending 30.Bc3.

 ¥d6  28.¦e4  ¥xh2  29.¢e2  h5

This modest pawn will reach the seventh rank in a
few moves and dramatically grow in stature.

 30.¦e7+  ¢f6  31.¦d7  ¥e5  32.b3  h4  33.¢f3  ¦g8
 34.¥g4

This is wrong, though few commentators

noticed it at the time. Alternatives promised
excellent drawing chances. 34.Bf4! Bxf4 35.Kxf4
Ne6+ 36. Bxe6 Kxe6 37.Rxa7 Rh8 38.Rg7 h3 39.
Rg6+! Ke7 40.Rg1=

 h3  35.¦h7  h2  36.¥f4  ¦f8

A very strong move. White now must part with the
exchange because of the threat of 37...Kg6.

 37.¥xe5+

37.Bxh2 Kg6+ 38.Ke4 Kxh7 39.Bxe5

g i v e s   W h i t e   m o r e   c h a n c e s   t o   e s c a p e .

 ¢g6+

 38.¢e4  ¢xh7  39.¥xh2  ¦e8+  40.¢f5

Intending to

tether Black's king to the edge of the board. 40.Kd3
is no better.

 ¤e6

 41.¢f6

 ¤d4

Fischer has

achieved a technically winning position, but
surprisingly he does not find the resources to crush
his opponent.

 42.¥d6  ¦e4  43.¥d7  ¦e2  44.a4

 ¦b2

44...Nxb3 was more logical, but even after the

text the position is still a win.

 45.¥b8  a5  46.¥a7

 ¦xb3  47.¢e5  ¤f3+  48.¢d6  ¤d2  49.¥e6  ¦b4
 50.¢c6  ¤b3

This throws away the win. 50...Nxc4

51.Bxc4 Rxc4 52. Kxb6 Rxa4 53.Kxc5 Kg6 54.Kb5
Ra2 55. Bc5 a4 56.Kb4 Kf5 and the Black king will
march to d3.

 [ 50...¤xc4  51.¥xc4  ¦xc4  52.¢xb6

 ¦xa4  53.¢xc5  ¢g6  54.¢b5  ¦a2  55.¥c5  a4
 56.¢b4

 ¢f5 ]  51.¥d5  ¦xa4  52.¥xb6  ¦a1

 53.¥xc5  a4  54.¥b4

Now the winning chances are

gone, since the c-pawn is preserved.

 a3

 55.c5

 ¤d4+  56.¢d7  ¦d1

56...a2 57.Bxa2! Rxa2 58.c6=

 57.¥xa3

 ¤c2

 58.c6

 ¦xd5+

 59.¥d6

Agreed drawn, because a piece must be sacrificed
to stop the pawn. Try playing on against Gambit if
you need proof.

½-½

C95

Fischer,Robert James
Spassky,Boris Vasily

Sveti Stefan m

1992

 1.e4  e5  2.¤f3  ¤c6  3.¥b5  a6  4.¥a4  ¤f6  5.0-0
 ¥e7  6.¦e1  b5  7.¥b3  d6  8.c3  0-0  9.h3  ¤b8

 10.d4  ¤bd7  11.¤bd2  ¥b7  12.¥c2  ¦e8  13.¤f1
 ¥f8  14.¤g3  g6  15.¥g5  h6  16.¥d2  exd4

Spassky deviates from the first game of the match.
The idea is to create more scope for the dark-
squared bishop.

 17.cxd4  c5  18.¥f4

This is the

most logical reaction, targeting the weak pawn at
d6. Black's position is solid however, with the
bishop guarding d6 from f8.

 cxd4

This second

exchange brings Spassky good fortune. It is hardly
a new idea, however. The idea was used in a game
between Tal and Keres, at Curacao 1962. Black
gets active piece play in return for his suspect
pawn structure.

 19.¤xd4

1 9 . Q x d 4   N c 5

 ¤e5

 20.b3  d5

This classical central thrust gives Black

an active game.

 21.£d2

21.Bxe5 Rxe5 22.f4 Rxe4

23.Nxe4 dxe4

 dxe4  22.¤xe4  ¤d5  23.¥g3  ¦c8

 24.¦e2

Perhaps this was an error. 24.Rad1 f5 25.

Nc5 Bxc5 26.Bxe5 Rxe5 27.Rxe5 Bxd4 28. Qxd4
Rxc2

 f5  25.¥xe5  ¦xe5  26.¤g3  ¦xe2  27.¤gxe2

 ¤b4  28.¦d1  ¤xc2

28...Nxa2 29.Bxf5 gxf5 30.

Qxa2 Qg5 In this complicated position both sides
h a v e   c h a n c e s .

 29.¤xc2

 £xd2

 30.¦xd2

We have reached a position where Black should
hold the advantage thanks to his bishop pair, but in
fact it is hard to achieve much.

 ¦c7  31.¤e3  ¢f7

 32.h4  ¥c8

32...h5 looks good, too.

 33.¤f4  g5

 34.hxg5  hxg5  35.¤d3  ¥g7

Black could have

tried for a little more with 35...Be6.

 36.¤d5

 ¦c6

 37.¤5b4  ¦c7  38.¤d5  ¦c6  39.¤5b4  ¦c7

½-½

D27

Spassky,Boris Vasily
Fischer,Robert James

Sveti Stefan m

1992

 1.d4  d5  2.c4  dxc4

Perhaps influenced by the

renewed interest in the opening in the 1980s. The
Queen's Gambit Accepted is an unusual choice
f r o m   F i s c h e r ,   w h o   u s u a l l y   p r e f e r s   a   m o r e
hypermodern treatment of 1.d4.

 3.¤f3

3.e4 is a po

pular alternative which has been the subject of
much scrutiny lately.

 ¤f6  4.e3  e6  5.¥xc4  c5

 6.0-0

 a6

 7.dxc5

Spassky shows a definite

preference for endgames in this match! 7.Qe2 and
7 . a 4   a r e   t h e   m o r e   c o m m o n   m o v e s .

 £xd1

7...Bxc5 8.Qxd8+ Kxd8 9.Nbd2 Ke7 10.b3 b6 11.
Bb2 Bb7 12.Be2 Nbd7=

 8.¦xd1

 ¥xc5

 9.b3

9.a3 with the idea of playing b4, is more common
here.

 ¤bd7  10.¥b2  b6

The cautious approach.

The extended fianchetto (10...b5) is riskier because
the pawn chain can be undermined by a2-a4.

 11.¤c3  ¥b7  12.¦ac1  ¥e7

12...O-O? 13.Na4 Be7

14.Bxf6 Nxf6 15.Nxb6

 13.¤d4  ¦c8  14.f3  b5

 15.¥e2

 ¥c5

Black has achieved full equality.

 16.¢f1

A very lame move. 16.Kf2 Ke7 17.a4 bxa4

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My 160 Memorable Games

68

18.Nxa4 Ba7 maintains equality.

 ¢e7

 17.e4

A strategic disaster. White weakens the long
diagonal without any good reason, allowing Fischer
to develop an interesting counterattack. 17.Kf2 was
the correct move.

 g5

Black intends to advance the

g-pawn, capture at f3, bring a knight to f4 and put a
rook on the g-file, a simple and effective plan.

 18.¤b1

The point of this move is to try to exchange

dark squared bishops after Ba3.

 g4

18...Bd6 might

have been more accurate, e.g., 19.Kf2 g4 with at
least equality.

 19.¥a3  b4

It is hard to believe that

Fischer overlooked the obvious exchange sacrifice
which follows. 19...Bxa3 20.Nxa3 gxf3 21.gxf3
Rhg8 22.Kf2 Ne5 with good play for Black.

 20.¦xc5

 ¤xc5  21.¥xb4

Now White's position is superior

thanks to his ferocious bishop and the vulnerable
Black king. The distance between a very good
position and a very bad one is very small indeed!

 ¦hd8  22.¤a3  gxf3  23.gxf3  ¤fd7  24.¤c4

W h i t e   h a s   a l r e a d y   a c h i e v e d   a   c o m p l e t e l y
dominating position because all of his pieces are
active, while Black lacks any counterplay.

 ¥a8

 25.¢f2  ¦g8  26.h4  ¦c7  27.¤c2  ¦b8  28.¥a3

This prevents Fischer from countersacrificing the
e x c h a n g e ,   a n d   m a i n t a i n s   t h e   s t r o n g   p i n .

 h5

 29.¦g1

 ¢f6

 30.¢e3

 a5

 31.¦g5

Spassky intensifies the pressure with every move.

 a4

This makes 's task easier, but it is hard to find

an alternative. Now White gets a powerful passed
pawn.

 32.b4

 ¤b7

 33.b5

 ¤bc5

 34.¤d4

White's domination is complete. Fischer now
embarks on a desperate sacrifice, but it doesn't
work.

 e5

A mistake.

 35.¤xe5  ¤xe5  36.¦f5+  ¢g7

 37.¦xe5

 ¤xe4

The point of the combination. If

Black takes the knight Fischer will escape.

 38.¥d3

38.fxe4 Rc3+

 ¦c3  39.¥b4

Spassky's ship steers

clear of the final reef and the game heads for home.

 ¦xd3+  40.¢xd3  ¤f6  41.¥d6  ¦c8  42.¦g5+  ¢h7
 43.¥e5  ¤e8  44.¦xh5+  ¢g6  45.¦g5+  ¢h7
 46.¥f4  f6  47.¦f5  ¢g6  48.b6

This modest pawn

decides the outcome of the game.

 ¦d8

 49.¦a5

 ¥xf3

 50.h5+

 ¢f7

50...Bxh5 51.b7

 51.¦a7+

Black resigns. The worst game by Fischer in the
first half of the match. Spassky played quite well.

1-0

D27

Spassky,Boris Vasily
Fischer,Robert James

Sveti Stefan m

1992

 1.d4  d5  2.c4  dxc4  3.¤f3  ¤f6  4.e3  e6  5.¥xc4
 c5  6.0-0  a6  7.dxc5  £xd1  8.¦xd1  ¥xc5  9.b3

9.Nbd2 b5 10.Be2 Bb7 11.Nb3 Be7 12.Na5 Forced
Spassky to grovel with the Black pieces against
Bronstein at Moscow 1964, so Spassky chose

another plan.

 ¤bd7  10.¥b2  b5

Fischer departs

from the path of the fourth game, which saw 11..b6.

 11.¥e2  ¥b7  12.¤bd2  ¢e7

12...O-O is probably

playable, for example 13.a4 bxa4 14.Rxa4 Nb6!?

 13.a4

It is precisely this move which often

discourages the extended fianchetto by Black. The
following exchange leaves the a-pawn weak. Few
players seem to enjoy the Black side of these
p o s i t i o n s .

 bxa4

13...b4 is not on because of 14.

Nc4 with tremendous pressure.

 14.¦xa4

 ¦hb8

14...Nb6 seems best. 15.Ra5 Bb4 16.Ba3 Bxa3 17.
Rxa3 Nfd5 18.Rda1 Nb4 secures the defense.

 15.¦c1

This ties down the Nd7 and Bc5 therefore

B l a c k   e x p e r i e n c e s   s o m e   d i s c o m f o r t .

 ¥d5

15...Nd5? 16.Rxc5 Nxc5 17.Ba3 is reminiscent of
game 4 of the match!

 16.¤e5

The weakness of c6

is important. Black's light-squared bishop can
easily be placed in a position where it has too much
work to do.

 ¥d6  17.¤xd7  ¤xd7  18.¦xa6  ¦xa6

 19.¥xa6  f6

A mistake. 19...Bxb3 20.Bxg7 19...Nc5

 20.¥c4  ¥xc4  21.¦xc4  ¤c5  22.¦c3

The inactivity

of White's pieces reduces the advantage of the
extra pawn.

 f5  23.¥a3  ¤e4

An interesting move.

 24.¦c7+  ¢d8  25.¥xd6  ¤xd2  26.¦xg7  ¦xb3
 27.h4  h5  28.¥f4

One might well expect White to

win from this position.

 ¢e8  29.¢h2  ¦b2  30.¢h3

 ¤e4  31.f3  ¤f2+  32.¢h2  ¤d3  33.¥g5  e5
 34.¢h3  ¤f2+  35.¢h2  ¤d3  36.¥h6  ¤e1

The pin on the g-pawn is most annoying.

 37.¢g1

 ¤d3  38.¥g5  ¦b1+  39.¢h2  ¦b2  40.¦e7+

Instead, 40.Rh7 would have won, as discovered by
the computer program Deep Thought II.

 ¢f8

 41.¦e6  ¢g7  42.¢h3  ¦e2  43.¦d6  ¤e1  44.¥f6+
 ¢g8  45.¥xe5  ¦xe3  46.¥f4

46.Rd5 The computer

program Deep Thought II claimed that White would
have won here, but human analysts felt that 46...
Kf7 would pro

 ¦e2  47.¦g6+

More problems would

have followed 47.Rf6.

 ¢f7  48.¦g5  ¢e6  49.¥c7

 ¦a2  50.¥b6  ¤d3  51.¢h2  ¤e1  52.¢h3  ¤d3
 53.¥c7  ¦c2  54.¥b6  ¦a2  55.¢g3  ¤e1  56.¦xh5
 ¦xg2+  57.¢f4  ¤d3+  58.¢e3  ¤e5  59.¦h6+  ¢d5
 60.¥c7  ¦g7  61.¥xe5  ¢xe5

Score: Spassky 2,

Fischer 1, 3 draws.

½-½

C90

Fischer,Robert James
Spassky,Boris Vasily

Sveti Stefan m

1992

 1.e4  e5  2.¤f3  ¤c6  3.¥b5  a6  4.¥a4  ¤f6  5.0-0
 ¥e7  6.¦e1  b5  7.¥b3  d6  8.c3  0-0  9.d3

Fischer decides to avoid the main lines, rather
uncharacteristically.

 ¤a5

Spassky shifts from the

Breyer to the Classical Chigorin formation.

 10.¥c2

 c5  11.¤bd2  ¦e8

11...Nc6 is a good alternative.

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My 160 Memorable Games

69

 12.h3

12.Nf1 might lead to some messy

complications, for example h6 13.a4 b4 14.cxb4
cxb4 15.Ne3 Bf8 16. d4 Qb6

 ¥f8  13.¤f1  ¥b7

 14.¤g3  g6  15.¥g5  h6  16.¥d2  d5

A tactical error.

Black must be very careful with this methodical
break. The Spassky himself succeeded with d5 vs.
Tal in a fairly similar situation. 16... Nc6 is correct.

 17.exd5

 c4

Apparently Spassky overlooked a

tactical point here or at the next move. 17...Qxd5 18.
c4! Qd8 19.Ne4 is clearly better for White.

 18.b4

It is even more effective, then the same break in the
first game.

 cxd3

18...cxb3 19.axb3 and there is no

way to prevent c4, after which White is cruising.

 19.¥xd3

 £xd5

19...Nc4 20.Bxc4 bxc4 21.Nxe5

Qxd5 22.Qf3! Rxe5 23. Rxe5 Qxe5 24.Qxb7 and
Black has no compensation for the pawn.

 20.¥e4

This is the point.

 ¤xe4  21.¤xe4  ¥g7  22.bxa5  f5

Spassky decides that he is going to sacrifice a
piece for active counterplay, the bishop pair, and a
pawnstorm.

 23.¤g3  e4  24.¤h4  ¥f6

The critical

mistake. 24...Rad8 would have provided adequate
counterplay.

 25.¤xg6  e3

This sharp continuation

regains the piece, because of the threat of mate at
g2 , but the endgame nevertheless favors White.

 26.¤f4

Guarding g2 and forcing the next few

moves.

 £xd2  27.¦xe3  £xd1+  28.¦xd1  ¦xe3

 29.fxe3

The smoke clears and Spassky's bishops

are not enough compensation for the pawns.

 ¦d8

29...Bxc3 30.Nxf5 is an easy win for White.

 30.¦xd8+  ¥xd8  31.¤xf5  ¥xa5

Black hopes that

the bishops will compensate for the missing pawns,
but the clerics are not all-powerful ayatollahs!

 32.¤d5  ¢f8

32...Bxd5 33.Ne7+ Kf7 34.Nxd5

 33.e4

 ¥xd5

What else? 33...Ke8 34.Nd6+

 34.exd5  h5

 35.¢f2  ¥xc3

Black finally gets this pawn out of the

way, but White has one passed pawn and one
potential passed pawn, which prove decisive.

 36.¢e3  ¢f7  37.¢d3  ¥b2  38.g4  hxg4  39.hxg4
 ¢f6  40.d6  ¢e6  41.g5  a5

41...Kxf5 42.d7

 42.g6

 ¥f6

 43.g7

The pawns are just too active. Even

sacrificing the remaining piece will not help.

 ¢f7

43...Bxg7 44. Nxg7+ Kxd6 45.Kd4 a4 46.Nf5+ is a
simple winning endgame, since Black cannot
eliminate the White pawn.

 44.d7

1-0

E84

Spassky,Boris Vasily
Fischer,Robert James

Sveti Stefan m

1992

 1.d4  ¤f6  2.c4  g6  3.¤c3  ¥g7  4.e4  d6  5.f3  0-0
 6.¥e3  ¤c6  7.¤ge2  a6  8.£d2  ¦b8

This is the

starting position of the hypermodern Saemisch.

 9.h4

An aggressive move. Alternatives include 9.

N c 1 ,   9 . a 3 ,   9 . R b 1 ,   9 . B h 6   a n d   9 . O - O - O .

 h5

Black does not allow the h-file to be opened easily
with h4-h5.

 10.¥h6

Probably Spassky thought that

his attack will be assisted by the inclusion of the
pawn moves on the h-file, but the pawn at h5 is
better than at h7.

 e5

Evidently a new idea, though

very much in the spirit of the position.

 11.¥xg7

 ¢xg7  12.d5

12.O-O-O is more logical, because

with the bishops gone it does not make sense to
keep the position closed.

 ¤e7  13.¤g3

To stop b7-

b5.

 c6

Time to chip away at the central wedge!

 14.dxc6  ¤xc6  15.0-0-0

Black could now defend

his backward pawn with ...Nd4, but the weakness
of White's c-pawn and the presence of the king on
t h e   c - f i l e   p r o v i d e   o p t i o n s .

 ¥e6

 16.¢b1

16.Qxd6 Qxd6 17.Rxd6 Nd4 and White would have
difficulty extricating the rook, while the eventual
occupation of the c-file by a Black rook.

 ¤e8

Now Black pr otects the d-pawn and the g5-
square against the idea of Nf5+. This disrupts the
coordination of Black's rooks but the knight will be
redeployed at c7 or f6 at an appropriate moment.

 17.¤d5

 b5

 18.¤e3

 ¦h8

Since there is no

possibility of playing f7-f5 without great risk,
Fischer supports the h5-square. Fischer is playing
in the style of Nimzowitsch here, using prophylactic
moves.

 19.¦c1  £b6  20.¥d3  ¤d4  21.¤d5  £a7

Black will capture at d5 at a more opportune
moment. From a7 the queen can be transferred to
e7 and help protect the kingside. 21...Bxd5 22.cxd5
Nf6 23.Rc3 Rbc8 24.Rhc1 with control of the c-file.

 22.¤f1  ¤f6

The knight has done its tour of duty at

e8 and now it gets out of the way and reconnects
t h e   r o o k s .   B u t   t h i s   i s   a   b i t   r i s k y .

 23.¤fe3

Spassky could have more aggressively exploited
t h e   k i n g s i d e   s t r u c t u r e .

 ¥xd5

 24.cxd5

24.Nxd5 Nxd5 25.cxd5 and the knight is obviously
m u c h   m o r e   p o w e r f u l   t h a n   t h e   b i s h o p .

 ¦bc8

 25.¦cf1

Spassky avoids the exchange of rooks

and prepares the advance of the f- pawn. But he
never gets a chance to play it.

 £e7

 26.g4

This break turns out to be ineffective. 26.f4!? The
idea is to play f5.

 ¤d7  27.g5

White gains some

s p a c e ,   b u t   h i s   p a w n   s t r u c t u r e   w i l l   b e   m o r e
vulnerable in an endgame.

 ¢f8

This is heavy-duty

p r o p h y l a x i s .   P e r h a p s   F i s c h e r   r e - r e a d
Nimzowitsch's My System before the match. But he
may have missed the redeployment of White's
bishop at h3.

 28.¦f2  ¢e8

Black is m oving his king

to a secure position. It can reoccupy the kingside
later. The immediate effect is to discourage f3-f4.

 29.¥f1  ¤c5  30.¥h3  ¦c7  31.¦c1

A good move or

an oversight? As Spassky handles it, things turn
out badly, but perhaps this move is actually very
strong! 31.f4? Nxe4 31.Rhf1 intending Bg2 and f4
comes into consideration since Black has no
immediate threats.

 ¤cb3

A simple but effective

combination.

 32.axb3  ¤xb3

This is the critical

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My 160 Memorable Games

70

position.

 33.¦c6

33.Qc2!? is Kasparov's

p r e f e r e n c e .

 ¤xd2+

 34.¦xd2

 ¢f8

 35.¦xa6

35.Rdc2 Ra7 Intending Kg7.

 ¦a7  36.¦c6  ¢g7

 37.¥f1

White could probably have resigned here.

 ¦a1+  38.¢xa1  £a7+  39.¢b1  £xe3

Finally the

queen achieves an active position!

 40.¢c2

 b4

White resigned, facing threats of b4-b3 and Qxf3.
One of the most dramatic games in the first part of
the match. Score: Fischer 3, Spassky 2, 3 draws.

0-1

C69

Fischer,Robert James
Spassky,Boris Vasily

Sveti Stefan m

1992

 1.e4  e5  2.¤f3  ¤c6  3.¥b5  a6  4.¥xc6  dxc6

Fischer abandons the Spanish Inquisition in favor
of one of his old weapons, the Exchange Variation.

 5.0-0  f6  6.d4  exd4  7.¤xd4  c5  8.¤b3  £xd1
 9.¦xd1  ¥g4  10.f3  ¥e6  11.¤c3

This is an

important move order finesse. 11.Be3 b6 12.Nc3
Ne7 Black has a comfortable position since 13.Bf4
can be met by 13...c4, when the d-file will be
blocked.

 ¥d6  12.¥e3  b6  13.a4  0-0-0  14.a5

 ¢b7  15.e5

A strong move, but contrary to some

opinion, not a new idea.

 ¥e7

 16.¦xd8

 ¥xd8

Here is where Fischer innovates, improving on a
1976 game.

 17.¤e4

Exploiting the possibility of a

fork at c5. 17.axb6 cxb6 18.Ne4 Bxb3 19.Nd6+ Kc6
20.cxb3 Ne7 21.Rxa6 Nd5 was agreed drawn in
Adorjan-Ivkov, Skopje 1976.

 ¢c6

17...Bxb3 18.

cxb3 f5 19.Rd1! Ne7 20.Ng5 Nc6 21.axb6 Bxg5 22.
Bxg5 Kxb6 23. Rd7 Re8 24.Rxg7 Rxe5 25.Rxh7
R e 1 +   2 6 . K f 2   R b 1   2 7 . h 4 !

 18.axb6

 cxb6

18...Bxb3 1 9.b7! Kxb7 20.Nxc5+ and White should
win easily. Or 18.. .fxe5 19.b7 Kxb7 20. Nbxc5+
and White wins.

 19.¤bxc5  ¥c8

19...bxc5 20.

Rxa6+ Kb7 21.Nxc5+

 20.¤xa6  fxe5  21.¤b4+

and Spassky resigned. An effective opening
preparation leading to a quick kill and a big match
lead.

1-0

E35

Spassky,Boris Vasily
Fischer,Robert James

Sveti Stefan m

1992

 1.d4  ¤f6  2.c4  e6  3.¤c3  ¥b4

The Nimzoindian

Defense, another of Fischer's hypermodern
f a v o r i t e s .

 4.£c2

Spassky responds with the

Classical variation, which has surged in popularity
i n   t h e   l a s t   d e c a d e .   H a s   F i s c h e r   k e p t   u p
withthetheory?

 d5

This is an proved plan, which

takes advantage of the abandonment of the d-file
by the White queen, undermining the support of d4.

 5.cxd5

 exd5

 6.¥g5

A natural con tinuation,

keeping up the battle for d5 and employing themes
of the Queen's Gambit Declined, Exchange
V a r i a t i o n .

 h6

There are all sorts of alternatives

here, but Fischer sticks to the main line.

 7.¥h4  c5

 8.dxc5

 ¤c6

 9.e3

Black continues to develop

quickly, rather than waste time picking up the weak
p a w n   a t   c 5 .

 g5  10.¥g3  £a5  11.¤f3  ¤e4

 12.¤d2  ¤xc3  13.bxc3  ¥xc3

The critical position

of the opening. Fischer clearly is happy to get into a
theoretical brawl.

 14.¦b1  £xc5  15.¦b5  £a3

 16.¦b3

 ¥xd2+

 17.£xd2

 £a5

 18.¥b5

Spassky plays for a win after three disappointing
games. 18.Rc3!? was probably wiser, avoiding the
exchange of queens. Spassky is enough of a
specialist in the Tarrasch to appreciate that!

 £xd2+

 19.¢xd2

Once again we have an early endgame.

 ¥d7  20.¥xc6  ¥xc6  21.h4  ¢e7  22.¥e5  f6
 23.¥d4

The bishops of opposite color, and the fact

that White's is more active, suggest an evaluation
of the position as roughly level.

 g4  24.¦c1  ¢e6

 25.¦b4  h5  26.¦c3  ¦hc8  27.a4

This creates a

weakness. 27.a3 was wiser, with a balanced game.

 b6  28.¢c2  ¥e8

Black wants to exchange rooks.

Fischer has the advantage now.

 29.¢b2

 ¦xc3

 30.¥xc3  ¦c8  31.e4

After this advance Black's

bishop gains additional scope. 31.Bd4 Bg6 32.Bc3
was a safer option, though White's game would be
very passive.

 ¥c6  32.exd5+  ¥xd5  33.g3  ¥c4

This locks in the White rook. Black plans Kd5, and
then Re8-e2+.

 34.¥d4  ¢d5  35.¥e3  ¦c7  36.¢c3

 f5  37.¢b2  ¢e6  38.¢c3  ¥d5+  39.¢b2  ¥e4
 40.a5  bxa5  41.¦b5  a4  42.¦c5  ¦b7+

42...Rxc5?

43.Bxc5 would be a dead draw.

 43.¢a3

 a6

 44.¢xa4

 ¥d5

 45.¢a5

 ¢e5

 46.¢xa6

The position appears very drawish but Fischer is
determined to fight to the end and he almost
succeeds. The basic idea is to sacrifice the
exchange at just the right moment, when the pawns
can be activated.

 ¦b3

 47.¦c7

 ¢e4

 48.¦h7

This is the only chance for counterplay. Spassky
tries to get a passed h- pawn. The complications
which follow are both interesting and instructive.

 ¦xe3  49.fxe3

49.Re7+? Kf3 50.Rxe3+ Kg2 51.Ra3

Bf3 52.Ra2 Kf1 intending Be2+ and Kxf2.

 ¢xe3

 50.¦xh5  ¥e4  51.¦h8

White is ready to advance

his pawn.

 ¢f3  52.¦e8  ¢xg3  53.h5  ¥d3+

 54.¢b6  f4

All the passed pawns are racing toward

the goal line, but who get the prize first?

 55.¢c5

The most accurate move, forcing a draw. Even
against less precise play a draw would still be likely,
however. 55.h6 f3 56.Rf8 f2 57.Kc5 Kg2 58.Kd4
Bh7 59.Ke3 g3 60.Rf7 Kg1 61.Ke2 Bg8 62.Rf6
Bc4+ 63. Ke3=

 f3  56.¢d4  ¥f5  57.¦f8  ¢f4  58.h6

 g3

58...f2 59.h7 f1Q 60.h8Q and a draw is likely,

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My 160 Memorable Games

71

since Black cannot do anything with his initiative,
since the bishop is pinned.

 59.h7

 g2

 60.h8£

 g1£+  61.¢c4

Now all White has to do is avoid the

exchange of queens.

 £c1+

 62.¢b3

 £c2+

 63.¢b4  £e4+  64.¢c3  £c6+  65.¢b3  £d5+
 66.¢c3  £c5+  67.¢b2  £b4+  68.¢a2

½-½

B31

Fischer,Robert James
Spassky,Boris Vasily

Sveti Stefan m

1992

 1.e4  c5

After the disaster of the previous Spanish

Inquisition, Spassky slides into Sicilian territory.

 2.¤f3

 ¤c6

 3.¥b5

Somewhat of a surprise.

Fischer usually prefers the well-traveled paths of
more topical lines, enjoying the theoretical duels.

 g6  4.¥xc6  bxc6

Theory prefers 4...dxc6, but there

is nothing wrong with this choice.

 5.0-0

 ¥g7

 6.¦e1  e5

A critical advance, which prevents White

from playing e4-e5 or d2-d4. But the blocking of
the long diagonal creates an interesting opportunity
for White. Spassky consistently rejects previous
p r a x i s ,   b u t   o p t s   f o r   6 . . . f 6   i n   g a m e   1 3 .

 7.b4

A typical example of a move which is trivial when
played prematurely (at move 2) but which can be
quite effective if delayed until an appropriate
moment.

 cxb4  8.a3

This gambit underlines the

defects of 6...e5.

 c5

8...d6 9.axb4 Ne7 10. h3 O-O

11.d3 gives White a slightly better position,
because there are some weaknesses in Black's
position. But 8...bxa3 9.Bxa3 d6 gives White
sufficient compensation for the pawn, but how
much more?

 9.axb4  cxb4  10.d4

10.Bb2 d6 11.d4

exd4 would transpose back to the game.

 exd4

10...d6?! 11.dxe5 dxe5 12.Qxd8+ Kxd8 13.Bd2!
regains the pawn with interest.

 11.¥b2

 d6

Now the long diagonal can be the site of some
tactical operations.

 12.¤xd4

12.Bxd4 Nf6 would

be roughly equal, with the bishop pair working to
Black's advantage.

 £d7

12...Qb6 13.Nd2 Bxd4 14.

Nc4 Bxf2+ 15.Kh1 Qc5 16.Nxd6+ Ke7 17.Nf5+!
wins for White.

 13.¤d2  ¥b7

13...Ne7 would have

been more cautious but White would have had a
strong position in any case.

 14.¤c4

 ¤h6

Now the White knight makes a brilliant leap.

 15.¤f5

 ¥xb2

15...Nxf5 16.exf5+ Kf8 17.Bxg7+ Kxg7 18.f6+

Kg8 19.Qxd6 Qxd6 20.Nxd6 Bc6 21. Ra6! Bd5 22.
R x a 7 !   w o u l d   l e a d   t o   a   r a p i d   W h i t e   v i c t o r y .

 16.¤cxd6+  ¢f8  17.¤xh6  f6

The losing move.

 18.¤df7  £xd1  19.¦axd1  ¢e7  20.¤xh8  ¦xh8
 21.¤f5+

A reprise of the main theme. This time, it is

decisive.

 gxf5  22.exf5+  ¥e5

The only way to

avoid losing a rook. 22...Kf8 23.Rd8+ Kg7 24.Re7+

 23.f4  ¦c8  24.fxe5  ¦xc2

24...fxe5 25.Rxe5+ Kf6

26.Rb5 and Black has no counterplay at all.

 25.e6

The protected passed pawn will remain a pain in
B l a c k ' s   s i d e   f o r   s o m e   t i m e .

 ¥c6

 26.¦c1

T h i s   f o r c e s   t h e   e x c h a n g e   o f   r o o k s .

 ¦xc1

26...b3 27. Rxc2 bxc2 28.Rc1 Be4 29.g4 a5 30.Kf2
a4 31.Ke3 and Black can give up.

 27.¦xc1  ¢d6

 28.¦d1+

 ¢e5

28...Ke7 29.Ra1 and the a-pawn

goes.

 29.e7  a5

Black's last gasp. 29...Kxf5 30.Rd6

Ba4 31.Ra6

 30.¦c1  ¥d7  31.¦c5+  ¢d4  32.¦xa5

The rest is simple.

 b3  33.¦a7  ¥e8  34.¦b7  ¢c3

 35.¢f2  b2  36.¢e3  ¥f7  37.g4  ¢c2  38.¢d4  b1£
 39.¦xb1  ¢xb1  40.¢c5  ¢c2  41.¢d6 
 [ 41.¢d6

and Black resigned, since a losing endgame is
inevitable:

 ¢d3  42.¢d7  ¢e4  43.e8£+  ¥xe8+

 44.¢xe8  ¢f4  45.¢f7  ¢g5  46.¢g7

etc.

]

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