Selling Points

1. Finally, the domestic release of The Earlies debut album which has garnered huge buzz in the UK, including major press in Mojo, Uncut, Q, NME, The
Guardian.
2. First-ever full North American tour is planned for November and December, 2005.
3. More than 20,000 copies have already been sold in the UK.
4. The initial pressing will contain a limited edition bonus second disc, available only in North America.
5. Full-scale publicity campaign.
6. Extensive retail marketing campaign.

Produced on both sides of the Atlantic and with a palette of sounds almost as wide; The Earlies debut album These Were The Earlies brings together their first self
released singles and subsequent EP's. Originally released in 2004 on Names/679 Recordings in the UK, Secretly Canadian is proud to present this gem to the long-
deprived people of North America.

Working with manipulated performances by a collective of English and American musicians These Were The Earlies combines layered vocals with imaginary and
more traditional instruments to produce a unique pop sound where sonic exploration can still take place. Residing in Northern England and Western Texas The Earlies
are united by a shared love of The Band, The Beach Boys, The Byrds, and The Beatles. All get a gracious nod on The Earlies debut album together with a unique
mix of obscure psychedelic, progressive, leftfield and country influences. It’s very apt that Brian Wilson has waited until recently to unveil his masterpiece Smile, it
could be said The Earlies have provided us with the 21st Century equivalent. The variety of instrumental texture, layered harmonies and electronic tweaks - complete
with a strong American lead vocal - could easily make The Earlies a Jason Pierce, Neil Young, and Phil Spector side project were they all decided to let their hair
down and have a bit of fun for a change. Traversing some of the same territory inhabited by Deserter’s Songs-era Mercury Rev and Olivia Tremor Control, The
Earlies truly steer their own ship.

The Earlies lovingly crafted music is the culmination of many years posting and emailing ideas back and forth. They began releasing their own 7” records in the sum-
mer of 2002 and have developed into a full-blown live band, studio collective, and production team. Producing their own songs and successfully honing their chaotic
“whoever’s available” studio approach to perform production duties for an increasingly impressive array of artists such as Micah P. Hinson, Leona Ness, and King
Creosote under their Names On Records guise.

In the spring of 2004 the four core members of The Earlies got together for the first time, rounded up their mates and took to the road with an eleven-piece band. In
the handful of shows they have done to date they have built an impressive reputation for their uncompromising set up, on stage banter and confident widescreen
sound. From the first chance meetings in Texan record stores and Manchester watering holes to the triumphant, team sized, live show The Earlies believe their “musi-
cally simple - sonically tricky” approach should always be entertaining.

The Earlies are Giles Hatton (Manchester), Christian Madden (Burnley) for the English half, and John Mark Lapham (Abilene) and Brandon Carr (Dallas) for the
Texan other half.

“A psychedelic, electro mind meld that warrants their own special inclusion on the mental health register. Fuck me they’re good.” - “Insane pop genius. Scintillating.”
NME 10/10

“A work of baroque detail as if journeying awestruck through some imaginary wild west.” - Q

“This rustic hymn to imperfect pop is a reminder that Britain and the States still have a special relationship.” - The Observer

“The best debut album of 2004.” - Uncut

THE EARLIES

THESE WERE THE EARLIES

LABEL: Secretly Canadian

CAT #: SC137

FORMAT: CD

UPC #: 656605013725 CD

CD UPC:

6

56605 01372

5

CD BOX LOT: 25

STREET DATE: October 25, 2005

LIST PRICE: $14.98

In the Beginning… • One of Us is Dead • Wayward Song • Slow Man’s Dream

25 Easy Pieces • Morning Wonder • The Devil’s Country • Song for #3 • Lows • Bring it Back Again

Dead Birds