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


Duetto No. 2 in F dur

BWV 803

4 Duetti from Clavier-Übung III

(J.S.  Bach)

arr. Paolo Leva

Clarinet 

Bass

Clarinet

         

     





 

7



           

            

  

12

 

       

 

 

  

   

   

17

 



                 

    

                

22

 

  

 

  

 

 

        

   

27

  

      

  

  



     

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32

Fine

Fine

Fine

Fine

 

   

 

 

 

       

   

   



38

  

   

 

 

         

    

   

            

44



 

                

  

 

  

 

    

     

  

51





  

   

    

    

    

  



          

  

  

57

   

       

 

  

  

   

       

 

         

63

   

     

           

         



          

69



             



 

        

  

2

background image

75

 

 

                

                            

80

 

                

    

     

 

    

 

 

86

         

 

  

  

 

      

 

           

93

 

  

               

                  

  

99

  

              

 

    

 

              

 

  

105

             



 

  

 

   

 

 

 

            





   

112

D.S. al Fine

D.S. al Fine

D.S. al Fine

D.S. al Fine

 



        

 

       

          

3